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Journal articles on the topic 'DIY culture'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Jackson, Andrew. "Tinkering: Australians Re-invent DIY Culture." Journal of Modern Craft 12, no. 1 (2019): 85–87. http://dx.doi.org/10.1080/17496772.2019.1568056.

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Shi, Keyu. "Exploring Zine Cultures Influence on Local Communities." Communications in Humanities Research 57, no. 1 (2025): 1–6. https://doi.org/10.54254/2753-7064/2025.lc22006.

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Zine culture includes many cultural practices, like DIY making, Lofi, etc. It also crosses the different cultures and binds them together. Social communities and diverse groups are bound together through culture. Zine culture, as a form of culture originating in the West, has been introduced to China and has developed its own new ideas and content within the Chinese culture. China is a multi-ethnic and multi-cultural country. Different places have their own local traditional culture. For example, each place has a different dialect. Zine culture, with its many DIY forms of cultural expression s

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Knochel, Aaron D. "DIY Prosthetics: Digital Fabrication and Participatory Culture." Art Education 69, no. 5 (2016): 7–13. http://dx.doi.org/10.1080/00043125.2016.1201401.

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Bradley, Pete. "Enjoy the Ride: DIY culture in Nottingham." Capital & Class 28, no. 3 (2004): 179–81. http://dx.doi.org/10.1177/030981680408400114.

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Kovach, Taras. "Distinctive Features of DIY Culture: Ukrainian Context." Ukrainian Academy of Art, no. 36 (2024): 135–44. https://doi.org/10.32782/2411-3034-2024-36-14.

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Rahmaini, Indah Sari, Dwiyanti Hanandini, Wahyu Pramono, and Rifki Maulana Iqbal Malik. "Do It Yourself Travel as a Gen Z Travel Culture in the Digital Era in Indonesia." Jurnal Sosiologi Andalas 11, no. 1 (2025): 95–109. https://doi.org/10.25077/jsa.11.1.95-109.2025.

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This study aims to examine how the practice of DIY travel using the Do It Yourself (DIY) concept was popularized by Ulrich Beck in the late-modern era. This research uses a qualitative approach. The data collection technique was an in-depth interview with Spradley’s data analysis. The research informants were taken using purposive techniques. The study results show three practices of Gen Z carrying out DIY travel culture. First, the DIY travel culture is an act of resistance to consumerism and capitalism. Second, DIY travel culture creates a biographical trajectory. Third, to find value on the

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Sipos, Regina, and Kerstin Franzl. "Tracing the History of DIY and Maker Culture in Germany’s Open Workshops." Digital Culture & Society 6, no. 1 (2020): 109–20. http://dx.doi.org/10.14361/dcs-2020-0106.

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Abstract This article presents preliminary research findings on the history of Do-It-Yourself (DIY) and maker culture in Germany. It aims to identify historical, political, economic and societal shifts that have led to the existence of approximately 1000 makerspaces of various kinds in Germany today. The article summarises the beginnings of DIY in the 20th century in West Germany and East Germany. It focuses on how infrastructures supporting DIY were created out of necessity and economic considerations, how tools and spaces were offered as public service, the influence of counterculture moveme

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Wihewuren, Jessefan Isaiah, Elisabeth Christine Yuwono, and Vanessa Yusuf. "Basajiwa: Do It Yourself Innovation of Indonesian Batik Education." Gelar : Jurnal Seni Budaya 20, no. 1 (2022): 29–37. http://dx.doi.org/10.33153/glr.v20i1.4231.

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Batik as an Indonesian culture has many relations towards Indonesian traditions. Its long production process has created stigma and the youths' disinterest in batik. DIY (Do It Yourself) batik products can be the answer on how to educate and attract youths' interest in Batik Indonesia. DIY batik products are innovative and must be created to pass down batik culture to youths. Through Basajiwa and its batik DIY products, youths will be able to recognize and engage in batik culture. Motifs such as Parang Rusak, Parang Centhung, Semen Ageng Sawat Gurdha, and Kawung Sen/Beton are designed to repre

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Pertiwiningsih, Ana, and Rozikan Rozikan. "The Influence of Organizational Culture and Communication on Employee Performance: The Role of Interactional Justice as A Mediation Variable." El Barka: Journal of Islamic Economics and Business 7, no. 2 (2024): 25–47. https://doi.org/10.21154/elbarka.v7i2.8674.

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Human Resources (HR) is an important aspect of realizing organizational goals. Human resources who are qualified and competent in carrying out their work will make the resulting productivity achieve high performance. One way to increase company productivity is to pay attention to organizational cultures, communication, and interactional justice on employee performance. This research aims to examine the influence of organizational culture and communication patterns on employee performance with interactional justice as a mediating variable. The study in this research is BMT BIF DIY. This researc

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Verbuč, DAVID. "Fans or Friends?" Lidé města 17, no. 2 (2015): 221–46. http://dx.doi.org/10.14712/12128112.3400.

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When studying how rock, punk, and similar cultures relate to place, scholars tend to focus on local scenes (and on concerts as constitutive events that establish the rock music community). When they do consider translocal connections, they mostly discuss non-face-to-face relations, for instance, as enacted through printed or electronic media. In this paper, by ethnographically examining the interpersonal dynamics of several case studies, I demonstrate that the music community of DIY (do-it-yourself) participants in the US is constituted in large part through face-to-face interaction, not only

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Poon, Michelle, and Wilhelm E. J. Klein. "Identity Crisis in the Pearl River Delta." Digital Culture & Society 3, no. 1 (2017): 159–84. http://dx.doi.org/10.14361/dcs-2017-0111.

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Abstract This paper is a conversation-based reflection on hacker-, maker- and DIY-culture. It focuses on the unique cultural and socio-economic setting of Hong Kong, using Dim Sum Labs, its first hacker/makerspace as its primary subject of investigation. To provide context, we begin with an outline of the cultural, economic and physical challenges presented by Hong Kong. We then proceed to present and relay conversation pieces from interviews with members and non-members of Dim Sum Labs, who speak about their respective perspectives on notions of “hacking,” “making” and “DIY-culture.” Finally,

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Muallidin, Isnaini, Abdul Juli Andi Gani, Mujibur Rahman Khairul Muluk, and Andy Fefta Wijaya. "THE BARRIERS TO ORGANIZATIONAL REFORM IN LOCAL GOVERNMENT: CASE STUDY IN THE SPECIAL REGION OF YOGYAKARTA." International Journal of Applied Research in Social Sciences 4, no. 3 (2022): 75–81. http://dx.doi.org/10.51594/ijarss.v4i3.333.

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The purpose of this research is to describe and analyze the obstacles in organizational reform in the Special Region of Yogyakarta. The method in this research uses qualitative methods and data analysis uses spiral analysis techniques. The results show that there are several obstacles related to organizational factors, namely: the problem of limited communication between superiors and subordinates, especially the Governor of DIY and the head of the OPD. For the divisional inhibiting factor in the DIY Regional Government in carrying out organizational reforms, the OPD head in responding to idea

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Martin-Iverson, Sean. "REVIEW | Underground: The Subterranean Culture of DIY Punk Shows." IASPM@Journal 6, no. 1 (2016): 154–56. http://dx.doi.org/10.5429/2079-3871(2016)v6i1.12en.

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Kanai, Akane. "Jennifer Lawrence, remixed: approaching celebrity through DIY digital culture." Celebrity Studies 6, no. 3 (2015): 322–40. http://dx.doi.org/10.1080/19392397.2015.1062644.

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Prabowo, Trisnar Adi, Endang Rini Sukamti, Ardiah Juita, Agus Sulastio, Ni Putu Nita Wijayanti, and Ricky Susiono. "Analysis of Coaches Work Culture Behavior in DIY Province." COMPETITOR: Jurnal Pendidikan Kepelatihan Olahraga 15, no. 2 (2023): 356. http://dx.doi.org/10.26858/cjpko.v15i2.48020.

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The purpose of this research is to analyze the coaches work cultural behavior in DIY province in the context of POPNAS 2023 (National Student Sports Week) Indonesia. The importance of this study is to evaluate the trainer's performance during the training periodization. This research uses survey method, its analysis uses quantitative descriptive. The sample of this research is 40 trainers consisting of 15 types of sports, these sports will be competed in the Indonesian POPNAS (National Student Sports Week). The research instrument was a questionnaire in the form of a Google form consisting of

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Rokhim, Nur. "Tradisi Shalawat Ngelik di Kampung Santri Mlangi, Sleman, DIY." Tamaddun: Jurnal Kebudayaan dan Sastra Islam 20, no. 1 (2020): 15–28. http://dx.doi.org/10.19109/tamaddun.v20i1.5951.

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The tradition of ngelik prayer is one of the traditions of the celebration of the birth of the Prophet Muhammad, in the Santri Village in Mlangi, Sleman, DIY. This tradition is carried out at the peak of the prophet's birthday celebration which is the 12th of Rabiu'ul Awal at Pathok Negoro Mosque in Mlangi. This research tries to reveal in detail the tradition and try to analyze why this tradition still exists today. This study uses two data collection techniques, namely literature and field studies. The approach used is a qualitative approach with an ethnographic model. This research reveals

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Purdue, Derrick, Jörg Dürrschmidt, Peter Jowers, and Richard O'Doherty. "DIY Culture and Extended Milieux: LETS, Veggie Boxes and Festivals." Sociological Review 45, no. 4 (1997): 645–67. http://dx.doi.org/10.1111/1467-954x.00081.

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The wave of DIY culture and environmental innovation sweeping through the UK is not restricted to isolated sites of high profile protest, such as the Newbury bypass. Based on fieldwork in the South West of England, consisting of in-depth interviews, participant observation, focus groups and a postal survey, we argue that networks such as those around festivals, LETS and organic food box schemes contribute to green milieux, which encourage ecological and cultural innovation of everyday life. We suggest that this creative social and ecological margin may be viewed as extended milieux combining g

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del Pozo, Jorge González. "Global social activism, DIY culture and lack of institutional help." Journal of Urban Cultural Studies 4, no. 3 (2017): 427–36. http://dx.doi.org/10.1386/jucs.4.3.427_1.

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Triyanto, Triyanto, and Alim Isnansetyo. "MONITORING PARASIT PADA BUDIDAYA IKAN DAN UDANG DI DAERAH ISTIMEWA YOGYAKARTA." Jurnal Perikanan Universitas Gadjah Mada 6, no. 1 (2004): 34. http://dx.doi.org/10.22146/jfs.9041.

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Parasites often cause the great loss in aquaculture either in fish or shrimp aquacultures. The loss will become more serious when fish or shrimp are secondary infected especially by bacteria. The objective of this study was to identify parasites in fish and shrimp culture inYogyakartaSpecialProvince (DIY). Samples of fish and shrimp were collected from several aquaculture centers in this region including several fish and shrimp hatcheries. Observation of parasites was conducted microscopically and macroscopically.Results showed that giant tiger prawn (Penaeus monodon) cultured in DIY was often

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Ramadhani, Milenia. "PRIVILEGES OF THE SPECIAL REGION OF YOGYAKARTA (DIY) IN THE CONTEXT OF LOCAL GOVERNMENT LAW POLITICS." Jurnal Impresi Indonesia 4, no. 2 (2025): 1111–18. https://doi.org/10.58344/jii.v4i2.6320.

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The Special Region of Yogyakarta (DIY) has a privileged status based on historical, philosophical, juridical, and socio-psychological aspects that distinguish it from other regions in Indonesia. The legal politics of local governments in Indonesia adheres to an asymmetrical decentralization system that allows for differences in authority for certain regions, including DIY. This study aims to analyze the privileges of DIY in the context of local government legal politics, focusing on the legal basis, implementation, and impact on local government governance. The method used is a juridical-norma

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Cleveston Gelain, Gabriela, Milene Migliano, and Pedro De Assis Pereira Scudeller. "Experiências de uma Riot Grrrl: Kathleen Hanna, feminismo, DIY e cultura remix." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 2 (2020): 152–88. http://dx.doi.org/10.22456/2596-0911.104017.

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Por meio dos fragmentos de narrativas da trajetória da musicista e ativista Kathleen Hanna, pioneira do movimento Riot Grrrl, remontamos, a partir do documentário The Punk Singer, a terceira onda do movimento feminista, evidenciando a interseccionalidade e protagonismo juvenil. Através de fanzines, arte, colagens, letras de música, performances e formação de bandas a partir de uma filosofia punk do it yourself (DIY), salientamos a ampla contribuição de Hanna para o feminismo contemporâneo ao desafiar um cenário opressor dentro do movimento punk, estimulando o surgimento de outras iniciativas f

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Afriandi, Riki, and Eka Anisa. "Utilization of Instagram social media as a means of promotion and preservation of Javanese Culture (Qualitative descriptive study on Instagram account @bpnb.diy)." Symposium of Literature, Culture, and Communication (SYLECTION) 2022 3, no. 1 (2023): 819. http://dx.doi.org/10.12928/sylection.v3i1.14105.

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This research discusses the utilization of Instagram as a means of promoting and preserving Javanese culture on the Instagram account of bpnb diy. The aim of this research is to understand the utilization of Instagram as a tool for promoting and preserving Javanese culture on the bpnb diy Instagram account and to comprehend the supporting factors and barriers to its utilization. The research method used is descriptive research with a qualitative approach. The data collection techniques include observation, interviews, and documentation. Data analysis techniques utilize Miles and Huberman's ana

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Golpushnezhad, Elham. "Untold Stories of DIY/Underground Iranian Rap Culture: The Legitimization of Iranian Hip-Hop and the Loss of Radical Potential." Cultural Sociology 12, no. 2 (2018): 260–75. http://dx.doi.org/10.1177/1749975518769001.

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In this article, I aim to explore how legitimization and de-radicalization of the underground hip-hop subculture have restrained the DIY creation of social norms and cultural behaviours that mobilized Iranian hip-hop in the early 2000s. The article offers a critical discussion of the literature around legitimization of DIY/underground subcultures, specifically youth musical subcultures such as punk and hip-hop, before turning to an analysis of Iranian hip-hop culture in three phases: (1) hip-hop and the creation of a community, 2000–2003; (2) the golden age of Iranian hip-hop, 2003–2009; (3) c

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Mahoney, Tara. "Creative Publics: DIY Political Culture and the 2015 Canadian Federal Election." Public 28, no. 55 (2017): 158–70. http://dx.doi.org/10.1386/public.28.55.158_1.

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Mōri, Yoshitaka. "J‐pop: from the ideology of creativity to DiY music culture." Inter-Asia Cultural Studies 10, no. 4 (2009): 474–88. http://dx.doi.org/10.1080/14649370903166093.

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Smith, Rochelle. "Antislick to Postslick: DIY Books and Youth Culture Then and Now." Journal of American Culture 33, no. 3 (2010): 207–16. http://dx.doi.org/10.1111/j.1542-734x.2010.00744.x.

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Gulley, Paige, and Alissa Voth. "The computation urge to... DIY social media." ACM SIGCAS Computers and Society 51, no. 1 (2022): 11. http://dx.doi.org/10.1145/3557907.3557912.

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We are in an era of polarized and pessimistic self-reflection on the state of the internet. As we grapple with the destructive impacts of the modern arrangement of the social web, it's worth remembering that the technology which underpins these giants is more accessible than ever before to those who want to use it to pursue their own ends. We believe that in the hands of thoughtful independent developers the internet stll holds tremendous promise to positively shape our culture at local levels.

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Ahmadi, Makhrus. "Peran Forum Pemuda Kerukunan Umat Beragama Daerah Istimewa Yogyakarta dalam Memperkuat Paradigma Inklusif Kaum Muda." Wahana Akademika: Jurnal Studi Islam dan Sosial 4, no. 1 (2017): 93. http://dx.doi.org/10.21580/wa.v4i1.1482.

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<p><strong>Abstract</strong></p><p>Religious life in Yogyakarta (DIY) has its own style and culture. It is based on the existence of DIY as a student town, travel, and education, resulting in DIY is seen as civil of tolerance due to DIY into a meeting place for differences of race, culture and religion. Thus, the existence of this study want to study on the role, community leaders and the government's response to the Youth Forum for Religious Harmony Special Region of Yogyakarta (FPKUB DIY) in strengthening the inclusive paradigm among young people in Yogyakarta.&

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Bennett, Andy. "Youth, Music and DIY Careers." Cultural Sociology 12, no. 2 (2018): 133–39. http://dx.doi.org/10.1177/1749975518765858.

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Since the 1970s, the concept of DIY (do-it-yourself) culture has evolved from a bluntly resistant statement of independence from dominant forms of capitalist cultural production and dissemination to a more nuanced expression of creative cultural practice. While such practice remains resistant to more mainstream forms of cultural production and consumption it has at the same time evolved a level of professionalism aimed towards ensuring cultural and, where possible, economic sustainability. In a time where the concept of the cultural industries has become commonplace across many regions of the

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Agnovia, Asiimawe Masika. "Biohacking: The Intersection of Medicine and DIY Biology." RESEARCH INVENTION JOURNAL OF BIOLOGICAL AND APPLIED SCIENCES 4, no. 2 (2024): 32–36. https://doi.org/10.59298/rijbas/2024/423236.

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Biohacking, an emerging movement at the intersection of biotechnology and DIY culture, represents a new frontier in healthcare and self-optimization. This paper examines biohacking’s diverse practices, from genetic modification to health monitoring via wearable technology, and explores the ethical, legal, and medical implications of this democratized approach to bioscience. The movement’s “DIY” ethos allows individuals to experiment with and transform biological processes outside traditional labs, raising questions about safety, regulatory oversight, and the broader societal impact. The paper

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Jia, Xiaoshuang, Yuan Liang, Kexin Wang, Shengnan Yao, Leiqian Han, and Xingzhuan Chai. "Designing a Mini-Program for Culture Learning and Creative Product Customization: DIY RADP." Digital Presentation and Preservation of Cultural and Scientific Heritage 9 (September 13, 2019): 359–66. http://dx.doi.org/10.55630/dipp.2019.9.39.

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Taking Chinese royal architecture decorative patterns as an example, this paper explores an overall socioeconomic framework of culture learning and culture creative product customization as well as the technological framework for developing a WeChat mini-program. It highlights the results so far and the challenges of it.

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Blaylock, Solomon, and Declan Ryan. "Librarian in the underground: What academic libraries can learn from DIY culture." College & Research Libraries News 78, no. 6 (2017): 312. http://dx.doi.org/10.5860/crln.78.6.312.

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Academic library professionals are now in uncharted territory. We’re hurtling through unfamiliar, rapidly shifting landscapes. Information storage and retrieval, scholarly publishing, information literacy: everything’s changing on a daily basis. Get hung up on any one thing, and you’re already working in the past. Allow yourself to be overwhelmed and you’re paralyzed.

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Snake-Beings, Emit. "Maker Culture and DiY technologies: re-functioning as a Techno-Animist practice." Continuum 32, no. 2 (2017): 121–36. http://dx.doi.org/10.1080/10304312.2017.1318825.

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Danilova, Anna G. "QUANTITATIVE METHODS IN THE HISTORICAL AND PSYCHOLOGICAL STUDY INTO THE CATEGORICAL STRUCTURE OF VALUES AND IMAGES IN DIFFERENT CULTURES." Moscow University Psychology Bulletin, no. 1 (2023): 221–46. http://dx.doi.org/10.11621/vsp.2023.01.10.

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Background. X e growing interest in the historical development of social systems requires an assessment of the possibilities for a quantitative comparison of psychological characteristics in a person and society of diY erent eras. Objective.X e study aims to reveal the structure of social values and features of contemporary images according to verbal and visual texts of the cultures in the past.Methods. Behavior characteristics describing G. Hofstede’s basic cultural dimensions (Hofstede, 1980) were used to encode texts. Psychosemantic assessment of the works of art perception was carried out

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Allen, Katherine H. "Human-Robot Haptic Communication and Accessible Assistive Technology." ACM SIGACCESS Accessibility and Computing, no. 137 (January 2024): 1. http://dx.doi.org/10.1145/3654768.3654769.

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This research aims to empower disabled makers and engineers to participate in collaborative engineering activities. First, this research identifies barriers to and benefits of applying makerspace culture precepts to the creation of DIY Assistive Technologies (DIY-AT). From this data, we will be developing a hybrid online and in-person community for supporting DIY-AT makers. Simultaneously, this research aims to identify the basic structure and vocabulary of human haptic communication. From that data, we will design an anthropomorphic human-robot interaction for assistive technologies, using th

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Ďurianová, Andrea, and Peter Daniel. "The DIY Principle in Home Improvement: Background, Motivation and Benefits." Architecture Papers of the Faculty of Architecture and Design STU 26, no. 2 (2021): 38–43. http://dx.doi.org/10.2478/alfa-2021-0012.

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Abstract Producing objects for one’s own consumption is a major strand in the historical development of material culture. Making things with one’s own hands can be considered a natural means to satisfy human needs. In the present time, this form of production is covered by the term “do-it-yourself” (DIY). DIY has become a global social phenomenon, especially thanks to the opportunities enabled by the Internet. Websites provide a lively forum for discussion, sharing ideas, how-to guides, and galleries of the results of DIY projects. The present work addresses home improvement DIY projects carri

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Brennan, Rebekah, John S. G. Wells, and Marieclaire Van Hout. "“Saving Face”: An Online Study of the Injecting Use of DIY Botox and Dermal Filler Kits." Plastic Surgery 26, no. 3 (2018): 154–59. http://dx.doi.org/10.1177/2292550318767432.

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This study reports on an empirically underdocumented practice in contemporary aesthetic enhancement culture, the self-injection of unregulated DIY Botox and dermal filler kits purchased online. Data were collected from 4 online discussion forums containing disclosures in relation to use of DIY kits and analyzed using ethnographic content analysis. Motivation to source DIY Botox and dermal fillers online was grounded in desire to avoid financial cost of professional services and a lack of confidence in practitioners. Future intentions to order online raw materials and “formulas” to prepare derm

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Oswal, Sushil K., and Zsuzsanna B. Palmer. "Culturally Situated Do-It-Yourself Instructions for Making Protective Masks: Teaching the Genre of Instructional Design in the Age of COVID-19." Journal of Business and Technical Communication 35, no. 1 (2020): 160–66. http://dx.doi.org/10.1177/1050651920959190.

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This article employs cross-cultural communication approaches to teaching instructional design in the times of COVID-19 pandemic. Focusing on instructions from France, India, Spain, and the United States for making protective masks, the authors highlight how the writers and designers of these four documents from each culture approach their audiences, organize their DIY instructions, make language choices, employ images and other illustration devices, and culturally persuade users. While acknowledging cultural differences, the authors urge students to identify and adopt design strengths from div

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Rauszer, Michał. "Od subkultury do kultury DIY. Miejskie ewolucje kultury punk." Kultura Popularna 3, no. 53 (2018): 91–100. http://dx.doi.org/10.5604/01.3001.0010.8270.

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The aim of this article is to show evolution of punk subculture in the context of a city. The author presents his ethnographical research on punk subculture. Punk is depicted as a two-figure movement. First figure works as a historical reconstruction of early punk contestation character. Second, based on late political engagement, creates a figure of alternative culture in a city. The author describes forms of engagement in movement and reconstructs the line of punk city network.

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Soldak, Мyroslava. "Employment of DIY potential to ensure the economic resilience of the regions of Ukraine." Economy of Industry 3, no. 103 (2023): 28–46. http://dx.doi.org/10.15407/econindustry2023.03.028.

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Deindustrialization of regions, especially traditional industrial ones, caused by the destruction of enterprises, infrastructure facilities, relocation of businesses to safer regions of the country significantly reduces the economic potential, creating obstacles to ensuring a decent standard of living in wartime and post-war recovery. New challenges and threats form the demand for finding ways to ensure a resilient economy, which in a broad sense means the system's ability to cope with adverse shocks and recover from them. Within the framework of evolutionary economic geography, it is emphasiz

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Abdurrahman, Arief Subyantoro, and Ambar Puji Harjanto. "Pengaruh Budaya Organisasional dan Beban Kerja dengan Kepuasan Kerja sebagai Variabel Mediasi terhadap Kinerja Pegawai Negeri Sipil (PNS) Fungsional." Mutiara: Jurnal Ilmiah Multidisiplin Indonesia 3, no. 1 (2025): 16–30. https://doi.org/10.61404/jimi.v3i1.350.

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The purpose of this study is to investigate how organizational culture and workload affect the performance of functional Civil Servants (PNS) at the Regional People's Representative Council (DPRD) Secretariat of the Special Region of Yogyakarta (DIY), with job satisfaction acting as a mediator between the two. This research uses a quantitative approach through a survey, where data is collected by distributing questionnaires to functional PNS at the DPRD Secretariat of DIY. The results of this study show that organizational culture has a significant positive effect on employee performance, with

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Afriliani, Dhuwik, and Setiati Widihastuti. "Batak Toba’s Diaspor Loyalty against Customary Heritage in Special Region of Yogyakarta." SOCIA: Jurnal Ilmu-Ilmu Sosial 19, no. 2 (2023): 19–31. http://dx.doi.org/10.21831/socia.v19i2.58456.

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Various problems due to meetings between two or more cultures such as shock culture, cultural assimilation, and cross culture are considered to be problems of the diaspor community until now. The question is, is this problem also experienced by the Batak Toba’s diaspor, which incidentally is considered a tribe that is very loyal to the customs of their ancestral heritage? Then, how their efforts to maintain the sustainability of traditional marriages? To answer this question, a study was conducted on 8 (eight) Batak Toba’s diaspor in Special Region of Yogyakarta (DIY). The main findings in the

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Wolf, Darya V. "Seflie as a SocioCultural Practice in the Context of DIY." Observatory of Culture, no. 1 (February 28, 2015): 24–29. http://dx.doi.org/10.25281/2072-3156-2015-0-1-24-29.

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Is devoted to the sociocultural aspects of photographic selfportrait which is examined through the prism of Do It Yourself principle. The author underlines that in the 21st century, this type of practices is represented both in material and virtual spheres of culture and argues that selfie represents a special type of practice that involves producing the media image of the self and personal reality with one’s own hands.

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Pearce, Ruth, and Kirsty Lohman. "De/constructing DIY identities in a trans music scene." Sexualities 22, no. 1-2 (2018): 97–113. http://dx.doi.org/10.1177/1363460717740276.

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The emergence of ‘trans’ as a social and political movement and identity has created the conditions for the creation of a new music scene, organized around the gender(ed) identities of those involved rather than around musical genre. This article examines the parallels between the attitude taken towards gender(ed) identity and the organization of events in the United Kingdom’s trans music scene. Both entail de/construction through strategies of ‘genre evasion’ (Steinholt, 2012) and ‘cut-and-paste’ (Bornstein, 1994). This de/constructive process crosses boundaries and opens possibilities, enabl

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Goshert, John Charles. "You (plural): Political configurations of punk’s DIY ethos." Punk & Post-Punk 00, no. 00 (2022): 1–18. http://dx.doi.org/10.1386/punk_00148_1.

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This article traces the evolution of punk’s do it yourself (DIY) ethos from an emphasis on individualist-contrarian to collectivist-participatory forms following its initial commercial period (c. 1977–80). The focus is on 1980s American hardcore as locus of shifts in music content, media production and distribution, and venue infrastructure, which together developed and ultimately linked local punk scenes into a national and international network. The article identifies ‘punk comradeship’ as the mechanism of social enculturation that reorients punk into an inclusionary, activist endeavour work

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Mantz, Ophélia. "Matter transgression." SAJ - Serbian Architectural Journal 14, no. 3 (2022): 263–88. http://dx.doi.org/10.5937/saj2203263m.

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Post-pandemic, France is promoting new ways of inhabiting domestic space by learning from COVID. However, certain models have emerged from a slower transformation. We examine how do-it-yourself (DIY) work may indicate paradigm changes in French society. This essay describes the characteristics and changes in DIY across time in France based on the momentum created by social sciences in the 1970s. It explains how DIY is able to generate changes in people's behaviour and thus offers possible new models for economy and production. However, to play a role in both twenty-first century housing and th

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Rodríguez, Sagrario Martín. "DIY: Arte, Diseño y Tecnología. Estrategia crítica de colaboración comunitaria offline y online." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 12, no. 1 (2014): 181–211. http://dx.doi.org/10.7195/ri14.v12i1.653.

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El objetivo del artículo es analizar las diferentes prácticas colaborativas offline y online que de forma emergente han surgido bajo la cultura denominada DIY (do it yourself) o “hazlo tú mismo”, vinculadas al arte y al diseño.Para ello se exploran los distintos factores sociales, culturales y estéticos que propiciaron el cambio de tendencia, orientada a dar voz a un público cada vez más amplio. De tal manera que diseñador/artista y usuario establecen una relación de colaboración y participación creativa.Después, la atención recae sobre las distintas prácticas que se vehiculan a través y en la

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Kadie, Christian R., and Muller Koumaï. "Commercial DIY and Involvement of Arab Women in Okra Culture in Dabanga, Cameroon." European Journal of Humanities and Social Sciences 2, no. 3 (2022): 57–62. http://dx.doi.org/10.24018/ejsocial.2022.2.3.253.

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The realization of a study on commercial DIY and the involvement of Arab women in the cultivation of okra in the city of Dabanga, in the department of Logone and Chari in Cameroon makes it possible to characterize this production in this precarious environment. The objective of this article is to study the mode of production and marketing of okra cultivation by the Arab women of Dabanga, the challenges and the prospects they face to get out of this commercial tinkering. Surveys and observations show that more than half of the households in the city of Dabanga practice agriculture for family se

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Czarnecki, Gina, and John Hunt. "Heirloom: Living Portraits of and for the Artist’s Daughters Created out of Their Own Cultured Cells." Leonardo 50, no. 1 (2017): 84–85. http://dx.doi.org/10.1162/leon_a_01357.

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This article presents the artwork Heirloom created by artist Gina Czarnecki and scientist John Hunt. Heirloom grows living portraits of Gina Czarnecki’s daughters from their own cells cultured from buccal swabs. The resulting artwork is an ongoing exploration in “culture,” “nurture” and “media” from the scientific, parental and artistic perspectives. The experiment is ongoing as new methods for sustaining life outside the lab have been developed for this work, potentially facilitating future DIY biotechnology for others and helping with maxillofacial reconstruction in the future. Heirloom has

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Beynon, Kendal. "Zines And Computational Publishing Practices." A Peer-Reviewed Journal About 13, no. 1 (2024): 23–36. http://dx.doi.org/10.7146/aprja.v13i1.151224.

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This paper explores the parallels between historical zine culture and contemporary DIY computational publishing practices, highlighting their roles as countercultural movements within their own right. Both mediums, from zines of the 1990s to personal homepages and feminist servers, provide spaces for identity formation, community building, and resistance against mainstream societal norms. Drawing on Stephen Duncombe's insights into zine culture, this research examines how these practices embody democratic, communal ideals and act as a rebuttal to mass consumerism and dominant media structures.

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