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Journal articles on the topic 'Dostoevsky, Fyodor'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Dementyeva, Tatyana. "Was the Dostoevsky Estate Profitable?" Неизвестный Достоевский 8, no. 1 (2021): 77–102. http://dx.doi.org/10.15393/j10.art.2021.5241.

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In August 1831, the parents of Fyodor Dostoevsky purchased an estate in the Kashirsky district of the Tula Province, consisting of the hamlet of Darovoe and the village of Darovaya. In February 1833, they bought the neighboring village of Cheremoshnya. The entire property, including the above-named villages and hamlet, also included land plots in the wastelands: Nechaeva, Trypillya, Harina, Shelepova and Chertkova. Having become the owners of 58 peasant souls and more than 500 dessiatines of land, the Dostoevskys were considered average local landowners. However, Darovoe, well-known as the chi

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Myakinchenko, Mariya A. "Varvara Karepina, née Dostoevskaya – sister and heroine of Fyodor Dostoevsky." Vestnik of Kostroma State University 26, no. 4 (2021): 113–19. http://dx.doi.org/10.34216/1998-0817-2020-26-4-113-119.

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The article discusses various aspects of the relationship between Fyodor Dostoevsky with his sister Varvara Karepina, née Dostoevskaya, and their reflection in the writer's work. Varvara Karepina served as the prototype for the writer's various characters. The author of the article dwells in detail on the image of Varvara Karepina, collected from her memoirs; the author states that the history of Varvara Karepina’s marriage and the image of her husband were also vividly reflected in the work of Fyodor Dostoevsky. The article provides some valuable comparisons of Varvara Karepina with Varvara D

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Murzina, Svetlana V., and Elena G. Novikova. "The Image of Garibaldi in Fyodor Dostoevsky’s Works." Vestnik Tomskogo gosudarstvennogo universiteta, no. 460 (2020): 37–45. http://dx.doi.org/10.17223/15617793/460/4.

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The study is the first to collect, describe and analyze the main body of Fyodor Dostoevsky’s comments related to Giuseppe Garibaldi. The image of the Italian political figure is reconstructed in the creative works of the Russian writer. The image is analyzed from historical and political perspectives of the nineteenth-century Russia (1860–1870) and the Italian Risorgimento. The relevance of the study is due to the modern perception of Dostoevsky as an original political thinker and the wide context of Russian-Italian relations. Giuseppe Garibaldi is one of the most distinguished political figu

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4

Ulbrecht, Siegfried. "Ernst Jünger and his Reception of Fyodor Dostoevsky." Dostoevsky Journal 22, no. 1 (2021): 45–71. http://dx.doi.org/10.1163/23752122-02201007.

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Abstract This contribution aims to present those aspects of the literary and intellectual legacy of F. M. Dostoevsky (1821–1881) that motivated Ernst Jünger (1895–1998) in formulating his own literary and essayistic work. Dostoevsky’s impact on Jünger has so far been researched only fragmentarily and sporadically. This builds on previous research and complements it with new findings. Ernst Jünger inquired into Dostoevsky’s works throughout his life. He perceived Dostoevsky as a foreteller of crises and disasters. Many of Jünger’s motifs, literary images, characters, and symbols were either inf

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Zakharova, Olga. "Fyodor Dostoevsky’s Pseudonyms. Insertion by F. M. Dostoevsky in the Feuilleton by N. N. Strakhov." Неизвестный Достоевский 8, no. 1 (2021): 21–41. http://dx.doi.org/10.15393/j10.art.2021.5221.

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Identification of pseudonyms is one of the key tasks of attribution of many articles in the Vremya and Epokha magazines, and the Grazhdanin weekly. I. F. Masanov's article on Dostoevsky in the authoritative Dictionary of Pseudonyms contains errors and repetitions. Fyodor Dostoevsky signed his literary works with his personal name: Fyodor Dostoevsky, F. M. Dostoevsky, or, more often, F. Dostoevsky. On the contrary, the writer preferred to work as a journalist anonymously, more rarely — under pseudonyms. The range of Fyodor Dostoevsky's pseudonyms should be clarified. It is necessary to exclude

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Podosokorsky, Nikolay N. "Fyodor Dostoevsky’s Masonic Environment." Dostoevsky and world culture. Philological journal, no. 3 (2021): 215–37. http://dx.doi.org/10.22455/2541-7894-2021-3-215-237.

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For the first time are here presented to Dostoevsky scholars new facts concerning the masonic environment of the writer, who starting from his education in Chermak’s boarding school in 1834-1837 cultivated close relations of friendship with masons, some of them initiated even in 1840s (Apollon Grigorev), when masonry in Russia was officially forbidden, but nevertheless underground meetings continued. Reasons are given in support to the hypothesis, expressed for the first time by Tatiana Kasatkina in the middle of 1990s, of the possibility for Dostoevsky to have been a mason during the 1840s. W

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Dostoevsky, Alexey D., and Natalia V. Shwarts. "“My Husband's Lifelong Dream Was for Our Children to Get an Education...”: Gymnasium Students Lyuba and Fedya Dostoevsky." Неизвестный Достоевский 7, no. 2 (2020): 196–218. http://dx.doi.org/10.15393/j10.art.2020.4701.

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Dostoevsky's main concern was to educate his children, Lyuba and Fedya. After the writer's death, this desire was realized by his widow Anna Grigoryevna. Little was known about the education of Dostoevsky’s children, primarily from memoirs (penned by Anna and Lyubov Dostoevsky, Anna Ostroumova). The article presents previously unknown documents from the Central State Historical Archive of Saint Petersburg (name books, personal statements, etc.), containing information about the education of F. M. Dostoevsky's children: Lyuba — at the Foundry Gymnasium, Fedya — at the F. F. Bychkov Gymnasium (p

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8

Korotchenko, Tatiana V. "Political Issues in Fyodor Dostoevsky’s Writings: American Reception." Vestnik Tomskogo gosudarstvennogo universiteta, no. 464 (2021): 32–41. http://dx.doi.org/10.17223/15617793/464/4.

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The article explores the American reception of Fyodor Dostoevsky’s political ideology. The relevance of the study is due to the interdisciplinary character of modern literary criticism and perception of Dostoevsky not only as a talented writer, but also as an original philosopher and political thinker. It is for the first time when the reception of Dostoevsky’s political ideology is revealed on the basis of works by American philologists and political analysts; namely, the study unveils the image of Dostoevsky as a political thinker formed within American scientific discourse. In addition, the

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Ponkratova, Ekaterina M., and Daria A. Tarakanova. "China in the Perception of Fyodor Dostoevsky." Vestnik Tomskogo gosudarstvennogo universiteta, no. 462 (2021): 49–55. http://dx.doi.org/10.17223/15617793/462/6.

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The aim of the study is to form a holistic image of China as presented in the artistic and journalistic works of Fyodor Dostoevsky. The article examines the issue of China’s place in Dostoevsky’s works and its special significance for the formation of a holistic picture of the writer’s world. A broad historical and cultural background is presented, showing the relevance of Dostoevsky’s views on Chinese issues. Despite the existence of works devoted to the Chinese issue in the writer’s work, the issue of the place and significance of China in the writer’s heritage has not yet been resolved. For

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Myakinchenko, Maria A. "“Even here your uncle has been of use to you!” On the history of creative relationships of Fyodor Dostoevsky and Ivan Goncharov." Vestnik of Kostroma State University 27, no. 2 (2021): 96–103. http://dx.doi.org/10.34216/1998-0817-2021-27-2-96-103.

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The article is devoted to the study of literary and biographical connections between the collision of Ivan Goncharov's first novel “A Common Story” and the conflict between Fyodor Dostoevsky and his guardian Pyotr Karepin. Analysing biographical materials, the author hypothesises that Fyodor Dostoevsky, meeting with Ivan Goncharov, while the latter was working on “A Common Story”, could partly influence the creation of the main collision and central images of the novel. Noting the plot and figurative convergence, the author of the article also shows the ideological difference between Ivan Gonc

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Novikova, Elena G. "Fyodor Dostoevsky in Japanese Comics." Tekst. Kniga. Knigoizdanie, no. 19 (April 1, 2019): 75–94. http://dx.doi.org/10.17223/23062061/19/6.

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12

Whitcomb, Curt, and W. J. Leatherbarrow. "Fyodor Dostoevsky: The Brothers Karamazov." Slavic and East European Journal 38, no. 1 (1994): 172. http://dx.doi.org/10.2307/308557.

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13

Busch, R. L., and Peter Conradi. "Fyodor Dostoevsky. Macmillan Modern Novelists." Slavic and East European Journal 34, no. 2 (1990): 253. http://dx.doi.org/10.2307/309152.

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Mikhnovetc, Mariia V. "FORMATION OF THE IMAGE OF THE CAUCASUS IN FYODOR DOSTOEVSKY’S CREATIVE PERSONALITY." Vestnik of Kostroma State University, no. 1 (2020): 132–37. http://dx.doi.org/10.34216/1998-0817-2020-26-1-132-137.

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The article explores the Caucasian theme in Fyodor Dostoevsky’s fi ction and non-fi ction writings. The paper is based on a set of biographical, historical-cultural and historical-literary sources of the writer’s knowledge of the Caucasus. The article shows Fyodor Dostoevsky’s works were marginally affected by the information on the Caucasus and on the Caucasian wars the writer has at his disposal. The writer referred to characters’ military service in the Caucasus several times in his fi ction works, however, such detail never had infl uence on their development. In Fyodor Dostoevsky’s novels

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Supino, V. "When the Sun Shines it's Almost Heaven." Язык и текст 8, no. 1 (2021): 69–75. http://dx.doi.org/10.17759/langt.2021080108.

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The article describes Fyodor Mikhailovich Dostoevsky's visit to Italy. Fyodor Mikhailovich was in Italy three times. For the first time in 1862, after visiting Paris and London, in his winter Notes on summer impressions, he fought both for the mores, especially the bourgeois ones, and for the inhabitants, whom he despises to the maximum and ridicules them. Dostoevsky was not an ordinary tourist: he was interested in the history of the country, Italian politics, risorgimental movements, the struggle for unification. He was a big fan of Garibaldi. He visited Italy for the second time with his gr

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16

WESTERMAN, RICHARD. "FROM MYSHKIN TO MARXISM: THE ROLE OF DOSTOEVSKY RECEPTION IN LUKÁCS'S REVOLUTIONARY ETHICS." Modern Intellectual History 16, no. 3 (2017): 927–60. http://dx.doi.org/10.1017/s1479244317000373.

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For European literati of the early twentieth century, Fyodor Dostoevsky represented a mythically Russian spirituality in contrast to a soulless, rationalized West. One such enthusiast was Georg Lukács, who in 1915 began a never-completed book about Dostoevsky's work, a model of spiritual community that could redeem a fallen world. Though framing his analysis in the language and themes of broader Dostoevsky reception, Lukács used this idiom innovatively to go beyond the reactionary implications this model might connote. Highlighting similarities with Max Weber's account of political ethics, I a

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Gornostaeva, Svetlana A. "Psychoanalysts of the first quarter of the 20th century about “Crime and Punishment” by Fyodor Dostoevsky." Vestnik of Kostroma State University 27, no. 1 (2021): 161–65. http://dx.doi.org/10.34216/1998-0817-2021-27-1-161-165.

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The article examines the judgements of representatives of psychoanalysis of the early 20th century on the life and work of Fyodor Dostoevsky and, in particular, his novel "Crime and Punishment". The works of such famous psychoanalysts and followers of psychoanalysis as Alfred Adler. Jolan Neufeld, Sigmund Freud and Erich Seligmann Fromm are analysed. In the article "Dostoevsky" Adler, noting the contradictory nature of the characters, points to the general direction of movement for them towards finding inner peace, which, in turn, reveals a similarity with the nature of the writer himself. The

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Gubanova, L. V., M. O. Petrova, and E. N. Vejber. "Dostoevsky, Western Writers and Schola." Язык и текст 7, no. 1 (2020): 76–82. http://dx.doi.org/10.17759/langt.2020070107.

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The article is devoted to the review of the relations of the great Russian writer F. M. Dostoevsky, Western writers and scientists. We consider the mutual influence of Dostoevsky on Western literature and Vice versa. Dostoevsky belongs to writers whose biography is closely connected with their work. Dostoevsky's attempts to penetrate deeply into the soul are attempts to understand himself. This is why he was able to penetrate so deeply into the soul of his characters. Despite the fact that Dostoevsky was strongly influenced by Western European writers (Dickens, Schiller, Hoffman, etc.), he bel

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Dimkov, Petar Radoev. "Ecstatic Aura as Mystical Experience in Dostoevsky’s Epilepsy." Balkan Journal of Philosophy 11, no. 1 (2019): 65–74. http://dx.doi.org/10.5840/bjp20191118.

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Fyodor Mikhailovich Dostoevsky is one of the best Russian novelists. It is also known that he had been suffering from epilepsy―one can find many descriptions of this particular condition in Dostoevsky’s novels. These writings are most probably based on his personal experience. There are numerous neurological hypotheses about the type of epilepsy with which Dostoevsky suffered, the most notorious feature of his type of epilepsy being the so-called “ecstatic aura.” In fact, the type of epilepsy Dostoevsky experienced is often termed “Dostoevsky’s epilepsy with ecstatic aura.” In the current arti

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Uzhankov, Aleksander, and Larisa Soboleva. "Under the Sign of Fyodor Dostoevsky." Quaestio Rossica 7, no. 4 (2019): 1043–54. http://dx.doi.org/10.15826/qr.2019.4.423.

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Dergacheva, Irina. "The Eschatological Chronotope of Fyodor Dostoevsky." Quaestio Rossica 7, no. 4 (2019): 1143–59. http://dx.doi.org/10.15826/qr.2019.4.429.

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Panyukova, Tatiana V. "Factual Sources in Research on the Biography of Fyodor Dostoevsky: From Documents to Facts and Interpretation." Dostoevsky and world culture. Philological journal, no. 4 (2020): 158–96. http://dx.doi.org/10.22455/2541-7894-2020-4-158-196.

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The article contains new facts that clarify or complete some particulars in the biographies of 13 persons from Dostoevsky’s milieu. Some facts derive from documentary sources discovered through archival research: Aleksandr Isaev’s metric records, the birth and death in Darovoe of the infant Simeon, the illegitimate son of Mikhail Dostoevsky, the first marriage and divorce of Dostoevsky’s son Fyodor Fedorovich, the death of the writer’s sister-in-law Sof’ia Constant, and an excerpt from the memoirs of Ekaterina Alexandrovna, wife of Konstantin Pobedonostsev, about her acquaintance with Dostoevs

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Mikhnovets, Mariya V. "The geopolitics of the «Kirghiz steppe» in the works of Fyodor Dostoevsky: from the «zone of undeveloped wilderness» to the new Heartland." Vestnik of Kostroma State University 26, no. 4 (2021): 120–27. http://dx.doi.org/10.34216/1998-0817-2020-26-4-120-127.

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The article aims to explore the geopolitics of the Kirghiz steppe in Fyodor Dostoevsky’s sociopolitical works and novels. The paper is based on a collection of biographical, historical-cultural and historical-literary sources. When considering the representation of the geopolitical position of the Kirghiz steppe, several periods in the work of Dostoevsky have been distinguished. Initially, Dostoevsky considered the region to be a periphery of the Russian Empire, a so-called «zone of undeveloped wilderness» with «being on the frontier» as its defining characteristic. As the concept of a unified

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Romanova, Galina. "Сюжетные функции мотива смерти в романах Федора Достоевского". Slavica Wratislaviensia 167 (21 грудня 2018): 161–69. http://dx.doi.org/10.19195/0137-1150.167.13.

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The plot functions of the motivе of deathin the novels of Fyodor DostoevskyThe article deals with а meaningful functions of one of the most frequent plot in the works by Fyodor Dostoevsky — death of a character. The narrative role of the image of death is analyzed. Philosophical meaning of this plot and its connection with the theodicy in Dostoevsky’s novels are revealed.Сюжетні функції мотиву смертів романах Федіра ДостоєвськогоУ статті розглянуто змістове значення однієї з найбільш поширених сюжетних ситуацій у творах Федіра Достоєвського — смерті персонажа. Аналізуються розповідні функції з

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Syromyatnikov, Oleg I. "THE CONCEPT ‘DEMON’ IN THE WORKS BY FYODOR DOSTOEVSKY." Вестник Пермского университета. Российская и зарубежная филология 13, no. 2 (2021): 121–31. http://dx.doi.org/10.17072/2073-6681-2021-2-121-131.

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The article deals with the concept ‘demon’ in the works by Fyodor Dostoevsky. It is found in various grammatical forms in the writer's works published in magazines in 1861 and 1877, in the story The Mistress, as well as in the novels The Idiot and Demons. In Dostoevsky's letters, this concept is not given a single mention. The paper reveals a number of specific features in the use of the concept by the writer. First, locality and compactness – the concept is always used within the same topic (in works published in magazines) or scene (in fiction). Second, the concept does not have any romantic

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Klyukina, Lyudmila. "RELIGIOUS AND PHILOSOPHICAL IDEAS IN “THE DREAM OF A RIDICULOUS MAN” BY FYODOR DOSTOEVSKY." Studia Humanitatis 18, no. 1 (2021): 36–42. http://dx.doi.org/10.15393/j12.art.2021.3682.

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Staying in the framework of the hermeneutic approach, this article reveals and analyses the religious and philosophical ideas of Saint Augustine of Hippo’s Confessions in the text of Fyodor Dostoevsky's short story “The Dream of a Ridiculous Man”. This study demonstrates that Dostoevsky, while staying within the boundaries of contemporary culture, independently comprehended such universal ideas and problems as the origin of evil, free will, theodicy and salvation, which were first formulated in the European philosophical tradition by Saint Augustine. The author concludes that the idea of unbou

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Kovalevskaya, Tatyana V. "Charles Gounod’s Faust and Dostoevsky Artistic Principles." Dostoevsky and world culture. Philological journal, no. 2 (2021): 89–115. http://dx.doi.org/10.22455/2541-7894-2021-2-89-115.

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The article considers the “Faustian” scene in Fyodor Dostoevsky’s The Adolescent as the musical embodiment of Dostoevsky’s central poetic device: statements with maximum formal similarity and maximum semantic divergence. This device is contextualized within Mikhail Bakhtin’s polyphonic novel concept and within the context of the history of polyphony as a musical phenomenon starting with its origins in the Western European music. We follow Larisa Gogotishvili’s suggestion that Mikhail Bakhtin’s polyphony is not the polyphony of the 18th-19th century (Johann Sebastian Bach, for instance) but the

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Andrianova, Irina. "“Don’t Be Abashed Reading This”: Shadow of Barkov in the Texts of Dostoevsky." Неизвестный Достоевский 8, no. 1 (2021): 42–60. http://dx.doi.org/10.15393/j10.art.2021.5161.

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The subject of research in this article is a partially crossed out portion of a letter from Fyodor Dostoevsky to his brother Mikhail dated September 30, 1844. This letter communicates his decision to leave the military service and devote himself to professional literary work. The entry was first reproduced in the edition of Dostoevsky's correspondence prepared by A. S. Dolinin, and then in the academic Complete Works. However, this was done with distortions and without proper commentary. As a result, the entry was perceived by readers as a rude expletive, which included slang, obscene vocabula

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Illing, Sean. "Between Nihilism and Transcendence: Camus's Dialogue with Dostoevsky." Review of Politics 77, no. 2 (2015): 217–42. http://dx.doi.org/10.1017/s0034670515000042.

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AbstractThis article examines the influence of Fyodor Dostoevsky on Albert Camus's political philosophy of revolt. The aim is to clarify Camus's reactions to the problems of absurdity, nihilism, and transcendence through an analysis of his literary and philosophical engagement with Dostoevsky. I make three related claims. First, I claim that Camus's philosophy of revolt is informed in crucial ways by Dostoevsky's accounts of religious transcendence and political nihilism. Second, that Camus's conceptualization of the tension between nihilism and transcendence corresponds to and is personified

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Leigh, David J. "The Philosophy and Theology of Fyodor Dostoevsky." Ultimate Reality and Meaning 33, no. 1-2 (2010): 85–103. http://dx.doi.org/10.3138/uram.33.1-2.85.

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Poljakova, Ekaterina. "Fyodor Dostoevsky and Friedrich Nietzsche: power/weakness." International Journal of Philosophy and Theology 78, no. 1-2 (2017): 121–38. http://dx.doi.org/10.1080/21692327.2016.1249015.

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Novikova, Elena G. "Fyodor Dostoevsky and Siberian Regionalism. Article One." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 59 (June 1, 2019): 185–97. http://dx.doi.org/10.17223/19986645/59/11.

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Novikova, Elena G. "Fyodor Dostoevsky and Siberian Regionalism. Article Two." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 67 (October 1, 2020): 268–77. http://dx.doi.org/10.17223/19986645/67/14.

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Bessonova, Albina. "Legends and Facts About the Life of M. A. Dostoevsky in Darovoe (1837—1839)." Неизвестный Достоевский 8, no. 1 (2021): 42–60. http://dx.doi.org/10.15393/j10.art.2021.5261.

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The history of the Dostoevsky estate Darovoe, which is an important period in the life of Fyodor Dostoevsky, still contains unresolved issues. The most ambiguous is the fate of the writer's father, who ended his days in Darovoe. The cause of the tragic death of M. A. Dostoevsky and the place of his burial are still controversial. The document from the State Archive of the Tula region, published for the first time, allows to dispel all doubts about the location of the grave of M. A. Dostoevsky. The article examines the history of the issue, including oral tradition, analyzes well-known document

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Dostoevsky, A. D. "Lyubov Dostoevskaya is the Writer's Daughter." Язык и текст 7, no. 2 (2020): 20–29. http://dx.doi.org/10.17759/langt.2020070203.

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Last year, 2019 marked the 150th anniversary of the birth of Fyodor Dostoevsky's eldest daughter, Lyubov, and research about her life, which is very interesting and difficult, can be a modest gift for the anniversary of her birth on the eve of a much more solemn celebration - the 200th anniversary of the writer in 2021. Beloved by Lyubov Fyodorovna and her parents, Italy is becoming a defining not only in the creative work, but also in the life of the writer. Having left in 1913 once again for treatment in Europe, Lyubov Fyodorovna does not assume that she will never return to her homeland and

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Fokin, Pavel E. "The Last Newspaper Fyodor Dostoevsky Read (Based on the Collections of Vladimir Dahl State Museum of the History of Russian Literature)." Dostoevsky and world culture. Philological journal, no. 4 (2020): 197–218. http://dx.doi.org/10.22455/2541-7894-2020-4-197-218.

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Throughout Dostoevsky's life, reading newspapers was one of the most important sources of his inspiration. Reading newspapers, Dostoevsky drew on real factual material that reflected both the characteristic phenomens of the postreform Russian reality and the most incredible “adventures” of lost human souls and hearts. Daily acquaintance with the latest news from Russian and world life was an essential necessity for Dostoevsky. Even while abroad, he regularly visited libraries to read the most recent Russian newspapers. Journalism was inherent in his type of thinking and personality. He began h

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Iskhakova, Z. Z., L. K. Gyulbyakova, and M. V. Zhuravleva. "The important semiotic indicators of Dostoyevsky's emotional image." Язык и текст 3, no. 4 (2016): 3–8. http://dx.doi.org/10.17759/langt.2016030401.

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This article is devoted to finding the emotional semiotic character of F. Dostoevsky that is expressed by the key characters' behaviour in 'The Gambler', 'Idiot', 'The Brothers Karamazov'. The object of the study is emotionally painted speeches of characters in his works. The subject of the study is emotive signs indices in emotional texts of Fyodor Dostoevsky

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Pavlovic, Ruth Yvonne, and Alexandar Mido Pavlovic. "Dostoevsky and psychoanalysis: The Eternal Husband (1870) by Fyodor Dostoevsky (1821–1881)." British Journal of Psychiatry 200, no. 3 (2012): 181. http://dx.doi.org/10.1192/bjp.bp.111.093823.

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Batalova, Tamara. "THE PROBLEM OF NARRATION IN NOTES FROM A DEAD HOUSE BY FYODOR DOSTOEVSKY." Проблемы исторической поэтики 19, no. 1 (2021): 221–38. http://dx.doi.org/10.15393/j9.art.2021.9042.

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Within the framework of Pavel Medvedev’s sociological poetics, the article identifies and studies the features of the narrative in Fyodor Dostoevsky’s Notes from a Dead House, and examines the role of these features in expressing the key idea of this novel, namely the desire of convicts for freedom, for “resurrection from the dead”. From this point of view, the author examines the significance of the narrator’s duality (Goryanchikov and Goryanchikov-Dostoevsky) and the juxtaposition of the characters in the narrative (positive and negative). He also analyzes the compositional function of the X

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Podryabinkina, Anastasiya G. "What Did Jozef Boguslavsky Say About Sergei Durov and Fedor Dostoevsky in Siberian Diary?" Неизвестный Достоевский 7, no. 1 (2020): 51–68. http://dx.doi.org/10.15393/j10.art.2020.4421.

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The article examines the chapter <i>Sergei Durov and Fyodor Dostoevsky</i> from the <i>Siberian Diary</i> of the Polish revolutionary Jozef Boguslavsky, who was confined in the Omsk prison at the same time as F. M. Dostoevsky. The <i>Siberian Diary</i> was included in <i>Polacy z Wilna i ze Żmudzi na zesłaniu. Pamiętniki Józefa Bogusławskiego i księdza Mateusza Wejta</i> (<i>Poles from Vilnius and Zemaitija in exile. The Memoirs of Jozef Boguslavsky and priest Mateusz Veit</i>). Some fragments of this book and other Polish sources wer

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Degteva, Yaroslavna N. "Alien Look in the Double by Fyodor Dostoevsky." Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", no. 5 (September 20, 2018): 46–53. http://dx.doi.org/10.17238/issn2227-6564.2018.5.46.

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Andrianova, Irina. "The assistant and co-author of Fyodor Dostoevsky." Studia Slavica Academiae Scientiarum Hungaricae 61, no. 2 (2016): 437–44. http://dx.doi.org/10.1556/060.2016.61.2.14.

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Ruzhitskiy, Igor. "Language and Literary Works of Fyodor M. Dostoevsky." Stephanos. Peer reviewed multilanguage scientific journal 38, no. 6 (2019): 31–43. http://dx.doi.org/10.24249/2309-9917-2019-38-6-31-43.

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Desmond, John. "Fyodor Dostoevsky, Walker Percy and the Demonic Self." Southern Literary Journal 44, no. 2 (2012): 88–107. http://dx.doi.org/10.1353/slj.2012.0005.

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Oltuszyk, A. B. "Fedor Dostoevsky in Polish Literature, Theater and Cinema." Язык и текст 7, no. 1 (2020): 83–89. http://dx.doi.org/10.17759/langt.2020070108.

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Fyodor Mikhailovich Dostoevsky is a Russian great writer, thinker, philosopher and publicist. His skill influenced the literature and culture of the whole world, including Polish. This article discusses the role of the author of Crime and Punishment in Polish literature and culture, including the presence of his works in Polish theater and cinema. Many Polish writers, who studied the artistic skills of Dostoevsky, were attracted by the composition and structure of his novel, introspection and reflection of characters showing interpersonal relationships, a “borderline” state of mind. Even more

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Nizhnikov, Sergei A. "Russian Idea" of F.M. Dostoevsky: from Soilness to Universality." RUDN Journal of Philosophy 25, no. 1 (2021): 15–24. http://dx.doi.org/10.22363/2313-2302-2021-25-1-15-24.

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The author reveals Fyodor Dostoevsky's works main features, his importance for Russian and world philosophy. The researcher analyzes the concept of "Russian Idea" introduced by Dostoyevsky, which became a study subject in Russian philosophy's subsequent history. The polemics that arose regarding the characteristics of Dostoevsky's soilness ( Pochvennichestvo ) ideology and his interpretation of the Russian Idea in his Pushkin Speech and subsequent comments in A Writer's Diary are unveiled. The author concludes that Dostoevsky overcomes the limitations of soilness and comes to universalism. The

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Dolack, Tom. "Dostoevsky, Confession, and the Evolutionary Origins of Conscience." Evolutionary Studies in Imaginative Culture 4, no. 2 (2020): 19–32. http://dx.doi.org/10.26613/esic.4.2.187.

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Abstract Fyodor Dostoevsky is renowned as one of the greatest psychologists in world literature, but what we know about the origins and the workings of the human mind has changed drastically since the late nineteenth century. If Dostoevsky was such a sensitive reader of the human condition, do his insights hold up to modern research? To judge just by the issue of the psychology of confession, the answer appears to be: yes. The work of Michael Tomasello indicates that the human conscience evolved in order to make people obey group norms. From this I draw the proposition that confession should b

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Corrigan, Yuri. "Donna Tartt’s Dostoevsky: Trauma and the Displaced Self." Comparative Literature 70, no. 4 (2018): 392–407. http://dx.doi.org/10.1215/00104124-7215462.

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Abstract This essay explores Donna Tartt’s adaptation of Fyodor Dostoevsky’s novels The Adolescent, The Idiot, and The Brothers Karamazov in The Goldfinch as a guide to understanding Dostoevsky’s unorthodox and theologically inflected theory of trauma. The essay argues that both authors approach traumatic memory through the ancient folkloric archetype of the “external soul” (the inner essence displaced into external objects for safekeeping) and conceive of the healing process as the attempt to bring the externalized soul—and its unwanted memories—back into the body. This motif allows both writ

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Emery, Jacob, and Elizabeth F. Geballe. "Between Fiction and Physiology: Brain Fever in The Brothers Karamazov and Its English Afterlife." PMLA/Publications of the Modern Language Association of America 135, no. 5 (2020): 895–913. http://dx.doi.org/10.1632/pmla.2020.135.5.895.

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Working at the intersection of translation theory and medical humanities, this article interrogates the term brain fever, which Constance Garnett, adhering to clichés of English sentimental fiction, uses in reference to a wide variety of medical conditions in the works of Fyodor Dostoevsky. Garnett's choice has become useful shorthand for the narrative function of delirium in Dostoevsky's works, but it obscures the sensitivity to medical terminology that informs the Russian texts. In The Brothers Karamazov, Dostoevsky stages the conflict between Enlightenment rationality and religious mysticis

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Klimova, Svetlana M. "Dostoevsky - Strakhov - Tolstoy: Toward to the Story of One Conflict." RUDN Journal of Philosophy 25, no. 1 (2021): 72–88. http://dx.doi.org/10.22363/2313-2302-2021-25-1-72-88.

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The well-known epistolary conflict between Fyodor Dostoevsky and Nikolai Strakhov over the latter's slander of the great Russian writer's terrible sins is considered in the article from the point of view a philosophical anthropology and relations not two but between three participants of this story: Dostoyevsky, Strakhov and Tolstoy. This conflict is presented through anthropological, existential, and class prisms of description, based on a reconstruction of Strakhov's concept of man as a controversial, dual, and undefined being reflected in Dostoevsky's work. A direct relation between the def

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