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Dissertations / Theses on the topic 'Divine image'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Giakalis, Ambrosios. "Images of the divine : the theology of icons at the Seventh Ecumenical Council /." Leiden : E. J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb35619815q.

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2

Giakalis, Ambrosios. "Images of the divine : the theology of icons at the Seventh Ecumenical Council /." Leiden : Brill, 2005. http://catalogue.bnf.fr/ark:/12148/cb400613076.

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3

Herring, Stephen L. "Divine substitution : humanity as the manifestation of Deity in the Hebrew Bible and the ancient Near East." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=174714.

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Abstract Divine Substitution: Humanity as the Manifestation of Deity in the Hebrew Bible and the Ancient Near East, by Stephen L. Herring, is an investigation of ancient conceptualizations of divine presence. Specifically, this thesis investigates the possibility that the ancient Mesopotamian conceptualization of cultic and royal statues, thought to actually manifest the presence of gods and kings, can likewise be found in ancient Israel. Despite the overly pessimistic view of the later biblical authors, material objects were almost certainly believed to extend and manifest the presence of God

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4

Lee, Seung-Jin. "The divine presence in preaching : a homiletical analysis of contemporary Korean sermons." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53103.

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Thesis (DTh)--Stellenbosch University, 2002<br>ENGLISH ABSTRACT: The presence of God in preaching is one of the most important Reformed homiletical themes. However, contemporary homiletics and preaching ministry do not pay due attention to this theme. More specifically speaking, contemporary Korean preaching also asks for a more comprehensive homiletical foundation for the homiletically appropriate witness of the divine presence in preaching. Based upon Dingeman's practical theological methodology, this study thus aims to describe and examine the practical realities of the witness of the

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5

Holton, John Russell. "Image of the Basileus : the common character of royal self-presentation in the early Hellenistic world (323-276 BC)." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/17285.

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This thesis argues for a common character of royal self-presentation in the early Hellenistic world, defined in this thesis as the period between the death of Alexander in 323 BC and the accession of Antigonos Gonatas in 276. In contrast to current models of interpretation which analyse it on a predominantly regional or biographical basis, this thesis supports the validity of approaching Hellenistic kingship as a broader phenomenon. Royal self-presentation is defined here as imagery developed by the kings, ideology articulated by them, and symbolic deeds enacted by them. This thesis engages a

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6

Collard, Hélène. "Montrer l'invisible : recherche sur la mise en image de la présence divine au sein de l'espace rituel sur les vases attiques." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0014.

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En Grèce ancienne, une modalité importante de la perception du divin, bien qu’elle ne soit pas la seule, est la perception visuelle. Celle-ci a pu se faire notamment au moyen des images, qui, tout en relevant du visible, permettent de « montrer l’invisible » et de donner corps au divin. Dans le but de nourrir le questionnement sur la représentation et la perception du divin dans le système religieux des Grecs, la présente étude propose une analyse des diverses stratégies de mise en image(s) de la présence divine au sein d’une production artistique spécifique : la peinture de vases attique des

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7

Olette-Pelletier, Jean-Guillaume. "Min, le « puissant des dieux ». Le dieu Min, de la Première Période intermédiaire à la fin de la Deuxième Période intermédiaire : réinterprétation d'une image divine au service du pouvoir." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040123.

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Le dieu égyptien Min a toujours été considéré comme un dieu de la procréation par nombre d’égyptologues. Pourtant, l’analyse de son image et de son culte sur la période allant du début de la 8e dynastie à la fin de la 17e dynastie révèle une toute autre définition. Son iconographie témoigne d’une élaboration cryptique dans l’emploi des divers éléments qui composent son image. La présente étude réanalyse par ailleurs la parèdre coptite du dieu ainsi que la réappropriation de l’image de Min au début du Moyen Empire par la divinité thébaine Amon. Loué lors de fêtes spécifiques aux fonctions agrai

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8

Plangger, Stefanie. "Gott im Bild : Eidôlon : Studien zur Herkunft und Verwendung des Septuagintabegriffes für das Götterbild." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAK017.

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Actuellement, le concept « idole » a basculé dans la sphère triviale du culte de personnes et renferme, néanmoins, des traces du sens antique du mot. Le terme d’idole met l’accent sur le moment de la vénération et c’est précisément là que réside la difficulté : la combinaison de l’adoration et de la plasticité d'une image va à l’encontre de la théologie de l’Ancien Testament de la vénération unique et sans image de JHWH. Le point de départ de cette étude est le mot grec eidôlon, qui est ancré dans le sujet de l’image des divinités depuis la Septante et qui fait office de terme fixe pour désign

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9

Bauer, Paul Charles. "The body image diviner." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23405.

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10

Prado, Junior Leal do. "Investigação biométrica em imagens digitais para detecção de faces humanas através da proporção divina." Universidade de São Paulo, 2004. http://www.teses.usp.br/teses/disponiveis/18/18133/tde-28042006-140518/.

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O crescimento da utilização de sistemas de reconhecimento no mundo contemporâneo exige processos de detecção cada vez mais robustos e ágeis. Aplicáveis desde sistemas de teleconferência empresarial até mecanismos de segurança e vigilância, a detecção e o reconhecimento de pessoas tornaram-se uma constante. Na tentativa de buscar caminhos alternativos, tanto para os problemas de detecção, quanto para os de reconhecimento, este trabalho propõe a utilização de medidas biométricas, mensuradas em imagens digitalizadas de faces humanas. A partir do estudo de tais medidas, torna-se possível a verific

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11

Zaldo, Rebollo José Luis. ""La luz que redime las tinieblas": Genealogía del elemento femenino de la divinidad en el pensamiento de María Zambrano." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/665955.

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El pensamiento de María Zambrano es un intento por dotar de forma a todo aquello que el racionalismo ha dejado fuera de su estructura de mundo. Entre esas pérdidas se encuentra el sentir del hombre que, por una parte, ha sido arrinconado en la oscuridad de la conciencia -los instintos y las pasiones- y, por otra, ha sido maltratado y banalizado -la piedad, la esperanza o el amor-. Para rescatarlo es necesario el símbolo. En este trabajo recorreremos al pensamiento de Zambrano a través de una figura simbólica, el elemento femenino de la divinidad, intentando recoger, a través de esta ima

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12

Tapsuwan, Sorada. "Valuing the willingness to pay for environmental conservation and management : a case study of scuba diving levies in Mu Ko Similan Marine National Park, Thailand /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19162.pdf.

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13

Abraham, Susan. "The razor's edge of sanctity images of the divine feminine in India /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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14

Bakshi, Anita. "Urban memory in divided Nicosia : praxis and image." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283909.

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15

Bilow, Catherine Anne. "O Praesul Illustris: Images of the Bishop Patron in Poems of Late Medieval Latin Offices." University of Toledo / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1334113704.

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Lucius, Robert E. "A house divided : the decline and fall of Masyumi (1950-1956) /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2003. http://library.nps.navy.mil/uhtbin/hyperion-image/03sep%5FLucius.pdf.

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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, September 2003.<br>Thesis advisor(s): Glenn E. Robinson, Gaye Christoffersen. Includes bibliographical references (p. 229-234). Also available online.

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17

Callandre, Florence. "Koylou : représentation divine et architecture sacrée de l'hindouisme réunionnais." La Réunion, 1995. http://elgebar.univ-reunion.fr/login?url=http://thesesenligne.univ.run/95_03_Callandre.pdf.

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Le mot créole "koylou" désigne ici les espaces sociaux des temples hindous de la Réunion dans toute leur diversité : "sapèl malbar, tanp tamoul, ashram, sapèl personèl" construits par des immigrants indiens, puis par des Réunionnais qui sont, quant au plus grand nombre, leurs descendants. L'étude montre comment la "créolisation" et la "tamoulisation", à l'oeuvre dans ces espaces sociaux complexes produisent un hindouisme spécifiquement réunionnais. Dans une première partie, se retrouvent autour des "koylou", les diverses associations qui les gèrent, les prêtres qui les desservent et les tradit

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18

Akil, Hatem Nazir. "The visual divide Islam vs. the West, image peception in cross-cultural contexts." Doctoral diss., University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4733.

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Do two people, coming from different cultural backgrounds, see the same image the same way? Do we employ technologies of seeing that embed visuality within relentless cultural and ideological frames? And, if so, when does visual difference become a tool for inclusion and exclusion? When does it become an instrument of war? I argue that we're always implicated in visuality as a form of confirmation bias, and that what we see is shaped by preexisting socio-ideological frames that can only be liberated through an active and critical relationship with the image. The image itself, albeit ubiquitous

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19

Keogh, Mark. "The digital divide and older workers : a social capital perspective of computer and technology literacy in the workplace /." St. Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17789.pdf.

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20

Rollet, Edouard. "Diving or drowning? immersive images atheir effects on the participant's experience /." [Florida] : Division of Colleges & Universities, Florida Board of Education, 2001. http://etd.fcla.edu/etd/uf/2001/anp1578/Immersiveimages-ERollet.pdf.

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Thesis (M.A.M.C.)--University of Florida, 2001.<br>Title from first page of PDF file. Document formatted into pages; contains xiii, 188 p.; also contains graphics; RealAudio file, iPIX file, HTML documents linked to PDF file. Vita. Includes bibliographical references (p. 177-187).

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21

Coche, Sylvie. "A la croisée des images : similitudes et modalités d'interprétation dans la "Divine comédie" de Dante." Grenoble 3, 2007. http://www.theses.fr/2007GRE39046.

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Etudier la Divine Comédie à travers ses similitudes : tel est le but de la présente recherche. Il ne s'agit pas cependant de dresser un vaste répertoire des six cent similitudes que dénombre la Commedia mais de mettre en lumière leur construction, leur nature, leur mode de fonctionnement ainsi que leur signification à travers l'illustration exemplaire de quatre d'entre elles placées sous le signe de la grue. Toutefois, outrepassant bien vite la visée purement rhétorique, cette enquête liminaire permet de dévoiler peu à peu l'architecture que Dante confère à son œuvre, le canevas précieusement

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22

Gonçalves, Cláudia Pereira. "Divino Tserewahú, vídeo nas aldeias Et alii." Florianópolis, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/100518.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em Antropologia Social<br>Made available in DSpace on 2013-06-25T19:56:52Z (GMT). No. of bitstreams: 1 310838.pdf: 10915861 bytes, checksum: 9bfa30f1ea64da0ab85ce5354f09f19e (MD5)<br>Esta Tese desenvolve uma reflexão sobre o projeto de comunicação audiovisual indígena Vídeo nas Aldeias, da perspectiva de uma de suas bem-sucedidas experiências que resultou na formação profissional do documentarista Divino Tserewahú, da comunidade xavante de Sangradouro (MT). O

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23

Leiter, Amy Sue. "The Effects of Task Preference on Speech and Motor Performance Under Divided Attention Conditions." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2417.pdf.

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Pohlman, Laura E. "Changing Shape: The Evolution of Fat Female Characters in Contemporary American Film." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1459781168.

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Hamblin, Erin. "The Effects of Divided Attention on Speech Motor, Verbal Fluency and Manual Motor Task Performance." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd905.pdf.

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26

Rollet, Edouard. "Diving or drowning? immersive images and their effects on the participant's experience /." [Florida] : State University System of Florida, 2001. http://etd.fcla.edu/etd/uf/2001/anp1578/Immersiveimages-ERollet.pdf.

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Thesis (M.A.M.C.)--University of Florida, 2001.<br>Title from first page of PDF file. Document formatted into pages; contains xiii, 188 p.; also contains graphics; RealAudio file, iPIX file, HTML documents linked to PDF file. Vita. Includes bibliographical references (p. 177-187).

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27

Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia." Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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<p> For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled Málaga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic de

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28

Woloshyn, Cameron. "Myth, image, dianoia: Situating the myth of Er on the Divided Line." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28117.

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Perennially, investigations into Plato's use of myths have hinged on a distinction between muthos and logos, from which logos is privileged as philosophical discourse, while muthoi are relegated to tools of persuasion for the non-philosophical. Focussing exclusively on the Republic, this thesis argues that Plato's myths can constitute a necessary, although not a sufficient component of Plato's philosophical discourse. In his discussion of the section of dianoiu in the Divided Line, Plato writes: "the soul, using as images the things that were imitated before, is forced to investigate from hypo

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Corcinio, Junior Givaldo Ferreira. "Festa Religiosa, sujeito e imagem: a construção de um imaginário." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4122.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2015-02-05T17:52:36Z No. of bitstreams: 2 Dissertação - Givaldo Ferreira Corcinio Junior - 2014.pdf: 1802420 bytes, checksum: f8aa41e908271931da578129731a3abb (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2015-02-05T18:48:04Z (GMT) No. of bitstreams: 2 Dissertação - Givaldo Ferreira Corcinio Junior - 2014.pdf: 1802420 bytes, checksum: f8aa41e908271931da578129731a3abb (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac9571

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Salat, Serge. "Au bord des Mondes : l'image picturale à la croisée de l'humain et du divin." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0075.

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La thèse porte sur la peinture de la Renaissance, de 1303 à 1608. Entreprise d'abord sous la direction de Daniel Arasse, elle interroge un paradoxe : comment articuler les mondes naturel et spirituel dans une peinture à la fois mimétique (Alberti) et chrétienne, donc vouée à représenter l'irreprésentable, l'invisible et l'incommensurable. D'où, en opposition à l'unité des montages symboliques médiévaux, l'apparition d'un bord, une marge, une articulation. Paradoxal et instable, ce bord jamais résolu ouvre trois siècles d'intense créativité, qui reflètent à travers une pensée des images la lent

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de, Bruyn Gabriel. "Imago principum, imago deorum : Recherches sur les statues impériales et divines dans les cités d’Afrique (Ier – Ve siècles ap. J.-C.)." Caen, 2014. http://www.theses.fr/2014CAEN1023.

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Cette thèse porte sur les statues impériales et divines dans les cités d’Afrique du Ier au Ve siècle de notre ère. Il s’agit, en croisant en particulier les apports de l’épigraphie et de la statuaire, de comprendre le rôle et l’impact de ces images dans des espaces publics provinciaux. Une première partie s’attache à comprendre les mécanismes de diffusion et de réception d’un langage iconographique diffusé par le centre du pouvoir et pose la question du rôle des élites locales dans la représentation du pouvoir. Une seconde partie a pour objectif de replacer les statues dans leur contexte spati

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Angelov, Kristian T. "Ideas of kenosis : a critical investigation with special references to images of divine power in the contemporary Bulgarian religious context." Thesis, Oxford Centre for Mission Studies, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732942.

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Collingridge, Lorna Marie, and n/a. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen." Griffith University. School of Theology, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040624.110229.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her

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Collingridge, Lorna Marie. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365182.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her

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Ponchia, Chiara. "Frammenti dell'Aldilà. Immagini nella Divina Commedia nell'Italia settentrionale del Trecento." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423513.

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The scope of my thesis is to analyze the genesis and the development of the Divine Comedy illustration in Northern Italy during the XIV century. In section 1 I present the most representative manuscripts, that I selected because of the great number of illuminations and because of the particular iconographic solutions they present. Section 2 is dedicated to the analysis of the different illuminated images created by the first Divine Comedy illuminators to represent the main characters of Dante’s poem and the landscapes of the three Realms. In my analysis, I pay particular attention to the sour

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Paszkowski, Suzanne. "Images and imagination in philosophy and politics: a study of Plato's divided line." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=110731.

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Images and imagination are both epistemologically and politically significant in the image of the divided line that Plato has Socrates present at the end of Book VI of the Republic (509d1-511e6). I argue that the twofold nature of images and imagination on the divided line sheds insight into Plato's theory of the forms. And I argue that, according to Plato, images play an important role in the initial formation of ethical and political outlooks. This implies that the divided line as an image itself is being offered by Plato in an attempt to alter our ethical and political imaginations, and

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Banks, Kathryn Elizabeth. "The cosmic, the human and the divine : the role of poetic images in Guillaume de Saluste Du Bartas's Sepmaine and Maurice Scève's Délie." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596334.

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This thesis explores conceptions of the cosmic, the human, and the divine in two poetic works: the <i>Sepmaine </i>(1578), a natural philosophical and religious poem, and the <i>Délie </i>(1544), a collection of love lyric. It examines in particular notions of the relationships of similarity, difference and causality between the cosmic, the human, and the divine. Secondly, the thesis also investigates one aspect of the relationship between ‘literary’ texts and philosophical thinking: the specificities of <i>imagistic </i>poetry in representations of the cosmos. The thesis argues that images –

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Wing, Jeffrey R. "A city divided : Detroit race relations, the 1967 riot, and the Detroit Tigers' role in restoring the city's image." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391470.

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This thesis examines how local leaders in Detroit, Michigan attempted to use the Detroit Tigers' World Series victory in 1968 to repair the city's image following the 1967 riot. First, this study looks at the history of race relations in Detroit, beginning with the founding of the city in 1701. Second, it analyzes the 1967 riot, which, up to that point, was the most destructive urban riot in American history. Finally, this thesis examines the public relations campaign of local leaders in 1968. They tried, unsuccessfully, to convince the public that Detroit's race relations could be healed thro

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Dean, Adam. "A machine’s idea of sight: the technico-sensory divide in the human use of imaging devices." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/460.

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This study explores the human and technical limitations of looking and seeing. It proposes a model for design that expands technical sight toward harmony with our human notion. It proposes a model for design that expands technical sight toward harmony with our human notion. This study is guided by the phenomenological experience of being expressed primarily by Heidegger as well as neuro-physiological research on the mind and body relationship by Ramachandran, Sacks Nicolelis and Damasio. It examines, in two paths, the technical developments that seek to alter or enhance our ways of looking and

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Helmbrecht, Brenda M. "A Mediatic Pedagogy: Rhetoricizing Images within Composition Curriculum." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1089742902.

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Rodríguez, Barral Paulino. "La imagen de la justicia divina. La retribución del comportamiento humano en el más allá en el arte medieval de la Corona de Aragón." Doctoral thesis, Universitat Autònoma de Barcelona, 2003. http://hdl.handle.net/10803/5191.

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Centrado en el ámbito geopolítico de la Corona de Aragón, este trabajo se plantea el estudio de la evolución, a lo largo de la Baja Edad Media, de la iconografía relativa a la retribución de las acciones humanas en el más allá. <br/>El papel que el juicio del alma post mortem y el Juicio Final desempeñan en la configuración visual de la retribución de las acciones morales se aborda a partir del análisis de la evolución de las concepciones acerca de la funcionalidad del más allá desde una perspectiva penal. Desde este punto de vista el camino que conduce de la bipolaridad penal románica (basada

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Rodríguez, Barral Paulino. "La imagen de la justicia divina La retribución del comportamiento humano en el más allá en el arte medieval de la Corona de Aragón /." [S.l. : s.n.], 2003. http://tdx.cesca.es/TDX-1222103-161339/.

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Poole, Kevin Ray. "Visualizing apocalypse image and narration in the tenth-century Gerona Beatus Commentary on the apocalypse /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1153502367.

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Hedlund, Ragnar. ""...achieved nothing worthy of memory" : Coinage and authority in the Roman empire c. AD 260-295." Doctoral thesis, Uppsala University, Classical archaeology and ancient history, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8511.

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<p>This study examines how the Roman emperors <i>c</i>. AD. 260–295 attempt at maintaining their power-bases through legitimation of their claims to power, with reference to various potentially powerful groups of society, such as the military, the inhabitants of the provinces and the senate in Rome. The purpose has been to discern the development of ‘Roman imperial ideology’ in an age which has frequently been referred to as an ‘age of military anarchy.’ Focus is on how claims to power could be expressed through visual media. Of such media, mainly the coins struck for the emperors <i>c</i>. AD

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Wang, Feng-Hsiung, and 王鳳雄. "Teacher’s Image in the Post Teacher Labour Union Era- No Longer the Divine Image, Yet Still the Model of Aspiration." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/6drqgd.

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博士<br>國立暨南國際大學<br>教育政策與行政學系<br>102<br>The teacher’s image has been defined by both traditional Chinese expectations as well as multiple laws, thus generating different perspectives. Traditionally speaking, the teacher has a “divine” status. The teacher is a professional according to the “Teachers’ Law”. However, in “Labor Union Law”, a teacher is simply someone who is hired by an employer. He or She works and gets the salary. Owing to various interpretations of the teachers’ identities, the images that they have would also be different. What image does a teacher have in the eyes of the genera

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HANKE, JAROŠOVÁ Světla. "Nejsvětější Trojice jako základ totožnosti stvořených osob." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-152639.

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According to Scripture God created human beings "in our image, after our likeness". The likeness used to be conceived in terms of the rational nature human beings possess. Modern thought has come to conceive of the likeness rather in terms of being person, who receives her identity in relationships from others and at the same time mediates the others´ identity to them. The author presents the historical development of the concept of person as well as selected contemporary approaches, which she evaluates in light of the personal life of the Triune God as it is witnessed in Scripture and incessa

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Chen, Po-Chih, and 陳柏志. "The information of scuba diving products and the effect of brand image on purchase intention." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/xbwarp.

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碩士<br>樹德科技大學<br>經營管理研究所<br>106<br>Taiwan is surrounded in the Pacific Ocean between 22°N and 25°N, 120°E and 122°E. In northeastern and southern Taiwan, the warm sea water and hard substrate provide the suitable condition for corals settlement and growth to become the coral reef. Coral reef is the most popular area for divers because the highly marine diversity. Therefore, in Taiwan, the scuba diving industry is continually developing in current years.Base on the scuba diving activity is famous in recent years, there are plenty of diving equipment information could be searched from online or b

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Li, Chia Min, and 李佳旻. "Efficient Large-Scale Image-Based Modeling Using Divide and Conquer Strategy with Two-Layer Clustering." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/bsq94k.

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碩士<br>國立交通大學<br>多媒體工程研究所<br>106<br>Image-based modeling has been widely developed, but its computational cost and memory requirement are usually the main issues especially when we want to build a large-scale or even city-scale model but only personal computer can be used. In this paper, we propose an efficient large-scale image-based modeling approach which uses divide and conquer strategy with both location and image similarity. It allows normal people can easily build their own large-scale models with only a PC. In addition, unlike previous methods, which require users to select or input tho

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Wei, Yu-chen, and 韋又甄. "The Presentation of Dark and Light Images in Franz Liszt “Eine Symphonie zu Dantes »Divina Commedia«”." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/78079941564822799279.

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Ding, Ping-Yau, and 丁平堯. "A study of using multiple images synthetic to create the sense of space in graphic design: taking the seven deadly sins from Dante's Divine Comedy as an example." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/29ecn8.

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碩士<br>國立臺灣師範大學<br>設計研究所<br>97<br>People tend to hinder by the concept of seeing is believing. The truth is even we saw something in our own eyes doesn’t mean we recognize the essence of things. In order to express the distortion and contradiction within the real world, our research on creation adopts realistic approach to present the surreal world. In Dante’s epic poem The Divine Comedy, he mentioned the seven deadly sins which are pride, envy, wrath, sloth, greed, gluttony and lust. Using the seven deadly sins as topic, we have tried to visualize the mirage of deep consciousness by the mixtur

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