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Dissertations / Theses on the topic 'Divadlo Práce'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Terberová, Tereza. "Herecká práce ve školním divadle a v profesionálních podmínkách." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-361706.

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As a topic for my diploma thesis, I picked comparison of work in school theater and in professional conditions. In the individual chapters I describe my experience with these various environments. Information for my diploma thesis was obtained both from available specialised literature and especially from experience that I managed to gather during my short acting career on and around the stage.

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2

Dyk, Vojtěch. "Od Holana ke komerci ( srovnání tvůrčích postupů při práci na třech inscenacích-klauzurní práce,divadlo Disk, divadlo Ta Fantastika )." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79418.

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I tried to describe evolution of thinking young actor and musician and describe theatre forms. Than I tried to describe work of each director, that I could meet in my life and I tried to describe their work on performance, that I did with them. Than I tried to answer some questions, that I?m interested in. Than I tried to wake up a children in me, that plays game of writing this work.

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3

Lurie, Michal. "Herecká práce v projektovém divadle a v divadle s pravidelným provozem." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-393244.

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As a topic of my master thesis, I chose the comparison of the actor's work in the project theater and the regular theater. In individual chapters, I describe the work in progress in these different environments. I describe the differences between both subjects and their influence on the actor's work.

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4

Heřmánek, Karel. "Etika herecké práce." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202500.

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In my thesis I examine the actor's approach to his profession on several different levels: creation of the character during development of the production, individual and collective responsibility, and society's perception of the acting profession. To do this I used my own experience ? my time studying at The Academy of Performing Arts and The Lee Strasberg Theatre & Film Institute in New York, and my work in DISK and professional theater.

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5

Razím, Daniel. "Divadlo poezie?" Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253657.

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ABSTRACT Diploma Thesis Theatre-Poetry? examines a specific type of Czech alternative theatre, based on the creative author's work with literary texts. It deals with its characteristic, defining the genre and problems associated with a non depictive title, which defines this area of theatrical production. Collectively it describes its scenic resources and stage techniques. It traces its past associated with history of so called artistic recitation and the avant-garde art movement of the interwar years, from the beginning until the recent past and present (which has not been systematically de

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6

Waidingerová, Andrea. "Pohyb v činohře a opeře - práce Roberta Wilsona." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177866.

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Most of us try to do performance in pure style (mime, drama, clownerie, slap stick, physical theatre, opera, musical, ballet). I am interested in mixing of these styles. Robert Wilson works this way. For him movement is one of the basic means of communication. He works ? as mime theatre does ? with images (pictures). He works with hyperbole and big stylization, that is close to mime theatre. This thesis is interested in mime theatre or theatre of movement and its relation to other elements of theatre. The thesis also deals with the work of Robert Wilson and tries to show the interaction of t

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7

Kubištová, Máčiková Adriana. "Aspekty herecké práce s důrazem na autenticitu." Doctoral thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371617.

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This dissertation - Aspects of actors work with emphasis on authenticity, Road show as a way to authentic acting, charts behaviour of our Divadlo koňa a motora (Theatre of a horse and a engine). I add here our diaries from wandering with the horse and a caravan in surroundings of Nitra, in the Šluknov region and also in eastern Slovakia. Due to the experience made by wandering itself and acting in front of audience, that is not used to visit theater, I try to find a way to grow up in acting. I also try to name particular problems in actors work, that I was facing up during my studies and praxi

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8

Van, Wagenenová Kateřina. "Práce na společném autorském představení od dialogu o tématu po realizaci." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-155951.

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This thesis follows the genesis of three authorial performances, that I and my partners created in collaboration during my study at the Department of authorial creativity and pedagogy DAMU. From the perspective of my own experience I am trying to monitor the specifics of such cooperation, the issues of rehearsing and performing with a fixed script and without a fixed script but with a list of points/a score instead. I am describing the influence of impulses and reflections from pedagogues given to us during our quest and I am also mentioning the working methods and exercises used when discover

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9

Benešová, Tereza. "Autorská práce s materiálem v divadelním a nedivadelním prostoru." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172889.

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Within my master's degree project Bathrooms I cooperated on the creation of several performances and theatre productions, in bathrooms of private flats as well as in theatre space. The main content of my thesis is therefore a reflection of these personal experiences, which are mostly founded on work with authentic material as a significant source of inspiration. The first part of the thesis concentrates on ten short performances in authenthic space (bathrooms), which were created in years 2009-2011. Here, I look into the solutions of the individual performances from the position of an autho

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10

Dušková, Linda. "Divadelní vrstvení." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172860.

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The master thesis named Theatre layering attemps to reflect the specific moments during the preparation of theatre performance, that could influence the interpretation of dramatic text. The author of this thesis is concerned with using of text, image and music for theatre work bordering the interpretative and non-interpretative approach. In the analysis she used the experience of her own directing-dramaturgical work during the studies at DAMU.

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11

Skružná, Pavlína. "Za pět dvanáct." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202862.

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This diploma thesis is a work of an actor´s graduate and deals with personal experience with functioning in a particular group. It is divided into three parts. The first part is devoted to social psychology and explains how the group and its functioning is seen by this field. In the second part, the author applies these facts on a specific group, who are her classmates of acting at the Department of Alternative and Puppet Theatre. The third part focuses on a psychological questionnaire of individual group members and close associates of the group. This thesis named Five to twelve has no scient

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12

Nováková, Kristýna. "Herecká práce ve filmu a v divadle." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2008. http://www.nusl.cz/ntk/nusl-78081.

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In Master Thesis with title Acting at the film and at the theatre, first of all I occupy by acting work at the theatre and at the film. In the first part I devote to development of film. At the first dumb film then film with sound and also beginning of film stars in foreign countries and in our country.Also in this part I devote to common definition of acting and which three moments influence actors. In second part I devote to acing more thorough mainly I try compare different acting work at the theatre and in front of camera through my experience. In the end I finish this topic by summarize m

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13

Dworakowska, Martyna Anna. "Problematika scénografické práce v divadle pro děti." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78603.

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14

Vítek, Jiří. "Slovinské národní divadlo v Lublani." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215572.

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Anotation Title: Slovinské národní divadlo v Lublani Authors´ name: Bc. Jiří Vítek The supervisor of the work: Doc. Ing.Arch. Zdeněk Makovský Date: May, 2009 The aim of this work was to create a project of National theatre in Slovenia. In the playhouse is placed two stages, The main – traditional is designed for 500 people and smaller- experimental for 200 people. In the building is also placed cofeteria, exibit area and the whole background of the theatre. The intention of my work is trying to interconnect traditional and experimental theatre and project it in the architecture.

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15

Anděl, Matěj. "Tvorba herecké postavy (práce v DISKu a profesionálním divadle)." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202445.

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This Thesis examines the issue of character creation from the actor's point of view. As each actor perceives the process of creation differently and applies his own specific methods, I made the decision to concentrate on my individual approach: Which acting techniques do I use, which problems have I encountered and how have I found solutions to individual situations. I additionally strive to identify certain perks and downsides of the acting profession within the scope of the Thesis, particularly those likely to be encountered by an aspiring actor transitioning from a student theater to a prof

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16

Olšovský, Lumír. "Přístupy a možnosti inscenování zábavněhudebního divadla v současných českých podmínkách." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-252285.

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This Master's thesis addresses the process of staging musicals and operettas within the Czech theatre?s environment. As an example, the author chose five different titles for comparison and description of the process of preparation of this specific kind of musical theatre focusing on various options for theatre companies, discussing the demands and difficulties of assembling teams of artistic collaborators and the creative process itself during rehearsals. Processes concerned with the first grasp of a title as a dramatic text, through the spatial solutions of a dramatic situation in terms of s

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17

Lišková, Kristýna. "Úloha manažera v práci s dětským a studentským publikem v divadle." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-199281.

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This master thesis is concerning the role of the manager in working with children and young audience in the world of theatre. The first chapters undertake the definition of the theatre for children and theatre played by children and brief history of this genre in the Czech Republic. It describes the history and rich tradition of festivals and parades in this area for different age categories until presence. The following chapters are dedicated to the relationship of theatres with their both audiences, current and potential. The thesis also appoints different possibilities of working with the a

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18

Zavřelová, Eva. "Nová média v práci s divadelním publikem." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-393252.

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This diploma master thesis deals with the use of new media and implementation of current online communication trends in the czech theatre environment. The first part defines most important terms and describes the features of the main platforms in online communication. Than follows a comparative analysis of the social media communication of five czech theatres - Jihočeské divadlo in České Budějovice, Slovácké divadlo in Uherské Hradiště, Městské divadlo Zlín, Moravské divadlo in Olomouc and Klicperovo divadlo in Hradec Králové. The next part presents the results of the online survey, which

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19

Loosová, Jana. "Využití prvků herecké výchovy v práci s amatérským souborem." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202478.

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This thesis deals with the application of acting education elements in work with adult amateur theater group. The thesis is conceived as a diary which captures more than one year season of creative work of a specific theater group from the theme to the realisation of the author's theater form. The selection and specification of acting preparatory techniques and exercises is adapted to this process.

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20

Horáková, Ilona. "Marketingová strategie." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-193749.

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The main goal of this thesis is to identify the differencies and specifics of arts marketing and then evaluate a strategy of specific project. The theoretical part introduce the culture, art and theater. The following section is focused on classical marketing always accompanied by specifics in the area of culture and art. The theory is then applied to a particular project and thesis is finished with marketing research aimed to identify the motivation to visit and percepiton's level of marketing tools by visiters.

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21

Šindelková, Marie. "Využití sociálního divadla v sociální práci." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368260.

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In the following text I will consider possible ways of using social theatre in social work. Studying connections between these fields is preceded by a brief introduction of chosen terms of the theory of social work and theatre, with definitions as the frame. The main objective of my work is the basic division of forms of social theatre and desribtion of its conditions in the Czech Republic. Social theatre as a self-contained system is not defined in the Czech literature yet. Comparing foreign sources and the terminology used in the Czech literature with knowledge of the protagonists' way of wo

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22

Pejřimovská, Hana. "Divadlo utlačovaných jako cesta k empowermentu." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-380430.

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The aim of this thesis is to find out how the participants of the Theatre of the Oppressed become empowered and how they use these experiences from the Theatre in other spheres of life. The research is based on a qualitative method and semi-structured interviews with open coding. The sample consists of Roma and non-Roma respondents. The results show that the necessary prerequisites for empowerment include meetings and dialogues with others, games and interventions, sharing of experiences and active work against oppression. In other dimensions of life, we can see personal empowerment manifest i

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23

Mejdřická, Lenka. "Divadlo fórum: možnosti praktického využití při práci s dětmi a mladistvými." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-336717.

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This diploma thesis deals with the possible applications of the dramatic method called Forum theatre in the work with children and teenagers. The theoretical part is divided in to three chapters and where the first chapter introduces Forum theatre. The second chapter describes the formation of the Theatre of the Oppressed concept, whose main technique is the examined method. The third part provides a detailed description of the method including the aims, rules a principles for the role of a Joker. The second part of the thesis examines the relationship of the method towards the educational sys

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