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Books on the topic 'Digital vernaculars'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Dipasquale, Letizia, Saverio Mecca, and Mariana Correia, eds. From Vernacular to World Heritage. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-293-5.

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This publication brings together the results of the project 3DPAST: Living and virtual visiting European World Heritage, co-funded by the Creative Europe EU programme. The research highlighted the exceptional character and quality of living in vernacular dwellings found in World Heritage sites. This was possible by seizing the cultural space of European vernacular heritage, located in Pico island (Portugal), Cuenca town (Spain), Pienza (Italy), Old Rauma (Finland), Transylvania (Romania), Berat & Gjirokastra (Albania), Pátmos (Greece), and Upper Svaneti (Georgia). New digital realities gra

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2

J, Blank Trevor, ed. Folklore and the Internet: Vernacular expression in a digital world. Utah State University Press, 2009.

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3

J, Blank Trevor, ed. Folklore and the Internet: Vernacular expression in a digital world. Utah State University Press, 2009.

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4

Soriano, Cheryll Ruth, and Earvin Charles Cabalquinto. Philippine Digital Cultures. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463722445.

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Social media platforms have been pivotal in redefining the conduct of contemporary society. Amid the proliferation of a range of new and ubiquitous online platforms, YouTube, a video-based platform, remains a key driver in the democratisation of creative, playful, vernacular, intimate, as well as political expressions. As a critical node of contemporary communication and digital cultures, its steady uptake and appropriation in a social media-savvy nation such as the Philippines requires a critical examination of its role in the continued reconstruction of identities, communities, and broader s

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5

M, Frohlich David, and SpringerLink (Online service), eds. From Snapshots to Social Media - The Changing Picture of Domestic Photography. Springer-Verlag London Limited, 2011.

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6

Stevens, James, and Ralph Nelson. Digital Vernacular. Routledge, 2015. http://dx.doi.org/10.4324/9781315730271.

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7

Digital Vernacular: Architectural Principles, Tools, and Processes. Taylor & Francis Group, 2015.

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8

Digital Vernacular: Architectural Principles, Tools, and Processes. Taylor & Francis Group, 2015.

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9

Stevens, James, and Ralph Nelson. Digital Vernacular: Architectural Principles, Tools, and Processes. Taylor & Francis Group, 2015.

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10

Ahmar, May, Soubeika Bahri, and Cecelia Cutler. Digital Orality: Vernacular Writing in Online Spaces. Springer International Publishing AG, 2022.

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11

Stevens, James, and Ralph Nelson. Digital Vernacular: Architectural Principles, Tools, and Processes. Taylor & Francis Group, 2015.

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12

Digital Orality: Vernacular Writing in Online Spaces. Springer International Publishing AG, 2023.

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13

Spectacular Posthumanism: The Digital Vernacular of Visual Effects. Bloomsbury Publishing Plc, 2018.

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14

Ayers, Drew. Spectacular Posthumanism: The Digital Vernacular of Visual Effects. Bloomsbury Publishing Plc, 2020.

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15

Memmott, Paul, John Ting, Tim O’Rourke, and Marcel Vellinga, eds. Design and the Vernacular. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350294349.

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Design and the Vernacular explores the intersection between vernacular architecture, local cultures, and modernity and globalization. Focussing on the vast and diverse global region of Australasia and Oceania, it examines the relevance and role of vernacular architecture to contemporary urban planning and architectural design, placing this against a contextual background of rapid political, economic, technological, social and environmental changes including globalization, exchanges of people, finance, material culture, and digital technologies. Sixteen chapters by architects designers and theo

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16

Folklore and the internet: Vernacular expression in a digital world. Utah State University Press, 2009.

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17

Buccitelli, Anthony, ed. Race and Ethnicity in Digital Culture. Praeger, 2017. http://dx.doi.org/10.5040/9798216003953.

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In this unprecedented study, leading scholars and emerging voices from around the world consider how race and ethnicity continue to shape our everyday lives, even as digital technology seems to promise a release from our "real" social identities. How do people use the new expressive features of digital technologies to experience, represent, discuss, and debate racial and ethnic identity? How have digital technologies or digital spaces become racialized? How have the existing vernacular traditions, or folklore, surrounding identity been reshaped in digital spaces? And how have new traditions em

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18

Evans, Jennifer V., Erica Fagen, and Meghan Lundrigan. Holocaust Memory in the Digital Mediascape. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781474271806.

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This is a comprehensive study of Holocaust memory in the digital age of social media and an important examination of how social technology affects the way history is made and circulated online. Social media has become a place where memories of the Holocaust take shape through user-driven content shared in elaborately interconnected communication networks. Curated exhibits, documentaries and scholarly research, smartphone photos, short videos and online texts act as windows into the popular consciousness. They document how everyday people make sense of the crime of genocide, presenting unique c

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19

Digital Culture In Architecture An Introduction For The Design Professions. Birkhauser, 2010.

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20

Beiner, Guy. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749356.003.0009.

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An understanding of the historical dynamics of social forgetting can be learned from the detailed case study of the vernacular historiography of the 1798 Rebellion in Ulster. It has far-reaching implications for a more meaningful appreciation of the relationship between history and memory. The political impasse in post-conflict Northern Ireland, which has stumbled over disagreements on ‘dealing with the past’ in the context of finding acceptable arrangements for transitional justice, could benefit from showing more sensitivity, not only to the role of oral history storytelling, but also to ing

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21

Kim, Jihoon. Documentary's Expanded Fields. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197603819.001.0001.

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Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary offers a theoretical mapping of contemporary non-standard documentary practices enabled by the proliferation of new digital imaging, lightweight and non-operator digital cameras, multiscreen and interactive interfaces, and web 2.0 platforms. These emergent practices encompass digital data visualizations, digital films that experiment with the deliberate manipulation of photographic records, documentaries based on drone cameras, GoPros, and virtual reality (VR) interfaces, documentary installations in the gallery,

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22

Penney, Joel. The Historical Lineage of the Citizen Marketer. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658052.003.0002.

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This chapter investigates the historical context of citizen marketing, tracing a lineage that extends to the beginnings of political iconography. However, as symbols of monarchic and despotic allegiance give way to the promotional spectacle of modern Western democratic elections, symbolic artifacts of political sentiment such as banners and sashes begin to offer new entry points for citizen participation. Whereas part of the story of citizen marketing emerges from the tradition of formalized political assemblies and protest demonstrations, another key influence is the more vernacular tradition

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23

Politics of Gaze. Taylor & Francis Group, 2019.

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24

Ibrahim, Yasmin. Politics of Gaze. Taylor & Francis Group, 2019.

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25

Ibrahim, Yasmin. Politics of Gaze: The Image Economy Online. Taylor & Francis Group, 2019.

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26

Politics of Gaze: The Image Economy Online. Taylor & Francis Group, 2019.

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27

Thursby, Jacqueline S. Story. Greenwood, 2006. http://dx.doi.org/10.5040/9798216019367.

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Folklore is the cultural expression of a people, and it makes up key elements of the stories they tell. Using easily accessible language, this book defines, separates, and gracefully weaves together story and folklore. From the ancient world of traveling bards in Europe, Asia, Africa, and South America, to the contemporary world of storytelling festivals, fan fiction, and digital story conferences, this reference unravels confusion between concepts of folklore and story, and demonstrates how they are linked. Included are numerous examples and texts, a review of critical approaches, and a discu

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28

Bronner, Simon J. The Practice of Folklore. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822628.001.0001.

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This book proposes to answer the pressing philosophical as well as psychological question of why people repeat themselves. It redefines folklore as traditional knowledge that serves this need in human lives and develops a "practice theory" around this idea. Practice, more than other suggested keywords of performance or enactment in social theory, connects localized culture with the vernacular idea that "this is the way we do things around here." The term invites study of what people do repeatedly to understand what they have in "mind." Demonstrating the application of this theory in folklorist

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29

Frohlich, David M., and Risto Sarvas. From Snapshots to Social Media - The Changing Picture of Domestic Photography. Springer, 2014.

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30

Frohlich, David M., and Risto Sarvas. From Snapshots to Social Media - The Changing Picture of Domestic Photography. Springer, 2011.

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31

Caple, Helen. Photojournalism Disrupted: The View from Australia. Taylor & Francis Group, 2019.

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32

Caple, Helen. Photojournalism Disrupted: The View from Australia. Taylor & Francis Group, 2019.

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33

Caple, Helen. Photojournalism Disrupted: The View from Australia. Taylor & Francis Group, 2019.

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34

Caple, Helen. Photojournalism Disrupted: The View from Australia. Taylor & Francis Group, 2022.

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35

Photojournalism Disrupted: The View from Australia. Taylor & Francis Group, 2019.

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36

Photojournalism Disrupted. Taylor & Francis Group, 2019.

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