Relevant bibliographies by topics / Divine Commedy

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters
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Academic literature on the topic 'Divine Commedy'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Divine Commedy"

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Shahbazi, Mohammadreza, and Maryam Jamali. "RATIONALISM IN DANTE'S DIVINE COMMEDY AND ARDAVIRAF." IJASOS- International E-journal of Advances in Social Sciences 2, no. 4 (2016): 101. http://dx.doi.org/10.18769/ijasos.50926.

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Jongeneel, E. "Art and Divine Order in the Divina Commedia." Literature and Theology 21, no. 2 (2007): 131–45. http://dx.doi.org/10.1093/litthe/frm008.

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Morrison, Tessa. "The Paradox of the Divine Architecture in Dante’s La Divina Commedia." International Journal of the Humanities: Annual Review 8, no. 2 (2010): 295–310. http://dx.doi.org/10.18848/1447-9508/cgp/v08i02/42834.

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Rivera Recio, Leonardo. "El simbolismo del vuelo en la "Divina Commedia"." Philologia Hispalensis 1, no. 6 (1991): 381–418. http://dx.doi.org/10.12795/ph.1991.v06.i01.31.

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Alfie, Fabian R., Dante Alighieri, and Stanley Appelbaum. "The "Divine Comedy": Selected Cantos / La divina commedia: Canti scelti. A Dual-Language Book." Italica 79, no. 3 (2002): 411. http://dx.doi.org/10.2307/3656104.

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Alighieri (book author), Dante, Tommaso di Salvo (book editor), and Andrea Fedi (review author). "La Divina Commedia." Quaderni d'italianistica 12, no. 1 (1991): 143–45. http://dx.doi.org/10.33137/q.i..v12i1.10516.

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Macneil, Anne. "The Divine Madness of Isabella Andreini." Journal of the Royal Musical Association 120, no. 2 (1995): 195–215. http://dx.doi.org/10.1093/jrma/120.2.195.

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Nel giorno, che sublime in bassi mantiIsabella imitava alto furore;Estolta con angelici sembiantiEbbe del senno altrui gloria maggiore;Alhor saggia tra 'I suon, saggia tra i cantiNon mosse piè, che non sorgesse Amore,Né voce aprì, che non creasse amanti,Né riso fè, che non beasse un core.Chi fu quel giorno a rimirar feliceDi tutt'altro quaggiù cesse il desio,Che sua vita per sempre ebbe serena.O di Scena dolcissima Sirena,O de' Teatri Italici Fenice,O tra Coturni insuperabil Clio.Gabriello ChiabreraIn the spring of 1589, the commedia dell'arte company known as the Gelosi travelled to Florence
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Lagerfeld, Steven. "Editor's Comment: Diving In." Wilson Quarterly (1976-) 36, no. 4 (2012): 3. http://dx.doi.org/10.2307/wilsonq.36.4.3.

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Ward, Graham. "John Milbank's Divina Commedia." New Blackfriars 73, no. 861 (1992): 311–18. http://dx.doi.org/10.1111/j.1741-2005.1992.tb07248.x.

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Choi, Cheul, and Seungkwon Lee. "The Correlation between Dnte Alighieri La Divina Commedia and The opera [Il Triticco] of Giacomo Puccini." Jounal of Cultural Exchange 9, no. 3 (2020): 281–97. http://dx.doi.org/10.30974/kaice.2020.9.3.12.

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Dissertations / Theses on the topic "Divine Commedy"

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Corso, Gizelle Kaminski. "A Divina Commedia em jogo." Florianópolis, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/100368.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura<br>Made available in DSpace on 2013-06-25T18:31:23Z (GMT). No. of bitstreams: 1 310274.pdf: 3021915 bytes, checksum: 4a5d825775990d5e8cd4650803c4675e (MD5)<br>Este trabalho tem como objetivo analisar e discutir adaptações da Divina Commedia para jovens leitores, para os quadrinhos, para o videogame, para o cinema (por meio da animação). Para tanto, foram escolhidas como corpus desta pesquisa sete adaptações literárias da Divina Commedia para jovens leitores, sen
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De, Benedictis Raffaele. "Musica e ordine nella Divina Commedia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ35434.pdf.

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Nunez-Faraco, Humberto Rafael. "Borges and Dante : a critical issue revisited." Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368853.

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Parera, Somolinos Raquel. "La versió d’Andreu Febrer de la Commedia de Dante: biografia del traductor, estudi del manuscrit, anàlisi de la traducció i edició dels cants I-XX de l’Inferno." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/664223.

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La versió d’Andreu Febrer de la Commedia de Dante: biografia del traductor, estudi del manuscrit, anàlisi de la traducció i edició dels cants I-XX de l’Inferno El poeta vigatà Andreu Febrer (ca. 1374 - 1441/44) va culminar la seva traducció al català de la Commedia de Dante el primer d’agost de 1429. Es tracta de la primera traducció del poema dantesc que va mantenir-ne la terza rima, fet que va merèixer l’elogi del marquès de Santillana (ca. 1449). No es pot dubtar de la rellevància d’aquesta obra en la literatura catalana medieval. Martí de Riquer, en la seva edició de les Poesies d’An
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Abramé-Battesti, Isabelle. "La citation et la réécriture dans la "Divine comédie" de Dante." Paris 3, 1994. http://www.theses.fr/1994PA030167.

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Cette these a pour objet l'etude de l'intertextualite dans la divine comedie de dante. Dans une premiere partie, les phenomenes intertextuels sont examines tout d'abord du pont de vue de la reception; sont exposes ensuite les procedes elementaires mis en oeuvre par le rescripteur : selection, resume, censure et amplification du texte source. La seconde partie presente les enjeux innovants de la reecriture dans la comedie: les modalites de la circulation des formes et du sens d'une langue a l'autre, d'un contexte a l'autre, et enfin au sein d'une langue a l'autre, d'un contexte a l'autre, et en
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Hein, Jean. "Enigmaticité et messianisme dans la "Divine comédie"." Lyon 3, 1987. http://www.theses.fr/1987LYO31011.

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Dante annonce la naissance d'un puer aureus et l'emergence d'un age d'or qui clot l'histoire du monde. Sa prophetie se calque sur celle de la quatrieme eglogue de virgile. Le poete utilise en outre les ecrits de daniel et d'isaie pour elaborer les enigmes politiques du chien et du chiffre. Il a aussi recours au corpus-lancelot pour faconner les allegories des grands vieillards de crete et de rome, figures des deux empires d'orient et d'occident. Ceux-ci seront remplaces par un imperium de cinq-cent-quinze ans qui correspondent a la duree terminale du monde. Le heros emancipateur est donc un me
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Gessi, Elena. "Temporality in the Divina Commedia of Dante Alighieri." Thesis, University of East Anglia, 2017. https://ueaeprints.uea.ac.uk/69367/.

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My doctoral research analyses different aspects of temporality in the Divina Commedia of Dante Alighieri and it traces interactions between the levels of temporality, perpetuity and eternity. These relationships ought to have generated far more critical discussion than they have done thus far, concerning what Dante actually means by time, perpetuity and eternity. Overall, the scholarship on the general representation of time in the Divina Commedia is remarkably fragmentary and has yet to be synthesized into a comprehensive account. Thus, my research connects the three cantiche, Dante’s sources
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Wilson, Robert Paul. "Prophetic elements in the Divina commedia of Dante Alighieri." Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/4252/.

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This thesis presents a list and analysis of the prophecies in the Commedia of Dante Alighieri. The prophecies are then broadly considered under two headings, ante eventum and post eventum, although these elements are frequently mixed together. They are used by Dante for various purposes, including the reinterpretation of the meaning of his own exile, and different programmes of moral and political critique. The foresight shown by the inhabitants of the three parts of the after-life is also examined, and philosophical and literary explanations found. The prophetic ability of the souls in the In
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Overgaauw, Eef. "Handschriften von Dantes Divina commedia in Berlin und Dresden." Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, 2020. https://slub.qucosa.de/id/qucosa%3A70936.

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Von Dantes Divina commedia sind weltweit mehr als 800 Handschriften aus der Zeit bis 1500 erhalten geblieben. Diese ungemein hohe Zahl ergibt sich nicht nur aus der künstlerischen Qualität von Dantes Hauptwerk, sondern auch aus dem hohen Grad der Alphabetisierung und des Wohlstands der städtischen Bevölkerung Mittel- und Norditaliens im 14. und 15. Jahrhundert sowie aus den Angeboten von zahlreichen Berufsschreibern, Papier- und Pergamentmachern, Buchbindern, Miniaturisten und Buchhändlern. In der Staatsbibliothek zu Berlin und in der Sächsischen Landesbibliothek – Staats- und Universitätsbibl
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Stazzone, Alessandra. "La renommée dans la " Divine Comédie " : enjeux et configurations narratives." Grenoble 3, 2004. http://www.theses.fr/2004GRE39025.

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Ce travail est consacré à l'étude du thème de la renommée dans la Divine Comédie. Il propose une analyse des ambigui͏̈tés engendrées par la notion même de renommée en raison de sa double signification au Moyen âge. Tantôt juridique, tantôt sociologique, le mot fama désigne à la fois un élément permettant de définir l'état d'un suspect dans une procédure inquisitoire, ainsi que le bruit colporté déterminant la bonne ou la mauvaise réputation d'une personne. Cette ambigui͏̈té nous a conduite à diviser notre recherche en trois parties. La première analyse la notion de renommée du point de vue lex
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Books on the topic "Divine Commedy"

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Alighieri, Pietro. Comentum super poema Comedie Dantis: A critical edition of the third and final draft of Pietro's Alighieri's Commentary on Dante's The divine commedy. Arizona Center for Medieval and Renaissance Studies, 2002.

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The divine comedy: Selected cantos = La divina commedia : canti scelti. Dover Publications, 2000.

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Œdipe à Florence: Dante, divan et Divine Comédie = Edipo a Firenze : Dante, divano et Divina Commedia. 2nd ed. Éditions des Crépuscules, 2014.

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), Luperini Romano (1940, and Cataldi Pietro (1961 ), eds. Divina Commedia. Le Monnier scuola, 2009.

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Alighieri, Dante. La Divina Commedia. UTET, 2003.

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Alighieri, Dante. La divina commedia. Zanichelli, 1987.

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Alighieri, Dante. La divina commedia. Nuages, 1999.

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Alighieri, Dante. La Divina commedia. Garzanti, 1988.

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1901-, Sapegno Natalino, ed. La Divina Commedia. 3rd ed. La Nuova Italia, 1985.

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To hell & back with Dante: A modern reader's guide to The Divne Comedy. Triumph Books, 1996.

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Book chapters on the topic "Divine Commedy"

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Aigner, Martin, and Günter M. Ziegler. "Comment surveiller un musée." In Raisonnements divins. Springer Paris, 2013. http://dx.doi.org/10.1007/978-2-8178-0400-2_35.

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Aigner, Martin, and Günter M. Ziegler. "Comment compléter un carré latin." In Raisonnements divins. Springer Paris, 2013. http://dx.doi.org/10.1007/978-2-8178-0400-2_32.

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Frenz, Dietmar. "Dante: La divina commedia." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3325-1.

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König, Bernhard. "Dantes „La Divina Commedia“." In Europäische Erinnerungsorte 2, edited by Pim den Boer, Heinz Duchhardt, Georg Kreis, and Wolfgang Schmale. OLDENBOURG WISSENSCHAFTSVERLAG, 2012. http://dx.doi.org/10.1524/9783486704211-021.

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Maurer, Karl. "Die Divina Commedia als Weltgedicht." In Figuren des Globalen. V&R Unipress, 2014. http://dx.doi.org/10.14220/9783737001700.281.

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Aigner, Martin, and Günter M. Ziegler. "Représentation des nombres comme somme de deux carrés." In Raisonnements divins. Springer Paris, 2013. http://dx.doi.org/10.1007/978-2-8178-0400-2_4.

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Crespo, Angel. "Translating Dante’s Commedia." In The Divine Comedy and the Encyclopedia of Arts and Sciences. John Benjamins Publishing Company, 1988. http://dx.doi.org/10.1075/z.34.19cre.

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Brockman, David Dean. "A Psychoanalytic Exploration of Dante’s Commedia." In A Psychoanalytic Exploration of Dante’s The Divine Comedy. Routledge, 2017. http://dx.doi.org/10.4324/9781315464213-3.

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Seung, T. K. "The Metaphysics of the Commedia." In The Divine Comedy and the Encyclopedia of Arts and Sciences. John Benjamins Publishing Company, 1988. http://dx.doi.org/10.1075/z.34.11seu.

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Hollander, Robert. "Dante’s Commedia and the Classical Tradition." In The Divine Comedy and the Encyclopedia of Arts and Sciences. John Benjamins Publishing Company, 1988. http://dx.doi.org/10.1075/z.34.03hol.

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Conference papers on the topic "Divine Commedy"

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Overgaauw, Eef. "Handschriften von Dantes Divina commedia in Berlin und Dresden." In Die italienischsprachigen Handschriften der SLUB Dresden – Neue Perspektiven der Forschung. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, Dresden, 2020. http://dx.doi.org/10.25366/2020.18.

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Ciunova-Shuleska, Anita, Nikolina Palamidovska-Sterjadovska, and Irena Bogoevska-Gavrilova. "DOES SOCIAL CAPITAL FOCUS DETERMINE USERS’ INTENTIONS TO LIKE, COMMENT AND SHARE LIFESTYLE BRAND-RELATED CONTENT ON SOCIAL MEDIA?" In Economic and Business Trends Shaping the Future. Ss Cyril and Methodius University, Faculty of Economics-Skopje, 2021. http://dx.doi.org/10.47063/ebtsf.2021.0011.

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The purpose of this research is to analyze the differences in users’ intentions to like, comment and share lifestyle brand-related content on social media based on the social capital focus. In this paper, social capital is conceptualized as a positive outcome of users’ interaction on social media, focusing on bonding and bridging dimensions of social capital. However, in order to examine the differences in intentions to like, comment and share between social media users with bridging and bonding focus, social capital is analyzed as a cause of social media engagement, i.e. users’ contribution i
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Herdiansyah, Pradibyo, Iik Mansurnoor, and Yusuf Rahman. "Representation of Hell in Daqa’iq al-akhbar by Ibn Ahmad al-Qodi and La Divina Commedia by Dante Alighieri (Perspective of Mythology)." In Proceedings of the 2nd International Colloquium on Interdisciplinary Islamic Studies (ICIIS) in Conjunction with the 3rd International Conference on Quran and Hadith Studies (ICONQUHAS). EAI, 2020. http://dx.doi.org/10.4108/eai.7-11-2019.2294531.

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Szyman, Alexandra. "Les mots et les imaginaires de l’eau dans l’œuvre de Simone Schwarz-Bart." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3175.

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L’œuvre de Simone Schwarz-Bart, romancière guadeloupéenne, nous immerge au sein de la culture créole dont les croyances et les pratiques se veulent animistes. Ainsi, le rapport des personnages à la nature et aux éléments est exacerbé, notamment celui à l’eau. En effet, l’eau est cette entité conductrice que l’on retrouve tout au long de son écriture et qui flue telle la vie, dans tout ce qu’elle a de plus beau et de plus sombre à la fois. Elle représente ce voyage de l’homme, de la matrice maternelle au monde des Invisibles – l’ « eau »-delà – et incarne ce passage entre le réel et le surnatur
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