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1

Parry, Ross. Recoding the museum: Digital heritage and the technologies of change. Routledge, 2008.

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2

Geser, Guntram. Integrity and authenticity of digital cultural heritage objects. Salzburg Research Forschungsgesellschaft., 2002.

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3

S, Frey Franziska, and Rochester Institute of Technology, eds. Direct digital capture of cultural heritage: Benchmarking American museum practices and defining future needs. Rochester Institute of Technology, 2005.

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4

1948-, Stephenson Christie D., and McClung Patricia A, eds. Delivering digital images: Cultural heritage resources for education. Getty Information Institute, 1998.

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5

1959-, Gemmeke Claudia, John Hartmut, and Krämer Harald 1963-, eds. Euphorie digital?: Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie. transcript Verlag, 2001.

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6

Roosen-Runge, P. H. The virtual display case: Making museum image assets safely visible : a report prepared for the Canadian Heritage Information Network. 2nd ed. Canadian Heritage Information Network, 1998.

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7

Workshop on Digital Media and its Application in Museum & Heritage (2nd 2007 Chongqing, China). Second Workshop on Digital Media and its Application in Museum & Heritage: Proceedings : DMAMH 2007 : Chongqing, China, December 10-12, 2007. Edited by Pan Zhigeng 1965-, Jia Jinyuan, and IEEE Computer Society. IEEE Computer Society, 2007.

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8

Cirinnà, Chiara, and Maurizio Lunghi, eds. Cultural Heritage on line. Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-187-8.

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The 2nd International Conference "Cultural Heritage online – Empowering users: an active role for user communities" was held in Florence on 15-16 December 2009. It was organised by the Fondazione Rinascimento Digitale, the Italian Ministry for Cultural Heritage and Activities and the Library of Congress, through the National Digital Information Infrastructure and Preservation Program - NDIIP partners. The conference topics were related to digital libraries, digital preservation and the changing paradigms, focussing on user needs and expectations, analysing how to involve users and the cultural
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9

John, Schofield, and Tracy Ireland. Ethics of Cultural Heritage. Springer, 2014.

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10

John, Schofield, and Tracy Ireland. The Ethics of Cultural Heritage. Springer, 2016.

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11

John, Schofield, and Tracy Ireland. The Ethics of Cultural Heritage. Springer, 2016.

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12

John, Schofield, and Tracy Ireland. The Ethics of Cultural Heritage. Springer, 2014.

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13

The Ethics of Cultural Heritage. Springer, 2014.

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14

Mujoo-Munshi, Usha, and Bidyut Baran Chaudhuri. Multimedia Information Extraction and Digital Heritage Preservation. World Scientific Publishing Co Pte Ltd, 2011.

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15

Mason, Rhiannon, Areti Galani, and Gabi Arrigoni. European Heritage Dialogue and Digital Practices. Taylor & Francis Group, 2021.

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16

Digital Archives and Collections: Creating Online Access to Cultural Heritage. Berghahn Books, Incorporated, 2021.

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17

Müller, Katja. Digital Archives and Collections: Creating Online Access to Cultural Heritage. Berghahn Books, Incorporated, 2021.

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18

Digital Archives and Collections: Creating Online Access to Cultural Heritage. Berghahn Books, Incorporated, 2021.

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19

Digital Archives and Collections: Creating Online Access to Cultural Heritage. Berghahn Books, Incorporated, 2024.

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20

Parry, Ross. Recoding the Museum: Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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21

Parry, Ross. Recoding the Museum: Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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22

Parry, Ross. Recoding the Museum: Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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23

Parry, Ross. Recoding the Museum: Digital Heritage and the Technologies of Change. Taylor & Francis Group, 2007.

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24

Parry, Ross. Recoding The Museum: Digital Heritage And The Technologies Of Change. Routledge, 2007.

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25

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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26

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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27

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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28

Multimedia Information Extraction And Digital Heritage Preservation. World Scientific Publishing Company, 2011.

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29

Pietrobruno, Sheenagh, Katherine Hauptman, Bodil Axelsson, and Fiona Ruth Cameron. Museum Digitisations and Emerging Curatorial Agencies Online: Vikings in the Digital Age. Springer International Publishing AG, 2021.

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30

Pietrobruno, Sheenagh, Katherine Hauptman, Bodil Axelsson, and Fiona Ruth Cameron. Museum Digitisations and Emerging Curatorial Agencies Online: Vikings in the Digital Age. Springer International Publishing AG, 2021.

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31

Gerritsen, Anne, and Giorgio Riello, eds. Writing Material Culture History. 2nd ed. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350105256.

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Writing Material Culture History examines the methodologies currently used in the historical study of material culture. Touching on archaeology, anthropology, art history and literary studies, the book provides history students with a fundamental understanding of the relationship between artefacts and historical narratives. The role of museums, the impact of the digital age and the representations of objects in public history are just some of the issues addressed in a book that brings together distinguished scholars from around the world. This new edition includes: * A new wide-ranging introdu
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32

Queers online: LGBT digital practices in libraries, archives, and museums. Litwin Books, 2015.

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33

John, Hartmut, Harald Krämer, and Claudia Gemmeke. Euphorie Digital?: Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie. Transcript Verlag, 2015.

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34

Hupperetz, Wim. Museums, Heritage, and Digital Curation: Theory and Practice at the Allard Pierson. Sidestone Press, 2022.

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35

Museums, Heritage, and Digital Curation: Theory and Practice at the Allard Pierson. Sidestone Press, 2022.

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36

Future of Digital Data Heritage and Curation in a More-Than Human World. Taylor & Francis Group, 2021.

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37

(Editor), Christie Stephenson, and Patricia McClung (Editor), eds. Delivering Digital Images: Cultural Heritage Resources for Education Volume 1: The Museum Educational Site Licensing Project (Museum Educational Site Licensing Project, Vol 1). Getty Trust Publications: J. Paul Getty Museum, 1999.

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38

Kidd, Jenny. Public Heritage and the Promise of the Digital. Edited by Angela M. Labrador and Neil Asher Silberman. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190676315.013.9.

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The “promise” of the digital has been a democratization of the notion of heritage, and a disruption of ideas about ownership, authorship, and authenticity that might have seemed more straightforward in the recent past. This chapter overviews the possibilities brought about by these developments before introducing a series of ethical questions that they bring sharply into focus for museum and heritage practitioners. It appraises three practices which exemplify this conflicted terrain and demonstrate the issues at stake: heritage institutions’ uses of social media, crowd-based methods, and immer
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39

Basaraba, Nicole. Transmedia Narratives for Cultural Heritage. Taylor & Francis Group, 2022.

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40

Smith, Wally, Hannah Lewi, Steven Cooke, and Dirk vom Lehn. Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Taylor & Francis Group, 2019.

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41

Smith, Wally, Hannah Lewi, Steven Cooke, and Dirk vom Lehn. Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Taylor & Francis Group, 2019.

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42

Routledge International Handbook of New Digital Practices in Galleries Libraries Archives Museums and Heritage Sites. Taylor & Francis Group, 2019.

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43

Ridge, Mia. Crowdsourcing Our Cultural Heritage. Taylor & Francis Group, 2016.

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44

Ridge, Mia. Crowdsourcing Our Cultural Heritage. Taylor & Francis Group, 2017.

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45

Crowdsourcing our Cultural Heritage. Routledge, 2014.

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46

Ridge, Mia. Crowdsourcing Our Cultural Heritage. Taylor & Francis Group, 2016.

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47

Basaraba, Nicole. Transmedia Narratives for Cultural Heritage: Remixing History. Taylor & Francis Group, 2022.

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48

Basaraba, Nicole. Transmedia Narratives for Cultural Heritage: Remixing History. Taylor & Francis Group, 2022.

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49

Transmedia Narratives for Cultural Heritage: Remixing History. Taylor & Francis Group, 2022.

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50

Champion, Erik Malcolm, ed. Virtual Heritage: A Concise Guide. Ubiquity Press, 2021. http://dx.doi.org/10.5334/bck.

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Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage. Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed in Minecraft; they propose mixed rea
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