Relevant bibliographies by topics / Deconstructivism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Deconstructivism'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Deconstructivism"

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Murer, Martin, Verena Fuchsberger, and Manfred Tscheligi. "Deconstructivist Interaction Design: Interrogating Expression and Form." Aarhus Series on Human Centered Computing 1, no. 1 (October 5, 2015): 4. http://dx.doi.org/10.7146/aahcc.v1i1.21313.

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<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>In this paper, we propose </span><span>deconstructivist interaction design </span><span>in order to facilitate the differentiation of an expressional vo- cabulary in interaction design. Based on examples that illus- trate how interaction design critically explores (i.e., decon- structs) its own expressional repertoire, we argue that there are commonalities with deconstructivist phases in related de- sign disciplines to learn from. Therefore, we draw on the role and characteristics of deconstructivism in the history of archi- tecture, graphic design, and fashion. Afterwards, we reflect on how interaction design is already a means of deconstruc- tion (e.g., in critical design). Finally, we discuss the potential of deconstructivism for form-giving practices, resulting in a proposal to extend interaction design’s expressional vocabu- lary of giving form to computational material by substantiat- ing a deconstructivist perspective. </span></p></div></div></div>
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Graur, Dan. "Molecular deconstructivism." Nature 363, no. 6429 (June 1993): 490. http://dx.doi.org/10.1038/363490b0.

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Shirina, Nadezhda Sergeevna. "The impact of deconstructivism upon font graphics of the XXI century." Культура и искусство, no. 12 (December 2021): 56–65. http://dx.doi.org/10.7256/2454-0625.2021.12.35628.

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The object of this research is the graphic design in the style of deconstructivism. The subject is the impact of deconstructivism upon font graphics of the XXI century. The goal lies in determination of the impact of deconstructivism upon font graphics of the XXI century. The article examines the concept of deconstructivism and the impact of this phenomenon upon graphic design and typography. The ideas of deconstructivism initially obtained their material form in architecture; thus analysis is conducted on the structures, the authors of which were inspired by the new philosophical ideas and brought them to life them in their projects. After familiarization with the architectural monuments, the article lists the key characteristics of the architecture of deconstructivism, which in turn, affected various types of design. Having analyzed the project situation in the area of visual communications, the author reveals the distinctive features of the objects of graphic design that were inspired by deconstructivism. The scientific novelty consists in comprehensive analysis of the impact of deconstructivism upon font graphics. The main stylistic peculiarities of modern font graphics created under the influence of deconstructivism are described. The acquired materials and results are translated into the sphere of graphic design and can be used in preparation of graphic design specialists, professional and creative activity of graphic designers and typographers, which defines the practical importance of this research.
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Kansal, Haardik. "Deconstructivism: Ideology and Philosophies." International Journal for Research in Applied Science and Engineering Technology 9, no. 1 (January 31, 2021): 20–23. http://dx.doi.org/10.22214/ijraset.2021.32701.

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Proudfoot, Peter R. "Deconstructivism and Architectural Science." Architectural Science Review 34, no. 2 (June 1991): 55–63. http://dx.doi.org/10.1080/00038628.1991.9696700.

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Liu, Yimo, and Junyuan Ye. "Frank Gehry, Zaha Hadid and the value of Deconstructivism." Highlights in Science, Engineering and Technology 10 (August 16, 2022): 204–8. http://dx.doi.org/10.54097/hset.v10i.1255.

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The paper aims to compare and discuss the value of deconstructivism in today's society by choosing two famous architects, Zaha Hadid and Frank Gehry. From Zaha's Guangzhou Opera House, some relationships with the buildings around can be found, and their association largely illustrates the importance of flexible and unusual buildings. Moreover, Gehry has a strong inspiration for everything that happens horizontally, which is a perfect illustration of Zaha and deconstructivism. By analyzing his architecture philosophy and aesthetics, the indispensable part of deconstructivism can be understood with a clear view of how modern architects apply it to their designs.
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Sharapov, Ivan A. "THE ORNAMENT CONCEPT IN THE MANIFESTOS OF THE ARCHITECT B. TSCHUMI." Articult, no. 1 (2021): 32–42. http://dx.doi.org/10.28995/2227-6165-2021-1-32-42.

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The article elevates the problem of studying ornamental forms in architecture. Ornament in the context of deconstructivism seems to be a paradoxical phenomenon, but, nevertheless, its presence is marked by the conceptual texts of deconstructivist architects. The ornament is studied as a formal aspect, the structure of which is able to involve, link and produce a number of essential characteristics that determine architectural shaping. Ornament is interconnected with form, semantic, communicative, and formal aspects that are integrated and localized in the concepts, form, and space of architecture. The research is based on the concepts, manifestations and theoretical research of the deconstructivist architect Bernard Tschumi. The research is aimed at expanding the subject field of ornamental form in the direction of conceptual and structural aspects. The phenomenon of the ornamental form is revealed as a multiplicity of abstract structural equivalents, where the connections between the subject and abstract aspects of the structure of the ornamental form are paradoxically actualized.
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Astanin, Mykhailo. "CHAOSMOTIC NATURE OF DECONSTRUCTIVISM ARCHITECTURE." Ukrainian Academy of Arts. Research and Scientific Methodological Works, no. 32 (2022): 14–20. http://dx.doi.org/10.32782/2411-3034-2022-32-24.

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Sulbarán Sandoval, Joely Ariagny. "El fractal como paradigma arquitectónico: deconstrucción vs lenguaje de patrones vivientes." Procesos Urbanos 3 (December 1, 2016): 79–88. http://dx.doi.org/10.21892/2422085x.268.

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Resumen: El presente estudio tiene como objetivo principal el estudio de la teoría fractal como nuevo paradigma en la Arquitectura, con el interés de fijar una posición reflexiva de la habitabilidad corporal-espacial de los seres humanos, cuyo comportamiento es de tipo fractal debido a la diversidad y a la incertidumbre que representa cada individuo. La metodología del estudio es de tipo documental no experimental, basada en la revisión de literatura concerniente al estudio de sus principales teorías, como son la teoría fractal, el deconstructivismo y el lenguaje de patrones vivientes, así como sus características, principales exponentes y teorías respectivas. La presente investigación considera que es importante la necesidad de que la arquitectura vuelva a su principio antropocéntrico, en el que el satisfacer las necesidades humanas sea su principal objetivo, para generar arquitectura más humana, al comprender y producir complejidad que responda a la diversidad cultural-corporal y permitir así un desarrollo emocional-corporal en los espacios. ___Palabras clave: Fractal, deconstructivismo, lenguaje de patrones vivos, habitabilidad. ___Abstract: The present study has as main objective the study of the fractal theory as a new paradigm in Architecture, with the interest of fixing a reflexive position of the physical-space habitability of human beings, whose behavior is fractal type due to the diversity and the uncertainty that each individual represents. The methodology of the study is non-experimental documentary, based on the literature review concerning the study of its main theories, such as fractal theory, deconstructivism and the language of living patterns, as well as its characteristics, main exponents and respective theories. The present research considers that it is important that architecture return to its anthropocentric principle, in which satisfying human needs is its main objective, to generate more human architecture, to understand and produce complexity that responds to cultural- Body and allow an emotional-corporal development in the spaces. ___Keywords: Fractal, deconstructivism, language of living patterns, habitability. ___Recibido: 27 de marzo de 2016. Aceptado: 16 de mayo de 2016.
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Jha, Shruti. "Expression of Deconstructivism in Museum Architecture." International Journal for Research in Applied Science and Engineering Technology 9, no. 3 (March 31, 2021): 178–84. http://dx.doi.org/10.22214/ijraset.2021.33195.

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Dissertations / Theses on the topic "Deconstructivism"

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Brenner, Gladys. "From Constructivism to Deconstructivism." VCU Scholars Compass, 1990. http://hdl.handle.net/10156/1334.

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Thesis (M.F.A.)--Virginia Commonwealth University, 1990.
Title on page 6. Two folded displays. Prepared for: Dept. of Communication Arts and Design. Includes bibliographical references. Also available online.
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Chahine, Melissa. "On the Unfinished and Failure in Art." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18230.

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My work consists of wooden structures in the shape of rectangular prisms with varying heights. The structures are wrapped with wool but because of the heavy handedness of the pull, the structures have twisted through time and now result in distorted, warped structures. Some works in the series are more transparent as they are intentionally left unfinished, revealing the process through its imperfections. The structures continue to twist and warp through time, creating an infinite work that dance in the space, giving the work a human quality. Although the first work failed as the aim was only to create a straight edged rectangular prism, the outcome was more of a success as it created a more intriguing work that formed relationships. There is a fascination in the unfinished and failed works of artists, which is something I explore. I look at the types of unfinished works, those that are literally unfinished and those that appear unfinished. Both types of unfinished works reveal the process and create a picture of the artist in the studio working. There is a fascination in the unfinished as the viewer is able to add to the work through imagination, or in some works physically. Therefore, the process becomes of more importance than its progress. There is a questioning of whether an artwork is truly a failure. Some artists intentionally invite failure into their work as there is a chance success can emerge from it. I believe that a work is truly a failure when it does not meet the artist’s expectations. When a work is intentionally made to fail it gives an impression of failure. Deconstructivist architecture is warped and looks as if it may break at any moment, also giving an impression of failure. Whether intentional or not, it is the failed works that are more intriguing rather than the plain geometric abstract structures. Failure and the unfinished no longer carry negative connotations, but are now embraced.
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Bennett, Kashuo Marley. "Interstitial geometries." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/36033.

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The design of this architecture academy for one hundred students is an exploration of educational function, geometric construction with digital drawing tools, perspectival manipulation, and minimalist architectural aesthetics. Within the school are studio spaces, a shop, a library, a lecture room, faculty studies, and outdoor building yards. Itself technologically derived and constructed, this project fits into the framework of the modernist architectural movement. But like a wayward atom in an otherwise rigidly determined crystalline matrix, the building's form inserts itself into this stanchion at a point intended to commence a generative rift of new possibility. The goal for the institution is to foster an environment of exploration and progressive innovation through exchange and collaboration. This charge would fall squarely on the faculty of course, but hopefully the building itself would act as a catalyst for the search. Through its programmatic organization as well as its perspective-warping angular form, the building is designed to encourage or at least accommodate a participatory, dialectic way of studying and making architecture. Open studio spaces and the proximity and availability of the faculty studies are intended to foster ease of communication and collaborative interchange within the academy. Exchange of knowledge across multiple levels and points of view would occur both intellectually and spatially. The specific outcome of such a dialectically educational environment cannot be accurately predicted, and therein lays the vibrant potential of the proposal. The rigid predictability of enlightenment rationalism has outlived its modality and a new model is needed in order to move forward. The goal of the contemporary architecture academy should not be to establish the primacy of one mode of operation but to invite a plurality of approaches to the table.
Master of Architecture
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McFeat, Lin Gillian. "The architecture of colonisation : the concept of depiction : Colon : the colonisation of a(a)rchitecture : the depiction of the concept." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09PH/09phm1432.pdf.

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Includes bibliography. This thesis examines deconstructive writings, employing those strategies as a basis for re-forming approaches to architecture. A theory is posited that a distinction must be made between architecture as idiom and architecture as medium, expressed as a separation between architecture as a built form, Architecture the Idea and A(a)rchitecture as a new direction for framing an approach to its discourse.
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Pietersen, Melanie. "The reconstruction of second-hand furniture and scrap metal : inspired by the architectural structures of deconstructivism." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1438.

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Thesis (BTech (Surface Design))Cape Peninsula University of Technology, 2010
The purpose of this research is to explore and create an understanding of how architectural structures. that adhere to deconstructivist design principles, can inspire the reconstruction of second-hand school fumiture and scrap metal. The planned pieces will continue to create an awareness of sustainability, by designing for reuse. These functional fumiture pieces of low tables and chairs will be handcrafted, appealing to a niche market, or specific spaces and they will act as expressions of contradiction. This research will act as an addition to a body of knowledge, where I will primarily focus on contradicting the traditional form and aesthetic of furniture design. I have decided to create these functional pieces to express a new possible direction of furniture design. The study context is a potential confrontational experience in that I want to challenge the conventional form and aesthetics of fumiture design. These pieces of fumiture will be placed in a niche market where they will exist as one-offs that are not produced for mass-consumption, as they will be individually hand-erafted. These days more and more people are attempting to live in a more sustainable manner by practicing to reduce our consumption of products and resources; reuse that which we have disposed of and forgotten as consumers and to recycle waste products and transform them into a feasible afterlife (Martin, 2010). The theory is focused on Sohaill Inayatullah's theory of "Futures Thinking", and this .theory is further supported by Victor Margolin's study of changing existing situations into preferred ones. The research further reflects on Jacques Derrida's theory of deconstruction, and this research is further supported by the theory of sustainability, by designing for reuse, with a focus on Ezio Manzini. Therefore, my research study is concerned with confronting and challenging the conformity that the form of furniture and its aesthetic adhere to.
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Landrum, Theodore A. "Tube and tuber : the quest for criteria." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935914.

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Gadziala, Jan. "Městské lázně." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215705.

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Main task was to create architectural design of city wellness building. Building is situatec beetween hotel Voroněž and the river Svratka. Building contains entrance space, swimming pools, changing rooms, rest room, service space. Sauna, massage, fittness, restaurant is also part of building. Structure respond to several fenomens- car transport system, style of hotel Voroněž, urban situation-relationship beetween city and river. Shape of mass was inspired by elements of deconstructivism style. Building construction is created by reinforced concrete frame, non-bearing part of walls is wooden frame. The detail of city wellness building is included in low-energy standard. Technical equipment is based on modern trends and technologies.
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Klingenberg, Katrin Alexandra. "The disappearance of the body as a necessary friction." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1033633.

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The first part states the reasons for the disappearance of the body: the influence of modern technology, effects on self-perception and on the perception of reality. It questions how to deal with the shift from physical reality as reference of existence toward an infinite spectrum of virtual realities. The second part concerns a way of thinking - a fiction to explain the phenomena of disappearance - in drawing a parallel to recent thinking models in physics formulating the disappearance of matter. This shift of thinking is so fundamental that it literally reverses our notion of body and materiality. The thesis tries to imagine and to explain a reappearance of the body, the birth of the concrete out of the immaterial. The last part images and models necessary, ambiguous spaces in a world where inside and outside, weight and lightness, solid and immaterial are no longer clearly defined positions but zones, uncertainties, overlays.
Department of Architecture
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Laaksonen, Ida. "Tensta Kommunhus." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-291676.

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I detta Kommunhus ville jag utforska den offentliga platsen. I Tensta, likt andra förorter, finns ofta en brist på utrymmen man kan umgås på. Det kan ofta lösas med små medel genom att skapa offentliga rum. Tomten präglas av en 4 meters höjdskillnad mellan Tenstagången och Taxingegränd. Tenstagången ligger överst och är en väg som fungerar som passage till centrum och torg. Taxingegränd är nedsjunket och är utrymmet där Tensta konsthall ligger tillsammans med ett litet torg och parkering. Jag hade en idé om att utjämna höjdskillnaden och använda taket på min byggnad till torg. Resultatet blev två offentliga utrymmen, ett på taket och en i den stora entréhallen. Byggnadens tak är böjt och har en organisk form som påminner om ett landskap. På undre plan finns en stor entréhall med stor takhöjd. Den stora hallen ska fungera som en öppen plats att vara på. En offentlig inomhusplats där man kan sitta och umgås, studera eller äta mat. Personalens kontor är i en kubformad byggnad och är upphöjd med pelare. Kontoren är enkla i sin utformning. Detta kanske tråkiga kontorslandskap kompenseras med en stor och ljus reträttzon.
In this City Hall I wanted to explore the public place. In Tensta, like other suburbs, there is often a shortage of gathering spaces. I wanted to solve this by turning my City Hall into a public space.The Tensta site is characterized by a 4-meter height difference between Tenstagången and Taxingegränd. Tenstagången is 4-meter above Taxingegränd and is a road that serves as a passage to the small city center. Taxingegränd is the space 4-meter below, where Tensta Konsthall is located along with a small square and parking lot. I choose to work with this height difference and incorporate it into the design. By creating a new space on top of my building I could increase the public space. The roof is used as a public square, which also works as a connection between Tenstagången and Taxingegränd. The roof of the building has an organic shape reminiscent of a landscape. On the lower level there is a large entrance hall with a high ceiling. This entrance hall should serve as a public indoor place where you can sit and socialize, study or eat food. There is also a reception with waiting room and visiting room for the grant applicants. The staff offices are in a cube-shaped building and is raised with pillars. The offices are simple in their design. This slightly mundane office landscape is contrasted by a large and bright retreat zone.
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Никоненко, Тамара. "Деконструктивізм як епатажний напрям в світовій культурі." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10017.

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Надано результати дослідження сутності напряму деконструктивізм. Метою стало визначення особливостей деконструктивізму як течії нового мислення в світовій культурі кінця ХХ – початку ХХІ століття. Охарактеризовано метод, характерні риси, закони нового напряму в дизайні та архітектурі. На основі аналізу складових деконструктивізму виявлено внутрішньостильову структуру: підтечії раціонального та ірраціонального спрямувань.
Provided research results of the deconstructivism trend entity. The goal was to identify the features of deconstructivism as a new thinking flow in world culture of the end of the 20th - the beginning of the 21st century. Described method, features, rules of a new design and architecture trend. On the basis of analysis of the deconstructivism components revealed the structure of the internal style flow: branches of rational and irrational directions.
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Books on the topic "Deconstructivism"

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Architecture: From art nouveau to deconstructivism. Munich: Prestel, 2001.

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Philip, Johnson. Deconstructivist architecture. New York: Museum of Modern Art, 1988.

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Jorge, Glusberg, ed. Deconstruction: A student guide. London: Academy Editions, 1991.

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Dekomponierendes Entwerfen: Ursachen, Möglichkeiten und Wirkungen dekomponierter Architektur. Frankfurt am Main: P. Lang, 1992.

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1943-, Matta-Clark Gordon, ed. Object to be destroyed: The work of Gordon Matta-Clark. Cambridge, MA: MIT Press, 2000.

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The architecture of deconstruction: Derrida's haunt. Cambridge, Mass: MIT Press, 1993.

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Hodge, Daniel H. Daniel Libeskind: An introduction and bibliography. Monticello, Ill., USA: Vance Bibliographies, 1990.

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White, Anthony G. Hiroshi Hara: A selected bibliography. Monticello, Ill., USA: Vance Bibliographies, 1990.

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Bassi, Giovanni Battista. Sospensioni: Architetture virtuali di Giovanni Battista Bassi : [catalogo. Firenze: Alinea, 1995.

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Instabile e atopico: L'architettura di Peter Eisenman e il decostruzionismo di Jacques Derrida. Rimini: Guaraldi, 2009.

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Book chapters on the topic "Deconstructivism"

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Schildhauer, Nadine. "From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music." In Postcolonial Repercussions, 85–100. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462522-006.

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In this article, Nadine Schildhauer argues that the eclectic mix of genre found in deconstructed club music, with all its cultural references and signifiers, goes beyond deconstructivism and gravitates towards a postcolonial understanding of sound.
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Kitamura, Masanao, Kensuke Yasufuku, and Hirokazu Abe. "The Study of “Deconstructivism” in the Field of Architecture." In Advances in Intelligent Systems and Computing, 1984–93. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95588-9_176.

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Heidt, Michael, Andreas Bischof, and Paul Rosenthal. "Deconstructivist Design within HCI." In Design, User Experience, and Usability. Theories, Methods, and Tools for Designing the User Experience, 115–22. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07668-3_12.

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Poulsen, Niels Bo. "Military History: An Introduction." In Handbook of Military Sciences, 1–16. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-02866-4_24-1.

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AbstractThis chapter offers an introduction to military history. It outlines the relation between history in general and the subdiscipline of military history. Traditionally military history has been “war-centric” and during the late nineteenth and early twentieth century a significant split occurred between military professionals who studied the past in order to find military lessons and establish principles of war and civilian academics who increasingly came to see military history as methodologically primitive and war-glorifying. Contemporary military history, however, has to some extent bridged this gap, and today military history is “a broad church” characterized by a rich variety of approaches. Nevertheless, a number of profound challenges face historians wanting to do military history, including commercialization of the field, a strong tendency to Euro-Atlantic centrism, lack of representation, and a paucity of theoretical and methodological debates. Currently the most notable principal approaches to military history are operational military history, war and society (new military history), deconstructivist military history, and memory culture oriented military history.
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"Deconstructivism." In The Visual Dictionary of Architecture, 94. AVA Publishing SA Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781350096462.0080.

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"deconstruction or deconstructivism." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.1252.

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MacSwan, Jeff. "1 Introduction: Deconstructivism – A Reader’s Guide." In Multilingual Perspectives on Translanguaging, 1–42. Multilingual Matters, 2022. http://dx.doi.org/10.21832/9781800415690-003.

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"14. Deconstructivism and the Holocaust: Peter Eisenman’s Memorial to the Murdered Jews of Eu rope." In Probing the Ethics of Holocaust Culture, 283–303. Harvard University Press, 2016. http://dx.doi.org/10.4159/9780674973244-015.

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Lang, Jon. "The Postmodernist and the Deconstructivist Response." In The Routledge Companion to Twentieth and Early Twenty-First Century Urban Design, 234–52. Routledge, 2020. http://dx.doi.org/10.4324/9781003016670-15.

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"10. Die Deconstructivist Architecture – eine Erfolgsgeschichte?" In Dekonstruktivismus in der Architektur?, 319–36. transcript-Verlag, 2015. http://dx.doi.org/10.14361/9783839430293-009.

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Conference papers on the topic "Deconstructivism"

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Kyrchanoff, Maksym W. "“North Slavic” Deconstructivism As Invented Tradition Of Russian Historical Slavistics." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.76.

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"A DECONSTRUCTIVIST METHODOLOGY FOR SOFTWARE ENGINEERING." In International Conference on Evaluation of Novel Approaches to Software Engineering. SciTePress - Science and and Technology Publications, 2010. http://dx.doi.org/10.5220/0003001502070213.

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Bertschi, Stefan. "Without Knowledge Visualization? Proposing a Deconstructivist Approach to Metaphor, Meaning and Perception." In 2007 11th International Conference Information Visualization (IV '07). IEEE, 2007. http://dx.doi.org/10.1109/iv.2007.144.

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