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Journal articles on the topic 'Daniel Gendre'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Hutahaean, Hasahatan. "Menafsir Genre Apokaliptik Kitab Daniel." ILLUMINATE: Jurnal Teologi dan Pendidikan Kristiani 3, no. 1 (2020): 25–39. http://dx.doi.org/10.54024/illuminate.v3i1.81.

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The Apocalyptic genre is one genre that is difficult to understand because of its long intricacies and requires accuracy. One reason for the difficulty in interpreting the apocalyptic genre is the use of symbols that are not uncommon for today's readers. The use of symbols is very close to the speaker and, the first reader. The Book of Daniel is identical to the many uses of the symbolic language of the two Apocalyptic genre Books in the Bible. Readers increasingly need to be careful and careful when classifying symbol languages because there are differences in the use of symbols and language

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2

Gregoli, Roberta. "Se eu fosse você: liminal spaces of gender and sexuality." Significação: Revista de Cultura Audiovisual 48, no. 55 (2021): 36–54. http://dx.doi.org/10.11606/issn.2316-7114.sig.2021.160524.

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The body swap comedy is a privileged genre for investigating norms related to gender and sexuality in popular culture. This article explores these norms through the close analysis of the film Se eu fosse você (Daniel Filho, 2006), using Mikhail Bakhtin’s thesis on the carnivalesque and Judith Butler’s theory of gender performativity. Despite the film’s overall strong conservative framework, it is argued that just as revealing as what the film tries to regulate is what it exposes: double standards, failures in the heteronormative matrix, and disruptive sex acts and gendered behavior.

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3

Gates, Sarah. ""A Difference of Native Language": Gender, Genre, and Realism in Daniel Deronda." ELH 68, no. 3 (2001): 699–724. http://dx.doi.org/10.1353/elh.2001.0022.

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4

Gijón, Pablo Rubio. "Deshonra (Daniel Tinayre, 1952)." Acta Hispanica 22 (January 1, 2017): 113–20. http://dx.doi.org/10.14232/actahisp.2017.22.113-120.

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Within the context of the film industry of the first peronist period (1946-1955) crime films established themselves as a means to disseminate the dominant ideology. Some of the characteristics of this genre were used to leave proof of the pre-eminence of the State as a safeguard of the status quo. However, Deshonra (1952) resorts in its structure to visual features that could be interpreted as a veiled criticism to the very ideology it aims to divulge. The crime film genre, from its constitutive proposals and its supposed ideological rigidity in a political framework such as Peronism, may gran

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5

Valeta, David M. "The Book of Daniel in Recent Research (Part 1)." Currents in Biblical Research 6, no. 3 (2008): 330–54. http://dx.doi.org/10.1177/1476993x07084791.

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This is the first of two articles exploring recent research on the book of Daniel. The focus of Part 1 is the court tale narratives of Daniel 1—6, with particular attention to genre identification, sociological and ideological viewpoints, and textual and language issues. Other topics of interest are represented in the bibliography, which identifies important publications since 1993. Foundational works published prior to 1993 are also included. Historical-critical analysis of Daniel 1—6 has furthered understanding of important topics such as the nature of court tale literature and the context o

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6

Pääkkölä, Anna-Elena, and Rebecca Burditt. "Fart for Fart's Sake? The Fantastical Reality, Sacred-Profane Musical Bodies, and Nostalgic Millennial Masculinities in Swiss Army Man." Music and the Moving Image 17, no. 1 (2024): 3–19. http://dx.doi.org/10.5406/19407610.17.1.01.

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Abstract This article explores the uses of music, voice, and sound in Daniels’ 2016 film Swiss Army Man (SAM)—a story about a friendship between a stranded, suicidal loner (Paul Dano) and a farting, talking corpse (Daniel Radcliffe). We argue that the film's unique play between nondiegetic and diegetic sound, musical references to popular culture, and privileging of bodily noise (particularly farting) generate a distinctive soundscape that adds new dimensions to SAM's major themes of loneliness and nostalgia. This study draws upon scholarship in musicology, film studies, social history, and qu

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7

Hutnyk, Iryna. "Ukrainian Round Dance Interpretations in Contemporary Professional Folk and Stage Choreographic Art." Bulletin of KNUKiM. Series in Arts, no. 48 (June 24, 2023): 109–16. https://doi.org/10.31866/2410-1176.48.2023.282470.

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The aim of the article is to identify the features of stage interpretation of Ukrainian round dances, their place, and role in the repertoire of professional ensembles of Ukraine. Results. It is stated that as a syncretic genre of dance art, the round dance is closely related to the song, the content and nature of which determine the ideological and thematic component and compositional construction of the dance and vocal and choreographic composition as a whole. It is found that the creation of each choreographic composition is preceded by folklore expeditions, during which choreogra

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8

Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This onehourandfiftysevenminute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance

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9

Suri, Gayatri. "Gendered Orientations around Domestic Objects; A Study of Home Truths: Gender, Domestic Objects and Everyday Life." New Literaria 04, no. 01 (2023): 100–104. http://dx.doi.org/10.48189/nl.2023.v04i1.014.

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When Daniel Miller asked ‘Why some things matter?’, it became critical to question why they matter differently for various genders. This paper is an attempt to analyze how ‘orientations’ around objects play out differently for the female gender in Sarah Pink’s (2004) Home Truths: Gender, Domestic and Everyday Life. The domestic space of research informants in England and Spain is taken up to explore not only how orientations are different for the female genders, but how they also go on to reinforce gender roles. Thus works of foundational thing theorists like Bill Brown, Bruno Latour and Danie

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10

Saez de Adana, Francisco. "Reseña de "Authorizing Superhero Comics. On the Evolution of a Popular Serial Genre" de Daniel Stein." CuCo, Cuadernos de cómic, no. 17 (January 7, 2022): 154–57. http://dx.doi.org/10.37536/cuco.2021.17.1567.

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11

Callanan, Laura. "The Seduction of Daniel Deronda." Women's Writing 3, no. 2 (1996): 177–88. http://dx.doi.org/10.1080/0969908960030207.

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12

Waller, Daniel James. "Sympathy for a Gentile King: Nebuchadnezzar, Exile, and Mortality in the Book of Daniel." Biblical Interpretation 28, no. 3 (2020): 327–46. http://dx.doi.org/10.1163/15685152-00283p03.

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Abstract Nebuchadnezzar II sacked Jerusalem and destroyed its temple. Yet he emerges in Daniel 1-4 as a compelling and sometimes sympathetic hero-villain. Drawing upon the concept of the story-collection, this article considers the implications of this genre for character formation, examines the further thematic means by which Nebuchadnezzar’s sympathetic characterization is generated in the book of Daniel, and explains his character in terms that make his often contradictory nature understandable across the text of the book. This article argues that Nebuchadnezzar’s dreams reflect deep-seated

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Lamb, Mary Ellen. "The Tragedie of Cleopatra. Samuel Daniel. Emma Whipday, dir." Early Modern Women: An Interdisciplinary Journal 9, no. 2 (2015): 148–52. http://dx.doi.org/10.1086/emw26431321.

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14

Sanju, Yadav. "George Eliot's Daniel Deronda: An Approach to Feminism." Criterion: An International Journal in English 16, no. 1 (2025): 478–93. https://doi.org/10.5281/zenodo.14977372.

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Feminism, as both a movement and an ideology, strives to confront the systemic inequities affecting women and advocates for their emancipation across social, economic, and intellectual domains. It challenges patriarchal structures that perpetuate gender-based oppression and calls for equal rights and opportunities for women. In her 1876 novel,  Daniel Deronda, George Eliot examines feminist concerns within the context of Victorian society. The novel addresses critical issues such as gender discrimination, marriage as a tool of societal oppression, economic dependence, and the denial of in

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15

Sadje, Hadje Cresencio. "BARBA, Lloyd D., Andrea Shan JOHNSON and Daniel RAMÍREZ (eds). Oneness Pentecostalism: Race, Gender, and Culture." PentecoStudies 22, no. 2 (2025): 206–8. https://doi.org/10.1558/pent.32039.

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BARBA, Lloyd D., Andrea Shan JOHNSON and Daniel RAMÍREZ (eds). Oneness Pentecostalism: Race, Gender, and Culture. University Park, PA: Penn State University Press, 2023. 282 pp. Hbk. ISBN: 9780271094540. $114.95.

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16

Becker, Karina, Thomas Engel, Lena Grebenstein, and Laura Künzel. "Gender Health Gap." PROKLA. Zeitschrift für kritische Sozialwissenschaft 49, no. 195 (2019): 219–37. http://dx.doi.org/10.32387/prokla.v49i195.1820.

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Karina Becker, Thomas Engel, Lena Grebenstein und Laura Ku?nzel: Gender Health Gap: Gesundheitsbezogene Ungleichheit zwischen den Geschlechtern in der Arbeit. In dieser Arbeit werden die gesundheitsbezogenen Unterschiede von Belastungen und Ressourcen zwischen den Geschlechtern in der Lohnarbeit in Deutschland analysiert. Um das Problem zu kontextualisieren werden aktuelle Diskussionen der Arbeitssoziologie sowie feministischer Theorie nachgezeichnet. Die Datenbasis unserer Analyse stellt die BiBB/BAuA-Erwerbstätigenbefragung dar. Wir gruppieren die Arbeitnehmer*innen in elf Berufsklassen, die

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17

Brazil, Percy. "Remembering Daniel Singer." Monthly Review 52, no. 9 (2001): 46. http://dx.doi.org/10.14452/mr-052-09-2001-02_5.

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18

Hong, Tiffany. "Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre, Daniel Stein (2021)." Studies in Comics 13, no. 1 (2022): 169–73. http://dx.doi.org/10.1386/stic_00088_5.

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19

Amiryan, T. N. "DANIEL PENNCAC: FROM DETECTIVE TO AUTOFICTION." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 98–118. http://dx.doi.org/10.31249/chel/2020.03.07.

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The article considers the evolution of autobiographical prose by Daniel Pennac, which is characterized by the transition from his earlier novels (1970-1990s) to the metanarrative essay «Reads like a novel» (1992), autobiographical novel «School Blues» (2007), and autofictional works such as «Le Journal d’un corps» (2012) and «La Loi du rêveur» (2020). The current article focuses on the literature and means of fictionalization of his own biography, which becomes the central figure and topic for multi-genre writings of the author.

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20

Lake, Marilyn. "Kay Daniels as feminist historian." Women's History Review 12, no. 2 (2003): 149–51. http://dx.doi.org/10.1080/09612020300200356.

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21

HERZOG, A. "Tale of Two Secrets: A Rereading of Daniel Deronda." differences 16, no. 2 (2005): 37–60. http://dx.doi.org/10.1215/10407391-16-2-37.

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22

Day, Linda. "Power, Otherness, and Gender in the Biblical Short Stories." Horizons in Biblical Theology 20, no. 1 (1998): 109–27. http://dx.doi.org/10.1163/187122098x00084.

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AbstractThe concern of this article will be with the books of Ruth, Esther, Daniel, Judith, and Tobit. I would argue that we might profitably compare these five books with regard to themes running throughout them. All evidence similarities in how they portray power relationships, alienation and otherness, theology and divine activity, gender categories, and how their protagonists attain ultimate success. Though this set does not represent a collection of works traditionally grouped together in biblical studies,1 find, nonetheless, that these five literary documents evidence ample similarities

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23

Fine, Agnès. "Daniel Fabre (1947-2016).« L’invisible initiation » en Europe, une recherche pionnière." Clio, no. 44 (December 1, 2016): 265–80. http://dx.doi.org/10.4000/clio.13334.

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24

Daniels, Susannah. "Raised on My Mother's Love Alone: A Mayan Theater Collective Contests Gender Violence." American Indian Culture and Research Journal 39, no. 4 (2015): 93–112. http://dx.doi.org/10.17953/aicrj.39.4.daniels.

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25

Crecelius, Kathryn J., and Phyllis Stock-Morton. "The Life of Marie d'Agoult, Alias Daniel Stern." Tulsa Studies in Women's Literature 20, no. 1 (2001): 140. http://dx.doi.org/10.2307/464473.

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26

Donert, Celia. "Gender History in a Transnational Perspective: Biographies, Networks, Gender Orders, ed. Oliver Janz and Daniel Schönpflug." English Historical Review 132, no. 557 (2017): 1010–11. http://dx.doi.org/10.1093/ehr/cex190.

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27

Huba, L. "Genre as communication: “Sluchai” (“Incidents”) by Daniil Kharms." International Humanitarian University Herald. Philology 40, no. 1 (2019): 30–34. http://dx.doi.org/10.32841/2409-1154.2019.40.1.7.

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28

NOVAK, DANIEL. "A Model Jew: ““Literary Photographs”” and the Jewish Body in Daniel Deronda." Representations 85, no. 1 (2004): 58–97. http://dx.doi.org/10.1525/rep.2004.85.1.58.

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ABSTRACT This essay examines the relationship between George Eliot's representation of the Jewish body in Daniel Deronda and Francis Galton's photographic race-science. It argues that, for both Eliot and Galton, Jewish racial identity is, paradoxically, defined by a corporeal evacuation and abstraction——that is, by a ghostly disembodiment. While Eliot's representation of Deronda has traditionally been read as a radical departure from the realism that Eliot was so instrumental in defining, in a sense, Daniel Deronda represents a thorough adaptation to photographic technology and scientic realis

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Asiegbu, Martin F., and Chrysanthus Ogbozo. "Book Reviews." Theoria 71, no. 179 (2024): 129–40. http://dx.doi.org/10.3167/th.2024.7117906.

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Daniel Akech Thiong, The Politics of Fear in South Sudan: Generating Chaos, Creating Conflict, 2021. London, Zed Books, Bloomsbury Publishing, xxii +217 pp. ISBN: 978-1-7869-9678-7 (hbk) Norman Ajari, Darkening Blackness: Race, Gender, Class and Pessimism in 21st – Century Black Thought, translated by Matthew B. Smith, 2024. Polity Press, 219pp. ISBN: 978-1509555000 (pbk).

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30

Hernandez, E. M. "Gender-Affirmation and Loving Attention." Hypatia 36, no. 4 (2021): 619–35. http://dx.doi.org/10.1017/hyp.2021.45.

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AbstractIn this article I examine the moral dimensions of gender-affirmation. I argue that the moral value of gender-affirmation is rooted in what Iris Murdoch called loving attention. Loving attention is central to the moral value of gender-affirmation because such affirmation is otherwise too fragile or insincere to have such value. Moral reasons to engage in acts that gender-affirm derive from the commitment to give and express loving attention to trans people as a way of challenging their marginalization. In the latter part of the article, I will discuss how my arguments bear on recent arg

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Coronel, Apple Joy, Renz Marion Tiglao, Realyn Solayao, and Joseph Lobo. "Gender and Dance Motivation as determinants of Dance Style choice." American Journal of Arts and Human Science 1, no. 1 (2022): 34–37. https://doi.org/10.5281/zenodo.6613190.

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This study aims to determine the relationship between gender and dance motivation to dance style choices of 85 students taking Bachelor of Performing Arts at City College of Angeles. The study was conducted through an online survey using Dance Motivation Questionnaire (DMQ). Frequency and percentage were used to describe the gender of the respondents, while Mean and Standard Deviation were used to describe the level of dance motivation, and ANOVA and Pearson’s Chi-Square was used to determine the relationship between Dance Motivation and Gender to Dance Style Choices respectively. From t

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Joy, Coronel Apple, Renz Marion Tiglao, Realyn Solayao, and Joseph Lobo. "Gender and Dance Motivation as determinants of Dance Style choice." American Journal of Arts and Human Science 1, no. 1 (2022): 34–37. https://doi.org/10.54536/ajahs.v1i1.281.

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This study aims to determine the relationship between gender and dance motivation to dance style choices of 85 students taking Bachelor of Performing Arts at City College of Angeles. The study was conducted through an online survey using Dance Motivation Questionnaire (DMQ). Frequency and percentage were used to describe the gender of the respondents, while Mean and Standard Deviation were used to describe the level of dance motivation, and ANOVA and Pearson's Chi-Square was used to determine the relationship between Dance Motivation and Gender to Dance Style Choices respectively. From the

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33

Monk, Daniel. "‘Queering Genealogy Through Wills’." Legal Information Management 15, no. 1 (2015): 12–15. http://dx.doi.org/10.1017/s1472669615000080.

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AbstractWills are an overlooked source. Alongside birth, death and marriage certificates they are official legal texts that provide a record of families, kinship and personal life. They have a particular significance for research about gender and sexuality. This paper, by Daniel Monk, highlights some of the insights that they can provide and discusses the methods (and associated pitfalls) for accessing and reading them.

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K. Gugler, Thomas. "Gerster, Daniel, Michael Krüggeler (Hg.), God’s Own Gender? Masculinities in World Religions." Sexuologie. Zeitschrift für Sexualmedizin, Sexualtherapie und Sexualwissenschaft 26, no. 1-2 (2019): 109–10. http://dx.doi.org/10.61387/s.2019.12.27.

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35

Gross, Toomas. "Double book review: 'The Anthropology of Sport' and 'Sport, Migration, and Gender in the Neoliberal Age'." Suomen Antropologi: Journal of the Finnish Anthropological Society 45, no. 4 (2021): 47–49. http://dx.doi.org/10.30676/jfas.v45i4.108007.

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Besnier Niko, Susan Brownell, and Thomas F. Carter 2018. The Anthropology of Sport: Bodies,Borders, Biopolitics. Oakland: University of California Press. 336 p. ISBN: 9780520289000 (hardback);ISBN: 9780520289017 (paperback); ISBN: 9780520963818 (E-book). Besnier, Niko, Domenica Gisella Calabrò, and Daniel Guinness (eds) 2021. Sport, Migration,and Gender in the Neoliberal Age. London and New York: Routledge. 274 p. ISBN: 9781138390645(hardback); ISBN: 9781138390652 (paperback); ISBN: 9780429423277 (E-book).

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36

WILSON SMITH, SANDRA. "Frontier Androgyny: An Archetypal Female Hero in The Adventures of Daniel Boone." Journal of American Studies 44, no. 2 (2009): 269–86. http://dx.doi.org/10.1017/s0021875809990752.

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Influential American studies scholars of the mid-twentieth century, such as R. W. B. Lewis, Henry Nash Smith, and Leslie A. Fiedler, focussed attention on a mythic American character, the frontiersman who penetrates the wilderness. These critics provided analyses of figures such as Daniel Boone and his fictional counterpart, Natty Bumppo, and discussed the power the romanticized western frontier had over the American imagination. Their observations were accurate, as far as they went. However, these critics did not acknowledge the many narratives in which a female character conquers the frontie

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Derksen, Rick. "[review of:] Daniel Petit. 2010. Untersuchungen zu den baltischen Sprachen." Baltic Linguistics 2 (December 31, 2011): 203–10. http://dx.doi.org/10.32798/bl.433.

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Daniel Petit, Untersuchungen zu den baltischen Sprachen. (Brill’s Studies in Indo-European Languages & Linguistics, 4.) Leiden–Boston: Brill 2010. ISBN: 978-90-04-17836-6. This collection of studies by Daniel Petit originates from a series of lectures presented at the Indo-European summer school in Berlin in 2006. It consists of five chapters, which deal with dialectology (49 pp.), accentology (88 pp.), the neuter gender (65 pp.), the semi-thematic flexion (56 pp.), and the syntax of clitics (48 pp.), respectively. The introductory character of the first two chapters (the first chapt

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38

Kravetz, Rachel. "The Radiant Tableaux of Daniel Deronda." Nineteenth-Century Literature 73, no. 1 (2018): 68–93. http://dx.doi.org/10.1525/ncl.2018.73.1.68.

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Rachel Kravetz, “The Radiant Tableaux of Daniel Deronda” (pp. 68–93) This essay argues that the ekphrastic images in Daniel Deronda (1876) mark a shift in George Eliot’s thought away from a historical to a prophetic national mode. Taking as a point of departure the critical commonplace that Eliot’s novel has two largely separate spheres, a degenerate English world and a visionary Jewish realm, I show that each has a painterly model. The grounds of stately English homes represent a false Arcadia in passages that allude to the genre of landscape known as “ideal.” While the glowing river landscap

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Zhilyakov, Sergey V. ""Word of Daniel the Immured" as a manifesto of the autocracy in Russia of the 12th century." Vestnik of Kostroma State University, no. 3 (2019): 57–61. http://dx.doi.org/10.34216/1998-0817-2019-25-3-57-61.

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The article deals with the problem of functional and genre belonging of the "Word of Daniel the Immured", and considers the problem of dating the work. We reveal that the semantic "impenetrability" of the "Word" is connected, first, with the phenomenon of the text of the transition period, which determines the ideological and everyday (biographical) concept. It is shown that the "Word" is a Manifesto of autocracy, representing the "expressed" stereotype of behavior, which destroys the boundaries of the previous canons both in genre and stylistic terms, since the synthetic worldview discreditin

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40

Kuzmina, Marina D. "Message from Fedor Karpov to metropolitan Daniel and the scribe “The beginning of the messages...”: to the question of the interaction of the letter and the scribe in Old Russian literature." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 36–43. http://dx.doi.org/10.20339/phs.1-21.036.

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The article raises the question of the interaction of ancient Russian scribes and individual samples of the epistolary genre. A connection is established between the message of Fedor Karpov to Metropolitan Daniil and the scribe “The beginning of the messages...”, created, like the mentioned message, in the 16th century. Both the message and the scribe actualize the intention of business writing, teaching message and secular friendly writing. The first introduces a respectful and complementary tone (the addressee is lower than the addressee), the second — the educational one (the addressee is h

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41

Coxon, Peter W. "The 'List Genre and Narrative Style in the Court Tales of Daniel." Journal for the Study of the Old Testament 11, no. 35 (1986): 95–121. http://dx.doi.org/10.1177/030908928601103506.

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42

McGrail, Simon Peter. "Daniel and Genre Confusion: The Strange Case of The Burning Fiery Furnace." Relegere: Studies in Religion and Reception 3, no. 1 (2013): 41–56. http://dx.doi.org/10.11157/rsrr3-1-586.

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43

Bell, Nora K. "What Setting Limits May Mean A Feminist Critique of Daniel Callahan's Setting Limits." Hypatia 4, no. 2 (1989): 169–78. http://dx.doi.org/10.1111/j.1527-2001.1989.tb00580.x.

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In Setting Limits, Daniel Callahan advances the provocative thesis that age be a limiting factor in decisions to allocate certain kinds of health services to the elderly. However, when one looks at available data, one discovers that there are many more elderly women than there are elderly men, and these older women are poorer, more apt to live alone, and less likely to have informal social and personal supports than their male counterparts. Older women, therefore, will make the heaviest demand on health care resources. If age were to become a limiting factor, as Dr. Callahan sug-gests it shoul

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44

Cammu, Nola. "Daniel Monk and Nicola Barker (eds), From Civil Partnership to Same-Sex Marriage." Sexualities 20, no. 5-6 (2016): 657–59. http://dx.doi.org/10.1177/1363460716673961.

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45

González, Francisco J. "Necessary Disruptions: A Discussion of Daniel Butler’s “Racialized Bodies and the Violence of the Setting”." Studies in Gender and Sexuality 20, no. 3 (2019): 159–64. http://dx.doi.org/10.1080/15240657.2019.1641939.

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46

AYODELE, ADEBAYO, and AMOUSSOU CELESTIN. "ANALYZING DISCOURSES OF MASCULINITY AND FEMINITY IN DANIEL MENGARA'S MEMA (2003) FROM HALLIDAYAN AND BUTLERIAN PERSPECTIVE." Revue Internationale de Linguistique Appliquée, de Littérature et d'Education- (RILALE) 6, no. 2 (2018): 217. https://doi.org/10.5281/zenodo.8377734.

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This paper aims to explore how the two facets of gender- masculinity and femininity- are discursively enacted in Daniel Mengara's novel Mema (2003) from a linguistic perspective. The study draws on the Hallidayan brand of linguistics called Systemic Functional Linguistics (henceforth SFL).Two theoretical constructs- Modality and Transitivity- are actually drawn from SFL; they serve as the theoretical underpinnings for the study. Using these two theoretical constructs, the study seeks to unveil the ideology that underpins gender performances as well as gender positioning in eight discourses

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Araya, Isabel. "Migración, género y danza. Trayectorias de mujeres afrodescendientes en el norte de Chile." REMHU: Revista Interdisciplinar da Mobilidade Humana 31, no. 67 (2023): 97–114. http://dx.doi.org/10.1590/1980-85852503880006707.

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Resumen Esta investigación indaga en la dimensión corporal de la interseccionalidad entre mujeres migrantes. Para ello se consideran las trayectorias corporales de mujeres afrocolombianas en Arica, frontera norte de Chile donde se desarrolla además el movimiento afrochileno. En la última década, la llegada de población afrolatinoamericana y afrocaribeña al país suscita reacciones de racismo, discriminación y xenofobia. A su vez, hace dos décadas, el movimiento afrochileno conforma organizaciones que reclaman el reconocimiento efectivo de sus comunidades, entre ellas agrupaciones musicales. Des

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Wills, Lawrence M. "Jewish Novellas in a Greek and Roman Age: Fiction and Identity." Journal for the Study of Judaism 42, no. 2 (2011): 141–65. http://dx.doi.org/10.1163/157006311x544409.

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AbstractAlthough Jewish novellas (Esther, Daniel, Tobit, Judith, and Joseph and Aseneth) have received more attention recently as a distinct genre within ancient Jewish literature, their relation to Greek and Roman novels is still debated. This article argues that, although some of the Jewish novellas arise earlier, they should be considered part of the same broad category of novelistic literature. The rich research on the cultural context of Greek and Roman novels applies to the Jewish as well. But a further question is also explored: if the Jewish texts were originally considered fictional,

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Neagoe, Alexandru. "Symbols of Conflict and Hope." Kairos 11, no. 2 (2017): 187–95. http://dx.doi.org/10.32862/k.11.2.3.

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The present article offers an analysis of the use of symbolism in the books of Daniel and Revelation. Thus, the first section of the study evaluates the degree of thematic unity which may be said to exist between the two books (given their common literary genre). Secondly, the article explores the different roles which symbolism plays within the two books. Finally, a concluding section brings together the findings of the study, indicating that despite the complex symbolism of Daniel and Revelation, it is plausible to speak of these books (individually and together) as having a unifying message

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Lundgren, Anna Sofia. "Att bli kunglig." Kulturella Perspektiv – Svensk etnologisk tidskrift 18, no. 2 (2009): 37–42. http://dx.doi.org/10.54807/kp.v18.30151.

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In 2002 it became known to the public that the crown princess of Sweden had a new boyfriend. A native from Ockelbo, a small community in the county of Gästrikland, Daniel was soon described as "a man of the people" and class-difference was made the prime topic of much media-coverage. Was Daniel worthy? Would he be accepted by the king? Would he be able to learn to behave as part of the royal family? This article aims at describing and analysing the way the category of "the peopl" was used and reproduced in the articles and notices in Svensk Damtidning, on of Sweden's largest women's magazines

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