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Journal articles on the topic 'Dinosaurs in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Richards, Morgan. "Digitising Dinosaurs." Media International Australia 100, no. 1 (2001): 65–79. http://dx.doi.org/10.1177/1329878x0110000108.

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This article reflects on the intersection of science, art and technology in the construction of the televisual dinosaur. In particular, it is concerned with the class of digital dinosaurs hatched in Jurassic Park (1993) and The Lost World (1997), powered by the latest digital technologies for the reinscription of the filmic and televisual image, and recently grafted to that most domestic of media genres, the animal documentary. Focusing on the BBC television series Walking with Dinosaurs (1999), the digital dinosaur is proposed as an object of mimetic desire in which narratives of intimacy and

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2

Allmon, Warren. "The Pre-Modern History of the Post-Modern Dinosaur: Phases and Causes in Post-Darwinian Dinosaur Art." Earth Sciences History 25, no. 1 (2006): 5–35. http://dx.doi.org/10.17704/eshi.25.1.g2687j050u3w1546.

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Our images of dinosaurs have changed greatly and repeatedly since the group was first recognized in 1842. Although these changes have frequently been noted, their causes have not been adequately investigated. The history of dinosaur iconography since the publication of the Origin of Species can be usefully divided into at least four phases. During each of these phases, images of dinosaurs have been affected as much by what scientists thought dinosaurs should look like according to their particular views of the evolutionary process, as by empirical information derived from analysis of fossils.

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3

Çekderi, Arif. "Correspondence of Dinosaur Figure in Sculpture." Eskişehir Osmangazi Üniversitesi Sosyal Bilimler Dergisi 25, no. 2 (2024): 322–41. http://dx.doi.org/10.17494/ogusbd.1427006.

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Animal figures have been a subject of art for ages. However, dinosaurs, which are extinct animals, were included in art history relatively recently. The first fossils were discovered in the early 1800s in England, sparking increased interest in these creatures. Dinosaurs were introduced to art history through sculpture, with sculptures installed in public parks to depict their appearance. As a result, the image of dinosaurs was created through the art of sculpture and painting. This intersection of science and art has once again emphasized the importance of sculpture. The concept of dinosaurs

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4

Witmer, L. M. "PALEONTOLOGY: Science, Art, and Dinosaurs." Science 290, no. 5491 (2000): 460–61. http://dx.doi.org/10.1126/science.290.5491.460.

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5

Stucky, Richard K. "Paleontology: The Window to Science Education." Paleontological Society Papers 2 (October 1996): 11–14. http://dx.doi.org/10.1017/s1089332600003077.

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Every Young kid will tell you that dinosaurs and fossils are really cool or, in the words of one four-year old, “dinosaurs are cool, and fossils are the best!” Dinosaurs and fossils are the window through which most kids and many adults now get their first introduction to science. Paleontology is art, science, and imagination; it inspires a wealth of curiosity by students about ancient life and helps all of us to know about our origins and how our world with humans came to be.

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6

Wheeler, Ann, and Joe Champion. "Dancing Dinosaurs: An Interdisciplinary Mathematics Lesson." Mathematics Teaching in the Middle School 23, no. 3 (2017): e1-e5. http://dx.doi.org/10.5951/mathteacmiddscho.23.3.00e1.

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7

Allmon, Warren Douglas, and Robert Merrill Ross. "An Art Exhibit on Dinosaurs and the Nature of Science." Journal of Geoscience Education 48, no. 3 (2000): 296–300. http://dx.doi.org/10.5408/1089-9995-48.3.296.

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8

Thompson, Christine, and Sandra Bales. ""Michael Doesn't like My Dinosaurs": Conversations in a Preschool Art Class." Studies in Art Education 33, no. 1 (1991): 43. http://dx.doi.org/10.2307/1320576.

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9

Raymond Wood, W. "Folk Art on the Northern Plains: The Case of the Prairie Dinosaurs." Plains Anthropologist 55, no. 215 (2010): 235–40. http://dx.doi.org/10.1179/pan.2010.021.

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10

Swansborough, Susan. "The end of a geological era at Bristol." Geological Curator 4, no. 4 (1985): 215–16. http://dx.doi.org/10.55468/gc778.

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Forty-four years of combined geological expertise will soon be lost at the City of Bristol Museum and Art Gallery as the Curator of Geology, Dr Michael L.K. Curtis and the Assistant Curator, Dr Michael D. Crane, are both to leave the museum world for pastures new. In the small world of museum geologists in Britain, the almost simultaneous loss of both senior staff in a major museum can only be compared to the extinction of the dinosaurs!

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11

Holly, Donald H. "Talking to the Guy on the Airplane." American Antiquity 80, no. 3 (2015): 615–17. http://dx.doi.org/10.1017/s0002731600003577.

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There's a popular meme that my archaeology friends have been circulating on social media lately: a picture of Giorgio Tsoukalos, a producer of the popular History Channel show Ancient Aliens, overlaid with the caption “I'm not saying it was aliens, but it was aliens.” The caption is a play on Tsoukalos's and others’ claims that the archaeological and historical record contains ample evidence for alien visits to earth in antiquity. To wit, past episodes of the show have suggested that Kachinas, Egyptian hieroglyphics, and indigenous rock art depict aliens; that much of the monumental art and ar

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12

Lucas, A. M. "WITTON, Mark P. and MICHEL, Ellinor. The art and science of the Crystal Palace dinosaurs." Archives of Natural History 50, no. 1 (2023): 220–21. http://dx.doi.org/10.3366/anh.2023.0849.

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13

Tokaryk, Tim. ""The Dinosaur Filmography" by M. F. Berry. 2002. and "Paleoimagery, The Evolution of Dinosaurs in Art" by A. A. Debus and D. E. Debus. 2002. [book reviews]." Canadian Field-Naturalist 117, no. 2 (2003): 341. http://dx.doi.org/10.22621/cfn.v117i2.734.

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14

Terras, Rafael, Mirian Carbonera, Guilherme Budke, and Karla Janaísa Gonçalves Leite. "FAMÍLIA SPINOSAURIDAE (DINOSAURIA: THEROPODA): TAXONOMIA, PALEOBIOGEOGRAFIA E PALEOECOLOGIA (UMA REVISÃO)." PALEONTOLOGIA EM DESTAQUE - Boletim Informativo da Sociedade Brasileira de Paleontologia 37, no. 77 (2023): 14–54. http://dx.doi.org/10.4072/paleodest.2022.37.77.02.

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Spinosauridae family (Dinosauria: Theropoda): taxonomy, paleobiogeography and paleoecology (a revision). Spinosauridae is a family of Tetanuran theropod dinosaurs that was widely distributed during the Early Cretaceous. Here we revised the state of art of the family’s taxonomy, paleobiogeography and paleoecology. We compiled updated diagnosis for the holotypes of the 20 species attributed to the family since 1841, alongside with the different hypotheses related to the family’s paleobiogeography and paleoecology. We also compiled updated diagnosis for a series of indeterminate elements that are

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15

Nieuwland, Ilja. "Revisiting the first dinosaur park The Art and Science of the Crystal Palace Dinosaurs Mark P. Witton and Ellinor Michel The Crowood Press, 2022. 192 pp." Science 377, no. 6614 (2022): 1496. http://dx.doi.org/10.1126/science.ade4444.

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16

Ries, Christopher Jacob. "Angels, Demons, Birds and Dinosaurs: Creativity, Meaning and Truth in the Life, Art and Science of Gerhard Heilmann (1859–1946)." Interdisciplinary Science Reviews 35, no. 1 (2010): 69–91. http://dx.doi.org/10.1179/030801810x12628670445509.

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17

Romano, Marco, Simone Maganuco, Stefania Nosotti, and Fabio Manucci. "Taking up the legacy of Waterhouse Hawkins and Owen: art and science for a new Italian project to bring back dinosaurs to life." Historical Biology 28, no. 8 (2015): 1014–25. http://dx.doi.org/10.1080/08912963.2015.1089436.

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18

Hall, Peter. "Chekhov, Shakespeare, the Ensemble and the Company." New Theatre Quarterly 11, no. 43 (1995): 203–10. http://dx.doi.org/10.1017/s0266464x00009088.

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The visit to Britain in the spring of 1994 by the St Petersburg Maly Drama Theatre – described by Peter Brook as ‘the finest theatre ensemble in Europe’ – was warmly received by audiences and critics alike. Yet in Britain the idea of this kind of ‘permanent’ theatre company, so dear to earlier generations of actors and directors, seems not to have survived the climate of the 'eighties, and there is a sense that such remaining permanent companies as the Moscow Art Theatre and the Berliner Ensemble are dinosaurs from a more collectivist past. In an interview with Izvestiya, however, the Maly com

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19

Wang, Qi, Liyana Lekamalage Theshani Navoda Chandrasena, and Yanhui Lei. "A critical review of the application of paleo-art in paleontological exhibition – a case study of the Dinosaurs of China exhibition in Wollaton Hall and Lakeside Arts, Nottingham." Museum Management and Curatorship 34, no. 5 (2019): 521–36. http://dx.doi.org/10.1080/09647775.2019.1573700.

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20

Browne, Kim Victoria, and Tumendelger Dashdorj. "Mongolia’s Fossilised Heritage." Inner Asia 24, no. 1 (2022): 131–61. http://dx.doi.org/10.1163/22105018-02302020.

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Abstract It has been almost 100 years since the pioneering expedition of the American Museum of Natural History (New York) to the Gobi Desert led by Roy Chapman Andrews in 1922. Therefore, it is an opportune time to examine the contribution Andrews made to palaeontology in central Asia and to consider the question of education and repatriation in the context of the protection of Mongolia’s fossilised heritage. Furthermore, this paper investigates the threat to Mongolia’s rare and exceptional cultural heritage posed by modern-day fossil poachers along with domestic efforts to combat the illicit

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21

Val, S., N. Guerrero, C. Cancelo, et al. "Preparation of Europe's largest nest of dinosaur eggs." Geological Curator 9, no. 9 (2013): 477–86. http://dx.doi.org/10.55468/gc60.

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In the present work we describe the whole process of extraction and preparation of a large nest of dinosaur eggs. The dinosaur nest found in the locality of Pinyes is the largest one discovered in Europe and the excavation and preparation processes used were very long and complex. The discovery of this nest took place in the year 2005. A new campaign of excava- tions, in 2007, placed particular emphasis on the importance of this nest and it was not until the year 2009 that it could be extracted without damaging the integrity of the fossil. Its preparation, during 2009-2010, has allowed the res

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22

Fidder, Herma H. "Art in Endoscopy: “Dinosaur birth?”." Endoscopy 53, no. 06 (2021): 569. http://dx.doi.org/10.1055/a-1258-6452.

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23

Maidment, Susannah C. R., and Paul M. Barrett. "Does morphological convergence imply functional similarity? A test using the evolution of quadrupedalism in ornithischian dinosaurs." Proceedings of the Royal Society B: Biological Sciences 279, no. 1743 (2012): 3765–71. http://dx.doi.org/10.1098/rspb.2012.1040.

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Convergent morphologies are thought to indicate functional similarity, arising because of a limited number of evolutionary or developmental pathways. Extant taxa displaying convergent morphologies are used as analogues to assess function in extinct taxa with similar characteristics. However, functional studies of extant taxa have shown that functional similarity can arise from differing morphologies, calling into question the paradigm that form and function are closely related. We test the hypothesis that convergent skeletal morphology indicates functional similarity in the fossil record using

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24

Kahlert, E., S. Schultka, and H. Süß. "Die mesophytische Flora der Saurierlagerstätte am Tendaguru (Tansania) Erste Ergebnisse." Fossil Record 2, no. 1 (1999): 185–99. http://dx.doi.org/10.1002/mmng.1999.4860020114.

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Abstract. Abgesehen von einem unreifen Araukarienzapfen, der 1927 von Gothan kurz beschrieben wurde, werden erstmalig Pflanzenreste aus den Jura-Kreide-Grenzschichten des Tendaguru bekannt gemacht. Verkieselte Hölzer vor allem aus kreidezeitlichen Schichtabschnitten repräsentieren die für den Jura üblichen Koniferengruppen wie Taxodiaceae, Cupressaceae und Taxaceae. Daneben konnten Ginkgoaceae nachgewiesen werden. Fusit ist nicht selten, meist aber sehr schlecht erhalten, bis auf ein Stück, das die Merkmale einer wahrscheinlich neuen Art von Glyptostroboxylon, einer Taxodiacee, zeigt. Naturmaz

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25

Senter, Philip J. "Radiocarbon in Dinosaur Bones Revisited." American Biology Teacher 84, no. 6 (2022): 336–41. http://dx.doi.org/10.1525/abt.2022.84.6.336.

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Evidence from isotopes other than radiocarbon shows that dinosaur fossils are millions of years old. Despite that, bone mineral from Mesozoic dinosaur fossils yields a falsely young radiocarbon “date” of less than 50,000 years, due to its accumulation of new radiocarbon via recrystallization. Similarly, the so-called collagen fraction of Mesozoic fossil bone (actually the total organic fraction) yields a falsely young “date,” due to the presence of organic contaminants, including glue that is added during fossil excavation. The contaminants are responsible for the falsely young radiocarbon “da

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26

Senter, Philip J. "Radiocarbon in Dinosaur Fossils: Compatibility with an Age of Millions of Years." American Biology Teacher 82, no. 2 (2020): 72–79. http://dx.doi.org/10.1525/abt.2020.82.2.72.

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The recent discovery of radiocarbon in dinosaur bones at first seems incompatible with an age of millions of years, due to the short half-life of radiocarbon. However, evidence from isotopes other than radiocarbon shows that dinosaur fossils are indeed millions of years old. Fossil bone incorporates new radiocarbon by means of recrystallization and, in some cases, bacterial activity and uranium decay. Because of this, bone mineral – fossil or otherwise – is a material that cannot yield an accurate radiocarbon date except under extraordinary circumstances. Mesozoic bone consistently yields a fa

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27

Cooper, Robert A. "A History of Life on Earth: Dinosaurs." American Biology Teacher 81, no. 6 (2019): 453–54. http://dx.doi.org/10.1525/abt.2019.81.6.453.

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28

Sack, Jeffrey D. "How Did Dinosaurs Regulate Their Body Temperatures?" American Biology Teacher 85, no. 5 (2023): 295. http://dx.doi.org/10.1525/abt.2023.85.5.295.

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29

Senter, Philip J. "Preservation of Soft Tissues in Dinosaur Fossils." American Biology Teacher 83, no. 5 (2021): 298–302. http://dx.doi.org/10.1525/abt.2021.83.5.298.

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The recent discovery of preserved cells and soft tissues in certain dinosaur bones seems incompatible with an age of millions of years, given the expectation that cells and soft tissues should have decayed away after millions of years. However, evidence from radiometric dating shows that dinosaur fossils are indeed millions of years old. Under certain circumstances, cells and soft tissues in bone are protected from complete disintegration. Formation of a mineral concretion around a bone protects biomolecules inside it from hydrolysis by groundwater. Infusion and coating with iron and iron comp

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30

Rogoff, Gordon. "Did Dinosaurs Dream?" Theater 26, no. 1_and_2 (1995): 150–52. http://dx.doi.org/10.1215/01610775-26-1_and_2-150.

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31

Mikolajczyk, Tadeusz, Emilia Mikołajewska, Hayder F. N. Al-Shuka, et al. "Recent Advances in Bipedal Walking Robots: Review of Gait, Drive, Sensors and Control Systems." Sensors 22, no. 12 (2022): 4440. http://dx.doi.org/10.3390/s22124440.

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Currently, there is an intensive development of bipedal walking robots. The most known solutions are based on the use of the principles of human gait created in nature during evolution. Modernbipedal robots are also based on the locomotion manners of birds. This review presents the current state of the art of bipedal walking robots based on natural bipedal movements (human and bird) as well as on innovative synthetic solutions. Firstly, an overview of the scientific analysis of human gait is provided as a basis for the design of bipedal robots. The full human gait cycle that consists of two ma

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32

Autieri, Steven M. "Design-o-saurs: Using Inquiry to Reinforce Aspects of the Relationship between Genotype & Phenotype." American Biology Teacher 78, no. 2 (2016): 127–35. http://dx.doi.org/10.1525/abt.2016.78.2.127.

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Biological concepts such as transcription, translation, codons, and genes can be confusing and overwhelming to high school biology students, yet these are prominent topics assessed on high-stakes standardized tests. I present a project-based assessment approach that can help students organize the wealth of information covered during units on genetics and protein synthesis. Students create a three-dimensional “Design-o-saur” model based on the genetic sequences of parent dinosaurs that they have already transcribed and translated to determine the proteins responsible for the observable traits.

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33

Shaw, J. Margaret. "Dinosaur or dynamic: exchange of art publications in the digital age." Art Libraries Journal 24, no. 4 (1999): 40–43. http://dx.doi.org/10.1017/s0307472200019805.

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Publications exchange has long been an accepted part of the acquisition process for many art libraries, particularly art museum libraries. A recent survey suggests that, in the digital environment, this may not continue. What will take its place?

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34

Kistler, Jordan, and Will Tattersdill. "What’s your dinosaur? Or, imaginative reconstruction and absolute truth in the museum space." Museum and Society 17, no. 3 (2019): 377–89. http://dx.doi.org/10.29311/mas.v17i3.3219.

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For the first half of the nineteenth century, objects in the British Museum were largely unlabeled, uncatalogued, and unexplained. Nevertheless, the idea that the object could evoke a ‘larger world’ was current in discussions of the pedagogical use of the museum. The popular understanding of the museum as a place of education foregrounded the idea that engagement with the thing itself, rather than any wider context or paratext, was enough to allow access to an object’s ‘realm of significance’ (Bennett, 1994), which was figured as Absolute Truth in Kantian terms embedded within each museum obje

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35

Colbert, Edwin H. "Dinosaur Imagery: The Science of Lost Worlds and Jurassic Art." Quarterly Review of Biology 76, no. 2 (2001): 220–21. http://dx.doi.org/10.1086/393888.

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36

Kodama, María. "The Dinosaur." Review: Literature and Arts of the Americas 39, no. 1 (2006): 89–96. http://dx.doi.org/10.1080/08905760600696593.

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37

Moore, Randy. "Did Humans Live with Dinosaurs? Excavating “Man Tracks” along the Paluxy River." American Biology Teacher 76, no. 4 (2014): 243–46. http://dx.doi.org/10.1525/abt.2014.76.4.5.

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The alleged “man tracks” beside dinosaur tracks near Glen Rose, Texas, are among the most enduring pieces of evidence used by young-Earth creationists to reject evolution. Despite the tracks’ fame, their most persistent advocate – that is, Carl Baugh of the Creation Evidence Museum – has published neither (1) peer-reviewed papers in scientific journals about the tracks nor (2) clear, convincing, unenhanced photographs of unaltered tracks taken during an excavation. I participated in an excavation sponsored by Baugh’s Creation Evidence Museum that uncovered three “man tracks” that Baugh and his

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38

Nieuwland, Ilja. "Dinosaurs in the aquarium." Public Understanding of Science 29, no. 6 (2020): 655–63. http://dx.doi.org/10.1177/0963662520937120.

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39

McDermott, Amy. "Science and Culture: Dinosaur art evolves with new discoveries in paleontology." Proceedings of the National Academy of Sciences 117, no. 6 (2020): 2728–31. http://dx.doi.org/10.1073/pnas.2000784117.

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40

Robinson, Susan. "From Bones to Behemoths: A look at dinosaur art & artists." Rocks & Minerals 67, no. 2 (1992): 94–110. http://dx.doi.org/10.1080/00357529.1992.9926464.

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41

Ostow, Robin, and Thomas Lackmann. "Of Germans, Jews, and Dinosaurs." New German Critique, no. 81 (2000): 189. http://dx.doi.org/10.2307/488553.

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42

Felice, Ryan N., Akinobu Watanabe, Andrew R. Cuff, et al. "Evolutionary Integration and Modularity in the Archosaur Cranium." Integrative and Comparative Biology 59, no. 2 (2019): 371–82. http://dx.doi.org/10.1093/icb/icz052.

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Abstract Complex structures, like the vertebrate skull, are composed of numerous elements or traits that must develop and evolve in a coordinated manner to achieve multiple functions. The strength of association among phenotypic traits (i.e., integration), and their organization into highly-correlated, semi-independent subunits termed modules, is a result of the pleiotropic and genetic correlations that generate traits. As such, patterns of integration and modularity are thought to be key factors constraining or facilitating the evolution of phenotypic disparity by influencing the patterns of

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43

Milks, Kirstin, Frank Brown Cloud, and Robert A. Cooper. "The Last Days of the Dinosaurs: An Asteroid, Extinction, and the Beginning of Our World." American Biology Teacher 84, no. 7 (2022): 451. http://dx.doi.org/10.1525/abt.2022.84.7.451.

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Klein, Jeanne. "Children's Interpretations of Computer-Animated Dinosaurs in Theatre." Youth Theatre Journal 17, no. 1 (2003): 38–50. http://dx.doi.org/10.1080/08929092.2003.10012549.

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45

Taylor, Michael A., and John Fowles. "Lost & Found: 66 James Harrison (1819-1864)." Geological Curator 4, no. 3 (1985): 174. http://dx.doi.org/10.55468/gc754.

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Dr M.A. Taylor (Area Museum Council for the South West, c/o City of Bristol Museum and Art Gallery) and John Fowles (Lyme Regis (Philpot) Museum) write: 'It is now possible to answer the query made by one of us (J.F.) concerning the whereabouts of Harrison's correspondence with pioneer palaeontologists, summarised by Lang (1947), and of Harrison's juvenile specimen of the eponymous dinosaur Scelidosaurus harrisoni, figured and described by Owen (1861). All had been bequeathed to the Museum in 1937 by Harrison's youngest daughter. Miss Mary Harrison, together with other books and fossils. John

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46

Reed, John C., Harry E. Schultz, and William P. Athayde. "THE REGIONAL RESPONSE TEAM (RRT): DYNAMITE OR DINOSAUR?1." International Oil Spill Conference Proceedings 1993, no. 1 (1993): 267–71. http://dx.doi.org/10.7901/2169-3358-1993-1-267.

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ABSTRACT The U.S. Government has in place a national oil and hazardous substance spill response system as required under the Federal Water Pollution Control Act (FW?CA) of 1972, as amended, and the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA) of 1980. The National Contingency Plan (NCP) establishes the National Response Team (NRT), Regional Response Teams (RRTs) and the National Response Center (NRC). This system has been in place since 1971, with NRT and RRT membership including 15 federal agencies having environmental responsibilities, and associated states

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47

Knell, Simon J. "Gideon Mantell and the Discovery of Dinosaurs (review)." Victorian Studies 43, no. 4 (2001): 684–86. http://dx.doi.org/10.1353/vic.2001.0106.

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48

Naish, Darren, and Will Tattersdill. "Art, anatomy, and the stars: Russell and Séguin’s dinosauroid1." Canadian Journal of Earth Sciences 58, no. 9 (2021): 968–79. http://dx.doi.org/10.1139/cjes-2020-0172.

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It takes a bold, innovative mind to publish an exercise in speculative evolution pertaining to an alternative timeline. Dale Russell’s studies of the troodontid Stenonychosaurus and of ornithomimid theropods, published in 1969 and 1972, inspired him to consider the possibility that some theropod dinosaur lineages might have given rise to big-brained species had they never died out. By late 1980, Russell had considered the invention of a hypothetical descendant of Stenonychosaurus dubbed the “dinosauroid”. There is likely no specific inspiration for the dinosauroid given Russell’s overlapping a

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49

Ries, C. J. "Creating the Proavis: bird origins in the art and science of Gerhard Heilmann 1913–1926." Archives of Natural History 34, no. 1 (2007): 1–19. http://dx.doi.org/10.3366/anh.2007.34.1.1.

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Between 1912 and 1916, the Danish artist and graphic designer Gerhard Heilmann published a series of articles in the journal of the Danish Ornithological Society. From the outset, Heilmann's work aroused international interest, and in 1926 it was published in English under the title The origin of birds, setting the international agenda for research in bird evolution for the next 40 years. In Denmark, however, Heilmann's highly original work was generally ignored or even ridiculed by zoologists. This paper presents an account of those factors and events that allowed Heilmann to complete the tra

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Sudres, J. L., and L. Schmitt. "Leçons du passé pour une art-thérapie institutionnelle actuelle." European Psychiatry 30, S2 (2015): S89. http://dx.doi.org/10.1016/j.eurpsy.2015.09.384.

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L’art-thérapie porte en terre hexagonale, un lourd bagage de fausses notes conceptuelles, d’hégémonies et de clivages cheminant parfois avec une certaine note d’obscurantisme consensuel. Toujours d’actualité, la répétition de cette dynamique souffre d’un manque d’autocritique et d’auto-analyse constructive. Pourtant les dinosaures de l’art-thérapie d’hier empruntent, lorsqu’ils n’ont pas tiré leur révérence, la voie de la sagesse. Ceux d’aujourd’hui s’échinent à tenir des vestiges, voire des temples vides, même lorsqu’ils empruntent la toge de la transmission. Si jusqu’à l’aube des années 1980

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