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Journal articles on the topic 'Democratic poetry'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Nwosu, Onyebuchi, and Chika Ose-Agbo. "Vistas of Corruption in New Nigerian Poetry: A Marxist Perspective on Halima Amali’s Poetry." Research in African Literatures 55, no. 2 (2025): 91–108. https://doi.org/10.2979/ral.00061.

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ABSTRACT: Wanton corruption has characterized Nigeria’s fourth democratic dispensation. Though this has retarded growth and development, it has engaged the attention of contemporary Nigerian poets. Deploying the theory of Marxism, this paper discusses the poetic representations of Nigeria’s democratic and undemocratic principles in Halima Amali’s poetry. Exploring her application of poetic instruments to portray corrupt practices by some of the Nigerian political elite, it discusses her poetic vituperations against Nigerians’ tacit acquiescence of corrupt practices that run contrary to democra

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2

Mhire, Jeremy J. "The Poetic Past as Democratic Prologue: Robert Penn Warren’sDemocracy and Poetry." American Political Thought 3, no. 2 (2014): 303–21. http://dx.doi.org/10.1086/677735.

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3

Yang, Hyun-chul. "The Expression of Democratic Spirit in Whitman’s Poetry." Modern Studies in English Language & Literature 67, no. 4 (2023): 295–314. http://dx.doi.org/10.17754/mesk.67.4.295.

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4

Frank, Jason. "Aesthetic Democracy: Walt Whitman and the Poetry of the People." Review of Politics 69, no. 3 (2007): 402–30. http://dx.doi.org/10.1017/s0034670507000745.

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This essay argues for Walt Whitman's significance to contemporary democratic theory, neither as a theorist of moral or aesthetic individualism nor as a theorist of communitarian nationalism, but as a theorist of the democratic sublime. Whitman's account of “aesthetic democracy” emphasizes the affective and autopoetic dimensions of political life. For Whitman, popular attachment to democracy requires an aesthetic component, and he aimed to enact the required reconfiguration of popular sensibility through a poetic depiction of the people as themselves a sublimely poetic, world-making power. Thro

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5

Riley, Jeannette E. "THE VOICE OF POETRY IS CALLING: Adrienne Rich's Democratic Impulse." Soundings: An Interdisciplinary Journal 92, no. 3-4 (2009): 347–64. http://dx.doi.org/10.2307/41179252.

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Riley, Jeannette E. "THE VOICE OF POETRY IS CALLING: Adrienne Rich's Democratic Impulse." Soundings: An Interdisciplinary Journal 92, no. 3-4 (2009): 347–64. http://dx.doi.org/10.5325/soundings.92.3.0347.

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7

Garcia, J. M. R. "Manuel Maria's Agrarian Poetry, Galician Literature, and Spain's Democratic Transition." Modern Language Quarterly 75, no. 4 (2014): 541–75. http://dx.doi.org/10.1215/00267929-2796897.

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8

Sebola, Moffat, and Olufemi J. Abodunrin. "Not Yet Uhuru: Aspects of Social Realism in Vonani Bila’s Selected Poetry." Journal of African Languages and Literary Studies 2, no. 3 (2021): 87–107. http://dx.doi.org/10.31920/2633-2116/2021/v2n3a5.

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This article analyses Vonani Bila’s selected poetry for its ability to produce an ‘air of reality’. The central argument of the article is that Bila embraces an aesthetic of realism, which essentially values unsparing, accurate and sordid representations of the psychological, social and material realities of postcolonial (and democratic) South Africa. Undergirded by the Marxist theory of Social Realism, the qualitative approach and descriptive design, this article purposively selected ten poems from some of the anthologies in which Bila published his poetry, namely; Magicstan Fires, Handsome J

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9

Kapusevska-Drakulevska, Lidija. "The Presence of Portuguese Contemporary Poetry at the Struga Poetry Evenings." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 02 (2019): 150–55. http://dx.doi.org/10.53943/elcv.0119_11.

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The idea of political union of a democratic Europe must be founded upon its cultural dimension. Poetry is a very important dimension of European civilization and an essential exercise of creative freedom for approximating individual human beings and countries. The topic of this paper will be the presence of Portuguese contemporary poetry at the Struga Poetry Evenings (SPE), an international poetry festival started in 1962. The SPE has a very significant role in reception and promoting the other literatures and cultures to the Macedonian authors and readership. The selection of Portuguese conte

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10

Judy, R. A. "Introduction: For Dignity; Tunisia and the Poetry of Emergent Democratic Humanism." boundary 2 39, no. 1 (2012): 1–16. http://dx.doi.org/10.1215/01903659-1506218.

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11

Thukul, Wiji. "This dark night." Index on Censorship 26, no. 2 (1997): 64–65. http://dx.doi.org/10.1177/030642209702600219.

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A ward-winning poet Wiji Thukul is currently in hiding and being sought by the police in connection with the Jakarta riots of 27 July 1996. Thukul, who chairs the People's Art Network (an organisation under the umbrella of the People's Democratic Party), left school at the age of 11 and took a variety of jobs, including selling newspapers, working as a carpenter, and as a pedicab driver, while composing his poetry. His books include Mencari Tanah Lapang ( Looking for Open Fields), Puisi Pelo ( A Lisper's Poetry), Darman dan Lain-Lain ( Darman and Others). This poem was written while in hiding

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12

Chernetsky, Vitaly. "Ukrainian and Russian Wartime Poetry in the Age of Social Media: Challenges and Lessons." Slavic Review 83, no. 3 (2024): 521–26. https://doi.org/10.1017/slr.2024.496.

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AbstractThis essay argues for considering wartime Ukrainian poetry in the broader context of Ukrainian artistic projects investigating the relationship between observation, agency, and responsibility. It highlights the profoundly democratic features of this process that explores the ways art can help one process trauma and engage in difficult but necessary conversations. It argues that Ukrainian poetic activity can be viewed as a unified corpus across multiple languages, while problematizing approaches to Russophone Ukrainian poetry that treat is as part of an allegedly unified Russophone disc

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13

Shashank, Shekhar Shukla, and Swarnali De Dr. "Romanticism: The Waves of Fleeting Emotions?" Criterion: An International Journal in English 15, no. 2 (2024): 337–45. https://doi.org/10.5281/zenodo.11105667.

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The paper attempts to study the rise of Romanticism through a comparative study of the Romantic tendencies with that of its earlier age- the Neo- Classical age. The age of Romanticism focuses on spontaneity, purity rather than being logical and rational while writing poetry. The Romantic writers represented this spontaneous and pure form of Nature in their writings. These flawless waves of the romantic songs never fail to reflect its proximity to Nature. Thus Romantic poets like Wordsworth set up a democratic way of writing poetry wherein the poets emphasized on the importance of writing for t

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14

Mee, Jon, and Michael Scrivener. "Poetry and Reform: Periodical Verse from the English Democratic Press 1792-1824." Studies in Romanticism 36, no. 4 (1997): 655. http://dx.doi.org/10.2307/25601259.

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15

Hayani, Khadija El Hayani. "Song of Myself : A Democratic Epic." International Journal of Innovative Science and Research Technology 5, no. 7 (2020): 343–47. http://dx.doi.org/10.38124/ijisrt20jul394.

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Walt Whitman's 'Song of Myself' is one of the most important poems in the American literature, important for both its use of language and its vision of equality. Throughout the poem , Walt Whitman gives emphasis on equality of all men and women. To him all humans are equal and all professions are equally honorable.(Seery, 2011)). The poem, hence celebrates the theme of democracy and the oneness of mankind, specifically the American people. The purpose of this paper is not to provide a kind of background for Whitman’s poetic principles, but try to discuss his democratic leanings in “Song Of Mys

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16

Joshi, Manu, and Sharmila Saxena. "Ethos of Orissa Landscape and Indian Sensibility In The Poems of Jayanta Mahapatra." Dialogue: A Journal Devoted to Literary Appreciation 19, no. 02 (2024): 40–42. http://dx.doi.org/10.30949/10.30949/dajdtla.v19i2.8.

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Jayanta Mahapatra is one of the rising stars on the firmament of this species of Indian poetry. His works is of such intrinsic worth that he has already come to be regarded as the forth great poet in India. His ironic treatment with superb use of imagery with reference- to some of the more representative poems in the perspective of his commitment to a personal vision embedded in the materials practices, values of Oriya culture and rituals to some people of India. This paper attempts at the study of socio-political ethos of his native place, the images of locale, the social injustices that embo

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17

Grass, Delphine. "The Democratic Languages of Exile: Reading Eugene Jolas and Yvan Goll's American Poetry with Jacques Derrida and Hannah Arendt." Nottingham French Studies 56, no. 2 (2017): 227–44. http://dx.doi.org/10.3366/nfs.2017.0183.

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Taking from departure Jacques Derrida and Hannah Arendt's divergent points of view on the cultural role of the mother tongue in totalitarian and democratic contexts, this essay investigates the writings of two poets, Yvan Goll and Eugene Jolas, who both wrote poetry in English during their exiles in New York during the Second World War. The essay analyses how issues of belonging and citizenship are approached in their works through the prism of multilingualism for Jolas, and by challenging mono-referentiality in language and proper names in Yvan Goll's Kabbalistic poetry. The essay investigate

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18

Franke, Astrid. "Vom Problem einer demokratischen Ästhetik zur Ästhetik einer problematischen Demokratie." Volume 62 · 2021 62, no. 1 (2021): 321–39. http://dx.doi.org/10.3790/ljb.62.1.321.

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From the Problems of a Democratic Aesthetic to the Aesthetics of a Problematic Democracy In analyses of poems from the 18th, 20th and 21st century, this article juxtaposes different degrees of trust in a democratic political order and the role of poetry in it. Philip Freneau, who supported a radical interpretation of the American Revolution as initiating a new and better social order, searched for a democratic poetics commensurate with the value placed on common people. For Muriel Rukeyser and even more so, Langston Hughes in the 1930s, democracy felt threatened not only by fascism abroad but

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19

Nilsson, Magnus. "”Strängt taget fattas oss ingenting”: Folkhemmet i Stig Sjödins och Jenny Wrangborgs arbetarlyrik." European Journal of Scandinavian Studies 50, no. 1 (2020): 183–99. http://dx.doi.org/10.1515/ejss-2020-0011.

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AbstractThe aim of this article is to analyze the attitudes of two prominent Swedish working-class poets – Stig Sjödin (1917–1993) and Jenny Wrangborg (born 1984) – toward the social-democratic welfare state. The premise of the analysis is that this welfare state is a historical and changing phenomenon that has attracted attention from working-class writers in different ways at different times. Sjödin wrote during the emergence and the heyday of the social-democratic welfare state, whereas Wrangborg is writing poetry at a time when the labour movement is ailing and the welfare state challenged

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20

Zimmerman, Aaron Samuel. "Advancing Community-Engaged Teacher Education Through Narrative, Poetry, and Performance." International Journal of Adult Education and Technology 11, no. 4 (2020): 45–56. http://dx.doi.org/10.4018/ijaet.2020100105.

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Learning to become a democratic educator requires listening to and learning from the perspectives, values, goals, and concerns of local communities. Obtaining and learning from this knowledge, however, is not without its challenges. This article will present an overview of community-engaged teacher education as well as some of the challenges inherent to this endeavor. This article will then present an argument for how three particular methodologies of arts-based research (narrative, poetry, and performance) may be effective means through which to capture and share the knowledge possessed by co

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21

Son, Nam-Hoon. "Study on 5·18 Gwangju Democratic Movement Poetry Works and Discourse in Hanyang." Journal of Koreanology 68 (August 31, 2018): 3–38. http://dx.doi.org/10.15299/jk.2018.08.68.3.

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22

McBride III, Lee A. "Poetry and Well-Patterned Language (in Philosophy)." Journal of Speculative Philosophy 38, no. 1 (2024): 1–14. http://dx.doi.org/10.5325/jspecphil.38.1.0001.

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ABSTRACT Toni Morrison suggests that storytelling is a highly effective way of structuring knowledge, and that the harnessing of a clever allegory, the search for well-patterned language is a constant, provocative engagement with the contemporary world. This article considers the ways poetry, imagination, and well-patterned language are utilized in the philosophies of Ralph Waldo Emerson, Richard Rorty, and Leonard Harris. The author notes that there are apparent similarities between Rorty and Harris, but one should also notice that there are significant differences in these two philosophical

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23

OSUNDARE, NIYI. "From the Closet to the Marketplace: Popular Poetry and the Democratic Space in Nigeria." Matatu 23-24, no. 1 (2001): 131–39. http://dx.doi.org/10.1163/18757421-90000367.

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24

Hazratkuliyon, Dilshodai Farxodzod. "A FEW WORDS ABOUT THE DEVELOPMENT OF POETRY OF PRAISE IN THE TAJIK LITERATURE OF UZBEKISTAN." International journal of word art 5, no. 6 (2022): 4. https://doi.org/10.5281/zenodo.7393765.

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This article talks about one of the aspects of Tajik literature that is developing in the literary environment of modern Uzbekistan - "madeha" poetry, its role in the poems of modern Tajik poets and its specific aspects. Madeha poetry has its traditions in the form of madeha. Today, this literary tradition continues in spirit, and sometimes becomes a reality. Praise by the poet of the Motherland, glorification of the great features of the figures of high significance of the poem of national selfknowledge, and this principle has appeared in Tajik literature since the 60s of the XX cen

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25

Timalsina, Ramji. "Reflection of Nepali Modernity in Devkota’s Poetry." JODEM: Journal of Language and Literature 15, no. 1 (2024): 121–34. http://dx.doi.org/10.3126/jodem.v15i1.68925.

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This article reviews the researches and critical writings on Devkota’s trend of creation especially in poetry; and it argues that his writings address the two stages of Nepali modernity: pre-modern and modern. Nepali modernity is the result of the growing social consciousness in the mid-twentieth century. It was observed in politics, national economy and cultural thought and products at the same time. Nepali literature of the mid-twentieth century both represents and inspires the development in all three aspects of national life. Devkota composed most of his poems in the same period and led bo

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26

Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Artistic system of the children’s poetic folklore of Dagestan." Litera, no. 11 (November 2020): 42–56. http://dx.doi.org/10.25136/2409-8698.2020.11.34158.

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The subject of this research is the artistic system of children's folklore of Dagestan. Based on the analysis the example of cradlesongs, play poetry, and calendar songs, the author determines their thoughtful humanistic and democratic motif, high ideological focus, and aesthetic perfection. The article covers the ideological, thematic and artistic content, and highlights the archaic elements of cradlesong poetry, which enjoys most popularity among other genres of the poetic folklore. The author&rsquo;s special contribution consists in explication of specificity of artistic means and aesth

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27

Flaherty, Jennifer. "THE NEW MAN AND THE PEOPLE: THE LYRICAL VOICE AND POETIC DEMOCRACY IN N. A. NEKRASOV." Russkaya literatura 4 (2021): 52–64. http://dx.doi.org/10.31860/0131-6095-2021-4-52-64.

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This article analyzes the expression of individual limitation in Nekrasov’s poetry as a model of democratic pathos which departs from the 1860s standard of self-sacrifi ce. Who Lives Well in Russia is treated as a culminating expression of Nekrasov’s unique combination of individual lyric voice and the shared affective experiences created by sound, which symbolizes a bid for agency among the intelligentsia and the narod alike and draws attention to linguistic form as a combined poetic and political act.

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Melnik, Vladimir I. "The development of N. A. Nekrasov's religious consciousness." Verhnevolzhski Philological Bulletin 3, no. 26 (2021): 8–16. http://dx.doi.org/10.20323/2499-9679-2021-3-26-8-16.

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The problem of N. A. Nekrasov's religiosity, especially its biographical aspect, has not been studied well. As for the sources of information about the dogma of Orthodoxy, in his poetic texts Nekrasov shows considerable awareness of spiritual issues, as they are addressed by the church and the Holy Fathers of the Church. The poet is interested in Orthodox hagiography. His source of information could be, first of all, the so-called popular Orthodoxy. The question remains open about the formation of Nekrasov's religiosity at an early age, about the nature of his spiritual disposition. This artic

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29

Gilmore, Peter E. "“Hark ye, Sweet Liberty Boys”: David Bruce, Western Pennsylvania’s Federalist Frontier Poet." Pennsylvania History: A Journal of Mid-Atlantic Studies 89, no. 4 (2022): 552–79. http://dx.doi.org/10.5325/pennhistory.89.4.0552.

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ABSTRACT The poetry of Western Pennsylvanian David Bruce in the 1790s offers a unique perspective on the politics of a turbulent decade in a region emerging from frontier conditions. His advocacy of Federalist politics enjoyed vibrant coloration as verse composed in Scots. His choice of language expressed his own background as a recent Scottish immigrant while allowing him to pose as “the Scots-Irishman.” A project that began as an act of political ventriloquism became admonition, reproachment, and condemnation as Bruce used his poetic skill to criticize and ridicule frontier democrats who act

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30

Chick, Kay A. "Promoting Democratic Ideals and Social Action: Children’s Literature on the Civil Rights Movement and School Integration." Social Studies Research and Practice 2, no. 1 (2007): 58–68. http://dx.doi.org/10.1108/ssrp-01-2007-b0005.

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This article highlights the role of social studies educators in promoting democratic ideals and social action. The benefits of incorporating children’s and young adult literature into the social studies curriculum in the elementary and middle school grades are discussed. Biography, historical fiction, poetry, and information books are presented to teach students about the civil rights movement and school integration. Literature extension activities are designed to encourage students to examine issues of equality, social justice, and human dignity, while also considering their own prejudices an

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Tselikova, Ekaterina Viktorovna. "Afanasy Fet’s essays “From the Village” and Pavel Medvedev’s article “Dreams and Reality”: to the history of polemics." Litera, no. 10 (October 2020): 8–17. http://dx.doi.org/10.25136/2409-8698.2020.10.33849.

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This article meticulously analyzes the views of the representative of aesthetic school and school of democratic poetry of the Russian literature of the XIX century upon the designation of art and science. The essays &ldquo;From the Village&rdquo; by A. A. Fet, which depict the poet&rsquo;s outlook upon the role and tasks of poetry, science, and art as a whole, serve as the materials for this research. Opinion of the opponents from democratic school is demonstrated on the example of the article &ldquo;Dreams and Reality&rdquo; by the author of the satirical magazine &ldq

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32

Pylynskyi, Mykhailo. "The Concept of Political Freedom in War Poetry: a comparison of Ukrainian poetry from the modern war and American poetry from the revolutionary wars." LITERARY PROCESS: methodology, names, trends, no. 24 (2024): 74–84. https://doi.org/10.28925/2412-2475.2024.24.7.

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This paper delves into the concept of political freedom as depicted in American and Ukrainian poetry, specifically during periods of conflict. By focusing on wartime literature, the study aims to uncover the nuanced meanings and representations of freedom in both American and Ukrainian contexts. The research is particularly relevant given the current Russian-Ukrainian war, which has brought the question of national and political freedom to the forefront of Ukrainian society. The comparative approach of this study allows for an examination of how two different cultures, separated by time and ge

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Scully, Matthew. "Democratic Aesthetics: Scenes of Political Violence and Anxiety in Nari Ward and Ocean Vuong." American Literature 93, no. 4 (2021): 685–712. http://dx.doi.org/10.1215/00029831-9520236.

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Abstract By attending to art and writing that interrogates US citizenship and state violence, this essay foregrounds the structural antagonism between democracy as an instituted form of rule, which depends on inegalitarian hierarchies, and democracy’s egalitarian drive. It argues that the realization of democracy as a form of governance (consensus democracy) occurs by substituting the rule of a part for the whole, which violently forces democracy’s constitutive figures to conform to and negotiate its organizing logics. Nari Ward’s We the People (2011) allegorizes this inherent tension in democ

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34

Borch, Christian. "Body to Body: On the Political Anatomy of Crowds." Sociological Theory 27, no. 3 (2009): 271–90. http://dx.doi.org/10.1111/j.1467-9558.2009.01348.x.

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This article challenges the negative image that, since the late 19th century, has been associated with crowds, and it does so by focusing on a number of bodily-anatomic aspects of crowd behavior. I first demonstrate that the work of one of the leading crowd psychologists, Gustave Le Bon, instigated a racist body politics. As a contrast to Le Bon's political program, I examine Walt Whitman's poetry and argue that the crowd may embody a democratic vision that emphasizes the social and political import of sexuality and body-to-body contact. Further, I dispute classical crowd theory's idea of an a

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Byrne, William F. "William Graham Sumner and the Problem of Liberal Democracy." Review of Politics 72, no. 4 (2010): 571–97. http://dx.doi.org/10.1017/s0034670510000549.

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AbstractThis paper examines problems of the liberal democratic order through an analysis of the political thought of a neglected American thinker, William Graham Sumner. Sumner argues that the liberal order is inextricably linked to laissez-faire, and is under siege from the closely interrelated threats of socialism, plutocracy, imperialism, and the degeneration of democracy. He recognizes that the liberal-democratic capitalist state has significant deficiencies, including atomization, “cold” economic relations, and a loss of “poetry.” It also seems to depend upon values which are not readily

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Ferriter, Courtney. "Inheriting the Language of Stein: The Pragmatist Poetics of Harryette Mullen." Journal of Modern Literature 47, no. 1 (2023): 43–60. http://dx.doi.org/10.2979/jml.00003.

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Abstract: Poet Harryette Mullen's collections Trimmings (1991) and S*PeRM**K*T (1992) reveal her inheritance of a pragmatist poetics for which democratic language and linguistic skepticism are key. This pragmatist poetics is significant because in our current era of "post-truth" and "alternative facts," existing polarization has deepened, and people are extremely unreceptive to hearing perspectives they do not already agree with. White people oftentimes become actively hostile to straightforward assertions of belief based on lived experience such as "Black Lives Matter," countering such a stat

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37

Hoagwood, Terence Allan. "Poetry and Reform: Periodical Verse from the English Democratic Press 1792-1824. Michael Scrivener, ed." Wordsworth Circle 24, no. 4 (1993): 218–23. http://dx.doi.org/10.1086/twc24042991.

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Mulyono, Mulyono, Dyah Prabaningrum, and Dhoni Zustiyantoro. "Dialectical Hermeneutics of Poetry and Narratives of Hatred and Intolerance Ahead of the Democratic Party." Journal of Language Development and Linguistics 4, no. 1 (2025): 35–50. https://doi.org/10.55927/jldl.v4i1.11337.

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The political, social and cultural phenomena leading up to the general elections, both presidential and legislative elections are interesting to observe. The battle that endangers the existence of the Republic of Indonesia is precisely at the supporting or lower layers. The elites can easily say to maintain a peaceful atmosphere, but at the lower layers, narratives of mutual downfall are scattered in the social media universe. In discrediting opponents, it is not uncommon to upload intolerant expressions. The expression of intolerance is sometimes blatant, some are packaged with symbolic langu

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MUSSER, JORDAN. "The Avant-Garde is in the Audience: On the Popular Avant-Gardism of Linton Kwesi Johnson's Dub Poetry." Twentieth-Century Music 16, no. 3 (2019): 457–99. http://dx.doi.org/10.1017/s147857221900029x.

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AbstractThis article presents a historical study of black British poet and recording artist Linton Kwesi Johnson. Drawing on archival research, I argue that Johnson's hybrid literary and reggae-based practice, known as ‘dub poetry’, offers fresh insight into the status of ‘the popular’ in histories and theories of the avant-garde, and of black avant-gardism specifically. I begin by discussing Johnson's participation in the Caribbean Artists Movement, a hub for diasporic arts in 1960–70s London, whereupon I show how dub poetry transposed the ideas of Johnson's colleague, pan-African Marxist C.

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40

WHITLEY, EDWARD. "Whitman's Occasional Nationalism: "A Broadway Pageant" and the Space of Public Poetry." Nineteenth-Century Literature 60, no. 4 (2006): 451–80. http://dx.doi.org/10.1525/ncl.2006.60.4.451.

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Despite the attention given to New York City as a source of the poetic imagery and democratic energy in Walt Whitman's poetry, the space of mid-century New York has never fully been explicated as a site of convergence for Whitman's conflicting allegiances to a local working-class urban subculture, the global community, and the United States itself. The reason for this critical lacuna stems in part from a tendency to focus on Whitman's private lyrics rather than on the type of poetry that is necessarily connected with a specific geographic space-namely, public occasional verse. In "A Broadway P

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41

Azad, Abdul Kalam, Divya Nadkarni, and Joske Bunders. "Beyond Resistance, Beyond Assimilation: Reimagining Citizenship through Poetry." Journal of Human Rights Practice 14, no. 3 (2022): 986–1004. https://doi.org/10.1093/jhuman/huac055.

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The members of the Miya community in Assam, India have been facing an exacerbated threat of statelessness. Among the emancipatory grassroots organizations that have emerged to defend the rights of the Miya community, is an aesthetic resistance movement, now recognized as the ‘Miya Poetry’ movement. The bulk of the movement’s work since its emergence in 2016 has been to call attention to the discriminations and human rights violations faced by the Miya people in citizenship contestation processes. Miya poetry has, on the one hand, received wide acceptance as a poetry of protes

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Tugizova, Malika Soxib qizi. "MUHAMMAD AMINKHOJA MUQIMI'S ACTIVITY IN POETRY." EURASIAN JOURNAL OF ACADEMIC RESEARCH 2, no. 3 (2022): 172–74. https://doi.org/10.5281/zenodo.6384886.

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In 1950 the works of the poet were issued in Russian in Moscow under the name “Lyrics and satire”. On the occasion of the 50th anniversary of his death in 1953 a number of studies were created about him and laid the foundation for his studies. H.Yagubov's "Uzbek poet Mukhimy', A.Olimjonov's "Muhammad Amin Mukhimy ", H. Zaripov's” Muhammad Amin Mukhimy ", H.Razzakov's books "Mukhimy and Zavkhy“, a collection of articles” were published. This article covers the study of Mukhimy’s life and activities in the textbooks

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WOODS, TIM. "George Oppen and the Public Sphere." Journal of American Studies 45, no. 3 (2010): 443–62. http://dx.doi.org/10.1017/s0021875810001726.

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This article aims to demonstrate that it is less important to pigeonhole Oppen's poetics within modernism or postmodernism than it is to understand his poetic practice as a mode of critical public discourse participating in social debates concerning the state of democratic society in the 1960s. Adopting the framework of the Habermasian transformation of the public sphere allows us to understand the political impact of Oppen's volumes of poetry in the 1960s much more clearly, if we construe them as part of a distinct political engagement that reaches beyond his earlier modernist allegiances. Th

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Kowalow, Siergiej. "Koncept wolności we współczesnej poezji białoruskiej: na podstawie projektu Radio Svaboda "Верш на свабоду" (Wiersz dla Svabody)". Porównania 35, № 1 (2024): 139–57. https://doi.org/10.14746/por.2024.1.10.

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The article is devoted to the reflection of the theme of freedom in contemporary Belarusian poetry based on the material of the unique project “Radio Svaboda” Poem for Freedom. Every day during 2001, a new author’s “poem for freedom” was broadcast on Radio Svaboda, and in 2002, all 365 poems were published as a separate book. The anthology Poem for Freedom reflects the collective perception of freedom in Belarusian society at the beginning of the new millennium. If in the poems of older poets, both professional writers and amateurs, freedom is unequivocally associated with the state independen

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Markov, Alexander. "SCHUBERT'S «THE TROUT» IN RUSSIAN POETRY." Izvestia of Smolensk State University, no. 1 (49) (May 26, 2020): 5–18. http://dx.doi.org/10.35785/2072-9464-2020-49-1-5-18.

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Franz Schubert is one of the well-known western composers in Russian poetry due to the fact that poets have been attracted by his laconic plots, relation to legends, melodramaticism and deep symbolism going beyond historical symbolism. In Russian poetry the small play «The Trout» acquired a meaning different from the composer’s intensions. It began to be understood not as a moral tale of caution and temptation and not as a hymn to youth and young feelings, but as a call for freedom of improvisation. The article, based on material from Russian poetry of the XXth century, immigrant and mod

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Ammentorp, Louise. "Imagining social change: Developing social consciousness in an arts-based pedagogy." Outlines. Critical Practice Studies 9, no. 1 (2007): 38–52. http://dx.doi.org/10.7146/ocps.v9i1.2085.

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This paper is a study of a social-justice, arts-based literacy curriculum in a low income, working-class, predominately African-American school district in Newark, New Jersey. Participating students studied photography and poetry of established artists and took and developed their own photographs accompanied by written narratives. As a part of the curriculum students also wrote poetry and analytical essays. I present my findings within the context of a Vygotskian pedagogical approach that takes social consciousness and metaphor as its central concepts. The paper lays out this conceptual appara

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Schoof, Kim. "Reconsidering the Democratic Potential of John Dewey's Theory of Art while Reading Ben Lerner's Leaving the Atocha Station." Digressions: Amsterdam Journal of Critical Theory, Cultural Analysis, and Creative Writing 3, no. 1 (2018): 1–10. https://doi.org/10.5281/zenodo.4244467.

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Adam, the main character in Ben Lerner’s novel Leaving the Atocha Station, spends a few months on a fellowship in Spain to write poetry about the Spanish Civil War. Reflecting upon the difficulties he experiences with this project, he thinks about what it means to have “a profound experience of art” (Lerner 9). In this paper, I argue that Adam’s considerations pose a specific problem to the democratic potential of John Dewey’s influential art theory as formulated in Art as Experience (1934), and that it is Jacques Derrida’s conception of literature in relati

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Skarbek-Kazanecki, J. "NOSTALGIA, EXPULSION AND THE POETIC I: THE POETICS OF DIASPORA IN THE CORPUS THEOGNIDEUM." Akroterion 66 (2021): 17–39. http://dx.doi.org/10.7445/66--1017.

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In the anthology of archaic elegiac poetry called the Corpus Theognideum, the poetic I often eludes traditional approaches to the ‘poetic authority’. Instead of presenting itself as a citizen of a particular ‘city-state’ or at least a prominent member of an elitist circle who came to have a position of authority, the persona loquens situates himself as removed from the community: as impoverished, expelled from his polis, despised, embittered and thirsting for revenge. The purpose of my paper is to consider how the tension between the alienation of the poetic I and the unity of the audience mig

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Merriweather, Lisa R. "The Spoken Word as Arts-Based Adult Education." Journal of Adult and Continuing Education 17, no. 2 (2011): 51–63. http://dx.doi.org/10.7227/jace.17.2.6.

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Arts-based adult education has been embraced by a growing number of adult educators. These educators have explored its potential in the workplace, in the community and in academia. This article contributes to this work by exploring the Spoken Word, an art form located within the genre of poetry, and its potential as a tool of arts-based adult education. Through engagement, imaginative learning, authenticity and embodying democratic ideals and practices, I explore how the Spoken Word's educational goals are consistent with core goals of adult education such as meaning-making, transformation and

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Mattson, Craig E. "Telling Beauty and Tacit Truth: Polanyi, Persuasion, and Visual Imagery." Journal of Communication and Religion 27, no. 1 (2004): 87–116. https://doi.org/10.5840/jcr200427110.

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A thoroughly democratic rhetorical criticism reads visual imagery functionally or ideologically, not aesthetically—or so say a significant number of rhetorical scholars. This essay contends, however, that reintegrating the aesthetic and the rhetorical, so far from allowing beauty to abet abuse of power, actually enables academic discourse to contribute to civic life in some unlooked-for ways. Critiquing Toss's schema for visual rhetorical criticism, I suggest an alternative informed by Michael Polanyi's theory of tacit knowing (alongside Elaine Scarry's aesthetics), and embodied in Marilyn Cha

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