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Books on the topic 'Digital Identity Construction'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Caputo, Simone, Franco Piperno, and Emanuele Senici, eds. Music, Place, and Identity in Italian Urban Soundscapes circa 1550–1860. Taylor & Francis Group, 2023. https://doi.org/10.5040/9780367748425.

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Music, Place, and Identity in Italian Urban Soundscapes circa 1550–1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth centuries. Across 13 chapters, contributors explore the complex connections between sound and space within these urban contexts, demonstrating how music and sound were intimately connected to changing social and political practices. The volume offers a critical redefinition of the core concept of soundscape, considering musical practices through the lenses of territory, space

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2

Power of Self-Presentation: Spanish Speakers Constructing Digital Identity. Palgrave Macmillan, 2024.

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3

Duffy, Brooke Erin. Questioning Media Identity in the Digital Age. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0001.

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This book explores the notions of remaking and remodeling the magazine by focusing on how women's magazines are evolving from objects into brands in the digital age, along with its implications for both producers and consumers of content. It considers how “traditional” media industries are transforming in a digital era of media, and more specifically, how producers are confronting vexing questions about the identity of the women's magazine. The book highlights three identity constructions: organizational identity, professional identity, and gender identity. It also discusses the implications f

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4

Ching, Cynthia Carter, and Brian J. Foley. Constructing the Self in a Digital World. University of Cambridge ESOL Examinations, 2014.

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5

Ching, Cynthia Carter, and Brian J. Foley. Constructing the Self in a Digital World. Cambridge University Press, 2012.

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6

Ching, Cynthia Carter, and Brian J. Foley. Constructing the Self in a Digital World. Cambridge University Press, 2012.

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7

Ching, Cynthia Carter, and Brian J. Foley. Constructing the Self in a Digital World. Cambridge University Press, 2012.

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8

Rogan, Frankie. Digital Femininities: The Gendered Construction of Cultural and Political Identities Online. Taylor & Francis Group, 2022.

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9

Digital Femininities: The Gendered Construction of Cultural and Political Identities Online. Taylor & Francis Group, 2022.

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10

Digital Femininities: The Gendered Construction of Cultural and Political Identities Online. Routledge, 2022.

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11

Ferguson, Rex. Identification Practices in Twentieth-Century Fiction. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198865568.001.0001.

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The task of identifying the individual has given rise to a number of technical innovations, including fingerprint analysis and DNA profiling. A range of methods has also been created for storing and classifying people’s identities, such as identity cards and digital records. Identification Practices and Twentieth-Century Fiction tests the hypothesis that these techniques and methods, as practised in the UK and US in the long twentieth century, are inherently related to the literary representation of self-identity from the same period. Until now, the question of ‘who one is’ in the sense of for

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12

Bermúdez, Juan. Musicking TikTok. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765112212.

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This ethnographic work about TikTok’s musicking in a glocal (Austrian) context complements and build upon ethnomusicological assumptions, theories, and methods for the study of musical practices in digital spaces. An overview of elements that make up TikTok’s interface as well as the technical-performative possibilities that it allows, this book introduces a general categorization of existing performance types and how TikTokers appropriate the platform to make their music. It illustrates how some TikTokers became aware of and began using TikTok, and it reviews some of the different strategies

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13

Lemish, Dafna, and Jiwoo Park. KakaoTalk and Facebook: Korean American Youth Constructing Hybrid Identities. Lang AG International Academic Publishers, Peter, 2019.

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14

Lemish, Dafna, and Jiwoo Park. KakaoTalk and Facebook: Korean American Youth Constructing Hybrid Identities. Lang AG International Academic Publishers, Peter, 2019.

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15

Lemish, Dafna, and Jiwoo Park. KakaoTalk and Facebook: Korean American Youth Constructing Hybrid Identities. Lang AG International Academic Publishers, Peter, 2019.

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16

KakaoTalk and Facebook: Korean American Youth Constructing Hybrid Identities. Lang Publishing, Incorporated, Peter, 2019.

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17

Mithani, Forum, Griseldis Kirsch, Marcos Centeno-Martin, et al. Handbook of Japanese Media and Popular Culture in Transition. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728898.

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The Handbook of Japanese Media and Popular Culture in Transition brings together new research and perspectives on popular media phenomena, as well as shining a spotlight on texts that are less well known or studied. Organized into five thematic sections, the chapters span a diverse range of cultural genres, including contemporary film and television, postwar cinema, advertising, popular fiction, men’s magazines, manga and anime, karaoke and digital media. They address issues critical to contemporary Japanese society: the politicization of history, authenticity and representation, constructions

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18

Votava, Jennie M. Shakespeare’s Histories on Screen. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350326675.

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Bringing together two growing bodies of work – early modern race scholarship and adaptation theory –this volume articulates the centrality of race and its intersections with other identity categories in the contemporary adapted Shakespearean history play. By considering questions of race, ethnicity, gender, sexuality, disability and class, it investigates the English histories’ ongoing and shifting contributions to ideas about nationhood in both the United Kingdom and the United States, where Shakespeare’s persistent cultural capital plays an increasingly ambivalent role. The book begins by ex

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19

Alvarez, José Luis, and Silviya Svejenova. The Changing C-Suite. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198728429.001.0001.

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This book is about changing corporate power structures. We examine the evolving ways in which power at the apex of complex organizations is structured through roles and relationships in anticipation of and in response to diverse contingencies and interests. Our focus is the changing C-suite, a term denoting the most important senior executives in an organization, characterized by the proliferation of and variation in new Chief X Officer (CXO) roles, where ‘X’ stands for a specific domain, such as sustainability, communication, digital, human resources, finance, etc. By exploring the emergence

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20

Kant, Tanya. Making it Personal. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190905088.001.0001.

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The encounter of “personalized experiences”—targeted advertisements, tailored information feeds, and “recommended” content, among other things—is now a common and somewhat inescapable component of digital life. More often than not however, “you” the user are not primarily responsible for personalizing your web engagements: instead, with the help of your search, browsing, and purchase histories, your “likes,” your click-throughs, and a multitude of other data you produce as you go about your day, your experience can “conveniently”—and computationally—be personalized on your behalf. This book ex

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21

Jackson, Joe. Kahlil Joseph and the Audiovisual Atlantic. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765103197.

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Kahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker’s disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an econom

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22

Cloud, Dana L., ed. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.

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106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn

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23

Early, Jaye. Confessional Video Art and Subjectivity. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350400238.

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This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society.In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Analysing a diverse selection

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