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Dissertations / Theses on the topic 'DIY culture'

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1

Quader, Shams Bin. "Like a sustainable version: Practising independence in the Central Sydney independent music scene." Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23381.

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Independent music is a complex concept. It has meant different things at different historical moments of popular music and within academic, music press and industry discourses. Even though what independent music refers to might not be substantive, it has tended to signify an oppositional ethos comprising practices related to maintaining distinction from commercialised popular music. This study is about exploring how contemporary independent musicians practice independence within the Central Sydney independent music scene. A socio-cultural formation of like-minded, largely middle-class musician
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Luvaas, Brent Adam. "Generation DIY youth, class, and the culture of indie production in digital-age Indonesia /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835632681&sid=3&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Jessee, Nathan. "Alternative Literacies, Resistance, and Spatial Representations in The Do-It-Yourself (DIY) Culture of Zine Publication in New Orleans." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1223.

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Zines are small circulation media that amateurs make and distribute. Inspired by both the lack of ethnographic research on the do-it-yourself (DIY) culture of zine-making in urban studies and the growing interest in ethnographically oriented research in literacy studies, rhetoric, and linguistics this research explores the people, places, and practices behind zine publication in New Orleans, Louisiana through participant observation at two specialized loci—the Iron Rail and punk shows—as well as semi-structured interviews with people who make, distribute, and consume zines. This research argue
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Benhaïm, Sarah. "Aux marges du bruit. Une étude de la musique noise et du Do it Yourself." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH140/document.

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Objet d’un intérêt tardif dans la recherche universitaire, la musique noise représente pourtant une forme d’art emblématique de l’underground sonore. Elle porte et cristallise une approche radicale en faisant du bruit sa matière, en se jouant de la forme et du développement, en hybridant ses territoires stylistiques. Les pratiques de jeu ne signent plus la suprématie de l’instrument ni de la composition, mais se placent sous le régime d’une expérimentation ludique et bricoleuse. On n’évalue plus la qualité musicale selon le niveau de compétence technique de l’artiste, tandis que les modalités
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Howe, Christopher David. "Analog synthesizers in the classroom: How creative play, musical composition, and project-based learning can enhance STEM standard literacy and self-efficacy." Thesis, Georgia Institute of Technology, 2015. http://hdl.handle.net/1853/53614.

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The state of STEM education in America's high schools is currently in flux, with billions annually being poured into the NSF to increase national STEM literacy. Hands-on project-based learning interventions in the STEM classroom are ubiquitous but tend to focus on robotics or competition based curriculums. These curricula do not address musical creativity or cultural relevancy to reach under-represented or disinterested groups. By utilizing an analog synthesizer for STEM learning standards this research aims to engage students that may otherwise lack confidence in the field. By incorporat
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Peters, Sean (Sean Louis). "Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062889/.

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In the Dallas/Fort Worth (DFW) do-it-yourself (DIY) punk scene, participants attempt to adhere to notions of authenticity that dictate whether a band, record label, performance venue, or individual are in compliance with punk philosophy. These guiding principles champion individual expression, contributions to one's community (scene), independence from the mainstream music industry and consumerism, and the celebration of amateurism and the idea that everyone should "do it yourself." While each city or scene has its own punk culture, participants draw on their perceptions of the historic legacy
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Ligot, Damien. "Trans-musicalité « taike » : Distinction d’une nouvelle « taiwanité » au sein d'un underground local (1990-2010)." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30022/document.

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Dans les années 1990 et 2000, la scène musicale underground taiwanaise a vu naître successivement le Taik – ou Rock Taike 台客搖滾 taike yaogun – puis le Taiwan Traditional Rap, ou 台灣味唸歌 Taiwan wei niange. Ces courants « trans-musicaux » se rejoignent sur de nombreux points tels que la revendication de « traditions » populaires locales, accompagnée cependant d'une forte complaisance au métissage culturel, et par-dessus tout d'un besoin de se définir – de s'identifier – en dehors des clichés aliénants du bon-goût, dictés de manière hégémonique par la culture « dominante » centrée depuis la fin des
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Andersson, Pär. "Digital Fabrication and Open Concepts : An emergent paradigm of consumer electronics production." Thesis, Umeå universitet, Institutionen för informatik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-104994.

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Open Source och relaterade mjukvarukoncept och utvecklingsmodeller är vid det här laget allmänt bekanta och har varit föremål för många studier. Open Source Hardware är mindre spritt och studerat, och så även emergent teknologi som för in traditionellt industriella tekniker som 3D-printing, laserskärare, och CAD-baserade produktionsverktyg i mindre skala i hem- och hobbymiljöer. Dessa ämnen har främst studerats ur mer renodlat tekniska perspektiv, snarare än att sättas i samband i en vidare kontext. Denna kombinerar internet som infrastruktur och socialt medium för kunskaps- och resursdelning;
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Messey, Orlane. ""C’est du sport, tu t’attendais à quoi ?". D'un entre-soi permissif à un sport inclusif : le cas du roller derby français." Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCC001.

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Le roller derby est une discipline sportive américaine, apparue en France en 2009. Sa diffusion en Europe est notamment liée au film Bliss qui contribue à la popularisation de cet ancien sport, recréé en 2001 aux abords des milieux musicaux alternatifs du Texas. Le roller derby s’implante en France à partir d’un modèle de pratique carnavalesque, à travers lequel les équipes se plaisent à détourner les codes du sport mainstream. De plus, celles-ci tendent à s’organiser initialement autour de la logique punk do it yourself (DIY), qui consistent à refuser les logiques capitalistes en privilégiant
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Kaewpanukrangsi, Nuanphan. "Creative-Up-Cycling." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21543.

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The project elaborates design opportunities for a future practice that could promotealternative sustainable lifestyles on waste handling through up-cycling activities. It doesthis on a small scale through engagement in the local communities of the Hildaneighborhood and Segepark students’ accommodations in Sweden. To thesecommunities, creative-up-cycling is explored which it introduced here as an approachwhere neighbors can participate in making new things from leftover materials. Throughthis work creative-up-cycling is a proposed recommendation for a possible service systemon how to share the
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Strauss, Donald Parker. "Ridazz, Wrenches, and Wonks: A Revolution on Two Wheels Rolls Into Los Angeles." Antioch University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1426626665.

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Silva, Alex Gomes da. "Cultura luso-brasileira em perspectiva: Portugal, Brasil e o projeto cultural da revista Atlântico (1941-1945)." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-29012013-104158/.

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A revista Atlântico foi parte integrante de um projeto maior açambarcado por Portugal e Brasil no começo da década de 1940. Para sermos mais precisos, 1941 é o ano da assinatura do acordo cultural luso-brasileiro que resultou, dentre outros elementos, na idealização de um projeto cujo cerne assenta-se na criação de uma revista de cultura e arte. Desse processo, surge Atlântico, revista que deve seu nome ao intento de encontrar uma palavra suficientemente elástica, ondulante, para sintetizar o vago e o concreto das nossas aspirações, o sonho e a realidade do nosso ideal, segundo as palavras de
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Holtzhausen, Natasja. "Die rol van die openbare bestuurder in die ontwikkeling van 'n organisasiekultuur : 'n normatiewe beskouing (Afrikaans)." Diss., University of Pretoria, 2000. http://hdl.handle.net/2263/26956.

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AFRIKAANS: Die Suid-Afrikaanse owerheid het 'n verantwoordelikheid in die lewering van dienste ter bevrediging van bepaalde behoeftes van die samelewing. Openbare bestuurders in die Suid-Afrikaanse staatsdiens behoort oor besondere vermoëns en kwaliteite te beskik om die staatsdiens doeltreffend in 'n vinnig veranderde omgewing te bestuur ten einde gemeenskapsbehoeftes te bevredig. Dit is die verantwoordelikheid van elke open bare bestuurder om die toegekende organisasie-eenhede doeltreffend te bestuur. Die openbare bestuurder kan nie na willekeur die administratiewe en openbare bestuursaktiwi
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de, Gioia Kathryn. "Beyond cultural diversity : exploring micro and macro culture in the early childhood setting /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20060511.142734/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, 2003.<br>"A thesis submitted to the School of Applied Social and Human Sciences, University of Western Sydney in fulfilment of the Doctor of Philosophy". Includes bibliography : leaves 248 - 270.
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Borchi, Alice. "Culture and economic crisis : cultural value in Italy from 2008 to the present day." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/108584/.

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This doctoral work is based on analysis of the discourse on cultural value in contemporary Italy, what are the 'grand narratives' that characterize this discourse and what is the relationship between them. In particular, great relevance is given to the concepts of “neoliberalism” and “commons”. The application of these two economical terms to the field of culture is particularly relevant in the Italian discourse: in 2011, Italy saw the rise of protest groups made of professionals from the arts sector who opposed practices influenced by the theories on the commons to the implementation of neoli
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Cunha, Sonia Regina Soares da. "A m?dia dos outros somos n?s: a experi?ncia audiovisual do Ponto de Cultura Cinema para Todos." Universidade Federal do Rio Grande do Norte, 2012. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16406.

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Made available in DSpace on 2014-12-17T15:08:32Z (GMT). No. of bitstreams: 1 SoniaRSC_DISSERT.pdf: 3005941 bytes, checksum: 904e0eec6867a3789385db2532135691 (MD5) Previous issue date: 2012-02-27<br>This research aims to identify the process of appropriation of audio visual (in digital video) for collective symbolic production (participatory video practice that expresses popular culture) in a socio-cultural context where the minorities are. Therefore, we based this study on the students&#8223; experience of the film and video workshops held by Cinema para Todos (Culture Point Cine for All), i
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Seleni, Martina. "Le nuove frontiere per il fund raising per la cultura. Il distretto culturale evolutivo. Esempi tecnici di progettazione culturale sul territorio." Doctoral thesis, Università degli studi di Trieste, 2011. http://hdl.handle.net/10077/4497.

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2009/2010<br>Questo lavoro, che ha preso avvio dall’idea di approfondire il tema del fundraising, successivamente è confluito in un ambito di studio più vasto: quello della produzione di cultura che testimonia l’interesse della società nel suo complesso a costruire un assetto di rapporti che assicuri e diffonda un benessere generale. Ci si è resi conto che il valore economico è sempre più sottoposto ad un giudizio da parte della società civile, la quale ormai pretende che le produzioni accrescano la qualità dell’esistenza e la coesione sociale. Tutto ciò esalta il ruolo della cultura prodotta
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Clifford, Zachary Lee. "Anthem." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1574675376205461.

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Campagna, Desirée. "The Impacts of Participatory Governance on Cultural Development: Evidence from European Capitals of Culture." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3422217.

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Participatory approaches to cultural decision-making are increasingly supported in the international and European discourses as means to foster cultural development, promoting capacity building, legitimacy, and social capital. However, their beneficial effects are both empirically contradictory and theoretically under-investigated. With the aim of providing an evidence-based account of the function of participatory decision-making in culture, this thesis analyses how, why, and under which circumstances participatory governance impacted on cultural development in four projects promoted in the
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Kear, Warrick N. "Music in Latter-day Saint culture." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339613.

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Reimers, Frank. "Security culture in times of war how did the Balkan War affect the security cultures in Germany and the United States?" Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FReimers.pdf.

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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, June 2007.<br>Thesis Advisor(s): Biermann, Rafael ; Abenheim, Donald. "June 2007." Description based on title screen as viewed on August 14, 2007. Includes bibliographical references (p. 119-130). Also available in print.
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Almeida, Sullivan Bernardo de. "Cartas de amor à Divina: uma leitura imagético-verbal sobre a produção oficiosa de Di Cavalcanti." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/2065.

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Made available in DSpace on 2016-03-15T19:44:07Z (GMT). No. of bitstreams: 1 Sullivan Bernardo de Almeida.pdf: 12110307 bytes, checksum: 01576eb38f85b76f20f714588b172d60 (MD5) Previous issue date: 2012-12-12<br>Instituto Presbiteriano Mackenzie<br>Di Cavalcanti's official production is the subject of studies in many disciplines, each of which takes its own particular approach. This official production is understood to be all of the verbal-imagery work produced by the artist throughout his career in order to meet the demands of the art market. However, the book Cartas de Amor à Divina, a comp
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de, la Viña Dionisio. "Ideology, language and culture in religion: A single domain ethnographic study of language maintenance." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187453.

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Language maintenance investigations have, for the most part, been limited to the study of the effect that socio-cultural factors have on language preservation. Unfortunately, language maintenance has been studied in tandem with language shift. Language shift has generated more interested from scholars than has language maintenance. This dissertation is an attempt to open up new ways to look at the study of language maintenance by presenting a theoretical framework whereby the domain of language use is the principal focus of study. I studied the domain of religion, subdivided into several dimen
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Stoltz, Christelle. "Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51720.

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Thesis (MDram)--University of Stellenbosch, 2000.<br>ENGLISH ABSTRACT: The actor's work consists of communication, in other words the transfer of intellectual and emotional ideas. The voice is undoubtedly the most important means of auditory communication. The development and maintenance of the actor's voice is, therefore, an essential requirement for effective communication. The vocal development of actors and singers is aimed at releasing the breathing process, the passage of sound through the body and the organs of articulation, as well as the elimination of obstructive psychophysical
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Vesterlund, Mattias. ""Det gäller dig och din familj!" : Svenskt civilförsvar och vardagslivets militarisering under kalla kriget 1945-1975." Thesis, Uppsala universitet, Historiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-343198.

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The Swedish civil defense during the Cold War Era was a well-developed and well-planned organization in comparison to many other countries. This caused civil defense ideas to come closer to individual citizens’ everyday lives and influence how they should adapt to the threat of nuclear war, thus creating a culture of civil defense. The purpose of this thesis is to elucidate what this militarization of everyday life looked like in Sweden during the Cold War and how it affected people’s everyday life. This is done through studying a civil defense journal between 1945-1975. The articles in the jo
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Burden, Matilda. "Die herkoms en ontwikkeling van die Afrikaanse volksdans." Thesis, Stellenbosch : Stellenbosch University, 1985. http://hdl.handle.net/10019.1/64932.

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Hill, Reinhold R. "Rooted ethnography : writing culture from the inside out /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3025624.

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Favaloro, Frine Beba. "La didactique de la culture chinoise dans le cadre de construction disciplinaire de l’enseignement de Lingua e cultura cinese." Thesis, Paris, INALCO, 2020. http://www.theses.fr/2020INAL0003.

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Notre thèse s’inscrit dans le domaine de la didactique des langues étrangères et a pour objet la construction de la discipline scolaire de Lingua e cultura cinese et le développement de la didactique de la culture chinoise dans l’enseignement secondaire du deuxième cycle italien. S’appuyant sur les notions de construction disciplinaire et de transposition didactique, elle se développe avec l’observation du parcours analogue de disciplinarisation de l’enseignement de la langue et de la culture chinoises en France. L’objectif de l’enquête est d’exposer la constitution particulière de la discipli
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Anderson, Michael. "Childhood, culture, and identity a comparative study of the." Boston Spa, United Kindom : British Library Document Supply Centre, 1996. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.363230.

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Hosaka, Guilherme Kenichi. "Estabelecimento de protocolo de cultura de tecidos de Sorghum bicolor." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/11/11144/tde-11112014-155455/.

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O sorgo é uma planta monocotiledônea diplóide com ciclo de vida de aproximadamente quatro meses. Apresenta grande relevância na agricultura pela sua utilização tanto para a alimentação humana e de animais quanto para a produção de biocombustíveis. Recentemente, o sorgo também surge como um forte candidato como planta modelo em estudos genômicos e fisiológicos relacionados com parede celular de gramíneas C4. Porém, para a análise da função de genes nesta espécie é essencial o estabelecimento da tecnologia de transformação genética que por sua vez depende de um eficiente método de regeneração de
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Botes, Mariana. "'n Genealogiese studie van die Petrus Johannes-tak van die Botes-stam met besondere verwysing na die Weltevrede-plase in die distrik Prins Albert." Thesis, Stellenbosch : Stellenbosch University, 1988. http://hdl.handle.net/10019.1/66402.

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Eren, Ebru. "De la culture éducative à la culture métalinguistique. Les contextualisations de la description du français dans les discours grammaticaux en Turquie." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA112.

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Après avoir analysé l'influence de la culture éducative turque sur l'enseignement du français en Turquie (2012, J.-C. Beacco), nous en avons conclu que les pratiques éducatives y sont fondées davantage sur la grammaire, ce qui peut s’expliquer par le rattachement à la culture éducative turque. Nous poursuivons nos recherches sur les contextualisations de la description du français dans des grammaires pédagogiques qui sont élaborées par et pour des turcophones (Grammaire et contextualisations- GRAC). Ces grammaires présentant des « contextualisations », s’écartent de celles dites de référence d
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Naulu, Sosaia Hakaumotu. "Incidental Effects of Church Activity on Development, Landscapes and Culture: An Example from Tonga." Diss., CLICK HERE for online access, 1990. http://patriot.lib.byu.edu/u?/MTNZ,2353.

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Weaver, Caroline Louise. "Colonialism, culture and visual education in British India, 1854-1891." Thesis, Online version, 1997. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.267749.

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Inglis, Anthony Ian. "'Burning matches, lifting latches' : sociology, popular culture and the Beatles." Thesis, Online version, 2003. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.490588.

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Uomini, Steve. "Cultures historiques dans la France du XVIIe siècle /." Paris : l'Harmattan, 1998. http://catalogue.bnf.fr/ark:/12148/cb37031560f.

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Texte remanié de: Th. univ.--Hist.--Paris 4, 1997. Titre de soutenance : Histoire cachée : polygraphie historique et comportements intellectuels dans la France du XVIIe siècle.<br>En appendice, choix de documents. Bibliogr. p. 602-609. Index.
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Amaral, Patr?cia Daliany Ara?jo do. "A din?mica territorial da cultura e do turismo em Mossor?/RN : uma an?lise geogr?fica." Universidade Federal do Rio Grande do Norte, 2008. http://repositorio.ufrn.br:8080/jspui/handle/123456789/18855.

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Prado, Luciana Ferreira Serenini. "O que diz o varejo nas redes sociais: visões sobre as linguagens no mundo do consumo virtual." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3748.

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CICALA, Federica. "NUOVI SISTEMI DI GESTIONE E STRATEGIE DI SVILUPPO PER IL PAESAGGIO CULTURALE DELL'AREA MEDITERRANEA." Doctoral thesis, Università degli Studi di Palermo, 2022. https://hdl.handle.net/10447/564180.

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Weil, Talana. "Die inskakeling van die Jode by die Afrikaanssprekende gemeenskap op die platteland van 1880 tot 1950." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51707.

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Thesis (MA)--Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: After 1880 more and more Jews (mostly of East European descent) moved into the rural areas of South Africa. Initially they travelled across the country as hawkers but later settled permanently in many of the smaller towns. In most cases they opened shops or started businesses of another kind. Due to the nature of their work the Jews mostly came into contact with the Afrikaans speaking community. Although these two groups differed considerably in many ways, especially as regards language and religion, the Jews adapted and i
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Birukou, Aliaksandr. "Implicit Culture Framework for behavior transfer. Definition, implementation and applications." Doctoral thesis, Università degli studi di Trento, 2009. https://hdl.handle.net/11572/367814.

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People belong to different communities: business communities, Web 2.0 communities, religious communities, scientific communities, just to name a few. Everyone can belong to and acquire experience in more than one community. This experience is related to the community activity and comes in the form of best practices, behavior, implicit (tacit) knowledge, ways of using artifacts, etc. All these accumulates and evolves over time and slowly becomes a part of the culture of the community. If community activity is very specific, it can be reflected also in the specificity of the community culture. N
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42

Downes, Julia. "DIY queer feminist (sub)cultural resistance in the UK." Thesis, University of Leeds, 2009. http://etheses.whiterose.ac.uk/2383/.

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This thesis examines the role of music, power and DIY (sub)culture involved in resistance to hegemonic discourses of gender, sexuality and feminism (re)circulated within dominant society and culture. In particular, attention is focused upon young peoples' experiences within riot gml and contemporary queer feminist music (sub )cultures situated within the fabric of social change and protest cultures of contemporary Britain. A critical interdisciplinary approach and set of qualitative methodologies were employed to understand music as collective social action that incorporated (i) oral histories
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Barnes, Duncan Martin. "Selling the modern day tribe: The commodification of rave culture." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2107.

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This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local impact of rave. I provide a visual ethnographic study from 1999-2014, based on my work as a commercial photographer of the Perth, Western Australian scene. While critically reflecting on existing subcultural research this thesis adds another dimension – the effect that global corporations have had in reshaping subcultural practices, specifically the commodification of rave culture in the form of the contemporary electronic dance festival. The research incorpo
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Richter, Lisa-Marie. "#YOLOCAUST?: Über die virtuelle Inszenierung des Besuchs von Holocaust-Erinnerungsorten auf Instagram." Technische Universität Dresden, 2017. https://tud.qucosa.de/id/qucosa%3A31386.

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Seit einigen Jahren kursiert im Internet der Begriff Yolocaust als Bezeichnung für ein vorwiegend jugendbildkulturelles Phänomen, welches das als unangemessen empfundene Erstellen von Foto­gra­fien im Stile der jugendlichen Selfiekultur in Holocaust-Ge­denk­stätten und das anschließende Teilen dieser Bilder in den sozialen Netzwerken meint und welches oft als Symptom einer gestörten Erinnerungskultur gedeutet wird. Dieser Beitrag er­schließt anhand der Plattform Instagram zunächst die graduellen Ausprägungen dieser Bildkultur und sucht anschließend über die Analyse der Programmatik und der all
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Macedo, Jo?o Luiz de. "Lideran?a: um estudo de caso sobre o papel dos gerentes na dif?cil tarefa de influenciar os recursos humanos de uma Organiza??o." Universidade Federal Rural do Rio de Janeiro, 2006. https://tede.ufrrj.br/jspui/handle/tede/929.

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Made available in DSpace on 2016-04-28T20:19:07Z (GMT). No. of bitstreams: 1 2006-Joao Luiz de Macedo.pdf: 447755 bytes, checksum: 609ba2d76dfbdccc13f27b181ecc6606 (MD5) Previous issue date: 2006-01-24<br>The present work approaches the most important topic discussed by people who deal daily with human resources: the leadership. Leadership is necessary in all kinds of human organization, either in companies or in each of their departments. It is essential in all administration functions: the manager needs to know the human nature as well how to deal with people, that is, to lead. The purpose
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Conklin, David P. "The traditional and the modern : the history of Japanese food culture in Oregon and how it did and did not integrate with American food culture." PDXScholar, 2009. https://pdxscholar.library.pdx.edu/open_access_etds/3786.

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The study of food and foodways is a field that has until quite recently mostly been neglected as a field of history despite the importance that food plays in culture and as a necessity for life. The study of immigrant foodways and the mixing of and hybridization of foods and foodways that result has been studied even less, although one person has done extensive research on Western influences on the foodways of Japan since 1853. This paper is an attempt to study the how and in what forms the foodways of America-and in particular of Oregon-changed with the arrival of Japanese immigrants beginnin
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Griffin, Naomi. "Understanding DIY punk as activism : realising DIY ethics through cultural production, community and everyday negotiations." Thesis, Northumbria University, 2015. http://nrl.northumbria.ac.uk/30251/.

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This thesis explores the production of DIY punk alternative cultures, communities and identities as activism. Based on an ethnographic study of DIY punk in North East England, it combines and integrates the disciplinary approaches of sociology, cultural studies and geography. Using an interpretivist epistemology, the research focuses on DIY punk participants’ subjective realities and experiences, through participant observation, of punk events and shows, and interviews. Carried out by a researcher who was both embedded in the scene, as a punk participant, and outside it, as an academic PhD stu
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Jones, Ellis Nathaniel. "Platform DIY : examining the impact of social media on cultural resistance in contemporary DIY music." Thesis, University of Leeds, 2018. http://etheses.whiterose.ac.uk/21036/.

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DIY (“do-it-yourself”) music is a cultural form which, following in the footsteps of punk, has historically emphasised the autonomous production and distribution of music as a meaningful, “resistant” alternative to the consumption of “mainstream” popular culture. However, the new forms of value-creation within the digital economy capitalise on autonomous production in new ways: platforms like YouTube and SoundCloud thrive on “user-generated content” and “sharing”, and the literature suggests that digital labour involves a blurring of the traditional divisions between production and consumption
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Birukou, Aliaksandr. "Implicit Culture Framework for behavior transfer. Definition, implementation and applications." Doctoral thesis, University of Trento, 2009. http://eprints-phd.biblio.unitn.it/123/1/Birukou-PhDThesis.pdf.

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People belong to different communities: business communities, Web 2.0 communities, religious communities, scientific communities, just to name a few. Everyone can belong to and acquire experience in more than one community. This experience is related to the community activity and comes in the form of best practices, behavior, implicit (tacit) knowledge, ways of using artifacts, etc. All these accumulates and evolves over time and slowly becomes a part of the culture of the community. If community activity is very specific, it can be reflected also in the specificity of the community culture. N
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Burden, Matilda. "Die Afrikaanse volkslied onder die bruinmense." Thesis, Stellenbosch : Stellenbosch University, 1991. http://hdl.handle.net/10019.1/69145.

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Thesis (PhD)--Stellenbosch University, 1991.<br>ENGLISH ABSTRACT: A song has to be accepted by the community, must form part of the oral tradition and be handed over from one generation to the next, before it can be called a folk song. In the process of oral tradition, variants usually develop. A folk song is therefore never complete the moment it is created, but is formed gradually through a process of changes. The Afrikaans folk song sung by the coloured people has the same characteristics as the folk song in general. The fact that oral tradition is the major way of spreading songs, is
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