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Dissertations / Theses on the topic 'Edmund Symbolism in literature'

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1

Pal, Nandinee. "The warrior and the rose : Spenser's iconography of chastity in The faerie queene." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74055.

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2

Shinn, Abigail Naomi. "Edmund Spenser and the popular press." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/2386/.

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This thesis examines the relationship between the work of the sixteenth century English poet Edmund Spenser and the popular press. Previous critical debate has focused upon Spenser‟s debt to the classical traditions of epic, pastoral and georgic, and the work of Italian poets such as Ariosto, rather than considering the role played by more ephemeral and cheap English publications; my research helps to readdress this imbalance. By combining a close reading of Spenser‟s work with an analysis of widely available publications such as almanacs, books of husbandry, calendars, Elizabethan storybooks,
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3

Ayrey, Craig Leslie. "Debussy and the techniques of symbolism." Thesis, King's College London (University of London), 1997. https://kclpure.kcl.ac.uk/portal/en/theses/debussy-and-the-techniques-of-symbolism(c3c28864-a08a-49ae-8077-acf11312adf7).html.

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4

Hart, Stuart Anthony. "Soteriology in Edmund Spenser's 'The Faerie Queene'." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8138/.

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The thesis demonstrates the extent to which the sixteenth-century allegorical epic poem, The Faerie Queene, engages with early modern theories of salvation. Much has been written about Spenser’s consideration of theological ideas in Book I and this has prompted scholars to speculate about the poet’s own doctrinal inclinations. However, little has been written about the ways in which the remaining books in the poem also explore Christian ideas of atonement, grace and damnation. This study advances Spenserian scholarship by stressing the soteriological dimension of books II, III, IV and VI. It c
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5

Mullan, Anna. "Virgil and Numerical Symbolism." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/811.

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In the final book of the Georgics, Virgil digresses into a nostalgic and regretful explanation of his inability to include a proper discussion of gardening because he is spatiis exclusus iniquis (147). Often deemed “the skeleton of a fifth book of the Georgics” the exact meaning and intent behind this passage is still largely contested. In this paper I will attempt to de-strange this passage by examining it philosophically and allegorically, particularly by means of numerical symbolism.
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6

Maley, William Timothy. "Edmund Spenser and cultural identity in early modern Ireland." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292801.

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7

Ford, Fiona. "The film music of Edmund Meisel (1894-1930)." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/12271/.

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This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930. In the main, these scores were written for feature-length films, some for live performance with silent films and some recorded for post-synchronized sound films. The genesis and contemporaneous reception of each score is discussed within a broadly chronological framework. Meisel’s scores are evaluated largely outside their normal left-wing proletarian and avant-garde backgrounds, drawing comparisons instead with narrative scoring techniques found in mainstream commerci
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8

Georgekish-Watt, Jonathan. "The queer philosopher, Edmund White and the technologies of the self." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58454.pdf.

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9

Golden, Michelle. "The "roote of ciuil conuersation" redefining courtesy in book vi of The faerie queen /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-02072007-111115/.

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Thesis (B.A. honors)--Georgia State University, 2006.<br>Dr. Robert Sattelmeyer, committee chair; Wayne Erickson, committee member. Electronic text (40 p.) : digital, PDF file. Description based on contents viewed May 7, 2007. Includes bibliographical references (p. 39-40).
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10

Griffin, Tobias David. "Grey areas : Edmund Spenser's 'Faerie Queene' and the Irish colonial mindset /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3095247.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 215-221). Also available for download via the World Wide Web; free to University of Oregon users.
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11

Galbraith, Steven K. "Edmund Spenser and the History of the Book, 1569-1679." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1150074228.

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12

Eboli, Fang Regine Anne Marie. "Thinking Proust allegorically." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20522526.

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13

Tipper, Paul Andrew. "Colour symbolism in the works of Gustave Flaubert." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:3814.

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The thesis adopts a structural and systematic approach to the study and analysis of colour terms in Flaubert's fiction.The Introduction highlights how Flaubert has come to be regarded as a problematic writer and how much existing work on his colour terms is in some way lacking in clarity. I proceed to fill this gap in Flaubert studies by elaborating a method of analysis of colour terms which clarifies how meaning is produced by the text. The method of analysis comprises eight stages which are systematically worked through as one considers eleven variables, one or several of the latter coming i
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14

Tekin, Burcu. "The Portrayal Of Universal Harmony And Order In Edmund Spenser." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612468/index.pdf.

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This thesis analyses Edmund Spenser&rsquo<br>s Fowre Hymnes in light of the holistic Renaissance world view and poet&rsquo<br>s collection of various tradition of ideas. Spenser&rsquo<br>s treatment of love is explored as the cosmic principle of harmony. Universal order is examined with an emphasis on the position of man in the ontological hierarchy. Thus, this thesis investigates Spenser&rsquo<br>s own suggestions to imitate macrocosmic harmony and order in the microcosmic level.
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15

Vilain, Robert Leon. "The poetry of Hugo von Hofmannsthal and French symbolism : tradition and inhibition." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320987.

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16

Brennan, Isabel Cardigos. "In and out of enchantment : blood symbolism and gender in Portuguese fairytales." Thesis, King's College London (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285564.

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17

Ritchie, Fairlie. "Depth and destiny : religious significance in the symbolism of Isak Dinesen's literature." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66082.

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18

Talavera, Ibarra Pedro Leonardo. "The changing view on the world : from symbolism to avant-garde in Russian, French and Latin American literature /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Thesis (Ph. D.)--University of Texas at Austin, 1999.<br>Vita. Text in English, with some Russian, French and Spanish. Includes bibliographical references (leaves 222-240). Available also in a digital version from Dissertation Abstracts.
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19

Kim, Hoyoung. "Edmund Spenser as Protestant Thinker and Poet : A Study of Protestantism and Culture in The Faerie Queene." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278683/.

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The study inquires into the dynamic relationship between Protestantism and culture in The Faerie Oueene. The American Protestant theologian Reinhold Niebuhr makes penetrating analyses of the relationship between man's cultural potentials and the insights of Protestant Christianity which greatly illuminate how Spenser searches for a comprehensive religious, ethical, political, and social vision for the Christian community of Protestant England. But Spenser maintains the tension between culture and Christianity to the end, refusing to offer a merely coherent system of principles based on the doc
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20

Wiggins, Linda. "Braue atchieuements : an analysis of the female principle in books III and IV of Edmund Spenser's The faerie queene /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487683756125265.

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21

Majeske, Andrew J. "Equity in English Renaissance literature : Thomas More [sic] Utopia and Edmund Spenser's The faerie queene /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2003. http://uclibs.org/PID/11984.

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22

Martin, Shannon. "A Palette of Unconvential Symbolism: Color Imagery in Three Margaret Atwood Novels." TopSCHOLAR®, 1995. http://digitalcommons.wku.edu/theses/915.

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In this thesis, the writer examines the color imagery in three Margaret Atwood novels: Surfacing, Cat's Eye, and The Handmaid's Tale. Atwood uses color in unconventional ways by forcing colors to symbolize the opposite of their common meanings, by allowing colors to represent simultaneously two opposing ideas, and by disregarding traditional color meanings by creating her own unique associations. Atwood's color imagery supports her thematic concerns in that through her themes--as with her use of color--she challenges the reader's expectations by throwing into question many conventional ideas a
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23

Brice, Benjamin John. "Analogy, disanalogy and the Coleridgean symbol : some philosophical and theological contexts for Coleridge's theory of symbolism." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275724.

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24

Howell, Evan. "‘Some Can’t Be That Simple’: Flannery O’Connor’s Debt to French Symbolism." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2913.

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In this thesis, I trace the influence of French Symbolist poetry on the works of Flannery O’Connor. Many of O’Connor’s influences are well-known and documented, including Catholicism, the South, modern fiction, and her battle with lupus. However, I argue that Symbolism, via its influence on Modernist literature, is another major influence. In particular, I focus on several aspects of O’Connor’s writing: the recurrence of the same symbol across multiple works, the central location of symbols in several stories, the use of private symbols of the author’s invention, and use of symbol, rather than
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25

Hsu, Yun-Che. "The symbolism of blood in Levitical rites and sacrifices." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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26

Straight, Leslie. "Transcendental Mirrors: Thoreau's Pond, Poe's Sea, and Melville's Ocean." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/346.

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Three seminal 19 th-century North American literary works feature bodies of water which serve both as key elements in their narrative structure and as symbolic entities within their meaning systems. The protagonists in Henry David Thoreau’s Walden, Edgar Allan Poe’s A Narrative of Arthur Gordon Pym of Nantucket, and Herman Melville’s Moby-Dick literally define themselves in terms of their relation to these bodies of water. The best way to determine the function of water in the texts is to analyze the initial relationship between water and the central character, the way that water serves as a
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27

Lubowinski, June Graybeal. "Heraldic Symbolism and Color Imagery in William Morris's "The Defence of Guenevere and Other Poems"." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625529.

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28

McKenzie, Stephen. "Conquest landmarks and the medieval world image : a study in cartography, literature and mythology /." Title page, contents and synopsis only, 2000. http://web4.library.adelaide.edu.au/theses/09PH/09phm15746.pdf.

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29

Fulford, Tim. "A study of S.T. Coleridge's search for a spiritual language, with reference to wordplay, symbolism, and the Kabbalah." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292834.

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30

Corbit, James B. "The Shelleyan vortex a study of the evolutionary development of the spiral within Percy Bysshe Shelley's "Alaster," "Mount Blanc" and "Prometheus Unbound" /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2003. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2003.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2843. Typescript. Abstract precedes thesis as preliminary leaves iii-iv. Includes bibliographical references (leaves 118-126).
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31

Lee, Joshua Seth. "WHITHERSOEVER THOU GOEST: THE DISCOURSES OF EXILE IN EARLY MODERN LITERATURE." UKnowledge, 2014. http://uknowledge.uky.edu/english_etds/15.

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Exile is, as Edward Said so eloquently put it, “the perilous territory of not-belonging.” Exiled peoples operate on the margins of their native culture: part of it, but excluded from it permanently or temporarily. Broadly speaking, my project explores the impact of exile on English literature of the late 15th and early 16th centuries. English exiles appear frequently in literary studies of the period, but little attention has thus far been focused on the effect of exile itself on late medieval and early modern authors. Historical studies on exile have been more prevalent and engaging. My proje
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32

Brown, Patricia. "The role and symbolism of the dragon in vernacular saints' legends, 1200-1500." Thesis, University of Birmingham, 1998. http://etheses.bham.ac.uk//id/eprint/5414/.

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This thesis looks at the role and function of the dragon in the saint's encounter with the monster in hagiographic texts, written primarily in the vernacular, between 1200 and 1500. Those connotations accrued by the dragon which are relevant to this thesis are traced from their earliest beginnings. Although by the middle ages the multi-valency of the dragon is reduced to one primary symbolic valency, that of evil and significantly, the evil of paganism, the dragon never loses completely its ancient associations and they help to colour its function within the narrative. The symbolic use of the
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33

Jackson, Veda Kimber. "It's all about color: an analysis of color symbolism in Toni Morrison's Sula and the bluest eye." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2011. http://digitalcommons.auctr.edu/dissertations/204.

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This study examines Toni Morrison’s use of symbolism in Sula and The Bluest Eye, especially archetypal and color symbolism, in an effort to recover the culture that has been lost to Diasporic Africans. Moreover, the color symbolism and symbolic archetypes that Morrison employs in both novels, but to a greater extent Sula, are a direct reflection of her awareness of the African ancestral heritage and spirituality associated with those colors and archetypes. A vast majority of the literary critiques of Sula have focused on either Sula as a scapegoat for the community, Morrison’s use of race, gen
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34

Major, Julia. "Purity, translation and dialectical rhetoric in Spenser's "Well of English Undefyled" /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061957.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 480-510). Also available for download via the World Wide Web; free to University of Oregon users.
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35

Masera, Cerutti Maria Ana Beatriz. "Symbolism and some other aspects of traditional Hispanic lyrics : a comparative study of late medieval lyric and modern popular song." Thesis, Queen Mary, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321657.

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36

Murphy, William Edward. "The rhetoric of Edmund Burke : Burke's use of Newtonian mechanics as rhetorical examples in aesthetics, literature and history." Thesis, University of Ulster, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445042.

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37

Wilson, Mary E. "Gothic cathedral as theology and literature." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002826.

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38

Tumino, Anna Maria. "La funzione simbolica dello spazio nella trilogia di Giorgio Bassani." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64203.pdf.

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39

Spencer, Briana M. "Material girl : the subjective role of objects in Dorothy Parker's poems and short stories /." Electronic version (PDF), 2005. http://dl.uncw.edu/etd/2005/spencerb/brianaspencer.pdf.

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40

Ganobcsik-Williams, Gruffudd Aled. "The sweat of the brain : representations of intellectual labour in the writings of Edmund Burke, William Cobbett, William Hazlitt and Thomas Carlyle." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/3086/.

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This thesis examines representations of intellectual work in the writings of Edmund Burke, William Cobbett, William Hazlitt, and Thomas Carlyle, focusing on their tendency to draw on an analogy between mental and manual labour when representing their own work to themselves and to their readers. It is my argument that while the assimilation of intellectual to physical labour can be seen as a symptom of political bad faith - suggesting, as it does, that thinking and writing are as painful or as difficult as digging and ploughing - the primary purposes of the analogy in the works of these four cu
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41

Hubbard, Gillian Chell. ""Acquire and beget a temperance" : the virtue of temperance in The faerie queene book II and Hamlet : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature /." ResearchArchive@Victoria e-thesis, 2010. http://hdl.handle.net/10063/1261.

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42

Van, Zyl Liezel. "Alternative worlds in Spenser's The faerie queene." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51574.

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Thesis (MA)-- Stellenbosch University, 2000.<br>ENGLISH ABSTRACT: Although The Faerie Queene was written in 1589 as a commentary on and criticism of issues which would concern many sixteenth-century Protestant subjects of Queen Elizabeth of England, Spenser creates in his text worlds which even a twentieth-century reader can find significant. Allegorical representations, mythical, historical and poetical figures and pastoral retreats, for example, not only reflect the harsh realities which sixteenth-century English society experienced, but also offer the possibility of escape to worlds o
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43

Burkowski, Jane M. C. "The symbolism and rhetoric of hair in Latin elegy." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:44e36b32-8c44-4dd0-8241-3206e40e67f9.

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This thesis examines the hair imagery that runs through the works of Propertius, Tibullus, and Ovid. Comparative analysis of the elegists’ approaches to the motif, with particular emphasis on determining where and how each deviates from the cultural assumptions and literary tradition attached to each image, sheds light on the character and purposes of elegy as a genre, as well as on the individual aims and innovations of each poet. The Introduction provides some background on sociological approaches to the study of hair, and considers the reasons why hair imagery should have such a prominent p
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44

Upham, Arthur G. "Chastity, the Reformation context, and Spenser's Faerie Queene, book 3." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40457.

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This study examines the sixteenth-century English Reformation background of Spenser's Faerie Queene, Book 3. Recovering this material is not simply a matter of opening a Bible, for various groups in the period, both Catholic and Reformer, interpreted its passages differently. The Book's four primary female characters, Belphoebe, Florimell, Britomart and Amoret, embody different aspects of the virtue, and these come into sharper focus in the light of this background. After a general survey of previous discussions of this topic, Chapter 1 examines the virgin Belphoebe and attitudes about celibac
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45

Berg, Wayne Carl Jr. "Images in the labyrinth a reading of symbol and archetype in four quartets /." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/berg/BergW0507.pdf.

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Ackerman, Heather. "Where babies come from in Spenser's Faerie Queene and Shakespeare's Measure for measure." Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1417810021&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Shields, James Mark. "The lure of disillusion : toward a reappraisal of realism in religious understanding." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ29514.pdf.

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48

Wolfe, John Edward Hibbs Thomas S. "Transcending the garden the role of the sign of the garden in Augustine's Confessions /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5215.

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Stephanou, Aspasia. "Our blood, ourselves : the symbolics of blood in vampire texts and vampire communities." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3644.

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My thesis examines the ways in which blood is represented in vampire novels, films, and vampire communities. I locate my thesis within a postmodern framework that encompasses a diverse range of critical approaches such as postmodern, feminist and materialist theories, anthropology, psychoanalysis, and histories of medicine and ideas. The mixture of high and low status texts selected examine the ways identity, self-fashioning and the body are constructed through their use of a symbolics of blood. The first chapter examines the changing meanings of blood in vampire texts from the nineteenth cent
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Moran, Benjamin Adam. "The Earthen Mirror: Spenser, Soil, and the Natures of Interpretation." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594476712054021.

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