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Relevant bibliographies by topics / Divine image

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Academic literature on the topic 'Divine image'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Journal articles on the topic "Divine image"

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Beniamin, Zakhary. "Imago Dei in Early Christian Anaphoras." Studia Liturgica 53, no. 1 (2023): 24–36. https://doi.org/10.1177/00393207221144062.

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Genesis expresses human creation in God's image and likeness. This Divine image—imago Dei—given to humanity, was an important notion in the liturgical prayers of early Christians. This paper shows that early Christian anaphoras of the first five centuries utilize image language to introduce the economy of salvation, emphasizing a need for Christ's salvific incarnation, while highlighting traditional descriptions of the imago Dei. Two descriptions of the imago Dei emerge in early anaphoras. One focuses on the immortality and rationality of the human soul as the depiction of

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Williams, Rowan. "Deification and the Divine Image." International Journal of Systematic Theology 25, no. 1 (2023): 3–14. http://dx.doi.org/10.1111/ijst.12616.

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Torseth, Robb. "“Life in the Divine Image and Likeness”." Journal of Reformed Theology 18, no. 1-3 (2024): 173–97. http://dx.doi.org/10.1163/15697312-bja10049.

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Abstract In Michael Allen’s 2017 article, “Toward Theological Anthropology: Tracing the Anthropological Principles of John Webster,” Allen draws attention to the peculiarity of the absence of a formal doctrine of the imago Dei in Webster’s anthropology, noting that 1) the doctrine is exegetically driven and ubiquitous in historical theology, and 2) it would seem to fit well with Webster’s greater theological project. This article will attempt to address both of these points in Webster’s thought, first by considering the question of why the doctrine of the image of God in humanity is largely un

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Loikkanen, Juuso. "Human Beings as Imago Dei and Homo Sapiens: Assessing the Substantive Interpretation of Imago Dei." DIALOGO 8, no. 1 (2021): 258–65. http://dx.doi.org/10.51917/dialogo.2021.8.1.23.

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Traditionally, in Christian theology, human beings have been regarded to be images of God (imago Dei). Often, the divine image has been understood to be located in a supernatural soul separate from the body. In this paper, I examine the credibility of this so-called substantive view of Imago Dei in the light of contemporary science.

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Bekmurzaeva, F. Sh. "Stereotypes-images and symbols-signs of a bee in the projection of the conceptual plane of linguistic consciousness." Vestnik of North-Eastern Federal University History Political Science Law 21, no. 2 (2024): 91–103. http://dx.doi.org/10.25587/2222-5404-2024-21-2-91-103.

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This article has several purposes: 1. analyse and identify stereotypical images of the entomological concept of bee in the Russian national linguistic consciousness; 2. reveal the symbolic content of linguistic consciousness by extracting semantic and symbolic signs attached to the stereotypical images of the entomological concept of bee; 3. establish the dynamic invariance (stability) and temporal relevance of the identified stereotypical images in the Russian linguistic picture of the world; 4. confirm the archetypal nature of bee images as universal “products” of the collective unconsciousn

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Zaidi, Ali. "Water as Divine Mirror in the Poetry of Daud Kamal." Studium, no. 26 (June 1, 2020): 203–20. http://dx.doi.org/10.26754/ojs_studium/stud.2020266219.

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Abstract: In the poetry of Daud Kamal, water figures as an image of mercy, as in the Quran, and as a mirror that reflects divine hidden presence. The rock pool evokes the memory of Gandhara and other foundational civilizations born in love and creative ferment. Conversely, the images of drought, heat, and dust symbolize a parched spiritual order. The river, a recurring archetypal image in Kamal’s poetry, represents the fluid self that is subsumed into collective identity to become a poetic distillate of history. Key words: Daud Kamal, water imagery, drought imagery, Pakistani poetry in English

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Irízar, Pablo. "Epistemología y Exégesis en las primeras obras de Agustín (387-391)." Augustinus 63, no. 3 (2018): 417–44. http://dx.doi.org/10.5840/augustinus201863250/25119.

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The biblically-inspired motif of the divine image (imago dei, cf. Gen. 1.26) is a central anthropological concept in early Christian discourse. While this motif has been studied extensively, it has not yet been studied against the backdrop of the closely related epistemological terms imago, imaginatio and phantasia as these develop in Augustine’s early works (387-391). Given that Puffer (2014) characterizes the presence of imago dei in the early works as an ‘exterior’ characteristic of human beings, the question arises, how does the treatment of imago and imaginario/phantasia inform Augustine’

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Patterson, David. "The Human Image Divine: Tolstoy's Anthropic Theology." Christianity & Literature 40, no. 1 (1990): 23–36. http://dx.doi.org/10.1177/014833319004000104.

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Rahtz, Philip. "The incomparable hallmark of the Divine image." Antiquity 69, no. 262 (1995): 196–200. http://dx.doi.org/10.1017/s0003598x00064474.

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Colas, Gérard. "God′s Body: Epistemic and Ritual Conceptions from Sanskrit Texts of Logic." Paragrana 18, no. 1 (2009): 53–63. http://dx.doi.org/10.1524/para.2009.0004.

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AbstractDiscussions on the nature of the relationship between a god, his body and his material representation are almost non-existent in the Hindu devotional perspective, where such concerns are superfluous. Hindu theological and ritual Sanskrit texts, on the other hand, applied procedures of reasoning with regard to that relationship. This rationalization however accommodated rather than conflicted with the devotional attitude. Their attempt to clarify their stand vis-à-vis god′s body and material image followed from ideological or technical requirements. This was done sometimes systematicall

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Dissertations / Theses on the topic "Divine image"

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Giakalis, Ambrosios. "Images of the divine : the theology of icons at the Seventh Ecumenical Council /." Leiden : E. J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb35619815q.

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Giakalis, Ambrosios. "Images of the divine : the theology of icons at the Seventh Ecumenical Council /." Leiden : Brill, 2005. http://catalogue.bnf.fr/ark:/12148/cb400613076.

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Herring, Stephen L. "Divine substitution : humanity as the manifestation of Deity in the Hebrew Bible and the ancient Near East." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=174714.

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Abstract Divine Substitution: Humanity as the Manifestation of Deity in the Hebrew Bible and the Ancient Near East, by Stephen L. Herring, is an investigation of ancient conceptualizations of divine presence. Specifically, this thesis investigates the possibility that the ancient Mesopotamian conceptualization of cultic and royal statues, thought to actually manifest the presence of gods and kings, can likewise be found in ancient Israel. Despite the overly pessimistic view of the later biblical authors, material objects were almost certainly believed to extend and manifest the presence of God

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Lee, Seung-Jin. "The divine presence in preaching : a homiletical analysis of contemporary Korean sermons." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53103.

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Thesis (DTh)--Stellenbosch University, 2002<br>ENGLISH ABSTRACT: The presence of God in preaching is one of the most important Reformed homiletical themes. However, contemporary homiletics and preaching ministry do not pay due attention to this theme. More specifically speaking, contemporary Korean preaching also asks for a more comprehensive homiletical foundation for the homiletically appropriate witness of the divine presence in preaching. Based upon Dingeman's practical theological methodology, this study thus aims to describe and examine the practical realities of the witness of the

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Holton, John Russell. "Image of the Basileus : the common character of royal self-presentation in the early Hellenistic world (323-276 BC)." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/17285.

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This thesis argues for a common character of royal self-presentation in the early Hellenistic world, defined in this thesis as the period between the death of Alexander in 323 BC and the accession of Antigonos Gonatas in 276. In contrast to current models of interpretation which analyse it on a predominantly regional or biographical basis, this thesis supports the validity of approaching Hellenistic kingship as a broader phenomenon. Royal self-presentation is defined here as imagery developed by the kings, ideology articulated by them, and symbolic deeds enacted by them. This thesis engages a

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Collard, Hélène. "Montrer l'invisible : recherche sur la mise en image de la présence divine au sein de l'espace rituel sur les vases attiques." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0014.

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En Grèce ancienne, une modalité importante de la perception du divin, bien qu’elle ne soit pas la seule, est la perception visuelle. Celle-ci a pu se faire notamment au moyen des images, qui, tout en relevant du visible, permettent de « montrer l’invisible » et de donner corps au divin. Dans le but de nourrir le questionnement sur la représentation et la perception du divin dans le système religieux des Grecs, la présente étude propose une analyse des diverses stratégies de mise en image(s) de la présence divine au sein d’une production artistique spécifique : la peinture de vases attique des

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Olette-Pelletier, Jean-Guillaume. "Min, le « puissant des dieux ». Le dieu Min, de la Première Période intermédiaire à la fin de la Deuxième Période intermédiaire : réinterprétation d'une image divine au service du pouvoir." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040123.

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Le dieu égyptien Min a toujours été considéré comme un dieu de la procréation par nombre d’égyptologues. Pourtant, l’analyse de son image et de son culte sur la période allant du début de la 8e dynastie à la fin de la 17e dynastie révèle une toute autre définition. Son iconographie témoigne d’une élaboration cryptique dans l’emploi des divers éléments qui composent son image. La présente étude réanalyse par ailleurs la parèdre coptite du dieu ainsi que la réappropriation de l’image de Min au début du Moyen Empire par la divinité thébaine Amon. Loué lors de fêtes spécifiques aux fonctions agrai

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Plangger, Stefanie. "Gott im Bild : Eidôlon : Studien zur Herkunft und Verwendung des Septuagintabegriffes für das Götterbild." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAK017.

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Actuellement, le concept « idole » a basculé dans la sphère triviale du culte de personnes et renferme, néanmoins, des traces du sens antique du mot. Le terme d’idole met l’accent sur le moment de la vénération et c’est précisément là que réside la difficulté : la combinaison de l’adoration et de la plasticité d'une image va à l’encontre de la théologie de l’Ancien Testament de la vénération unique et sans image de JHWH. Le point de départ de cette étude est le mot grec eidôlon, qui est ancré dans le sujet de l’image des divinités depuis la Septante et qui fait office de terme fixe pour désign

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Bauer, Paul Charles. "The body image diviner." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23405.

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Prado, Junior Leal do. "Investigação biométrica em imagens digitais para detecção de faces humanas através da proporção divina." Universidade de São Paulo, 2004. http://www.teses.usp.br/teses/disponiveis/18/18133/tde-28042006-140518/.

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O crescimento da utilização de sistemas de reconhecimento no mundo contemporâneo exige processos de detecção cada vez mais robustos e ágeis. Aplicáveis desde sistemas de teleconferência empresarial até mecanismos de segurança e vigilância, a detecção e o reconhecimento de pessoas tornaram-se uma constante. Na tentativa de buscar caminhos alternativos, tanto para os problemas de detecção, quanto para os de reconhecimento, este trabalho propõe a utilização de medidas biométricas, mensuradas em imagens digitalizadas de faces humanas. A partir do estudo de tais medidas, torna-se possível a verific

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Books on the topic "Divine image"

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Eck, Diana L. Darsán, seeing the divine image in India. 2nd ed. Anima Books, 1985.

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McFarland, Ian A. The divine image: Envisioning the invisible God. Fortress Press, 2006.

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Murro, Jonathan. The divine image: The life of devotion to holy laws and virtues leading to the divine-image conscieousness. Ann Ree Colton Foundation, 1990.

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Miller, Brett A. Divine apology: The discourse of religious image restoration. Praeger, 2003.

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Padoux, André. L' image divine: Culte et méditation dans l'hindouisme. Éditions du Centre national de la recherche scientifique, 1990.

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André, Padoux, and Centre national de la recherche scientifique (France). UPR 249, "L'hindouisme, textes, doctrines, pratiques"., eds. L' Image divine culte et méditation dans l'hindouisme. Éditions du Centre national de la recherche scientifique, 1990.

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Bernice, Marie-Daly, ed. Created in her image: Models of the feminine divine. Crossroad, 1990.

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Plaiss, Mark. The image of God: Disappearing into the divine nature. Paulist Press, 2010.

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Olsen, V. Norskov. Man, the image of God: The divine design, the human distortion. Review and Herald Pub. Association, 1988.

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Ibn Ezra, Abraham ben Meïr, 1092-1167., ed. The texture of the divine: Imagination in medieval Islamic and Jewish thought. Indiana University Press, 2004.

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Book chapters on the topic "Divine image"

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Stalley, Larry, and Giulio Fanti. "“Who Is the Image of the Invisible God”." In Divine Testimony. Jenny Stanford Publishing, 2025. https://doi.org/10.1201/9781003540304-15.

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Orlov, Andrei A. "The divine image as the hypostasis of divine knowledge." In Embodiment of Divine Knowledge in Early Judaism. Routledge, 2021. http://dx.doi.org/10.4324/9781003216100-2.

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Fanti, Giulio, and Robert Siefker. "The Holy Shroud and the Impossible Image." In The Holy Fire and the Divine Photography. Jenny Stanford Publishing, 2023. http://dx.doi.org/10.1201/9781003454441-5.

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Barbeau, Jeffrey W. "The Holy Spirit: Reason and the Divine Image." In Coleridge, the Bible, and Religion. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610262_7.

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Goncharova, Nina. "Divine Path of Humanity: Co-creating “In the Image of God”." In Practical Spirituality and Human Development. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0803-1_12.

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Sharpe, Kevin. "Writing Divine Right." In Image Wars. Yale University Press, 2010. http://dx.doi.org/10.12987/yale/9780300162004.003.0002.

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"A Divine Image." In Blake: The Complete Poems. Routledge, 2014. http://dx.doi.org/10.4324/9781315761169-21.

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Thompson, E. P. "‘The Divine Image’." In William Blake. Routledge, 2014. http://dx.doi.org/10.4324/9781315843490-2.

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Mayse, Rabbi Dr Ariel Evan. "The Divine Image:." In Kashrut and Jewish Food Ethics. Academic Studies Press, 2019. http://dx.doi.org/10.2307/j.ctv1zjg9xd.17.

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Rix, Robert. "The Divine Image." In William Blake and the Cultures of Radical Christianity. Routledge, 2016. http://dx.doi.org/10.4324/9781315234076-7.

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Conference papers on the topic "Divine image"

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Pham, Xuan Loc, Mathias Prokop, Bram van Ginneken, and Alessa Hering. "Divide to conquer: a field decomposition approach for multi-organ whole-body CT image registration." In Image Processing, edited by Olivier Colliot and Jhimli Mitra. SPIE, 2025. https://doi.org/10.1117/12.3046235.

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He, Yelu. "Diving Deep: The Role of Deep Learning in Medical Image Analysis, Today and Tomorrow." In 2024 9th International Conference on Intelligent Informatics and Biomedical Sciences (ICIIBMS). IEEE, 2024. https://doi.org/10.1109/iciibms62405.2024.10792859.

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Wang, Zian, and Huazhong Ren. "Validation of Lunar Surface Emissivity Retrieval from Diviner Image Using Apollo Samples Spectra Data." In IGARSS 2024 - 2024 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2024. http://dx.doi.org/10.1109/igarss53475.2024.10640488.

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PEREDRIENKO, T. Yu. "THE IMAGE OF SILENCE IN THE PERCEPTUAL CODE OF RUSSIAN LINGUISTIC CULTURE." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_208.

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The article aims to examine the image of silence in the perceptual code of Russian linguistic culture. The materials of Russian National Corpus are used for determining the verbally expressed characteristics of the concept and its implicit meanings. The analysis of the material allows to characterize silence as an acoustic phenomenon, a situation of human quietness, an emotional and mental state of a person or society and background for other sounds. The image of silence is often personified, its infinity in time and space is emphasized, the connection with the divine principle is actualized,

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Štěpánek, Pavel. "Tasting the milk of celestial knowledge. Note about the rhetoric of the portrayal of the sacred in Alonso Cano’s painting The Lactation of St. Bernard (1653–1657) from the National Gallery in Prague." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-20.

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This is an attempt of interpretation of a picture that draws from mystical tradition. It is about the comprehension of a topic in a painting by the Spanish artist Alonso Cano (1601–1667, Granada), from the National Gallery in Prague (O 14 690) Lactatio S. Bernardi – presenting the miracle of lactation, in which the Virgin Mary is squirting milk from her breast into the mouth of St. Bernard of Clairvaux (a historically very famous saint and major representative of the Cistercian Order). Traces of iconography lead up to the Coptic Church, where the typology of the milking Virgin was probably fir

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Ribichini, Luca. "Notre Dame du Haut, Ronchamp, the shape of a listening. A whole other generative hypothesis." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.719.

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Abstract: The article will examin one of Le Corbusier's more emblematic works: the Ronchamp Chapel. The aim is to discover some of the intentionalities hidden within the design of this work by the swiss architect. It will start with the following considerations of Le Corbusier about the Ronchamp chapel:“it began with the acoustics of the landscape taking the four horizons as a reference...to respond to these horizons, to accomodate them, shapes were created…” And: “ Shapes make noise and silence; some speak and others listen...”And again: “ Ear can see proportions. It's possibile to hear the m

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Dedyukhina, K. I. "The Cult of the Divine Monkey in Chinese Folk Religion on the Example of the Cult of the Great Sage Equal to Heaven (齊天大聖 Qitian Dasheng)". У IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-1-8-39-43.

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The article introduces the results of the study of the cult of the Great Sage, Equal to Heaven in the southeastern regions of China and Taiwan. The author describes its place in the system of Chinese folk religion, its formation and current state. The author gives an overview of the ceremonial features of the cult worship of the Great Sage and explores the features of the iconographic image of the deity.

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Brūzgienė, Rūta. "The Musicality of Lithuanian Poetry: Codes of a Different Speaking." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8934.

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Research on the interactions between literature and other art forms, observed since the appearance of syncretic art, took off in the 18th century. These multifaceted and multidisciplinary connections between time-based arts are systematized in W. Wolf’s general concept of intermediality at the end of 20th century. Based on this concept, the paper will provide some aspects of the musicality of Lithuanian poetry. The study is based on works by V. Daujotytė, V. Česnulevičiūtė, O. Juozapaitienė, J. Girdzijauskas, V. Kubilius, Ž. Ramoškaitė, D. Razauskas, W. Wolf, and others; comparative methodolog

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Gherman, Oxana. "The Sacral Dimensions of Po(i)etic Experience." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.20.

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The article elucidates, through the hermeneutic triptych Man-World-God, conceptualized in the reference studies signed by philosophers and theologians as R. Otto, A. LaCoque, P. Ricoeur, M. Eliade, L. Blaga, M. Popa, the sacred dimensions of creative experience. The author identifies a series of affinities between the sacral feeling and the act of poetic creation, at the levels of aesthetic emotion and of metaphorization practices, of the artistic forms of the „existence in mystery” (L. Blaga) transposition, of re-creating the private universe through the symbolic imitation of the cosmogony. T

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Derafshi, Mercan. "Individuality and Personal Image: Styling the Chancellor." In Bridging the Divide. Iowa State University Digital Press, 2024. http://dx.doi.org/10.31274/itaa.17093.

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Reports on the topic "Divine image"

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George, Bennie. Histological Image Analysis: A Deep Dive. ResearchHub Technologies, Inc., 2025. https://doi.org/10.55277/researchhub.kk5ytyrh.

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Miles, Gaines E., Yael Edan, F. Tom Turpin, et al. Expert Sensor for Site Specification Application of Agricultural Chemicals. United States Department of Agriculture, 1995. http://dx.doi.org/10.32747/1995.7570567.bard.

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In this work multispectral reflectance images are used in conjunction with a neural network classifier for the purpose of detecting and classifying weeds under real field conditions. Multispectral reflectance images which contained different combinations of weeds and crops were taken under actual field conditions. This multispectral reflectance information was used to develop algorithms that could segment the plants from the background as well as classify them into weeds or crops. In order to segment the plants from the background the multispectrial reflectance of plants and background were st

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Głąb, Tomasz, Jarosław Knaga, Tomasz Zaleski, Paweł Dziwisz, Jan Gluza, and Dariusz Glanas. Determination of soil particle size distribution using computer analysis of microscopic images. Publishing House of the University of Agriculture in Krakow, 2025. https://doi.org/10.15576/repourk/2025.1.3.

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The project aims to develop a prototype device for determining the texture of soils and mineral deposits. The innovation of the designed solution consists in a significant reduction in the time of composition analysis with the possibility of any division into granulometric groups and the complete automation of the measurement from the moment the sample is introduced into the apparatus until the result is obtained. As part of the project, industrial research and experimental development are planned to be divided into the following stages: 1. Development of the measuring system. 2. Development o

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Varela, Phillip. Chaco Culture National Historical Park: Paleontological site monitoring protocol. National Park Service, 2024. http://dx.doi.org/10.36967/2304460.

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Hundreds of paleontological sites have been located and documented in Chaco Culture National Historical Park (CHCU) since 2005, the beginning of dedicated park-based paleontological surveying at the park. A paleontological resource inventory was published for CHCU in 2019, providing a baseline for paleontological resource monitoring. A paleontological site monitoring protocol has now been prepared in order to most effectively manage and monitor the abundant Upper Cretaceous paleontological resources found here. The first part of the protocol contains supporting background information; a discus

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Aleksandrov, Pavlo. NEWS GAMES IN THE UKRAINIAN MEDIA SPACE DURING THE FULL-SCALE RUSSIAN INVASION. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12140.

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The phenomenon of news games on the topic of the Russian-Ukrainian war of 2022-2023 has been explored in the article. During the research, a number of gaming projects from this period were analyzed, their genre and thematic specificity were determined, examples of gaming products were provided, and our own concept of a news game on the topical subject of wartime was presented. In 2022-2023, many game projects on the theme of the war in Ukraine appeared, which can be fully or partially classified as news games, conditionally dividing them into “civilian” ones, where the game character is a volu

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