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1

George, Rogers. George Washington crowned by "equality, fraternity, and liberty": A democratic poem, dedicated unto youth. Printed by Leavitt, Trow, 1985.

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2

Kamatenda, Djungu-Simba. Voix du Congo: Poésie. Le Cri édition, 2013.

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3

1949-, Kabawu Badibanga, ed. Champs qui chantent. Lwemba L & M. Ed., 1995.

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4

Mono, Paul N'zo. Si patrie en était une. Harmattan, 2014.

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5

Okoundji, Gabriel. Second poème. L'Harmattan, 1998.

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6

Comité de lecture de l'UEZA., ed. Cris intérieurs: Écrits pour ne pas rompre l'attache avec la terre ancestrale. Editions de l'Union des écrivains zaïrois, 1986.

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7

1948-, Scrivener Michael Henry, ed. Poetry and reform: Periodical verse from the English democratic press, 1792-1824. Wayne State University Press, 1992.

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8

Maalu-Bungi. Poésie orale congolaise. Centre de linguistique théorique et appliquée, 2002.

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9

Lutondo, Olivier Sangi. Larmes ensanglantées au Kivu: (poèmes et nouvelles) : avec le concours du cénacle des jeunes écrivains du Kivu (CJEK), branche provinciale de l'association des jeunes écrivains du Congo (AJECO). MÉDIASPAUL, 2014.

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10

1946-, Pius Ngandu Nkashama, ed. La terre à vivre: La poésie du Congo-Kinshasa : anthologie. Harmattan, 1994.

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11

Folsom, Ed. What do we represent?: Walt Whitman, representative democracy, and democratic representation. University of Iowa, 1998.

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12

Chomsky, Noam. Necessary illusions: Thought control in democratic societies. CBC Enterprises, 1989.

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13

Chomsky, Noam. Necessary illusions: Thought control in democratic societies. South End Press, 1989.

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14

Chomsky, Noam. Necessary illusions: Thought control in democratic societies. House of Anansi Press, 2003.

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15

Kongolo, Antoine Tshitungu. Panorama de la poésie congolaise de langue française, Congo-Kinshasa: Poète ton silence est crime. L'Harmattan, 2002.

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16

autres, Tshitungu Kongolo Antoine, ed. Panorama de la poésie congolaise de langue française, Congo-Kinshasa: Poète, ton silence est un crime. L'Harmattan, 2003.

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17

Leicht, Alexander. The search for a democratic aesthetics: Robert Rauschenberg, Walker Evans, William Carlos Williams. Universitätsverlag Winter, 2012.

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18

Aguilar, Luis Miguel. La democracia de los muertos. Cal y Arena, 1988.

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19

Barros, Maria Irencilce Rodrigues. Percurso histórico-discursivo nas canções de Chico Buarque: Da ditadura à democracia. Pontes Editores, 2021.

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20

Alfaro, William. Dictadura vintage: Poetas salvadoreños en defensa de la democracia. Chifurnia Libros, 2021.

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21

Mukadi, Tshiakatumba Matala. Dans la tourmente de la dictature: Autobiographie d'un poète. L'Harmattan, 2000.

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22

Joyce, Patrick. Democratic subjects: The self and the social in nineteenth-century England. Cambridge University Press, 1994.

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23

American experimental poetry and democratic thought. Oxford University Press, 2009.

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24

La derniere note. Editions Panafrika, 2009.

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25

Scrivener, Michael Henry. Poetry and Reform: Periodical Verse from the English Democratic Press, 1792-1824. Wayne State Univ Pr, 1992.

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26

Scholz, Gudrun. Gudrun Scholz : No Fat Poetry: A Democratic Match Between Photo and Text. Antique Collectors' Club, 2023.

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27

Casavala, Premalata. Muktibodha-kavya (मुक्तिबोध - काव्य): Janavadi cetana ke sandarbha mem (जनवादी चेतना के सन्दर्भ में ). Adhara Prakasana, 2001.

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28

Aesthetic Innovation and the Democratic Principle: Essays on Twentieth-Century American Poetry and Fiction. Universitaetsverlag Winter, 2016.

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29

Post-Personal Romanticism: Democratic Terror, Prosthetic Poetics, and the Comedy of Modern Ethical Life. Ohio State University Press, 2017.

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30

Earle, Bo. Post-Personal Romanticism: Democratic Terror, Prosthetic Poetics, and the Comedy of Modern Ethical Life. Ohio State University Press, 2021.

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31

Markantonatos, Andreas, and Eleni Volonaki. Poet and Orator: A Symbiotic Relationship in Democratic Athens. de Gruyter GmbH, Walter, 2019.

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32

Markantonatos, Andreas, and Eleni Volonaki. Poet and Orator: A Symbiotic Relationship in Democratic Athens. de Gruyter GmbH, Walter, 2020.

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33

Markantonatos, Andreas, and Eleni Volonaki. Poet and Orator: A Symbiotic Relationship in Democratic Athens. de Gruyter GmbH, Walter, 2019.

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34

Poet and Orator: A Symbiotic Relationship in Democratic Athens. De Gruyter, Inc., 2019.

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35

Chomsky, Noam. Necessary Illusions: Thought Control in Democratic Societies. House of Anansi Press, 2012.

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36

Chomsky, Noam. Necessary Illusions: Thought Control in Democratic Societies. Pluto P., 1993.

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37

Trousdale, Rachel. Humor, Empathy, and Community in Twentieth-Century American Poetry. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895714.001.0001.

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Humor, Empathy, and Community in Twentieth-Century American Poetry argues that American poets of the last hundred years use laughter to promote recognition of shared humanity across difference. Freud and Bergson argue that laughter patrols the boundary between in-group and out-group, but laughter can also help us cross or re-draw that boundary, creating a more democratic understanding of shared experience. Poets’ uses of humor reveal and reinforce deep-seated beliefs about the possibility of empathic mutual understanding among unlike interlocutors. These beliefs also shape poets’ senses of aud
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38

Arrington, Lauren. The Poets of Rapallo. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846543.001.0001.

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Why did poets from the United States, Britain, and Ireland gather in a small town in Italy during the early years of Mussolini’s regime? These writers were—or became—some of the most famous poets of the twentieth century. What brought them together, and what did they hope to achieve? The Poets of Rapallo is about the conversations, collaborations, and disagreements among Ezra and Dorothy Pound, W.B. and George Yeats, Richard Aldington and Brigit Patmore, Thomas MacGreevy, Louis Zukofsky, and Basil Bunting. Drawing on their correspondence, diaries, drafts of poems, sketches and photographs, thi
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39

Freedman, Linda. Blake, Duncan, and the Politics of Writing from Myth. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813279.003.0006.

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Robert Duncan saw Blake’s images of ‘fire and blood’ alive in contemporary America. Like many of his generation, he was appalled by the war in Vietnam, believing it to be symptomatic of a deeper spiritual sickness in America. He wanted poetry to provide an alternative form of democratic participation which would recover the meaning of freedom from the toxic lexicon of American foreign policy. Duncan, like Blake, imagined the body, and the body politic, as a site of alterity and ethical responsibility, charged with repression and desire. His reading of Blake sought to preserve the place of the
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40

Hirsch, Alexander Keller, and David W. McIvor, eds. Democratic Arts of Mourning. The Rowman & Littlefield Publishing Group, 2019. https://doi.org/10.5040/9781978730694.

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The Democratic Arts of Mourning reflects on the variety of ways in which mourning affects political and social life. In recent decades, political theorists have increasingly examined and explored the themes of loss, grief, and mourning. With an introduction that contextualizes the turn to mourning in previous scholarship on the politics of tragedy, this book includes twelve chapters that clarify the intertwinement between politics and mourning. The chapters are organized into five thematic sections that each shed light on how democratic societies relate to loss, grief, suffering, and death. Co
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41

McLaren, Joseph. Langston Hughes. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798400676482.

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Though known primarily as a poet, Langston Hughes crafted well over 40 theatrical works. This book examines Hughes's stage pieces from his first published play,The Gold Piece(1921), through his post-radical wartime effort,For This We Fight(1943). Hughes's stage writing of this period includes such forms as the folk comedy, the protest drama, the historical play and the blues opera. McLaren concludes that the democratic argument is ultimately employed by Hughes to challenge segregation in the military and that Hughes's iconography prefigures the black aesthetic of the 1960s. Photographs complem
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42

Hacia la democracia: La nueva poesía (1968-2000). Centro para la edición de los clásicos españoles, 2016.

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43

Fay, Jessica. ‘My second Self when I am gone’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816201.003.0004.

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This chapter traces the cumulative influence of Wordsworth’s reading of a series of topographical and antiquarian studies on the poetry and prose he produced between 1807 and 1810. These sources contain extensive details about medieval monastic life in the north of England and describe how powerful coenobitic communities shaped the cultural and geographical landscapes they inhabited. The chapter shows how knowledge of the civic operation of the monastic world influenced Wordsworth’s thinking about primogeniture, living legacy, memorialization, and familial and democratic representation. It exp
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44

Mellor, Anne K. Gender Boundaries. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.13.

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The social construction of gender in Britain during the Romantic era—in which males were consigned to the public sphere and females to the private sphere under the laws of couverture—produced an all-important difference between the writings of men and women, what we might call masculine as opposed to feminine Romanticism. Male writers tended to celebrate the development of an autonomous self, the divinity of the creative imagination, a political revolution leading to democratic freedom, and the elevation of poetry as the highest genre. Female writers, in contrast, embraced an ideology grounded
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45

Pinsky, Robert. Democracy, Culture and the Voice of Poetry. Princeton University Press, 2009.

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46

Democracy, culture, and the voice of poetry. Princeton University Press, 2002.

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47

Las moradas del verbo: Poetas españoles de la democracia : antología. Calambur Editorial, 2010.

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48

Caronan, Faye. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039256.003.0006.

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This book has investigated how Filipino American culture and U.S. Puerto Rican culture across various genres critique narratives of U.S. exceptionalism that justify U.S. colonial projects. It has shown that hegemonic narratives of U.S. multiculturalism, U.S. exceptionalism, and the good immigrant all function to define and discipline Filipino Americans and U.S. Puerto Ricans. It has described these Filipino American and U.S. Puerto Rican cultural productions as all selective traditions that have been carefully deployed to affirm hegemonic U.S. narratives that imagine the end of empire as the r
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49

Dream Is Freedom: Pauli Murray and American Democratic Faith. Oxford University Press, Incorporated, 2011.

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50

Azaransky, Sarah. Dream Is Freedom: Pauli Murray and American Democratic Faith. Oxford University Press, Incorporated, 2011.

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