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Journal articles on the topic 'Edmund Symbolism in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Heffernan, Laura. "Axel's Classroom." Modernist Cultures 14, no. 3 (2019): 316–36. http://dx.doi.org/10.3366/mod.2019.0258.

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Edmund Wilson's Axel's Castle (1931) has been much blamed for characterising modernist literature by an aesthetic refusal to engage with society, and for encouraging the narrow formalism of New Critical pedagogy. The recovery of Wilson's own distinctive teaching practice, however, shows that he used the book to teach modernism's development out of coterie symbolism towards social engagement and cultural criticism. Modern literature classrooms like Wilson's functioned not to define literature's purity, but to explore the connections between then-contemporary modernism and all kinds of writing t

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2

Fukaya, Kiminori. "The Early Beckett's Approach to Reality through a Textual Struggle with Rimbaud." Journal of Beckett Studies 26, no. 2 (2017): 188–205. http://dx.doi.org/10.3366/jobs.2017.0202.

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In his early career, Beckett often mentioned an aesthetic of ‘incoherent reality’, which he felt was characteristic of Arthur Rimbaud. Critics have agreed that Rimbaud influenced on Beckett in the ‘incoherent’ use of language, while the importance of the idea of ‘reality’ has yet to be explored. In this article, I attempt to elucidate Beckett's view of incoherent reality and how he formulated it through Rimbaud. The early part of my analysis, drawing on Proust, differentiates young Beckett's perspective of reality from literary symbolism and explains why he found elements of reality in Proust

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3

Pack, R. "Symbolism in French literature." Literator 11, no. 1 (1990): 67–76. http://dx.doi.org/10.4102/lit.v11i1.794.

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To talk of Symbolism in French literature may be ambiguous, as two different categories of writers have been grouped under this generic term: the symbolists stricto sensu, such as Moréas or Viélé-Griffin, who were mostly minor poets, and some great figures of French literature. The aim of this article is to show that, although Symbolism as an organized movement did not produce any important contribution, the nineteenth century witnessed indeed the emergence of a new trend, common to several poets who were inclined to do away with the heritage of the classical school. These poets - of whom Baud

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4

Wilson, Reed. "Edmund." Antioch Review 53, no. 2 (1995): 200. http://dx.doi.org/10.2307/4613129.

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5

Fargnoli, Joseph R., and David Castronovo. "Edmund Wilson." Journal of the Midwest Modern Language Association 19, no. 1 (1986): 77. http://dx.doi.org/10.2307/1315015.

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6

Mittleman, L. B., and David Castronovo. "Edmund Wilson." World Literature Today 60, no. 2 (1986): 318. http://dx.doi.org/10.2307/40141794.

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7

Yoo, Hyung Joon. "Literature & Medicine - Symbolism of Obesity." Korean Journal of Obesity 20, no. 3 (2011): 107. http://dx.doi.org/10.7570/kjo.2011.20.3.107.

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8

Roe, J. "Review: Edmund Spenser: The Faerie Queene: Edmund Spenser: The Faerie Queene." Cambridge Quarterly 32, no. 3 (2003): 277–81. http://dx.doi.org/10.1093/camqtly/32.3.277.

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9

Pyman, Avril. "Symbolism and Philosophical Discourse." Russian Literature 36, no. 4 (1994): 371–86. http://dx.doi.org/10.1016/0304-3479(94)p3026-h.

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10

Reinitz, Neale. "Edmund Wilson: Playwrights, Farewell!" Modern Drama 36, no. 3 (1993): 454–66. http://dx.doi.org/10.3138/md.36.3.454.

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11

Grogan, Jane. "Edmund Spenser: A Life." Textual Practice 27, no. 7 (2013): 1247–50. http://dx.doi.org/10.1080/0950236x.2013.860284.

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12

Hillyer, Richard. "Edmund Waller's Sacred Poems." Studies in English Literature, 1500-1900 39, no. 1 (1999): 155. http://dx.doi.org/10.2307/1556310.

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13

Leung, K. C., and Barry Webb. "Edmund Blunden: A Biography." World Literature Today 66, no. 1 (1992): 138. http://dx.doi.org/10.2307/40147973.

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14

King, Daniel Patrick, and Jeffrey Meyers. "Edmund Wilson: A Biography." World Literature Today 70, no. 4 (1996): 969. http://dx.doi.org/10.2307/40152425.

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15

Whistler, Daniel. "NATURALISM AND SYMBOLISM." Angelaki 21, no. 4 (2016): 91–109. http://dx.doi.org/10.1080/0969725x.2016.1229439.

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16

Stokes, John, and James Redmond. "Drama and Symbolism." Modern Language Review 81, no. 2 (1986): 437. http://dx.doi.org/10.2307/3729718.

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17

Brant, Clare, Paul Baines, Pat Rogers, and Jan Fergus. "Edmund Curll: Bookseller." Modern Language Review 103, no. 3 (2008): 827. http://dx.doi.org/10.2307/20467932.

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18

Kim, Byungsook. "The Symbolism of Blue in Japanese Ancient Literature." Hankuk University of Foreign Studies Literature Studies 69 (February 3, 2018): 59–80. http://dx.doi.org/10.22344/fls.2018.69.59.

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19

Richter, David, and Manuel Aguirre. "The Closed Space: Horror Literature and Western Symbolism." Modern Language Review 87, no. 3 (1992): 710. http://dx.doi.org/10.2307/3732964.

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20

Belliquist, John Eric. "Strindberg's Father: Symbolism, Nihilism, Myth." Modern Drama 29, no. 4 (1986): 532–43. http://dx.doi.org/10.3138/md.29.4.532.

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21

Dwan, David. "Important Nonsense: Yeats and Symbolism." New Literary History 50, no. 2 (2019): 219–43. http://dx.doi.org/10.1353/nlh.2019.0013.

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22

Brown, John L., Edmund Wilson, Janet Groth, and David Castronovo. "From the Uncollected Edmund Wilson." World Literature Today 70, no. 3 (1996): 705. http://dx.doi.org/10.2307/40042220.

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23

Roe, J. "Edmund Spenser: The Shorter Poems." Cambridge Quarterly 29, no. 3 (2000): 289–92. http://dx.doi.org/10.1093/camqtly/29.3.289.

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24

Binney, Matthew W. "Edmund Burke’s Sublime Cosmopolitan Aesthetic." SEL Studies in English Literature 1500-1900 53, no. 3 (2013): 643–66. http://dx.doi.org/10.1353/sel.2013.0023.

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25

Loeffelholz, Mary. "Edmund Clarence Stedman's Black Atlantic." Victorian Poetry 43, no. 2 (2005): 189–204. http://dx.doi.org/10.1353/vp.2005.0025.

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26

Oboladze, Tatia. "Georgian Symbolism: Context and Influence." International Journal of Applied Linguistics and English Literature 7, no. 2 (2018): 110. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.1p.110.

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In the 1910s in the Georgian literary area the first Symbolist group TsisperiQantsebi (The Blue Horns) comes into being, with a clearly defined purpose and aesthetic position, which implied renewing the Georgian literature and including it into the Western context. Desiring to expand the thought area and to modernize Georgian literature, Georgian Symbolists rested on the philosophical and worldview principles of French Symbolism. Georgian Symbolism appears as an original invariant generated from the French Symbolist aesthetics, which is unequivocally national.

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27

Herbert, M. K. "The Symbolism of Skin." Interdisciplinary Studies in Literature and Environment 4, no. 2 (1997): 99–100. http://dx.doi.org/10.1093/isle/4.2.99a.

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28

Khachatryan, Armine. "Sound Symbolism and Onomatopoeia." Armenian Folia Anglistika 11, no. 1 (13) (2015): 58–64. http://dx.doi.org/10.46991/afa/2015.11.1.058.

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The function, realization and the role of sound-symbolic phenomenon can vary in some languages. The study of sound symbolism and onomatopoeia in Armenian, Russian and English showed that highly expressive forms of language occur not only in daily conversation, advertising, newspapers and magazines, but also in creative literature: children’s poems, stories and great works of art. As a powerful stylistic device they realize an impact upon the reader or listener and evoke certain emotional expressively evaluative reactions. The comparative analysis of this phenomenon demonstrates that the word i

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29

Franchuk, Edward S. "Symbolism in Miss Julie." Theatre Research International 18, S1 (1993): 11–15. http://dx.doi.org/10.1017/s0307883300021052.

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The theme of Strindberg's Miss Julie (Fröken Julie, 1888), the struggle for sexual ascendancy between a liberated young woman and an ambitious young man who is her social inferior, continues to hold fascination even in times such as our own, which purport to be sexually liberated, socially egalitarian, and feminist. Perhaps, one might speculate, fascination with the play, its characters, and its situation is especially intense in such times. Certainly awareness of an interest in sexual politics have not lessened in the century since the play appeared. Since it has been a century dominated to a

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30

Newman, Ian. "Edmund Burke in the Tavern." European Romantic Review 24, no. 2 (2013): 125–48. http://dx.doi.org/10.1080/10509585.2013.765360.

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31

Quigley, Austine. "Realism and Symbolism in Oscar Wilde'sSalome." Modern Drama 37, no. 1 (1994): 104–19. http://dx.doi.org/10.3138/md.37.1.104.

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32

Lagory, Michael. "Wormy Circumstance: Symbolism in Keats's "Isabella"." Studies in Romanticism 34, no. 3 (1995): 321. http://dx.doi.org/10.2307/25601124.

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33

Corrigan, Yuri. "Čechov and the Foundations of Symbolism." Russian Literature 66, no. 2 (2009): 165–88. http://dx.doi.org/10.1016/j.ruslit.2009.10.002.

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34

Allen, Richard C. "Charles Lloyd, Coleridge, and "Edmund Oliver"." Studies in Romanticism 35, no. 2 (1996): 245. http://dx.doi.org/10.2307/25601168.

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35

Kennelly, Brian Gordon. "Genet: A Biography by Edmund White." L'Esprit Créateur 35, no. 1 (1995): 84. http://dx.doi.org/10.1353/esp.1995.0023.

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36

Hamad, Mohammad. "Symbolism of Water in Classic and Modern Arabic Literature." International Journal of Language and Literary Studies 2, no. 4 (2020): 258–65. http://dx.doi.org/10.36892/ijlls.v2i4.367.

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Water in Arabic literature has literal and symbolic meanings. Water is one of the four elements in Greek mythology; life would be impossible without water and it is a synonym for life; life originated in water. Springs, wells, rain, seas, snow, and swamps are all associated with water. Each form of water may take on a different manifestation of the original from which it comes about. Arabic literature employs the element of water in poetry, the short story, and the novel. We find it in titles of poems: Unshudat al-matar (Hymn of the Rain) and Waj’ al-ma’ (The Pain of Water); and novels: Dhakir

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37

Hunt, David. "Colour Symbolism in the Folk Literature of the Caucasus." Folklore 117, no. 3 (2006): 329–38. http://dx.doi.org/10.1080/00155870600928989.

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38

Kinasih, Putri Rindu. "The application of reader-response theory to teach symbolism in literature class for EFL students." Journal of Research on English and Language Learning (J-REaLL) 1, no. 2 (2020): 87. http://dx.doi.org/10.33474/j-reall.v1i2.6757.

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For years, scholars believed one effective approach that can be used in teaching literature in EFL context is reader-response approach yet very limited study can be found about the application of reader-response theory in teaching symbolism. Whereas, symbolism is considered as the most important elements of serious imaginative literature which provide rich sources of insight. The problem is, deciding exactly what is represented by a symbol is not an easy thing to do, though the general meaning is clear because a symbol most commonly represents something unnamed. This research aimed to find out

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39

Morgan, Gerald, Anthea Hume, William L. Sipple, Patrick Cullen, and Thomas P. Roche. "Edmund Spenser: Protestant Poet." Modern Language Review 82, no. 2 (1987): 441. http://dx.doi.org/10.2307/3728448.

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40

Spenser (book author), Edmund, Andrew D. Hadfield (book editor), Anne Lake Prescott (book editor), and David Katz (review author). "Edmund Spenser’s Poetry." Renaissance and Reformation 38, no. 4 (2016): 227–29. http://dx.doi.org/10.33137/rr.v38i4.26402.

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41

Pogacar, Ruth, Agnes Pisanski Peterlin, Nike K. Pokorn, and Timothy Pogačar. "Sound symbolism in translation." Translation and Interpreting Studies 12, no. 1 (2017): 137–61. http://dx.doi.org/10.1075/tis.12.1.07pog.

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Abstract Readers may infer that literary characters are sympathetic or unsympathetic based on the perceived phonetics of character names. Drawing on brand name literature in marketing, we investigate whether Slovene and English speakers can identify sympathetic and unsympathetic characters in Charles Dickens’s Oliver Twist based solely on their names, despite being unfamiliar with the novel. Both Slovene and English speakers can make this distinction, suggesting that sound symbolism may help communicate Dickens’s intended characterizations. Dickens’s documented focus on creating meaningful nam

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42

Simpson, Craig. "THE WARPING OF EDMUND RUFFIN." Canadian Review of American Studies 22, no. 3 (1991): 457–64. http://dx.doi.org/10.3138/cras-022-03-09.

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43

Perrin, Jean. "Macbeth, or the Symbolism of Ineluctability." Cahiers Élisabéthains: A Journal of English Renaissance Studies 38, no. 1 (1990): 41–48. http://dx.doi.org/10.1177/018476789003800108.

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44

Greenberg, Meg. "Synesthesia and Literary Symbolism." Forum Italicum: A Journal of Italian Studies 43, no. 2 (2009): 362–84. http://dx.doi.org/10.1177/001458580904300203.

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‘Synesthesia and Literary Symbolism’ broadens the well-established relationship between synesthesia and French Symbolist poetry to include Marinetti's experimentation with sensory blurring. Synesthesia was a recognized medical condition that came to public awareness by the end of the nineteenth-century both because of work made available to the public as well as there being a general sense associated with modernity of nervousness. The Symbolist poets beginning with Baudelaire applied the scientific concept of synesthesia as a metaphor to describe the modern condition. The feeling of the interc

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45

Dalal, Bassam, and Ahmad Aljarah. "How Brand Symbolism, Perceived Service Quality, and CSR Skepticism Influence Consumers to Engage in Citizenship Behavior." Sustainability 13, no. 11 (2021): 6021. http://dx.doi.org/10.3390/su13116021.

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Brand symbolism, which stems from the vitality of the brand and feeds self-symbolism and social symbolism, has become an increasingly important strategy for firms to enhance consumer behavior. Building on attachment theory, social identity theory, and cognitive consistency theory, and using data from 439 customers of Starbucks in Lebanon, we used an integrative model to examine how brand symbolism, perceived service quality, and Corporate Social Responsibility (CSR) skepticism jointly affect two types of Customer Citizenship Behavior (CCB): helping other customers and policing other customers.

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46

Mnich, Ludmila. "THE GOSPEL TRADITION OF NUMBER SYMBOLISM IN TWENTIETH-CENTURY RUSSIAN POETRY." Проблемы исторической поэтики 19, no. 1 (2021): 328–62. http://dx.doi.org/10.15393/j9.art.2021.9142.

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The article discusses the issues of studying and interpreting number symbolism in a literary work and characteristics of gospel number symbolism in the Christian context. In 20th-century Russian literature, the Christian tradition had a decisive impact on shaping the meaning of number symbolism. An important feature of the Christian symbolism of numbers is the correlation of number symbolism with two spheres, which can be designated as “positive” (sacral) and “negative” (sinful). The author proposes a methodology for interpreting number symbolism, which comprises three stages: 1) a description

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47

Coşar, Bora, Ülkü Uzunçarşili, and Erkut Altindağ. "Do Not Neglect the Power of Symbols on Employee Performance: An Empirical Evidence From Turkey." SAGE Open 10, no. 4 (2020): 215824402096794. http://dx.doi.org/10.1177/2158244020967949.

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Symbols, which are considered as a reflection of an organization’s culture, also provide clues about an organization’s character and value system. The positioning of symbols in the business world and academic studies thus remains an important issue. This study, which measures the effects of organizational symbolism on organizational commitment and firm performance, carries out a scale development study to evaluate the concept of symbolism. For this analysis, a questionnaire was provided to 727 family-owned business employees. In the scale development section, the organizational symbolism was d

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48

Flier, Andrey Ya, and Tatiana V. Glazkova. "The historical evolution of social functions of the family and the images of their symbolization in culture." Observatory of Culture, no. 6 (December 28, 2014): 23–29. http://dx.doi.org/10.25281/2072-3156-2014-0-6-23-29.

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Analyses the problem of social functions of the family, cultural symbolism of the concept of "family" and the historical dynamics of this symbolism. Analysed cultural practices related to symbolization family relationships and their depiction in literature and cinema.

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49

Tuttleton, James W., and Janet Groth. "Edmund Wilson: A Critic for our Time." American Literature 62, no. 1 (1990): 147. http://dx.doi.org/10.2307/2926814.

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50

Fargnoli, Joseph, and Janet Groth. "Edmund Wilson: A Critic for Our Time." Journal of the Midwest Modern Language Association 23, no. 2 (1990): 50. http://dx.doi.org/10.2307/1315224.

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