Relevant bibliographies by topics / Danse salsa

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Danse salsa'

Author: Grafiati
Published: 22 June 2024
Last updated: 31 July 2025

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Journal articles on the topic "Danse salsa"

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Jacobs, Marjorie Lee. "The Medicine of Salsa." Music and Medicine 10, no. 4 (2018): 233. http://dx.doi.org/10.47513/mmd.v10i4.624.

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Psychiatric rehabilitation aims to promote health recovery from significant losses, both physical and psychological, that have derailed the lives of adults and young adults so that they can actively participate in rebuilding and recreating themselves. The population faces premature morbidity and experiences higher than average rates of chronic and life-threatening disorders, including diabetes, obesity, metabolic syndrome, cardiovascular disease, depression, anxiety, autism, ADHD, trauma- and stressor related disorders, and schizophrenia. When participants join any of the BU Center for Psychia
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Domene, Pablo A., Hannah Moir, Elizabeth Pummell, and Chris Easton. "Salsa Dance and Zumba Fitness." Medicine & Science in Sports & Exercise 46 (May 2014): 667. http://dx.doi.org/10.1249/01.mss.0000495474.71910.2f.

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Guidetti, Laura, Cosme Franklim Buzzachera, Gian Pietro Emerenziani, et al. "Psychophysiological Responses to Salsa Dance." PLOS ONE 10, no. 4 (2015): e0121465. http://dx.doi.org/10.1371/journal.pone.0121465.

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Simpson-Litke, Rebecca, and Chris Stover. "Theorizing Fundamental Music/Dance Interactions in Salsa." Music Theory Spectrum 41, no. 1 (2019): 74–103. http://dx.doi.org/10.1093/mts/mty033.

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Abstract Communication between music and dance can take many forms. In salsa, this communication begins with and builds upon two simple but crucial criteria: for music, a metric-rhythmic foundation based on clave and other essential performance strata, and for dance, the flow and metric orientation of one of three basic footwork patterns. Most of the rich complexity of music, dance, and their interaction stems from these fundamental gestures. In this article we analyze the basic structures of salsa music and dance, theorize how they interact, and investigate three scenarios where dancers have
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Domene, Pablo A., Michelle Stanley, and Glykeria Skamagki. "Injury Surveillance of Nonprofessional Salsa Dance." Journal of Physical Activity and Health 15, no. 10 (2018): 774–80. http://dx.doi.org/10.1123/jpah.2017-0498.

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Background: The investigation sought to (1) establish the extent of injuries, (2) determine the odds of sustaining an injury, and (3) calculate the injury incidence rate in nonprofessional salsa dance.Methods: Salsa dancers completed an anonymous web-based survey containing 11 demographic background and 10 (1 y retrospective) injury history questions.Results: The response rate was 77%. The final sample of respondents included 303 women and 147 men, of which 22% and 14%, respectively, sustained ≥1 injury during salsa dance in the past year. The odds of injury was 2.00 (95% confidence interval [
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Delgado, Celeste Fraser. "Salsa Crossings: Dancing Latinidad in Los Angeles." Dance Research Journal 46, no. 2 (2014): 105–10. http://dx.doi.org/10.1017/s0149767714000308.

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It appears to be a ritual among salsa dance scholars to open by sharing a personal salsa experience. I will follow their lead: My introduction to Los Angeles–style salsa came on a Saturday night in the spring of 1999, when I had the pleasure of taking a tour of the city's salsa scene with dance scholar Juliet McMains. Already an established professional ballroom dancer, McMains was just beginning her graduate studies at the University of California–Riverside where I was visiting faculty, having recently co-edited a collection on Latin/o American social dance. Lucky for me, McMains was among th
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Borland, Katherine. "Embracing Difference: Salsa Fever in New Jersey." Journal of American Folklore 122, no. 486 (2009): 466–92. http://dx.doi.org/10.2307/40390082.

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Abstract Studio-based salsa dance in Northern New Jersey has succeeded in creating an ethnically diverse social space in which Latin style represents both a specific ethnicity and an alternative pan-ethnic identity that encompasses and embraces difference. The wide appeal of the dance y however, rests in its dramatic and provocative display of gendered interactions. Attention to dancers’ subjective understandings of their own practice provides a female-centered perspective on the emerging cultural scene.
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Bosse, Joanna. "Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context." Dance Research Journal 40, no. 1 (2008): 45–64. http://dx.doi.org/10.1017/s0149767700001364.

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Over the last century perennial surges in the popularity of Latin American couple dance genres such as tango and rumba in the United States have served as lightning rods for debate on issues of morality, performance, and identity. These “crazes” have fueled the collective American imagination, reinforcing a type of Latin American exotica that prevailed throughout the twentieth century and into the next. Consequently, they have also fostered an entirely new style of performance as white Americans borrowed—or perhaps better stated, appropriated—these genres for their own. For instance, the two s
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Carwile, Christey. "“The Clave Comes Home”: Salsa Dance and Pan-African Identity in Ghana." African Studies Review 60, no. 2 (2017): 183–207. http://dx.doi.org/10.1017/asr.2017.6.

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Abstract:While salsa dance is popularly, and now globally, understood to be a symbol and expression of Latin identity, its adoption in non-Latin contexts has produced new meanings and cultural configurations. This is particularly the case in West Africa, where salsa is not only catching on among urban youth, but is becoming understood and approached from an African perspective. This article explores the ways in which salsa dance in Ghana serves as an innovative, embodied expression of a contemporary, pan-African identity. This is seen in Ghanaian dancers’ ideological reinvigoration of salsa’s
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Schneider, Britta. "Multilingual Cosmopolitanism and Monolingual Commodification: Language Ideologies in Transnational Salsa Communities." Language in Society 39, no. 5 (2010): 647–68. http://dx.doi.org/10.1017/s0047404510000643.

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AbstractSalsa, a global urban music and dance phenomenon, is an interesting example for the emergence of transnational cultural spheres. Salsa has its roots in the Americas and in many Salsa communities outside of Latin America, the Spanish language is seen as the authentic means of expression. However, attitudes to multilingualism can differ strongly from Salsa community to Salsa community.In this paper, the Salsa-scene of Sydney is introduced with its various stances towards multilingualism. These are connected to different styles of the dance, where one style is practiced in English only, w
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Dissertations / Theses on the topic "Danse salsa"

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Pontal-Sanchez, Marion. "La danse salsa en France : Transmission de techniques et genèse de corporéités interculturelles." Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://www.theses.fr/2022COAZ2041.

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La danse salsa est une pratique musico-chorégraphique hybride qui entremêle les propriétés techniques et esthétiques à la fois d'une danse, d'un univers culturel, d'un art du spectacle mais aussi d'un genre musical. Le nouveau contexte de la scène au sein de laquelle cette danse populaire évolue s'est avéré déterminant pour la reconnaissance et le développement de la création chorégraphique. Les festivals spécialisés de salsa se sont multipliés à partir des années 2000, invitant les danseurs français à s'approprier une danse venant d'une culture éloignée. Affectée par les facteurs historiques,
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Person, Elise. "Le langage de la salsa : étude culturelle et lexicologique des musiques populaires dans la Caraïbe hispanique." Brest, 2000. http://www.theses.fr/2000BRES1011.

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Cette thèse propose une approche culturelle et lexicale de la chanson populaire caraïbe dans quatre zones : Cuba, Porto Rico (et New York), la République dominicaine et la Colombie. La première partie est une introduction d'ordre historique, culturel et littéraire qui donne les informations essentielles quant à la naissance et l'évolution des principaux rythmes ruraux et urbains de la caraïbe. Ces musiques donnent naissance ensuite à la salsa urbaine à New York. La salsa se propage ensuite dans les pays de la caraïbe où elle fusionne avec les musiques locales. Une analyse thématique permet de
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Baker, Christina. "Salsa's moves and salsa's grooves in Mexico City." Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464670.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Title from first page of PDF file (viewed July 2, 2009). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 112-118).
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Marion, Jonathan Saul. "Dance as self, culture, and community the construction of personal and collective meaning and identity in competitive ballroom and salsa dancing /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3213856.

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Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed June 27, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 853-893).
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Gainer, Natalie. "Dancing Latinidad: Salsa Practices and Latino/a Identity at Brasil's Nightclub." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/396279.

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Dance<br>M.A.<br>This thesis investigates Brasil’s Nightclub, a Philadelphia salsa club, as a site at which notions of Latino/a identity are produced and performed. Research for the thesis was conducted over the course of five months and was ethnographic in nature. From February 2016 until June 2016, the author attended Brasil’s Nightclub and collected participant observations and interviews. Findings reveal how the club accommodates multiple conflicting narratives of Latino/a identity and how these narratives are embodied through salsa dance practices.<br>Temple University--Theses
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González, Smeja Alba Marina. "Salsa Nómada. Escena musical, bailable e itinerante de la salsa brava en Barcelona." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397701.

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Este trabajo de investigación es un aporte etnográfico e histórico sobre la sociedad barcelonesa a través de su cultura, su música y su salsa. Para la realización de esta contribución me he centrado en un sector muy específico de la escena musical salsera identificada con un estilo de salsa que evoca su origen diaspórico, marginado, bravo y el cual ha terminado siendo rememorado, legitimado e identificado como símbolo de alta y heterogénea cultura salsera. Además, un estilo musical que ha adquirido relevancia social en Barcelona a través de diferentes espacios en los que confluyen la sociabili
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Enríquez, Arana Eddy Magaliel. "The dynamics of salsiology in contemporary Germany reconstructing German cultural identity through salsa music and dance /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1177697944.

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Poole, A. I. "Groove in Cuban dance music : an analysis of son and salsa." Thesis, Open University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680519.

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Pietrobruno, Sheenagh. "Salsa and its transnational moves : the commodification of latin dance in Montreal." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38417.

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In Montreal, salsa dancing is both an expression of Latin identity and a cultural commodity. Many Montrealers of Latin descent adopt salsa dance as part of their cultural heritage only after arriving in Canada, connecting, through salsa, to a transnational Latin identity that crosses the Americas. This situation illustrates how cultural affiliations are not necessarily fixed, but can be acquired in response to changing circumstances. Since salsa is not indigenous to the city, residents of Montreal can only access it through cultural institutions and community media outlets. This commodificatio
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Escalona, Saúl. "Négritude et chanson dans les Carai͏̈bes : contribution à l'étude de la salsa comme phénomène socioculturel dans le Vénézuela contemporain." Paris 3, 1997. http://www.theses.fr/1997PA030061.

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Cette these essaie d'explorer le developpement de la musique salsa et le phenomene socioculturel qu'elle constitue dans la societe venezuelienne. Partant d'une analyse historique nous avons situe le contexte de l'evolution de la musique afro-cubaine, son expansion dans les caraibes hispaniques jusqu'a sa transformation en musique afro-caraibe, puis, plus recemment jusqu'a l'acquisition du nom de "salsa". En utilisant la technique de l'analyse de contenu que nous avons appliquee a un corpus de deux cents chansons representatives de ce genre musical, nous avons etabli une typologie de chansons d
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Books on the topic "Danse salsa"

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Hertz, Claire. SALSA, UNE DANSE AUX MILLE COULEURS. Editions L'Harmattan, 2007.

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Bottomer, Paul. Salsa! Susaeta, 1996.

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Hickman, Michael Leon. Me, salsa dance?: Can you imagine learning how to salsa dance in 60 minutes? [publisher not identified], 2013.

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Ludvig, Maritza Martínez. El diario de una salsera. s.n.], 2003.

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Uribe, Hilda Constanza, Matilde Olave Arango, Isabel Cristina Restrepo Erazo, and Walter Germán Magaña. Memorias de la salsa. Cámara de Comercio, Sedes Obrero y Yumbo, 2007.

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Darío, Tejeda, and Yunén Rafael Emilio, eds. El son y la salsa en la identidad del Caribe: Memorias del II Congreso Internacional Música, Identidad y Cultura en el Caribe. Centro León, 2007.

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Pérez, Eugenio. La salsa en la República Dominicana: Padres, líderes y propulsores históricos. Ministerio de Cultura, 2015.

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Dunn, Samantha. Faith in Carlos Gomez: A memoir of salsa, sex, and salvation. H. Holt and Co., 2005.

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ill, Valiant Kristi, ed. Feel the beat: Dance poems that zing from salsa to swing. Dial Books, 2017.

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Walsh, Ellen Stoll. Salta y brinca. Libros Viajeros, Harcourt Brace & Co., 1996.

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Book chapters on the topic "Danse salsa"

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García, Cindy. "Dancing salsa wrong in Los Angeles." In The Routledge Dance Studies Reader. Routledge, 2018. http://dx.doi.org/10.4324/9781315109695-26.

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Anaya, Elizabeth. "“Salsa con Afro”: Remembering and Reenacting Afro-Cuban Roots in the Global Cuban and Latin Dance Communities." In Cultural Memory and Popular Dance. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71083-5_3.

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Russo, Ersilia. "Manzoni postillatore della Crusca veronese: le unità fraseologiche." In Studi e ricerche del Dipartimento di Lettere e Filosofia. Società Editrice Fiorentina, 2024. http://dx.doi.org/10.35948/dilef/978-88-6032-750-5.05.

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L’attenzione manzoniana nei confronti delle unità fraseologiche – le unità minime della fraseologia – confluisce, oltre che negli scritti linguistici e nell’epistolario, anche nell’operazione sistematica di postillatura del Vocabolario degli Accademici della Crusca, nell’edizione curata dall’abate Cesari del 1806. L’esemplare manzoniano, conservato presso la Sala Manzoniana della Biblioteca Nazionale Braidense, costituisce uno dei principali «ferri del mestiere» dello scrittore per la creazione del tessuto linguistico dei Promessi sposi. In particolare, il suo ruolo nella definizione della lin
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Leymarie, Isabelle. "La salsa." In Danses latines. Autrement, 2007. http://dx.doi.org/10.3917/autre.dorie.2007.01.0115.

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Poupon, Bernard. "Salsa All Stars." In Danses latines. Autrement, 2007. http://dx.doi.org/10.3917/autre.dorie.2007.01.0150.

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McMains, Juliet. "From Social Dance Floors to Professional Stages." In Spinning Mambo into Salsa. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780199324637.003.0009.

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McMains, Juliet. "Commercialization of New York Salsa Music and Dance." In Spinning Mambo into Salsa. Oxford University Press, 2015. http://dx.doi.org/10.1093/acprof:oso/9780199324637.003.0003.

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Pietrobruno, Sheenagh. "Chapter 4 The Couple in Dance." In Salsa and Its Transnational Moves. Lexington Books, 2006. https://doi.org/10.5771/9780739160589-145.

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Menet, Joanna. "Becoming a salsa dance professional." In Entangled Mobilities in the Transnational Salsa Circuit. Routledge, 2020. http://dx.doi.org/10.4324/9781003002697-5.

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Menet, Joanna. "“Bailamos, shall we dance?”." In Entangled Mobilities in the Transnational Salsa Circuit. Routledge, 2020. http://dx.doi.org/10.4324/9781003002697-0.

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Conference papers on the topic "Danse salsa"

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Karavarsamis, Sotiris, Dimitrios Ververidis, Giannis Chantas, Spiros Nikolopoulos, and Yiannis Kompatsiaris. "Classifying Salsa dance steps from skeletal poses." In 2016 14th International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2016. http://dx.doi.org/10.1109/cbmi.2016.7500244.

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Senecal, Simon, Niels A. Nijdam, and Nadia Magnenat Thalmann. "Motion analysis and classification of salsa dance using music-related motion features." In MIG '18: Motion, Interaction and Games. ACM, 2018. http://dx.doi.org/10.1145/3274247.3274514.

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Senecal, Simon, Niels Nijdam, and Nadia Thalmann. "Classification of Salsa Dance Level using Music and Interaction based Motion Features." In 14th International Conference on Computer Graphics Theory and Applications. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0007399700002108.

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Senecal, Simon, Niels Nijdam, and Nadia Thalmann. "Classification of Salsa Dance Level using Music and Interaction based Motion Features." In 14th International Conference on Computer Graphics Theory and Applications. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0007399701000109.

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