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Relevant bibliographies by topics / Domestic television

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Academic literature on the topic 'Domestic television'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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Journal articles on the topic "Domestic television"

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García-de-Castro, Mario. "Renewal movements in the Spanish television series." Comunicar 15, no. 30 (2008): 147–53. http://dx.doi.org/10.3916/c30-2008-02-008.

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The present paper analyzes the results of a qualitative investigation developed by the Spanish public television on the values and characteristics of the national television fiction genre, as well as other aspects of its latest evolution. The conclusions of this qualitative analysis and the audience ratings confirm the hegemony of the genre within the generalist television programming. In the same sense, the paper analyzes its latest tendencies and what is called the last renewal of domestic television fiction. El presente trabajo analiza los resultados de una investigación cualitativa desarro

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Koerner, Emily Rees. "Why Don't We Look at Television?" Technology and Culture 64, no. 4 (2023): 1249–59. http://dx.doi.org/10.1353/tech.2023.a911004.

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abstract: The television set was for many decades a ubiquitous household technology. Though omnipresent and designed to be watched, it has faded into the background of domesticity. The era of streaming and portable viewing devices questions the continuing need for a television set—an opportune moment to reconsider the materiality of this object technology in domestic life. Taking television's entry into British homes as a case study, this essay asks what the act of looking at—rather than watching—television means. It explores the paradox in television's design and function, both to be viewed a

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Kai Khiun, Liew, Trisha Tsui-Chuan Lin, and Theng Yin Leng. "Skeuomorphic Domestic Television’s Analog Divide: Television and Social Stratification in Singapore." Television & New Media 21, no. 7 (2019): 730–48. http://dx.doi.org/10.1177/1527476419826514.

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Through the ethnographic survey of the ownership, use, and display of television-related devices of forty households in Singapore, this article frames the concept of Skeuomorphic Domestic Television. This term describes the continued centrality of the traditional “living room television” amid digital media’s portability. Results from the stocktaking of the ownership of television-related devices in the surveyed households point to the narrowing of the digital divide arising from the greater affordability of media technologies. However, within the highly densely populated city-state, it was fou

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Petrenko, Sergei. "Domestic TV in the European Television Space Context." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 1 (2018): 49–56. https://doi.org/10.31866/2617-2674.1.2018.140834.

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Purpose of the study. The most important element in the development of modern television is the constantly growing technological adaptability of television and radio broadcasting, the rapid change in the tastes and preferences of consumers, the introduction of new mechanisms for regulating the activities of television channels, the integration of some television genres into others. Therefore, the core aspect of our scientific research is the definition of the purpose  that highlights of issues the place and role of domestic television in the context of the European TV area. Meth

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Borisov, Vasily. "Amateur Radio Activity in the USSR before World War II." Science Management: Theory and Practice 4, no. 3 (2022): 189–98. http://dx.doi.org/10.19181/smtp.2022.4.3.13.

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The article discusses the emergence and development of amateur activities in radio communications and television reception in the USSR. Amateur radio activity in the USSR received legal recognition in 1924. By the end of 1928, more than 450 amateur radio stations were on the air in the country. From the beginning of the 1930s domestic radio amateurs have also mastered the reception of television broadcasts on home-made televisions. By the end of the 1930s. there were a large number of home-made television receivers tuned to the transmission of optical-mechanical television in the country. In t

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Kotliar, Svitlana, and Viktoria Fedorenko. "Author's Program as a Face of Domestic Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 1 (2018): 5–17. https://doi.org/10.31866/2617-2674.1.2018.140831.

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The purpose of the research is to review and analyze the creation and maintenance of authoritative television programs by well-known Ukrainian television broadcasters on justification the main trends in the influence of domestic television on the worldview of spectators. The methodology of the research is based on an experimental method (to define the specificity of the influence of author’s TV programs on the educational direction on national and regional television channels in Ukraine); method of analysis (to study the practical experience of creating author’s TV p

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Damas, L., and P. Mataba. "Assessment of the Relationship Between Television Broadcast Viewing and Attitudes Towards Domestic Tourism Among Mwanza City Residents." Eastern African Journal of Hospitality, Leisure and Tourism 10, no. 1 (2023): 85–99. https://doi.org/10.5281/zenodo.7870778.

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The article assessed the relationship between television broadcasts viewing and attitudes towards domestic tourism among Mwanza city residents. Specifically, examined the viewership of television domestic tourism broadcasts residents’ attitudes towards domestic tourism television contents in Mwanza city and established the association between television viewership and attitudes towards domestic tourism television contents among Mwanza City residents. The study was guided by Cultivation Theory with the assumption that the more the viewer is exposed to the domestic tourism broadcast (depen

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Wheatley, Helen. "At Home on Safari: Colonial Spectacle, Domestic Space and 1950s Television." Journal of British Cinema and Television 10, no. 2 (2013): 257–75. http://dx.doi.org/10.3366/jbctv.2013.0134.

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This article explores the ways in which television registered, and broadcast, colonial discourse in the specific context of Kenya and Britain in the 1950s. Focusing on the wildlife programming of the husband and wife team Armand and Michaela Denis as its case study, an examination of programmes such as Filming in Africa (BBC, 1955) and On Safari (BBC, 1957–65) is offered, looking at the ways in which these programmes negotiated the transition between colonial spectacle and a cosy, domestic address for British television. The article will explore what these programmes reveal about Britain's ‘im

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Slettemeås, Dag. "Consuming Familiarity and Alterity in Domestic Space." Nordicom Review 35, no. 1 (2014): 51–64. http://dx.doi.org/10.2478/nor-2014-0004.

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Abstract The present article addresses how stereotyped constructions of migrants’ television behaviour should be contrasted with empirical investigations into the perceptions and articulated practices of migrants themselves. In order to do this, the article explores how 20 migrant households in Norway make sense of television and TV-related activities in their everyday lives. The analysis, employing the domestication theoretical framework, reveals that TV consumption is a multi-faceted and situationally contingent phenomenon. The “practicing of television” goes beyond the mere viewing of progr

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Sabitov, Rauan. "Topical issues of increasing the share of domestic television content in the media market of Kazakhstan." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 4 (2018): 65–73. http://dx.doi.org/10.18844/prosoc.v5i4.3705.

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Considering the historical, social and territorial peculiarities of Kazakhstan, television is still the most popular media. News and entertainment telecasts, programmes of art, social, political, business, intellectual, children’s and educational genres, television series, films, shows of foreign and domestic production are broadcast.Numerous theories and concepts of journalism reflect the features of the existence of modern society and the multifacetedness of scientific approaches to the analysis of TV content issues. The paper is devoted to topical issues of increasing the share of domestic

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Dissertations / Theses on the topic "Domestic television"

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Peterson, April L. "Picking up after the American family : domestic work in the world of television /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/6182.

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Taylor, Wayne T. "The use of domestic video cameras in the production of low budget drama for broadcast." Thesis, Queensland University of Technology, 1999.

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Just five years ago, the impact of changes that are now occurring in film and television, in the area of digital technology, could not have been foreseen. Production and post production techniques at the broadcast level have changed forever. The introduction of a small digital video format (miniDV), to domestic video production equipment, will impact on the next generation of filmmakers. New digital domestic video camera technology and its application in film and television industry is the area of my research.

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Timothy, Pehlke Allen II. "Dimensions of the Father Role: An Inductive Thematic Analysis of Television Sitcoms." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1114043109.

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Nazarchuk, Аnna Pavlyvna, and Анна Павлівна Назарчук. "Cultural, educational and entertainment television programs in the ukrainian media space." Thesis, National aviation university, 2021. https://er.nau.edu.ua/handle/NAU/50061.

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1. Minko E. Editor’s note / Ye Minko // Telecriticism. - 2008. - No 7–8. - P. 1. 2. “Encyclopedia Britanica” - [Electronic resource] / The art of television., - Access mode: https://www.britannica.com/technology/broadcasting/The-art-of- television 3. Ligachova N. Crisis of self-identification / N. Ligachova // Telecriticism. - 2008. - No 5. - P. 12–16. 4. “UA: First” - [Electronic resource] / “Eneїda”. - Access mode: https:// tv.suspilne.media/programs/eneida 5. “1 + 1” - [Electronic resource] / “Voice of the country”., - Access mode: https://1plus1.video/golos-strany<br>Many people turn

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Pehlke, Timothy Allen. "Dimensions of the father role an inductive thematic analysis of television sitcoms /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1114043109.

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Thesis (M.S.)--Miami University, Dept. of Family Studies and Social Work, 2005.<br>Title from first page of PDF document. Document formatted into pages; contains [1], viii, 90 p. Includes bibliographical references (p. 80-86).

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Mayo, Jason. "Native American Cinema: Indigenous Vision, Domestic Space, and Historical Trauma." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1366388821.

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Brown, James, and katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema." Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.

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This thesis investigates the historically composed political and economic contexts that contributed to the late 1990s commercial renaissance of Korean national cinema and that have sustained the popularity of Korean films among local and regional audiences ever since. Unlike existing approaches to the topic, which emphasise the textual characteristics of national film production, this thesis considers relations between film production, distribution, exhibition, and ancillary markets, as well as Korean cinemas engagement with international cinemas such as Hollywood, Hong Kong, China and Japan.

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PENATI, CECILIA. "Il focolare elettronico. Una storia culturale dell'ingresso della televisione nello spazio domestico (1954-1960)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1100.

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Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana delle origini, concentrandosi sui percorsi attraverso i quali il medium è diventato parte integrante delle routine quotidiane del suo primo pubblico, cercando di dare senso a come la prima audience del piccolo schermo abbia sperimentato l’arrivo della televisione nello spazio della casa, nel corso degli anni di istituzionalizzazione del medium in Italia (1954-1960). Dopo una ricognizione della letteratura scientifica sul tema della domestication dei mezzi di comunicazione, della biografia cultura

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PENATI, CECILIA. "Il focolare elettronico. Una storia culturale dell'ingresso della televisione nello spazio domestico (1954-1960)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1100.

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Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana delle origini, concentrandosi sui percorsi attraverso i quali il medium è diventato parte integrante delle routine quotidiane del suo primo pubblico, cercando di dare senso a come la prima audience del piccolo schermo abbia sperimentato l’arrivo della televisione nello spazio della casa, nel corso degli anni di istituzionalizzazione del medium in Italia (1954-1960). Dopo una ricognizione della letteratura scientifica sul tema della domestication dei mezzi di comunicazione, della biografia cultura

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Macedo, Renata Guedes Mourão. "Espelho mágico: empregadas domésticas, consumo e mídia." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-31102013-101940/.

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A pesquisa analisa o consumo cultural (especialmente de rádio e televisão) de um grupo de empregadas domésticas que trabalham na cidade de São Paulo. Por meio de um mapeamento das preferências culturais dessas trabalhadoras organizadas nos perfis românticas, descoladas e evangélicas , discuto a importância dessas mídias no universo estudado. Paralelamente, a partir da análise de representações das empregadas domésticas na televisão, em especial, por meio da uma análise compartilhada da telenovela Cheias de Charme (Globo, 2012, 19h30), avalio as transformações ocorridas na imagem da empregada

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Books on the topic "Domestic television"

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Morley, David. Family television: Cultural power and domestic leisure. Comedia Pub. Group, 1986.

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Commission, Monopolies and Mergers. Domestic electrical goods. The Stationery Office, 1997.

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Commission, Monopolies and Mergers. Domestic electrical goods. The Stationery Office, 1997.

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Davies, Michael. Discovering Welsh houses: A guide to eighteen architectural gems, based on the BBC television series. Graffeg, 2007.

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Davies, Michael. Discovering Welsh houses: A guide to eighteen architectural gems, based on the BBC television series. Graffeg, 2007.

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Jeremy, Aynsley, Grant Charlotte, and Arts & Humanities Research Council (Great Britain). Centre for the Study of the Domestic Interior, eds. Imagined interiors: Representing the domestic interior since the Renaissance. V & A Pub., 2006.

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Short, Sharon Gwyn. Death of a domestic diva: A Toadfern mystery. Thorndike Press, 2004.

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Short, Sharon Gwyn. Death of a domestic diva: A Toadfern mystery. Avon Books, 2003.

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Mata, Danilo Segura. Derecho de familia y cine: Ensayos y notas sobre el uso del cine como recurso didáctico para el derecho de familia. Editorial Jurídica Continental, 2013.

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Rundfunk, Bayerischer, ed. Die neuen Traumhäuser: Bauherren verwirklichen ihr perfektes Haus. DVA, Deutsche Verlags-Anstalt, 2015.

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Book chapters on the topic "Domestic television"

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Min’an, Wang. "Television." In Domestic Spaces in Post-Mao China. Routledge, 2017. http://dx.doi.org/10.4324/9781315228372-4.

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Mahoney, Cat. "Home Fires: Deconstructing the Domestic Ideal." In Women in Neoliberal Postfeminist Television Drama. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30449-2_5.

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Moseley, Rachel, Helen Wheatley, and Helen Wood. "Producing domestic abuse in Pakistani television: between commerce, ratings and social responsibility." In Television for Women. Routledge, 2016. https://doi.org/10.4324/9781315690896-22.

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Harmes, Marcus, Meredith Harmes, and Barbara Harmes. "The Church and Its Communities: The Church Domestic." In The Church on British Television. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38113-4_11.

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Flood, Christopher, Stephen Hutchings, Galina Miazhevich, and Henri C. Nickels. "The Political Context: International and Domestic Security Concerns." In Islam, Security and Television News. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137006882_2.

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Brown, Barry, and Louise Barkhuus. "Changing Practices of Family Television Watching." In The Connected Home: The Future of Domestic Life. Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-476-0_6.

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Leyda, Julia. "The Financialization of Domestic Space in Arrested Development and Breaking Bad." In Class Divisions in Serial Television. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59449-5_8.

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Colman, Felicity, and David James. "Military Class: Hearts and Minds on the Domestic Screen." In Social Class and Television Drama in Contemporary Britain. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55506-9_6.

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Knowles, Joanne. "The Dirty Secret: Domestic Disarray in Chick Lit." In Bad Girls and Transgressive Women in Popular Television, Fiction, and Film. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47259-1_6.

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Saxton, Kirsten T. "Vera Caspary’s Bedelia: Murder as a Domestic Art, or Lethal Home Economics." In Bad Girls and Transgressive Women in Popular Television, Fiction, and Film. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47259-1_5.

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Conference papers on the topic "Domestic television"

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Defee, I. "Domestic IBC applications for multimedia on demand - RACE project DIAMOND." In IEE Colloquium on Interactive Television. IEE, 1995. http://dx.doi.org/10.1049/ic:19950965.

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Barnett, P. "Receiving digital terrestrial television: implications for domestic and MATV distribution systems." In IEE Colloquium on Digital Television - Where is it and Where is it Going? IEE, 1999. http://dx.doi.org/10.1049/ic:19990418.

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Busu, Cristian, Mihail Busu, Oana Turcu, and Cristian Brancu. "AN ANALYSIS OF THE COMPETITION IN THE TV SECTOR IN ROMANIA." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s04.22.

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This paper explores the landscape of competition in the television media industry in Romania. With the advent of digitalization and technological advancements, the media landscape has undergone significant transformations, leading to increased competition among television broadcasters. This study aims to examine the key players, market dynamics, regulatory framework, and challenges faced by the television media industry in Romania. By analysing existing literature and empirical data, this research provides valuable insights into the competitive nature of the Romanian television market and its

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Ksenofontov, Y. G. "Use of optical communication channels between search underwater vehicles within the framework of environmental monitoring of the seabed condition." In IV All-Russian (national) scientific conference with international participation: "Science, technology, society: Environmental engineering in the interests of sustainable development of territories". Krasnoyarsk Science and Technology City Hall, 2023. http://dx.doi.org/10.47813/nto.4.2023.10.265-274.

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Thanks to modern underwater methods for studying the state of the bottom, significant success was achieved in detecting and identifying harmful and dangerous objects. Since today, within the framework of environmental monitoring, search underwater vehicles are increasingly involved, scientists, together with domestic research and production platforms, began to work on the formation of a telecommunications field system with the aim of high-speed data transfer from underwater vehicles to a single coordination center. The devices themselves are equipped with special television cameras, with the h

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Grbić, Marta, and Sanja Nikolić. "Back to the Future: Challenges of Experimental House Projects designed for Future Scenarios." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/k81s6ct1.

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Prediction of new ways of living is repeatedly used as unlimited inspiration for architectural design through history. Narrowing down the range of the research in order to understand the flux of historical ideas for future living, we focused on the design of domestic environments imagined for various future scenarios and challenges. The aim was to create a clearly cross-examined overview of projects of houses dating from 1927 to 2009 by extracting and defining their aims, strategies and imagined future scenarios. We endeavoured to present the breakthrough radical designs, but also a series of

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Belozerov, V. V., Y. V. Sukhova, and M. V. Belozerov. "MODEL MULTI-SPLIT SYSTEMS WITH NANOTECHNOLOGIES FOR SUPPRESSING FIRES AND PREVENTING EXPLOSIONS FROM GAS IN THE RESIDENTIAL SECTOR." In INNOVATIVE TECHNOLOGIES IN SCIENCE AND EDUCATION. DSTU-Print, 2020. http://dx.doi.org/10.23947/itno.2020.352-356.

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The article, based on a statistical analysis of fires in the residential sector in southern Russia, presents the results of long-term studies of the "intellectualization" of household electrical appliances (televisions, refrigerators, electricity meters, etc.), which can reduce the number of fires and the consequences of them. It is shown that split systems that “pump through” the air of the rooms where they are installed, as the most “fast” aspiration fire alarm systems do, are the most “suitable” electrical appliances, the intellectualization of which will allow not only early detection of d

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Reports on the topic "Domestic television"

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Lotz, Amanda, Anna Potter, Marion McCutcheon, Kevin Sanson, and Oliver Eklund. Australian Television Drama Index, 1999-2019. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.212330.

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This report examines changes in the production and commissioning of Australian television drama from 1999–2019, a period marked by notable changes in the business of television in Australia and globally. More production companies now make drama in Australia; however, the fact that more companies share less than half the annual hours once produced raises concerns about sustainability. Several major Australian production companies have been acquired by foreign conglomerates and challenge the viability of domestic companies that lack access to international corporate capital and distribution. The

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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the

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Yilmaz, Ihsan, and Nicholas Morieson. The Impact of Civilizational Populism on Foreign and Transnational Policies: The Turkish Case. European Center for Populism Studies (ECPS), 2023. http://dx.doi.org/10.55271/pp0022.

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The Justice and Development Party (AKP), an Islamist and populist political party led by Turkish President Recep Tayyip Erdoğan, has increasingly incorporated what we term civilizational populism into its discourse. This article examines civilizational populism in AKP discourse, especially in the discourse of its leader Erdoğan, and finds it to be an important element of AKP discourse and ideology. The article also examines the impact of civilizational populism on Turkish domestic and foreign policy under AKP rule. The article finds that the AKP has increasingly, and especially since the 2013

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