Relevant bibliographies by topics / Eastern European poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Eastern European poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Eastern European poetry"

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Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic
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Mohd. Shamsuddin, Salahuddin, and Siti Sara bint Hj Ahmad. "Features of impact between Eastern and Western Literature." Advances in Social Sciences Research Journal 7, no. 10 (2020): 169–85. http://dx.doi.org/10.14738/assrj.710.9198.

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No doubt that modern Arab literature has been influenced by Western literature more than it was influenced by ancient Arabic literature, whether by the missionaries, occupiers, merchants, and investors who arrived at Arab countries or by the scientific missions sent by Arab countries to European capitals or by Arab immigrants to the West. This influence was either through the translation, or through reading in the original languages ​​of Western literature, and this second method was more influential in modern Arabic literature, because translation loses many of the characteristics of artistic
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Hutchinson, Ben. "The Echo of ‘After-Poetry’: Hans Bethge and the Chinese Lyric." Comparative Critical Studies 17, no. 2 (2020): 303–17. http://dx.doi.org/10.3366/ccs.2020.0364.

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The publication, in 1908, of Hans Bethge's Die chinesische Flöte marked a highpoint in the reception of Chinese poetry in modern Europe. Bethge's ‘Nachdichtungen’ (‘after-poems’) of poems from the Tang dynasty through to the late 1800s were extraordinarily popular, and were almost immediately immortalized by Gustav Mahler's decision to use a selection from them as the text for Das Lied von der Erde (1909). Yet Bethge could not read Chinese, and so based his poems on existing translations by figures including Judith Gautier, whose Livre de Jade had appeared in 1867. This article situates Bethge
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Feldman, Sara Miriam. "Jewish Simulations of Pushkin's Stylization of Folk Poetry." Slavic and East European Journal 59, no. 2 (2015): 229–45. http://dx.doi.org/10.30851/59.2.004.

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This article examines the prosody and other features of Hebrew and Yiddish translations of Eugene Onegin , which were composed as a part of Ashkenazi Jewish cultural movements in Eastern Europe, Russia, and Palestine. Russian literature played an important role within the history of modern literature in both Hebrew and Yiddish. Translating Russian literature tested the limits of the literary Yiddish and Hebrew languages. Due to the novel’s status in the Russian canon and its poetic forms, translating it was a coveted literary challenge for high-culture artistic production in Jewish languages.
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Amy Li, Xiaofan. "A Disintegrating Lyric? – Henri Michaux and Chinese Lyricism." Comparative Critical Studies 17, no. 2 (2020): 285–302. http://dx.doi.org/10.3366/ccs.2020.0363.

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This essay examines the perplexing triangular relation between Henri Michaux's ambiguous and attenuated lyricism, the French lyrical tradition, and Michaux's Chinese-inspired poems. I explore how Michaux's West-Eastern cross-cultural straddling relates to the way he renders the lyric problematic, and how this relation can help us re-read and perhaps unread the lyric (at least, its European understanding) in a comparative way. I first read some poems that are representative of Michaux's uneasy and disintegrating lyricism; then I consider how Michaux's poems that allude to Chinese and Far Easter
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Zinchuk, N., and O. Pogrebnyak. "THE OEUVRE OF ANDREI HADANOVICH IN THE CONTEXT OF MODERN BELARUSIAN-UKRAINIAN LITERARY INTERACTION." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 230–38. http://dx.doi.org/10.17721/2075-437x.2019.35.22.

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The article covers the main features of Andrei Hadanovich’s works as s a representative of the modern literary process in Belarus and his liaison with Ukrainian writers and translators. Considerable attention is paid to the first literary attempts of the Belarusian writer, the process of professional development and the features of postmodernism in his writings. In this context the poetry of Andrei Khadanovich combines the achievements of Eastern European «book» poetry with elements of modern culture (pop, rock, rap, urban slang). Using his poetry-song «Hotel Belarus» as example, the research
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Koshelev, V. A. "“In the East God has sacred places…”." Solov’evskie issledovaniya, no. 4 (December 15, 2020): 108–18. http://dx.doi.org/10.17588/2076-9210.2020.4.108-118.

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The author analyses A.A. Fet's poem “The Nightingale and the Rose”, included in the collection “Poems” (1850). He points out that the collection aroused the interest of leading critics of the second half of the 19th century such as Apollo Grigoriev, Lev May and Osip Senkovsky. A.A. Fet's poem “The Nightingale and the Rose” particularly attracted their attention. The most significant characteristics of the poem are identified in the present study from the point of view of these critics; similarities and differences in its assessment are noted, and their reasons are explained. In particular, att
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Ibragimov, Marsel I. "Motifs in Gabdulla Tuqay’s Lyric Poetry (On the Draft Dictionary-Index of Motifs)." Studies in Theory of Literary Plot and Narratology 14, no. 2 (2019): 166–77. http://dx.doi.org/10.25205/2410-7883-2019-2-166-177.

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The article is focused on the aspects of the lyrical motive theory connected with the project of the motives’ index of Gabdulla Tuqay’s lyric poetry. The conceptual provisions for the index are formulated on the basis of systematized works on the lyrical motive problem. The lyrical motif is considered as a theme-rematic unity based on the functional identity of the motif and the theme. When analyzing lyrical motifs, it is important to establish the contexts that determine their semantics: biographical, cultural-historical, literary (components of literary tradition (traditional images, motives
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Kotlerman, Ber. "SOUTH AFRICAN WRITINGS OF MORRIS HOFFMAN: BETWEEN YIDDISH AND HEBREW." Journal for Semitics 23, no. 2 (2017): 569–82. http://dx.doi.org/10.25159/1013-8471/3506.

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Morris Hoffman (1885-1940), who was born in a Latvian township and emigrated to South Africa in 1906, was a brilliant example of the Eastern European Jewish maskil writing with equal fluency in both Yiddish and Hebrew. He published poetry and prose in South African Yiddish and Hebrew periodicals. His long Yiddish poem under the title Afrikaner epopeyen (African epics) was considered to be the best Yiddish poetry written in South Africa. In 1939, a selection of his Yiddish stories under the title Unter afrikaner zun (Under the African sun) was prepared for publishing in De Aar, Cape Province (w
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Szilveszter, László Szilárd. "Ideological and political horizon shifts in Transylvanian Hungarian poetry during the communist period and after the 1989 Regime Change." Hungarian Studies 34, no. 2 (2021): 301–17. http://dx.doi.org/10.1556/044.2021.00135.

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AbstractAlthough the communist regime, in literature as well as in all areas of social life, aimed at uniformity and creating an “art” serving propaganda purposes in the entire Central and Eastern European region, the Romanian Stalinist “cultural project” differed in many respects from that of other countries, e.g. Hungary's. In this era, the discourse emphasizing revolutionary transformation and radical policy change decisively builds on the image of the enemy; and the fault-lines between past and present, old and new, and the idea of the need for continuous political struggle also prevail in
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Dissertations / Theses on the topic "Eastern European poetry"

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Clegg, John Richard. "The Eastern European context of poetry in English after 1950." Thesis, Durham University, 2014. http://etheses.dur.ac.uk/9507/.

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This thesis investigates some developments in English poetry brought about by the rapid influx of translated work from Eastern and Central Europe (especially Poland, Hungary and former Yugoslavia) in the period following the Second World War. As well as providing models for many English poets at the level of technique and motif, this work served as catalyst in wider poetical and political debates, especially concerning literalism in translation, issues of persona arising from psuedo-translation, and propriety of response when dealing with atrocity. ‘How dare we now be anything but numb?’, asks
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Anderson, Pamela R. "Grabbing the Beast by the Throat: Poems of Resistance—Czechoslovakia 1938-1945." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1334328092.

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Boast, Rachael. "Dark saying : a study of the Jobian dilemma in relation to contemporary ars poetica : Bedrock : poems." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/906.

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Part I of this thesis has been written with a view to exploring the relevance a text over 2500 years old has for contemporary ars poetica. From a detailed study of ‘The Book of Job’ I highlight three main tropes, ‘cognitive dissonance’, ‘tĕšuvah’, and ‘dark saying’, and demonstrate how these might inform the working methods of the contemporary poet. In the introduction I define these tropes in their theological and historical context. Chapter one provides a detailed examination of ‘Job’, its antecedents and its influence on literature. In chapters two and three I examine in detail techniques
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Books on the topic "Eastern European poetry"

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Eastern European poets. Salem Press, 2012.

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Withered roots: The remnants of Eastern European Jewry. I. Nathan Pub. Co., 1994.

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Petrosyan, Armen. The Indo-european and ancient Near Eastern sources of the Armenian epic: Myth and history. Institute for the Study of Man, 2002.

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Tuéni, Nadia. Lebanon: Poems of love and war = Liban : poèmes d'amour et de guerre. Syracuse University Press, 2006.

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1963-, Ippolito Christophe, Hazo Samuel John, Kelley Paul B. 1967-, and Tuéni Nadia, eds. Lebanon: Poems of love and war = Liban : poèmes d'amour et de guerre. Syracuse University Press, 2005.

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Nevskai͡a, L. G. Balto-slavi͡anskoe prichitanie: Rekonstrukt͡sii͡a semanticheskoĭ struktury. "Nauka", 1993.

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Stojanović, Dejan. Krugovanje: 1978-1987. Narodna knj., 1993.

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Stojanović, Dejan. Krugovanje. 2nd ed. Narodna knj. Alfa, 1998.

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Stojanović, Dejan. Krugovanje. 3rd ed. Narodna knj. Alfa, 2000.

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Nevskai︠a︡, L. G. Balto-slavi︠a︡nskoe prichitanie: Rekonstrukt︠s︡ii︠a︡ semanticheskoǐ struktury. Nauka, 1993.

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Book chapters on the topic "Eastern European poetry"

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Trubotchkin, Dmitry. "Rimas Tuminas: A Poetic View of Theatre." In 20 Ground-Breaking Directors of Eastern Europe. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-52935-2_19.

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Petković, Ana. "Classical Heritage in Serbian Lyric Poetry of the Twentieth Century." In A Handbook to Classical Reception in Eastern and Central Europe. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118832813.ch30.

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Helke, Susanna. "Sacred, Mundane and Absurd Revelations of the Everyday: Poetic Vérité in the Eastern European Tradition." In The Documentary Film Book. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_28.

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Gömöri, George. "Polish and Hungarian Poets on the Holocaust." In Polin: Studies in Polish Jewry Volume 31. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781906764715.003.0020.

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WHEN discussing Holocaust poetry two names usually spring to mind: Paul Celan and Nelly Sachs. There is, however, a large corpus of poems on the subject from two eastern European countries, both of which had large Jewish communities before the Second World War: Poland and Hungary. In what follows I shall discuss the best poetry on the Holocaust from both countries, excluding that written in Yiddish....
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Armstrong, Charles I. "“Born Anew”: W. B. Yeats’s “Eastern” Turn in the 1930s." In Yeats, Philosophy, and the Occult. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781942954255.003.0004.

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This essay looks at how Yeats consistently associated what he conceived of as “Eastern” thought with themes of rebirth and fresh beginnings, as well as a form of disinterestedness. This nexus is evident not only in his early poetry adopting Indian personae and themes, but also in the introductions he wrote in the 1930s for works by Shri Purohit Swami. In his introduction to An Indian Monk: His Life and Adventures (1932), Yeats claimed that much of the Western tradition actually stems from the East: “We have borrowed directly from the East and selected for admiration or repetition everything in our own past that is least European, as though groping backward towards our common mother.”This essay looks at doctrinal borrowings and overlap – both in the prose and poetry – with special emphasis on how Yeats’s relations with the East are intertwined with his readings of Hegel and Romanticism.
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McInally, Tom. "Strachan’s Library." In George Strachan of the Mearns. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474466226.003.0009.

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The range of subjects and titles available to Strachan in eastern libraries is covered by reference to the library of the Ashrafiya Madrassa in Damascus. The affordability of manuscripts is also discussed in this chapter. Strachan’s choice of poetry and Islamic studies for his collection is contrasted with the dearth of these subjects available in Europe to scholars such as Erpenius. In manuscripts which have a date of purchase, an analysis of the Latin glosses entered by Strachan is used to assess his progress in understanding the Arabic language and eastern culture. The chapter concludes with an explanation of how Strachan’s manuscripts came to make a profound contribution to the work of later European scholars, especially Marracci.
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Nemtsov, Jascha. "‘National Dignity’ and ‘Spiritual Reintegration’: The Discovery and Presentation of Jewish Folk Music in Germany." In Jewishness. Liverpool University Press, 2008. http://dx.doi.org/10.3828/liverpool/9781904113454.003.0005.

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This chapter details how Jewish folk music was presented as high art to concert audiences in early twentieth-century Germany and how that strategy was criticized. In January of 1901, the first issue of the journal Ost und West (East and West) appeared in Berlin. It served as the most important organ of cultural Zionism for the next two decades, and, as its title suggests, it attempted to bridge the cultural divide between east and west European Jews with the aim of creating an ethnic nationalist goal. The first issue contained, among other things, an article by the renowned Jewish philosopher Martin Buber entitled ‘Jewish Renaissance’ — a term that was to characterize this movement. Critical to this renaissance was the establishment of a common spirit binding a modern nation. Although based in Germany, the leaders of the movement envisioned that this spirit would be found in the ‘authentic folk’ of eastern Europe and the ethno-poetry of the folk song. The chapter then uncovers the often overlooked story of these leaders, particularly Leo Winz and Fritz Mordechai Kaufmann, and the significance of their renaissance movement for modern Jewish thought and culture.
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Day, Kenneth A., and Kenwyn G. Rickert. "Monitoring Agricultural Drought in Australia." In Monitoring and Predicting Agricultural Drought. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195162349.003.0040.

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Since European settlement of Australia began in 1788, drought has been viewed as a major natural threat. Despite warnings by scientists (e.g., Ratcliffe, 1947) and many public inquiries, government policies have, in the past, encouraged closer land settlement and intensification of cropping and grazing during wetter periods. Not surprisingly, drought forms part of the Australian psyche and has been well described in poetry, literature (e.g., Ker Conway, 1993), art, and the contemporary media (newspapers and television). Droughts have resulted in social, economic, and environmental losses. Attitudes toward drought in Australia are changing. Government policies now consider drought to be part of the natural variability of rainfall and acknowledge that drought should be better managed both by governments and by primary producers. Nonetheless, each drought serves as a reminder of the difficult challenges facing primary producers during such times. We begin this chapter with a brief overview of drought in Australia and its impacts on agricultural production, the environment, rural communities, and the national economy. We outline some of the ways governments and primary producers plan for and respond to drought and describe in detail an operational national drought alert system. Australia has mainly an arid or semiarid climate. Only 22% of the country has rainfall in excess of 600mmper annum, confined to coastal areas to the north, east, southeast, and far southwest of the country (http://www.bom.gov.au/climate/ahead/soirain.shtml). Australia also has high year-to-year and decade-to-decade variation in rainfall due, in part, to the influence of the El Niño/Southern Oscillation (ENSO) phenomenon (http://www.bom.gov.au/climate/ahead/soirain.shtml). The Interdecadal Pacific Oscillation (IPO) also contributes to the rainfall variability at annual and decadal scales and modulates ENSO impacts on rainfall (Power et al., 1999). The current geographic boundaries of agricultural production were reached in the late 19th century, and the entire agricultural region has experienced drought, in some form, over the past 100 years. Protracted dry periods occurred during the period from late 1890s to 1902 in eastern Australia, during the mid to late 1920s and 1930s over most of the continent, during the 1940s in eastern Australia, during the 1960s over central and eastern Australia, and during 1991–95 in parts of central and northeastern Australia.
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Irmscher, Christoph. "The Flea from Tangier." In Max Eastman. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300222562.003.0005.

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Max Eastman secretly marries the brilliant activist and artist Ida Rauh (1877–1970), who introduces him to socialism. A honeymoon trip takes the couple to Europe, where an annoying flea Max picks up in Tangier serves as a metaphor for his continuing sexual frustrations. He is asked to assume editorship of The Masses, which he reinvents as a cutting-edge forum for politically motivated art and writing. His son Daniel is born in 1912, to his father’s surprise and mystification. Max publishes Enjoyment of Poetry, his most enduringly successful book, as well as his first volume of poetry, Child of the Amazons. Max’s marital problems engender his interest in Freudian psychoanalysis. Dissatisfied with his analyst, Dr. Jelliffe, Max embarks on a course of self-analysis, diagnosing himself with “unsublimated heterosexual lust.” He acquires a small house in Croton-on Hudson, where he becomes the unofficial leader of a flourishing socialist commune. His increasing skepticism of Woodrow Wilson’s commitment to peace helps radicalize his writing. After meeting the beautiful actress Florence Deshon at a fund-raiser for The Masses, he leaves Ida Rauh, relinquishing his parental rights.
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"8. Eastern European Women Poets of the 1980s and 1990s." In The Columbia Literary History of Eastern Europe Since 1945. Columbia University Press, 2008. http://dx.doi.org/10.7312/sege13306-009.

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Conference papers on the topic "Eastern European poetry"

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Pogoda, Elena. "THE PIANO FANTASIES BY V.A. MOZART IN THE CONTEXT OF PHILOSOPHICAL AND POETIC CONCEPTS OF IMAGINATION." In Relevant Issues of the Development of Science in Central and Eastern European Countries. Publishing House “Baltija Publishing”, 2019. http://dx.doi.org/10.30525/978-9934-588-11-2_26.

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