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Journal articles on the topic 'Eastern European poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic

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Mohd. Shamsuddin, Salahuddin, and Siti Sara bint Hj Ahmad. "Features of impact between Eastern and Western Literature." Advances in Social Sciences Research Journal 7, no. 10 (2020): 169–85. http://dx.doi.org/10.14738/assrj.710.9198.

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No doubt that modern Arab literature has been influenced by Western literature more than it was influenced by ancient Arabic literature, whether by the missionaries, occupiers, merchants, and investors who arrived at Arab countries or by the scientific missions sent by Arab countries to European capitals or by Arab immigrants to the West. This influence was either through the translation, or through reading in the original languages of Western literature, and this second method was more influential in modern Arabic literature, because translation loses many of the characteristics of artistic

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3

Hutchinson, Ben. "The Echo of ‘After-Poetry’: Hans Bethge and the Chinese Lyric." Comparative Critical Studies 17, no. 2 (2020): 303–17. http://dx.doi.org/10.3366/ccs.2020.0364.

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The publication, in 1908, of Hans Bethge's Die chinesische Flöte marked a highpoint in the reception of Chinese poetry in modern Europe. Bethge's ‘Nachdichtungen’ (‘after-poems’) of poems from the Tang dynasty through to the late 1800s were extraordinarily popular, and were almost immediately immortalized by Gustav Mahler's decision to use a selection from them as the text for Das Lied von der Erde (1909). Yet Bethge could not read Chinese, and so based his poems on existing translations by figures including Judith Gautier, whose Livre de Jade had appeared in 1867. This article situates Bethge

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Feldman, Sara Miriam. "Jewish Simulations of Pushkin's Stylization of Folk Poetry." Slavic and East European Journal 59, no. 2 (2015): 229–45. http://dx.doi.org/10.30851/59.2.004.

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This article examines the prosody and other features of Hebrew and Yiddish translations of Eugene Onegin , which were composed as a part of Ashkenazi Jewish cultural movements in Eastern Europe, Russia, and Palestine. Russian literature played an important role within the history of modern literature in both Hebrew and Yiddish. Translating Russian literature tested the limits of the literary Yiddish and Hebrew languages. Due to the novel’s status in the Russian canon and its poetic forms, translating it was a coveted literary challenge for high-culture artistic production in Jewish languages.

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Amy Li, Xiaofan. "A Disintegrating Lyric? – Henri Michaux and Chinese Lyricism." Comparative Critical Studies 17, no. 2 (2020): 285–302. http://dx.doi.org/10.3366/ccs.2020.0363.

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This essay examines the perplexing triangular relation between Henri Michaux's ambiguous and attenuated lyricism, the French lyrical tradition, and Michaux's Chinese-inspired poems. I explore how Michaux's West-Eastern cross-cultural straddling relates to the way he renders the lyric problematic, and how this relation can help us re-read and perhaps unread the lyric (at least, its European understanding) in a comparative way. I first read some poems that are representative of Michaux's uneasy and disintegrating lyricism; then I consider how Michaux's poems that allude to Chinese and Far Easter

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Zinchuk, N., and O. Pogrebnyak. "THE OEUVRE OF ANDREI HADANOVICH IN THE CONTEXT OF MODERN BELARUSIAN-UKRAINIAN LITERARY INTERACTION." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 230–38. http://dx.doi.org/10.17721/2075-437x.2019.35.22.

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The article covers the main features of Andrei Hadanovich’s works as s a representative of the modern literary process in Belarus and his liaison with Ukrainian writers and translators. Considerable attention is paid to the first literary attempts of the Belarusian writer, the process of professional development and the features of postmodernism in his writings. In this context the poetry of Andrei Khadanovich combines the achievements of Eastern European «book» poetry with elements of modern culture (pop, rock, rap, urban slang). Using his poetry-song «Hotel Belarus» as example, the research

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7

Koshelev, V. A. "“In the East God has sacred places…”." Solov’evskie issledovaniya, no. 4 (December 15, 2020): 108–18. http://dx.doi.org/10.17588/2076-9210.2020.4.108-118.

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The author analyses A.A. Fet's poem “The Nightingale and the Rose”, included in the collection “Poems” (1850). He points out that the collection aroused the interest of leading critics of the second half of the 19th century such as Apollo Grigoriev, Lev May and Osip Senkovsky. A.A. Fet's poem “The Nightingale and the Rose” particularly attracted their attention. The most significant characteristics of the poem are identified in the present study from the point of view of these critics; similarities and differences in its assessment are noted, and their reasons are explained. In particular, att

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8

Ibragimov, Marsel I. "Motifs in Gabdulla Tuqay’s Lyric Poetry (On the Draft Dictionary-Index of Motifs)." Studies in Theory of Literary Plot and Narratology 14, no. 2 (2019): 166–77. http://dx.doi.org/10.25205/2410-7883-2019-2-166-177.

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The article is focused on the aspects of the lyrical motive theory connected with the project of the motives’ index of Gabdulla Tuqay’s lyric poetry. The conceptual provisions for the index are formulated on the basis of systematized works on the lyrical motive problem. The lyrical motif is considered as a theme-rematic unity based on the functional identity of the motif and the theme. When analyzing lyrical motifs, it is important to establish the contexts that determine their semantics: biographical, cultural-historical, literary (components of literary tradition (traditional images, motives

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9

Kotlerman, Ber. "SOUTH AFRICAN WRITINGS OF MORRIS HOFFMAN: BETWEEN YIDDISH AND HEBREW." Journal for Semitics 23, no. 2 (2017): 569–82. http://dx.doi.org/10.25159/1013-8471/3506.

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Morris Hoffman (1885-1940), who was born in a Latvian township and emigrated to South Africa in 1906, was a brilliant example of the Eastern European Jewish maskil writing with equal fluency in both Yiddish and Hebrew. He published poetry and prose in South African Yiddish and Hebrew periodicals. His long Yiddish poem under the title Afrikaner epopeyen (African epics) was considered to be the best Yiddish poetry written in South Africa. In 1939, a selection of his Yiddish stories under the title Unter afrikaner zun (Under the African sun) was prepared for publishing in De Aar, Cape Province (w

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Szilveszter, László Szilárd. "Ideological and political horizon shifts in Transylvanian Hungarian poetry during the communist period and after the 1989 Regime Change." Hungarian Studies 34, no. 2 (2021): 301–17. http://dx.doi.org/10.1556/044.2021.00135.

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AbstractAlthough the communist regime, in literature as well as in all areas of social life, aimed at uniformity and creating an “art” serving propaganda purposes in the entire Central and Eastern European region, the Romanian Stalinist “cultural project” differed in many respects from that of other countries, e.g. Hungary's. In this era, the discourse emphasizing revolutionary transformation and radical policy change decisively builds on the image of the enemy; and the fault-lines between past and present, old and new, and the idea of the need for continuous political struggle also prevail in

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Lê Vũ Trường Giang, Lê Vũ. "THE SPIRITUAL VALUES OF ROMAN CULTURE IN TWO CENTURIES OF THE PAX ROMANA PERIOD (27BC-180)." Hue University Journal of Science: Social Sciences and Humanities 128, no. 6B (2019): 167. http://dx.doi.org/10.26459/hueuni-jssh.v128i6b.4913.

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<p>The Pax Romana period was the pinnacle of ancient Roman culture since founding the country until the division into Eastern and Western Empire in 395. Only in two centuries, under the principate regime, Roman culture continues to create the available cultural roots of itself that inherited from the earlier generations; it selectively received and developed Greek foreign culture to a new point. All cultural values from the non-material to the material were constructed under the early dynasties of Augustus to the heyday of the Five Sage Kings or Aurelius who is both emperor and philosoph

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Giv, Ahmad Lamei, and Majid Shahbazi. "A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis." Theory and Practice in Language Studies 6, no. 7 (2016): 1377. http://dx.doi.org/10.17507/tpls.0607.07.

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Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Pe

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Mir-Bagirzade, Farida. "ORIENTAL SYMBOLISM OF THE BALLET “SEVEN BEAUTIES” BASED ON THE POEM BY NIZAMI GANJAVI." Historical Search 1, no. 4 (2020): 197–201. http://dx.doi.org/10.47026/2712-9454-2020-1-4-197-201.

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The author explores creative interpretations of the work “Seven Beauties” written by a humanist poet Nizami Ganjavi (7th century) from the “Hamse” cycle. The poet was a genuine erudite, connoisseur of not only Koranic texts, history, ancient and Muslim philosophy, but astronomy as well. This article is an attempt to trace the oriental symbolism in the images of Ganjavi in one of the creative interpretations of the poem “Seven Beauties” through the prism of choreographic and scenographic art. The method of research is a semiological analysis, the object of study is the ballet “Seven Beauties”,

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Zakharov, Vladimir N. "The Idea of Ethnopoetics in Contemporary Research." Проблемы исторической поэтики 18, no. 3 (2020): 7–19. http://dx.doi.org/10.15393/j9.art.2020.8382.

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<p>In recent decades, ethnopoetics has become one of the new philological disciplines. Its idea first appeared in the treatise of Nicolas Boileau &ldquo;The Art of Poetry&rdquo; (1674), in which the classicist theorist formulated the requirement of local and historical color in art. His rule was followed by many poets, playwrights and novelists of Modern history. In Anglo-American criticism, the term ethnopoetics was introduced in 1968. Jerome Rotenberg, who, along with Dennis Tedlock and Dell Himes, founded the principles and methods of studying American Indian poetry. In the 20

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Szörényi, László. "Johannes Valentini Lucubrata opuscula poeticohistorica in unum collecta [Az éjjeli mécs világánál alkotott költői-történeti művecskéim egybegyűjtése] (1808) című kötetének őstörténeti vonatkozásai." Antikvitás & Reneszánsz, no. 4 (December 1, 2019): 151–68. http://dx.doi.org/10.14232/antikren.2019.4.151-168.

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As a poet, the parish priest Johannes Valentini (Turčiansky Michal, 1756 – Kláštor pod Znievom, 1812) is very much tied to the other Neo-Latin priest-poets living in Hungary and the other countries of the Habsburg Empire by the tradition of laudation in occasional poetry, which flourished from the antiquity until the end of the 19th century and was a tool to praise or mourn religious superiors or secular patronising potentates. Valentini, however, is different from the other poets in his very extensive interest in prehistory. When he poeticises the history of the provostry of Thurocz, he engag

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Pop Zarieva, Natalija. "THE ENDURANCE OF THE GOTHIC THE ROMANTICS’ CONTRIBUTION TO THE VAMPIRE MYTH." Knowledge International Journal 28, no. 7 (2018): 2339–44. http://dx.doi.org/10.35120/kij28072339n.

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The end of the eighteenth century and the beginning of the nineteenth century, also known as the period of Romanticism, were marked with the interest of the authors in nature and emotions, but also in the supernatural, horrible and the exotic. Although it was the era of reason and the progress of sciences, critics have identified the significance of the Gothic influence on the works of most of the English Romantic figures, among which Lord Byron is known to have had the major influence on the creation and persistence of the vampire figure, as a Gothic trope, haunting the last and this century’

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Pop Zarieva, Natalija. "THE ENDURANCE OF THE GOTHIC THE ROMANTICS’ CONTRIBUTION TO THE VAMPIRE MYTH." Knowledge International Journal 28, no. 7 (2018): 2339–44. http://dx.doi.org/10.35120/kij29082339n.

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The end of the eighteenth century and the beginning of the nineteenth century, also known as the period of Romanticism, were marked with the interest of the authors in nature and emotions, but also in the supernatural, horrible and the exotic. Although it was the era of reason and the progress of sciences, critics have identified the significance of the Gothic influence on the works of most of the English Romantic figures, among which Lord Byron is known to have had the major influence on the creation and persistence of the vampire figure, as a Gothic trope, haunting the last and this century’

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18

Vdovychenko, H. V. "CULTURAL AND PHILOSOPHICAL ORIGINS AND ATTITUDES OF THE EARLY WORKS OF P. TYCHYNA: "THE LAST SUPPER, GUILLOTINE DAYS"." UKRAINIAN CULTURAL STUDIES, no. 2 (7) (2020): 28–37. http://dx.doi.org/10.17721/ucs.2020.2(7).05.

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The article explores cultural and philosophical origins and attitudes of the early works of P. Tychyna, namely defining the ones events and phenomena of domestic and foreign ethnocultural and professional cultural life, cultural and philosophical ideas and teachings, as well as P. Tychyna's own cultural and philosophical views, revealed mainly in his poetry books of 1918 – 1924. One of the most important, but still little- known pages of the biography and ideological and artistic evolution of P. Tychyna is the formation during the first third of the twentieth century, fundamental for his entir

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Vaniuha, Liudmyla, Yaroslava Toporivska, Oksana Hysa, Iryna Zharkova, and Mykola Bazhanov. "I. H. Verkhratskyi (1846–1919): at the origins of Ukrainian natural science." History of science and technology 11, no. 1 (2021): 84–102. http://dx.doi.org/10.32703/2415-7422-2021-11-1-84-102.

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Among the scientists of European greatness, who at the turn of the XIX and XX centuries showed interest to the folklore of Galicia (Halychyna) and Galician Ukrainians, contributed to their national and cultural revival, one of the leading places is occupied by the outstanding Ukrainian scientist Ivan Verkhratskyi (in some other sources – Verkhratsky). He was both naturalist and philologist, as well as folklorist and ethnographer, organizer of scientific work, publisher and popularizer of Ukrainian literature, translator, publicist and famous public figure. I. H. Verkhratskyi was also an outsta

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Aasen, Kristi. "»Helt kun i mand og kvinde«. Grundtvigs tanker om den fruktbare dobbelthet." Grundtvig-Studier 42, no. 1 (1991): 86–95. http://dx.doi.org/10.7146/grs.v42i1.16060.

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»Whole Only in Man and Woman«. Grundtvig’s thoughts about the fruitful doublenessBy Kirsti AasenGrundtvig lived in the Age of Enlightenment, a time worshipping reason, which he was strongly opposed to. His conviction after a long life was that real and true reason has its source in emotion. As against reason, thinking and the intellect, which Grundtvig calls male values, he sees sympathy, susceptibility, and compassion as female characteristics. It was because of her openness and susceptibility that the Virgin Mary could embrace Jesus and give birth to him. And by virtue of her sympathy Mary M

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Kudelin, Alexander B. "West-Eastern Poetic Compositions of the First Third of the 19th Century: from Goethe’s Divan to the ‘Sonnet/Ghazal’ by Mickiewicz / Topczi-Baszy." Studia Litterarum 5, no. 3 (2020): 68–103. http://dx.doi.org/10.22455/2500-4247-2020-5-3-68-103.

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The article is concerned with reciprocity between Western and Eastern literatures of the 19th century, when Orientalist motives began to take hold in European writings. Goethe, in his “West-Östlicher Divan” (1819), attributed this interest to the everlasting excellence and value, which the Eastern masterpieces hold for the West. However, as it is clear nowadays, the ‘West-Eastern’ compositions cannot be seen as truthfully retaining the spirit of the Eastern classics, which was based on a different system of meanings and values. On the other hand, it became clear that the Eastern reception of t

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Hajjari, Leila, and Zahra Soltani Sarvestani. "IMPERMANENCE / MUTABILITY: READING PERCY BYSSHE SHELLEY’S POETRY THROUGH BUDDHA." Littera Aperta. International Journal of Literary and Cultural Studies 5 (December 30, 2017): 19–37. http://dx.doi.org/10.21071/ltap.v5i5.13320.

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As an ongoing phenomenon, the impermanence of the world has been observed by many people, both in ancient and modern times, in the East and in the West. Two of these authors are Gautama Buddha (an ancient, eastern philosopher from the 6th-5th centuries B.C.) and Percy Bysshe Shelley (a modern Western poet: 1792-1822). The aim of this paper is to examine in the light of Buddhist philosophy what impermanence means or looks in a selection of Shelley’s poems, after considering that this philosophy was not alien to the Europeans of the 18th and 19th centuries. Buddhism, seeing impermanence (anicca)

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Yakusheva, G. V. "Lopatina, N. and Fridstein, Y., eds. (2019). ‘Whom thou desertest not, O Genius…’ Goethe in translations by Russian 19th-c. poets. Moscow: Infinitiv: Lingvistika. (In Russ.)." Voprosy literatury, no. 3 (June 22, 2021): 274–79. http://dx.doi.org/10.31425/0042-8795-2021-3-274-279.

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A review of the anthology prepared by N. Lopatina, a renowned Russian bibliographer. The collection includes 187 translations of Goethe’s 78 poems, which are quoted in the original language, and of several poetic fragments from the tragedy Faust, the novel Wilhelm Meister, as well as the cycle West-Eastern Divan, made by 63 Russian 19th-c. poets, representatives of various traditions — from Classicism and Sentimentalism to Symbolism and Acmeism. The collection showcases the high achievements of the country’s school of poetic translation and acute cultural awareness of the Russian society in th

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Isakhanli, Hamlet. "Alchemy in Russian Literature." Khazar Journal of Humanities and Social Sciences 23, no. 2 (2020): 69–79. http://dx.doi.org/10.5782/2223-2621.2020.23.2.69.

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Along with sciences, alchemical activity heavily influenced literature and art, and the images of alchemists were widely reflected in the works of poets, writers, artists, philosophers, and scientists. In Eastern and Western literature of ancient, medieval, and modern times, alchemy, together with the intriguing images of alchemists, was used also as a source of vivid metaphors. This article is devoted to the subject of alchemy in Russian literature, investigating which writers were interested in it and how it was developed in Russia. Prominent Russian authors’ poetic and prosaic writings have

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Demeshchenko, Violeta. "Oriental Motives in the Aesthetics of the New Theater of Gordon Craig." Culturology Ideas, no. 14 (2'2018) (2018): 68–78. http://dx.doi.org/10.37627/2311-9489-14-2018-2.68-78.

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The article is an attempt to rethink the creativity of a well-known English director, artist, screenwriter and journalist Gordon Craig who, in his professional work, preferred the traditions of the Eastern Theatre (China, India, and Japan) and their aesthetics. The director also was fond of the ideas of symbolism, which made it possible to use the forms of figurative poetic and associative thinking effectively in theatrical performances being the means of transferring an emotional idea. The article also reveals the creative stages of the prominent English director Gordon Craig emphasising his

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Almond, Ian. "Terrible Turks, Bedouin Poets, and Prussian Prophets: The Shifting Place of Islam in Herder's Thought." PMLA/Publications of the Modern Language Association of America 123, no. 1 (2008): 57–75. http://dx.doi.org/10.1632/pmla.2008.123.1.57.

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In an examination of the varied responses to the Muslim Orient by the eighteenth-century German thinker Johann Gottfried von Herder, I try to locate the multiple identities he displayed in his treatment of Turks, the Koran, Arab thought, and the doctrines of Islam. What emerges is a series of different voices, employing different registers of language: a Christian response to Islam as a rival revelation-based monotheism (but, at the same time, a more sympathetic Protestant privileging of “Muhammadanism” as a belief system preferable to “papism”); a poetic register, in which “Muhammadans” move

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De Brún, Sorcha. "“In a Sea of Wonders:” Eastern Europe and Transylvania in the Irish-Language Translation of Dracula." Acta Universitatis Sapientiae, Philologica 12, no. 1 (2020): 70–83. http://dx.doi.org/10.2478/ausp-2020-0006.

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Abstract The publication of the Irish-language translation of Dracula in 1933 by Seán Ó Cuirrín was a landmark moment in the history of Irish-language letters. This article takes as its starting point the idea that language is a central theme in Dracula. However, the representation of Transylvania in the translation marked a departure from Bram Stoker’s original. A masterful translation, one of its most salient features is Ó Cuirrín’s complex use of the Irish language, particularly in relation to Eastern European language, character, and landscapes. The article examines Ó Cuirrín’s prose and w

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Wanner, Adrian. "Osteuropäisch-jüdische Literaturen im 20. und 21. Jahrhundert: Identität und Poetik/Eastern European Jewish Literature of the 20th and 21st Centuries: Identity and Poetics (Die Welt der Slaven Sammelbände, vol. 52)." East European Jewish Affairs 47, no. 1 (2017): 121–22. http://dx.doi.org/10.1080/13501674.2017.1313668.

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Lanovyk, Mariana, and Zoriana Lanovyk. "“Army of Metaphors” in Scientific Discourse." Pitannâ lìteraturoznavstva, no. 101 (July 9, 2020): 64–87. http://dx.doi.org/10.31861/pytlit2020.101.064.

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The article outlines the problem of the terminological potential of metaphor as the main figure of poetics, rhetoric, artistic and poetic thinking in general. The authors analyze numerous works about the nature and value of the metaphor; comprehend peculiarities of its use, forms and discourses of use, figurative potential of metaphorical thinking; at the same time, they emphasize on the mythological basis of such thinking (in particular, based on the works of O. Freudenberg, N. Frye, F. Nietzsche). The main focus is on the metaphorical (figurative) nature of terminology in both the humanities

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"Traditionalism, as a factor in the development of Central Asian society (XIX-early XX centuries.)." International Journal of Innovative Technology and Exploring Engineering 8, no. 9 (2019): 933–38. http://dx.doi.org/10.35940/ijitee.i7861.078919.

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After Uzbekistan gained state independence, one of the priorities of the national historical science was the task of re-creating the true history of the Uzbek people and their statehood at various stages of historical development. In the process of implementing this task, the introduction into scientific circulation and the objective interpretation of a new source material has become important. These include an extensive body of research devoted to a wide range of issues related to the development of the history of Central Asian society in different literature on its periodization. One of the

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Хайруллин, Р. З., И. А. Таирова, and Л. Ф. Суржикова. "Synthesis of Eastern and Western cultures in the poetic cycle of Mustay Karim «Europe-Asia»." Al`manah «Etnodialogi», no. 4(62) (December 30, 2020). http://dx.doi.org/10.37492/etno.2020.62.4.005.

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В статье рассматривается цикл стихов «Европа — Азия», в котором органично слились две культуры: восточная и западная; афористичность мышления, мудрость Востока сочетается с лучшими традициями европейской литературы. В цикле «Европа — Азия» воплощена идея неразрывной связи Европы и Азии, синтеза гармоничности Востока и рационалистичности Запада, единства Башкирии и России. Цикл «Европа — Азия» — это признание поэта в любви к своей «малой» (Башкирии) и «большой» Родине (России), свидетельство его гражданственности и патриотизма. Идею любви к родине, ее многонациональной культуре и всечеловеческо

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Grübel, Rainer. "Osteuropäisch-jüdische Literaturen im 20. und 21. Jahrhundert. Identität und Poetik./Eastern European Jewish Literature of the 20th and 21st Centuries." Zeitschrift für Slawistik 61, no. 4 (2016). http://dx.doi.org/10.1515/slaw-2016-0043.

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Kmínek, Jiří. "Jak lidově na outdoorové vzdělávání v Jižní Americe?" Envigogika 10, no. 1 (2015). http://dx.doi.org/10.14712/18023061.490.

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There has been an “afternoon school” called Imagion in Pucallpa on the Ucayali River for the last 8 years. The goal of this school in Peru is not to substitute primary education, but to nurture a relationship to the wilderness. The author (with permission from Dr. Jan Dungel from Vracov) has used approximately 300 of his excellent paintings of wild South American fauna. These unique pictures have not only an educational value, but are also poetic. They are installed within a labyrinth which has about 400 possible paths through it – their placement imitates the jungle. Children go through the m

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Trepte, Hans-Christian. "Smola, Klavdia. Osteuropäisch-jüdische Literaturen im 20. und 21. Jahrhundert: Identität und Poetik / Eastern European Jewish Literature of the 20th and 21st Centuries: Identity and Poetics." Kritikon Litterarum 42, no. 1-2 (2015). http://dx.doi.org/10.1515/kl-2015-0023.

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Woldeyes, Yirga Gelaw. "“Holding Living Bodies in Graveyards”: The Violence of Keeping Ethiopian Manuscripts in Western Institutions." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1621.

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IntroductionThere are two types of Africa. The first is a place where people and cultures live. The second is the image of Africa that has been invented through colonial knowledge and power. The colonial image of Africa, as the Other of Europe, a land “enveloped in the dark mantle of night” was supported by western states as it justified their colonial practices (Hegel 91). Any evidence that challenged the myth of the Dark Continent was destroyed, removed or ignored. While the looting of African natural resources has been studied, the looting of African knowledges hasn’t received as much atten

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McCosker, Anthony, and Rowan Wilken. "Café Space, Communication, Creativity, and Materialism." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.459.

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IntroductionCoffee, as a stimulant, and the spaces in which it is has been consumed, have long played a vital role in fostering communication, creativity, and sociality. This article explores the interrelationship of café space, communication, creativity, and materialism. In developing these themes, this article is structured in two parts. The first looks back to the coffee houses of the seventeenth and eighteenth centuries to give a historical context to the contemporary role of the café as a key site of creativity through its facilitation of social interaction, communication and information

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Petzke, Ingo. "Alternative Entrances: Phillip Noyce and Sydney’s Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.863.

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Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his belt. Still, his beginnings were quite humble and far from his role today when he grew up in the midst of the counterculture of the late sixties. Millions of young people his age joined the various ‘movements’ of the day after experiences that changed their lives—mostly music but also drugs or fashion. The counterculture was a turbulent time in Sydney artistic circles as elsewhere. Everything looked possible, you sim

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Kabir, Nahid. "Why I Call Australia ‘Home’?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2700.

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   Introduction I am a transmigrant who has moved back and forth between the West and the Rest. I was born and raised in a Muslim family in a predominantly Muslim country, Bangladesh, but I spent several years of my childhood in Pakistan. After my marriage, I lived in the United States for a year and a half, the Middle East for 5 years, Australia for three years, back to the Middle East for another 5 years, then, finally, in Australia for the last 12 years. I speak Bengali (my mother tongue), Urdu (which I learnt in Pakistan), a bit of Arabic (learnt in the Middle East); but

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Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food

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Marcheva, Marta. "The Networked Diaspora: Bulgarian Migrants on Facebook." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.323.

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The need to sustain and/or create a collective identity is regularly seen as one of the cultural priorities of diasporic peoples and this, in turn, depends upon the existence of a uniquely diasporic form of communication and connection with the country of origin. Today, digital media technologies provide easy information recording and retrieval, and mobile IT networks allow global accessibility and participation in the redefinition of identities. Vis-à-vis our understanding of the proximity and connectivity associated with globalisation, the role of ICTs cannot be underestimated and is clearly

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