Academic literature on the topic 'Dinosaurs in art'

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Journal articles on the topic "Dinosaurs in art"

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Richards, Morgan. "Digitising Dinosaurs." Media International Australia 100, no. 1 (2001): 65–79. http://dx.doi.org/10.1177/1329878x0110000108.

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This article reflects on the intersection of science, art and technology in the construction of the televisual dinosaur. In particular, it is concerned with the class of digital dinosaurs hatched in Jurassic Park (1993) and The Lost World (1997), powered by the latest digital technologies for the reinscription of the filmic and televisual image, and recently grafted to that most domestic of media genres, the animal documentary. Focusing on the BBC television series Walking with Dinosaurs (1999), the digital dinosaur is proposed as an object of mimetic desire in which narratives of intimacy and
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Allmon, Warren. "The Pre-Modern History of the Post-Modern Dinosaur: Phases and Causes in Post-Darwinian Dinosaur Art." Earth Sciences History 25, no. 1 (2006): 5–35. http://dx.doi.org/10.17704/eshi.25.1.g2687j050u3w1546.

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Our images of dinosaurs have changed greatly and repeatedly since the group was first recognized in 1842. Although these changes have frequently been noted, their causes have not been adequately investigated. The history of dinosaur iconography since the publication of the Origin of Species can be usefully divided into at least four phases. During each of these phases, images of dinosaurs have been affected as much by what scientists thought dinosaurs should look like according to their particular views of the evolutionary process, as by empirical information derived from analysis of fossils.
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Çekderi, Arif. "Correspondence of Dinosaur Figure in Sculpture." Eskişehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi 25, no. 2 (2024): 322–41. http://dx.doi.org/10.17494/ogusbd.1427006.

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Animal figures have been a subject of art for ages. However, dinosaurs, which are extinct animals, were included in art history relatively recently. The first fossils were discovered in the early 1800s in England, sparking increased interest in these creatures. Dinosaurs were introduced to art history through sculpture, with sculptures installed in public parks to depict their appearance. As a result, the image of dinosaurs was created through the art of sculpture and painting. This intersection of science and art has once again emphasized the importance of sculpture. The concept of dinosaurs
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Witmer, L. M. "PALEONTOLOGY: Science, Art, and Dinosaurs." Science 290, no. 5491 (2000): 460–61. http://dx.doi.org/10.1126/science.290.5491.460.

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Stucky, Richard K. "Paleontology: The Window to Science Education." Paleontological Society Papers 2 (October 1996): 11–14. http://dx.doi.org/10.1017/s1089332600003077.

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Every Young kid will tell you that dinosaurs and fossils are really cool or, in the words of one four-year old, “dinosaurs are cool, and fossils are the best!” Dinosaurs and fossils are the window through which most kids and many adults now get their first introduction to science. Paleontology is art, science, and imagination; it inspires a wealth of curiosity by students about ancient life and helps all of us to know about our origins and how our world with humans came to be.
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Wheeler, Ann, and Joe Champion. "Dancing Dinosaurs: An Interdisciplinary Mathematics Lesson." Mathematics Teaching in the Middle School 23, no. 3 (2017): e1-e5. http://dx.doi.org/10.5951/mathteacmiddscho.23.3.00e1.

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Allmon, Warren Douglas, and Robert Merrill Ross. "An Art Exhibit on Dinosaurs and the Nature of Science." Journal of Geoscience Education 48, no. 3 (2000): 296–300. http://dx.doi.org/10.5408/1089-9995-48.3.296.

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Thompson, Christine, and Sandra Bales. ""Michael Doesn't like My Dinosaurs": Conversations in a Preschool Art Class." Studies in Art Education 33, no. 1 (1991): 43. http://dx.doi.org/10.2307/1320576.

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Raymond Wood, W. "Folk Art on the Northern Plains: The Case of the Prairie Dinosaurs." Plains Anthropologist 55, no. 215 (2010): 235–40. http://dx.doi.org/10.1179/pan.2010.021.

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Swansborough, Susan. "The end of a geological era at Bristol." Geological Curator 4, no. 4 (1985): 215–16. http://dx.doi.org/10.55468/gc778.

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Forty-four years of combined geological expertise will soon be lost at the City of Bristol Museum and Art Gallery as the Curator of Geology, Dr Michael L.K. Curtis and the Assistant Curator, Dr Michael D. Crane, are both to leave the museum world for pastures new. In the small world of museum geologists in Britain, the almost simultaneous loss of both senior staff in a major museum can only be compared to the extinction of the dinosaurs!
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Dissertations / Theses on the topic "Dinosaurs in art"

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Gneiting, Brent L. "What Crawls Beneath." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3445.

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Nature is full of mysterious creatures which fascinate and spark imagination. In my final project, What Crawls Beneath, I take a closer look at what drives my interest in creatures that simultaneously attract and repel. Drawing on inspiration from parasites and dinosaurs, I was able to create a piece that represents the danger and beauty that nature so masterfully brings together. The importance of process is discussed as I consider the traditional methods of working with clay and how they affect the outcome of the artwork.
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Dilworth, Jason Orvis. "Vernal." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1748.

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Culminating with a dream, this project transverses theoretical and geographical boundaries with explorations into the message-carrying potential of video, sound, performance, print, and web. Stories and content are extracted from an autobiographical history of one small western town turned boomtown. That town, the center from which the project emerges, is Vernal, Utah.
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ZHUANG, CAI-RONG, and 莊采融. "A Study on the Application of the UPA Style and Animated Art for the Creation of 3D Animation “Mr. Dinosaur”." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/aspp2k.

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碩士<br>國立臺灣藝術大學<br>多媒體動畫藝術學系動畫藝術碩士班<br>106<br>The “Mr. Dinosaur” cartoon uses animated characters to interpret today’s society: because submitted or forced to believe in distorted values, most people are invisibly assimilated by such society, to the point of even losing themselves. The plot utilizes an emotional animation design to convey the contradictions within the mind of the protagonist, the dinosaur costume and constantly present badges represent the protagonist’s struggle between a reality of obedience and self-pursuit. This paper discusses how the UPA style is applied to the creation of
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Books on the topic "Dinosaurs in art"

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Nagle, Shane. Dinosaurs. Hinkler Books, 2009.

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Sánchez, Isidro. Painting and coloring dinosaurs. Gareth Stevens Pub, 1996.

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Schultz, Walter-Alexandre. Origami Dinosaurs. Enslow, 2017.

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Holub, Joan. Dinosaurs. Price Stern Sloan, 2003.

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LaFosse, Michael G. Origami Dinosaurs Kit. Tuttle, 2008.

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DuBosque, D. C. Draw! dinosaurs. Peel Productions, 1993.

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Beaumont, Steve. Drawing dinosaurs. Arcturus, 2009.

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Duhig, Lee. Draw dinosaurs! Mud Puddle Books, 2006.

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Santillan, Jorge. Dinosaurs. Wayland, 2015.

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Jérôme, Goyallon, ed. Drawing dinosaurs. Sterling Pub. Co., 1993.

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Book chapters on the topic "Dinosaurs in art"

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Creath, Richard. "Are Dinosaurs Extinct?" In Machine Discovery. Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-2124-0_6.

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Ward, Peter, and Robert Berner. "Why Were There Dinosaurs? Why Are There Birds?" In Living Dinosaurs. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119990475.ch2.

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Leloudas, George, Michael Chatzipanagiotis, and Konstantina Liperi. "The Legacy of the Dinosaurs: Regulation of Planetary Defence and Near-Earth Objects at a Global Level." In The Space Treaties at Crossroads. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-01479-7_10.

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Allmon, Warren D. "“Extreme dinosaurs” and the continuing evolution of dinosaur paleoart." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(23).

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ABSTRACT Humans have made visual representations of what they think dinosaurs looked like since before the term and concept of “dinosaur” were first published in 1842. Over the next 175 years, these images have varied widely. The current era of dinosaur paleobiology began in the late 1960s and emphasized scientific and artistic conceptions of dinosaurs as more active and diverse in their metabolism, ecology, and behavior than previously thought. Over the past 25 years in particular, the rise of computer-generated images and the discovery of spectacularly preserved fossils from the Early Cretaceous of China and elsewhere have further revolutionized our understanding of the biology and external appearance (especially integument) of dinosaurs. Yet despite these innovations, dinosaur paleoart is still fundamentally shaped by the same basic set of influences that affected previous, now-discarded, images. These include (1) the fossils; (2) debates about which modern animals are the best bases for uniformitarian comparison with extinct taxa; (3) extrapolation (i.e., how far can we go from the known to the unknown); (4) the enabling effects of new artistic techniques; and (5) the ever-present pressures of the marketplace.
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Pecsics, Tibor. "Ancient creatures of Hungary: Bringing the animals to life." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(26).

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ABSTRACT The first trace fossils in Hungary, dinosaur footprints, were found in the coal mines of the Mecsek Mountains. The footprints belonged to small theropod dinosaurs. The first fossil bones of vertebrate animals from present-day Hungary were found in 2000 in the mountainous region of Bakony. Numerous taxa have been collected from the locality of Iharkút. These fossils represent a diverse fauna (including fishes, amphibians, turtles, lizards, crocodilians, dinosaurs, birds, and pterosaurs) that lived between 85.8 and 83.5 m.y. ago in the Santonian Age during the Late Cretaceous period. Paleoart can depict these fossil remains in an engaging way to help inform the public about the ancient creatures of Hungary. This chapter provides an overview of how the Mesozoic vertebrates from Hungary have been reconstructed for scientists and the public.
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Lipps, Jere H., Ajit Vartak, Ton Van Eijden, C. Rajshekhar, Sudha Vaddadi, and Rohit Vartak. "Paleontological postage stamps in art and education." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(25).

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ABSTRACT Postage stamps are small works of art seen by people worldwide that can be used effectively in education. The first paleontological stamp was released by India in 1951. Since then, over 4000 stamps with fossils, paleontologists, museums, and collecting sites have been issued by almost 200 countries. Stamps that illustrate fossils or reconstructions are intrinsically interesting and popular with many of the millions of stamp collectors. All disciplines of paleontology are represented, but dinosaurs are by far the most common subject, although even bacteria appear on a few stamps. Most of the stamps were scientifically accurate at the time they were issued though some artists took artistic liberties to fashion unique stamps. Overall, the stamps are artistic and educational because their small sizes and low cost make them easily accessible for classroom activities, exhibits, and presentations. They cover topics such as biodiversity, geology, ecology, oceanography, and evolution, among others. Paleophilately has provided art, education, joy, and happiness to people worldwide.
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"The Little Smart Ones." In Feathered Dinosaurs, edited by John Long, Peter Schouten, and Luis M. Chiappe. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195372663.003.0008.

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Abstract A breath-taking fossil was unveiled to the world on 13 October 2004. Named Mei long, meaning ‘soundly sleeping dragon’, the little dinosaur measured only half-a-metre in length and died from being covered by volcanic ash whilst it was asleep. The most extraordinary thing about the fossil skeleton was that the dinosaur slept in a curled up posture, today seen in living birds. Here the fossil remains provided more than just anatomical evidence linking dinosaurs to birds, but also strong behavioural evidence. Mei long was one of the troodontid dinosaurs, a group some scientists argue are closer to birds than any other theropod lineage. The troodontid group, named after the first discovered member of the family called Troodon, has been known for over 150 years, but from rare scant remains. Today, with such remarkable new finds coming from China, they are much better understood and their inferred lifestyles clearly show strong parallels with birds.
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"Jurassic Art." In Dinosaur Imagery. Elsevier, 2000. http://dx.doi.org/10.1016/b978-012436590-2/50019-5.

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"Who are the Dinosaurs?" In Dinosaurs. Cambridge University Press, 2016. http://dx.doi.org/10.1017/9781316471623.006.

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"Who Are the Dinosaurs?" In Dinosaurs, 4th ed. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108567565.006.

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Conference papers on the topic "Dinosaurs in art"

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Ripley, William T. "“BUT, HOW DO YOU KNOW”? USING ART AND DINOSAURS TO FOSTER FAMILY LEARNING AT THE CHILDREN’S MUSEUM OF INDIANAPOLIS; THE PALEOART COLLECTION OF JOHN LANZENDORF." In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-320638.

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Fossum, Eric R. "Active pixel sensors: are CCDs dinosaurs?" In IS&T/SPIE's Symposium on Electronic Imaging: Science and Technology, edited by Morley M. Blouke. SPIE, 1993. http://dx.doi.org/10.1117/12.148585.

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Allmon, Warren D., and Peter Dodson. "MODERN DINOSAUR VISIONS: NEITHER NEW TECHNOLOGY NOR NEW FOSSILS CHANGE THE BASIC FACTORS INFLUENCING DINOSAUR ART." In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-317356.

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Gao, Dengming. "Development Ideas of Dinosaur Resources in Animation Culture." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.181.

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Brown, Warren. "Dissecting the Dinosaur; Problems With B16.5 and B16.47 Flange Standards." In ASME 2013 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/pvp2013-97813.

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ASME B16.5 and B16.47 flanges have been in existence for a very long time with very few changes made since their creation. That might lead the casual observer to think that the designs contained in those documents have been optimized and represent best in technology. While that may have been the case when they were first introduced, it is anything but the case at the moment. In fact, in many cases the design of these standard flanges is far from optimal. However, even worse than that, there are presently several significant issues with the flange standards that could be easily resolved, withou
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Reports on the topic "Dinosaurs in art"

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Nelson, Margot, Michael Antonioni, Vincent Santucci, and Justin Tweet. Oxon Run Parkway: Paleontological resource inventory; supplement to the National Capital Parks-East paleontological resource inventory. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2287217.

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Oxon Run Parkway (OXRN) is a 51-hectare (126-acre) natural area within Washington, D.C. administered by the National Park Service under National Capital Parks East (NACE). The original plan called for a road, slated to follow Oxon Run stream, but this never came to fruition; despite this, the moniker stuck. The majority of the original Oxon Run Parkway is managed by the District of Columbia. The section of Oxon Run Parkway under NPS jurisdiction contains wetlands and forests, as well as the only McAteean magnolia bogs still remaining in the District. The lower Cretaceous Potomac Group, known a
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Shaffer, Austin, Justin Tweet, and Vincent Santucci. Colorado National Monument: Paleontological resource inventory (sensitive version). National Park Service, 2024. http://dx.doi.org/10.36967/2303444.

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Colorado National Monument (COLM) in western Colorado was established on May 24, 1911 with the purpose of preserving, understanding, and enjoying the natural and cultural resources of the landscape, focusing on the history, erosional processes, and geology present. Although not explicitly mentioned in the monument?s purpose statement, the paleontological resources of COLM are nevertheless important. Significant fossils have been known from the area since the late 19th and early 20th centuries, and from COLM specifically within a few decades of the monument?s founding. The direct urban interfac
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Shaffer, Austin, Justin Tweet, and Vincent Santucci. Colorado National Monument: Paleontological resource inventory (public version). National Park Service, 2024. http://dx.doi.org/10.36967/2303613.

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Colorado National Monument (COLM) in western Colorado was established on May 24, 1911 with the purpose of preserving, understanding, and enjoying the natural and cultural resources of the landscape, focusing on the history, erosional processes, and geology present. Although not explicitly mentioned in the monument?s purpose statement, the paleontological resources of COLM are nevertheless important. Significant fossils have been known from the area since the late 19th and early 20th centuries, and from COLM specifically within a few decades of the monument?s founding. The direct urban interfac
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McBride, Wendy, Dave Tacheeni Kesonie, and Emily Thorn. Spring wetland flora inventory ? Dinosaur National Monument: Survey report. National Park Service, 2024. http://dx.doi.org/10.36967/2301743.

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This report provides the results from the 2021 spring wetland flora inventory for the west side of Dinosaur National Monument in Utah. In total, seven National Park Service units within the Northern Colorado Plateau Network (NCPN) determined the need to evaluate and map spring and wetland condition based on the presence/absence of perennial obligate and facultative wetland plant species known to occur in the parks. Mapping spring and wetland areas for each park provides a baseline measure of areas sensitive to drying that can be used to monitor change over time. The overall objective of the pr
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McBride, Wendy, Dave Kesonie, and Emily Thorn. Spring wetland flora inventory ? Dinosaur National Monument: Survey report (revised). National Park Service, 2024. http://dx.doi.org/10.36967/2303818.

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This report provides the results from the 2021 spring wetland flora inventory for the west side of Dinosaur National Monument in Utah. In total, seven National Park Service units within the Northern Colorado Plateau Network (NCPN) determined the need to evaluate and map spring and wetland condition based on the presence/absence of perennial obligate and facultative wetland plant species known to occur in the parks. Mapping spring and wetland areas for each park provides a baseline measure of areas sensitive to drying that can be used to monitor change over time. The overall objective of the pr
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Livensperger, Carolyn, and Dana Witwicki. Status and trend of upland vegetation and soils at Dinosaur National Monument, 2010?2020. National Park Service, 2024. http://dx.doi.org/10.36967/2302751.

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In 2009, the Northern Colorado Plateau Network began long-term monitoring of pinyon-juniper woodlands, high-elevation sagebrush, and low-elevation sagebrush shrublands in Dinosaur National Monument. Sagebrush communities have been impacted by fire and grazing in the past, and some areas have converted to an alternative grassland state, which can be dominated by native or exotic species. Pinyon-juniper woodlands are varied in structure but comprise the majority of plant communities throughout the monument. The primary goals of this monitoring are to track the status of these ecosystems and dete
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Weissinger, Rebecca, and Carolyn Hackbarth. Water quality in the Northern Colorado Plateau Network: Water years 2019?2022. National Park Service, 2024. http://dx.doi.org/10.36967/2304433.

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Water quality monitoring in National Park Service units of the Northern Colorado Plateau Network (NCPN) is made possible through partnerships between the National Park Service Inventory &amp; Monitoring Division, individual park units, the U.S. Geological Survey, and the Utah Department of Environmental Quality. This report evaluates water quality data from site visits at 42 different locations within and around eight park units in Utah and Colorado from October 1, 2018 through September 30, 2022. Data are compared to state water quality standards for the purpose of providing information to pa
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Perkins, Dustin. Invasive exotic plant monitoring at Dinosaur National Monument: Results of the 2019 field season on the Green River, and the third completed monitoring rotation. Edited by Alice Wondrak Biel. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2284627.

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Invasive exotic plant (IEP) species are a significant threat to natural ecosystem integrity and biodiversity, and controlling them is a high priority for the National Park Service. The Northern Colorado Plateau Network (NCPN) selected the early detection of IEPs as one of 11 monitoring protocols to be implemented as part of its long-term monitoring program. We also calculated a patch management index (PMI) to quantify the extent and density of invasive patches into a single value that helps identify the scale of the problem. Park managers can use this tool to help prioritize IEP treatment. At
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Stepanyuk, Alla V., Liudmyla P. Mironets, Tetiana M. Olendr, Ivan M. Tsidylo, and Oksana B. Stoliar. Methodology of using mobile Internet devices in the process of biology school course studying. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3887.

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This paper considers the problem of using mobile Internet devices in the process of biology studying in secondary schools. It has been examined how well the scientific problem is developed in pedagogical theory and educational practice. The methodology of using mobile Internet devices in the process of biology studying in a basic school, which involves the use of the Play Market server applications, Smart technologies and a website, has been created. After the analyses of the Play Market server content, there have been found several free of charge applications, which can be used while studying
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Tran, Tut, Alexandra Bonham, Justin Tweet, and Vincent Santucci. Bryce Canyon National Park: Paleontological resource inventory. National Park Service, 2024. http://dx.doi.org/10.36967/2302804.

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Originally designated as a national monument in 1923, Bryce Canyon National Park (BRCA) is recognized for its exceptional pink-orange hoodoo landscapes. Its iconic hoodoos, consisting of the Paleocene?Eocene Claron Formation, are only part of the geology of BRCA, which includes a nearly uninterrupted sequence of Late Cretaceous Western Interior Seaway evolution and diverse depositional environments from approximately 100 to 77 million years ago. This sequence consists of the coastal Naturita Formation, the marine Tropic Shale, the transitional Straight Cliffs Formation, and the terrestrial Wah
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