Relevant bibliographies by topics / Electronic Arts (Firm)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Electronic Arts (Firm)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Electronic Arts (Firm)"

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Gupta, Atul, Stef Nicovich, and Taylor Garrison. "Electronic Arts: gambling on the future of video games." Emerald Emerging Markets Case Studies 6, no. 2 (2016): 1–20. http://dx.doi.org/10.1108/eemcs-07-2015-0160.

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Subject area CSS 11: Strategy Study level/applicability Undergraduate or Graduate Capstone Course in Management or Marketing. Case overview Electronic Arts is one of the premiere video game software developers in the world. With the changing video game industry, evolving tastes and preferences, the introduction of next generation platforms and supporting various mobile platforms, Electronics Arts has important decisions to make as it charts its future. Expected learning outcomes The analysis seeks to fulfil several objectives relevant to management and marketing strategy courses, where analysi
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Goffart, Walter. "The Name ‘Merovingian’ and the Dating of Beowulf." Anglo-Saxon England 36 (November 14, 2007): 93–101. http://dx.doi.org/10.1017/s026367510700004x.

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AbstractReviving an argument of 1849, Tom Shippey has lately maintained that the dynasty name ‘Merovingian’ in Beowulf furnishes a firm criterion for attributing an early date to the poem. He contends, using an electronic database, that a deliberate damnatio memoriae caused the name ‘Merovingian’ to fade soon after the dynasty was deposed (751); its occurrence is therefore a terminus ad quem. This article shows that the Carolingians took pains to affirm continuity with their predecessors. The first Frankish dynasty was not condemned to oblivion. Its name was well known in the ninth century and
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Arunkundram, Ravi, and Arun Sundararajan. "An economic analysis of electronic secondary markets: installed base, technology, durability and firm profitability." Decision Support Systems 24, no. 1 (1998): 3–16. http://dx.doi.org/10.1016/s0167-9236(98)00059-1.

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Barbar, Steve. "Electronic Architecture—Solutions for archetypal coupled spaces." Journal of the Acoustical Society of America 152, no. 4 (2022): A149. http://dx.doi.org/10.1121/10.0015850.

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We will discuss solutions for the most common coupled spaces in performing arts facilities—Balconies and Stages. While there are exceptions, seats in balcony and under balcony spaces sometimes have less than ideal listening conditions. For electronic and close miked sources, supplemental sound reinforcement can help to provide expected perception of the direct sound. However, perceived acoustical conditions do not match that of the main volume; the sense of engagement is compromised. Electronic Architecture incorporated in these spaces can dramatically improve listening uniformity. Additionall
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Barbar, Steve. "LF electronic Architecture—Saving cost and adding acoustic flexibility in the construction of multi-purpose performing arts facilities." Journal of the Acoustical Society of America 152, no. 4 (2022): A149. http://dx.doi.org/10.1121/10.0015849.

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Over the course of many years, we have successfully integrated LF components into full range electronic architecture installations. These components are typically utilized when programming includes acoustic instruments such as pipe organ, or a large orchestra (or both)—or when electronic sources producing LF energy (such as effects mapping or film screening) need to be considered. However, we have also installed LF only EA systems in several concert halls in order to optimize LF performance without the high cost associated with brick and mortar construction methods. Electronic Architecture pro
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Iranmanesh, Emad, Weiwei Li, Hang Zhou, and Kai Wang. "A System-Level Approach towards a Hybrid Energy Harvesting Glove." Sensors 21, no. 16 (2021): 5349. http://dx.doi.org/10.3390/s21165349.

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This paper presents a novel wearable hybrid harvester system as a glove that contains four distinct scavenging modules of flexible transducer film, photosensitive 3D dual-gate thin-film transistor, and a particular power management box. Each single module is formed by a piezoelectric-charge-gated TFT (PCGTFT). The reported system is capable of scavenging energy from two various free of charge energy sources (Piezoelectric plus Photoelectric). Aforesaid system unlike other state-of-the-arts overcomes several key challenges in interfacing, storage and power management. Harvested energy which is
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Enticknap, Leo. "Electronic Enlightenment or the Digital Dark Age? Anticipating Film in an Age Without Film." Quarterly Review of Film and Video 26, no. 5 (2009): 415–24. http://dx.doi.org/10.1080/10509200802165267.

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Stewart, Garrett. "Digital Fatigue: Imaging War in Recent American Film." Film Quarterly 62, no. 4 (2009): 45–55. http://dx.doi.org/10.1525/fq.2009.62.4.45.

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Abstract The new wired combat in Iraq, alternating in American films between aerial surveillance and camcorder logs or cell-phone video, tends to displace the failed resolutions of plot onto an electronic mediation that not only turns virtual on the spot, but anticipates the post-traumatic flashback as digital playback.
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Monterrubio, Ibáñez Lourdes. "Zapping Zone and Level Five. Between the visitor's experience of the video installation and the filmmaker's reflection of the essay film." Arte, individuo y sociedad 35, no. 4 (2023): 13771395. https://doi.org/10.5209/aris.87867.

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&nbsp; &nbsp; &nbsp;The displacement from the essay film to the video installation has in Chris Marker one of its first and most relevant figures. The comparative study of <em>Zapping Zone. Proposal for an imaginary television </em>(1990) and <em>Level Five </em>(1996) allows for the analysis of the construction and complexification, and the deconstruction and saturation processes that take place between the most complex expression of the Markerian essay film and its transformation into the video installation. <em>Zapping Zone </em>responds to the embodiment of both the magmatic stage of the p
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Bernaschina, Diego. "Artes mediales en educación: una mirada desde la enseñanza en las escuelas primarias y secundarias." Revista Ensayos Pedagógicos 18, no. 2 (2023): 1–23. http://dx.doi.org/10.15359/rep.18-2.4.

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This essay aims to explore a discipline that focuses on the fusion of different forms of art and technology, such as digital art, electronic music, film, animation, and interactive design. The main objective is to implement creativity and critical thinking for all students, regardless of their background or identity, through the exploration and use of art-based learning in new media. This approach to the program/curriculum focuses on the development of creative, technical, and critical thinking skills through different digital media. The conceptual methodology focuses on the research and advan
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Dissertations / Theses on the topic "Electronic Arts (Firm)"

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Lin, Ying-Chia Hazel. "Culture, technology, market, and transnational circulation of cultural products : the glocalization of EA digital games in Taiwan /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/6204.

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Mazzoni, Antonella. "Mood Glove : enhancing mood in film music through haptic sensations for an enriched film experience." Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/39757.

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This research explores a new way of enhancing audience experience in film entertainment, presenting the design and implementation of a wearable prototype system that uses haptic sensations to intensify moods in lm music. The aim of this work is to enrich the musical experience of film audiences and might also have implications on the hearing-impaired, providing them with a new enhanced emotional experience while watching a movie. Although there has been previous work into music displays of a visual and haptic nature, and on the importance of music in film, there is no documented research on mu
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Katko, Justin. "P03M5." Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1185550268.

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Mňahončáková, Jana. "Sociální sítě a možnosti jejich využití pro účely komerční prezentace firem." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-11873.

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Commercial usage of social networking is one of the most discussed topic in marketing these days. There are two general ways how to use social network -- to built communities of social networks' users and to advertise in classic display advertising. Czech companies do not place social network to their communication mix so often as foreign ones. They still have to learn how to create the most effective strategy and how to communicate with users. The most important is the activity and interaction. Only then the campaign can reach the communication goals.
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Goldson, Annie. "A claim to truth: documentary, politics, production." Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/1246.

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The following thesis examines how documentary texts, in particular those that are associated with the tradition of political documentary, negotiate their way into being. For this purpose, I use a series of documentary case studies, each one structured around a work of my own. The five documentaries I examine were made through the decade 1990-2000 and, although these works address a range of specific cultural and political issues, they were produced either out of the US or New Zealand, the two countries within which I have lived while a documentary maker. My methodological approach is two-fold.
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Windle, Amanda. "Territorial violence and design, 1950-2010 : a human-computer study of personal space and chatbot interaction." Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/2785/.

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Personal space is a human’s imaginary system of precaution and an important concept for exploring territoriality, but between humans and technology because machinic agencies transfer, relocate, enact and reenact territorially. Literatures of territoriality, violence and affect are uniquely brought together, with chatbots as the research object to argue that their ongoing development as artificial agents, and the ambiguity of violence they can engender, have broader ramifications for a socio-technical research programme. These literatures help to understand the interrelation of virtual and actu
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Offensend, Elizabeth Gillette. "Crafting a Space: A Feminist Analysis of the Relationship Between Women, Craft, Business and Technology on Etsy.com." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/892.

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In recent years, craft fairs, shows and markets where crafters sell their handmade goods such as pottery, jewelry, handmade clothes and needlework have grown in popularity across the United States. A common intent among individuals in this community echo political statements made by the turn of the century Arts and Crafts movement, while there are political aspects of the community that can also be seen as an extension of the third wave feminist do-it-yourself (DIY) ethic of the late 1990s. This newly enlarged community of crafters that congregates in person also has a strong online presence.
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Armstrong, Keith M. "Towards an Ecosophical Praxis of New Media Space design." Thesis, QUT, 2003. https://eprints.qut.edu.au/9073/1/PHDTHESISKMAsmall.pdf.

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This study is an investigation in and through media arts practice. It set out to develop a novel type of new media artistic praxis built upon concepts drawn from the disciplines of scientific and cultural ecology. The rationale for this research was based upon my observation as a practising new media artist that existing praxis in the new media domain appeared to operate largely without awareness of the ecological implications of those practices. The thesis begins by explaining key concepts of ecology, spanning the arts and the sciences. It then outlines the thinking of contem
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Jaume, Bennasar Andrés. "Las nuevas tecnologías en la administración de justicia. La validez y eficacia del documento electrónico en sede procesal." Doctoral thesis, Universitat de les Illes Balears, 2009. http://hdl.handle.net/10803/9415.

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La tesis se encarga de analizar, por un lado, la integración y el desarrollo de las nuevas tecnologías en la Administración de Justicia; y, por otro, los parámetros que constituyen la validez y eficacia del documento electrónico. <br/>La primera cuestión se centra en la configuración de los Sistemas de Información de la Oficina Judicial y del Ministerio Fiscal, así como de la informatización de los Registros Civiles, donde el art. 230 LOPJ es la pieza clave. Se estudian sus programas, aplicaciones, la videoconferencia, los ficheros judiciales y las redes de telecomunicaciones que poseen la cob
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Manley, Dean. "Visions of madness: an investigation into cinematic representations of unreason." 2009. http://hdl.handle.net/2292/5166.

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Madness is often associated with violence, criminality, and degenerative human failure in stigmatising media reports, and these are most people’s site of information about madness. Despite (or maybe because of) reductions in stigmatising reporting, negative perceptions of madness persist, notwithstanding stringent broadcast standards and expensive public health campaigns. When regulation dominates, extreme views can move underground into less monitored areas such as film which enjoys a wider scope to explore ideas and issues concerning a culture. Agencies which have more freedom to represent
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Books on the topic "Electronic Arts (Firm)"

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Schutz, Susan Polis. Blue Mountain: The story of Blue Mountain Arts Publishers, Bluemountain.com, and two accidental entrepreneurs living their dreams. Blue Mountain Press, 2004.

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Cazals, Thomas. The video game: Past, present and future. Films for the Humanities & Sciences, 2004.

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Al-Qirim, Nabeel A. Y. Enabling electronic medicine at Kiwicare: The case of video conferencing adoption for psychiatry in New Zealand. Idea Group Pub., 2000.

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Craft, John. Electronic media. Wadsworth Thomson Learning, 2001.

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Kluszczyński, Ryszard W. Film, wideo, multimedia: Sztuka ruchomego obrazu w erze elektronicznej. 2nd ed. Rabid, 2002.

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Gaggi, Silvio. From text to hypertext: Decentering the subject in fiction, film, the visual arts, and electronic media. University of Pennsylvania Press, 1997.

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(2008), Prix Ars Electronica. Prix Ars Electronica: CyberArts 2008 : international compendium Prix Ars Electronica : Computer animation/film/VFX, digital music, hybrid art, interactive art, digital communities, Media Art Research Award, u19 - freestyle computing. Hatje Cantz, 2008.

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Symposium on Thin Film Transistor Technologies (4th 1998 Boston, Massachusetts). Thin film transistor technologies: Proceedings of the Fourth Symposium on Thin Film Transistor Technologies. Edited by Kuo Yue, Electrochemical Society. Dielectric Science and Technology Division., and Electrochemical Society Electronics Division. Electrochemical Society, 1999.

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Yukimi, Ichikawa, ed. Amorphous silicon p-i-n diodes: Their fabrication & application to thin film devices. World Scientific, 1996.

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Sue, Thornham, ed. Feminist film theory: A reader. Edinburgh University Press, 1999.

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Book chapters on the topic "Electronic Arts (Firm)"

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Hoon, Hian Teck, and Kong Weng Ho. "Arms Length Transactions vs. Affiliates: A Study of Two Electronic Component Firms in Singapore." In Global Production and Trade in East Asia. Springer US, 2001. http://dx.doi.org/10.1007/978-1-4615-1625-5_12.

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Tichi, Cecelia. "Two Cultures and the Battle by the Books." In Electronic hearth. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195079142.003.0009.

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Abstract Anyone who remembers the popular CBS television quiz program, What’s My Line?, which aired between 1950 and 1967, will grasp the irony in the first above-quoted statement. Its author, Bennett Cerf, a writer and editor for the Random House publishing firm, became a national television celebrity on that program, in which panelists prominent in the arts and show business tried guessing a contestant’s occupation. Seen weekly on television by millions, Cerf became very much involved in the world he initially dismissed for its ridiculous sounding commercial products and pugilistic nobodies.
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Magnenat-Thalmann, N. "The Making of a Film with Synthetic Actors." In Electronic Art. Elsevier, 1988. http://dx.doi.org/10.1016/b978-0-08-036978-5.50013-5.

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López-Varela Azcárate, Asun. "Literature Review on Intermedial Studies: From Analogue to Digital." In The Intermediality of Contemporary Visual Arts [Working Title]. IntechOpen, 2023. http://dx.doi.org/10.5772/intechopen.112611.

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This chapter traces an overview of the evolution of the research on Intermedial Studies in the last two decades. It expands the research presented in the InTech volume Comparative Literature. Interdisciplinary Considerations, in a chapter entitled ‘Intermedial Comparative Literature: from the Sister-Arts Debate to the twentieth century Avant-gardes’. The literature review offers a description of the major interdisciplinary contributions that have shaped the field of Intermedial Studies, with areas such as media and communication studies, art history, and the visual arts, including theater, dan
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Iverson, Jennifer. "Epilogue." In Electronic Inspirations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.003.0008.

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Midcentury electronic studios drove the development of high art music, but also fed back into the cultural sphere in many ways, proving consequential in scientific, architectural, and popular music domains. The phonetics–music collaborations, for instance, were carried even further in continuing phonetic, linguistic, and cognitive research in Cologne and beyond. The integrated serial designs of the WDR composers, and especially their optimistic utopian dreams, inspired architectural plans for a rebuilt German city that would coalesce around art-making spaces. In popular music spheres such as f
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"Remediating the New Media." In Advances in Media, Entertainment, and the Arts. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3835-7.ch007.

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By applying the researching devices of media studies, art theory, film theory, philosophy, and cultural studies as a theoretical background, this chapter aims to explore the role of remediation in new media production, where the digital procedures enable smooth interaction, remixes, mashups, and hybridization. Remediation brings the dynamics into the institution of contemporary art and electronic literature by stimulating traditional and new media to refashion each other and generate novel hybrids at the intersection of several media (e.g. animated digital textuality which refashions film and
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Kammen, Michael. "Introduction." In The Lively Arts. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195098686.003.0001.

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Abstract In one of the very last essays that Gilbert Seldes wrote, in 1966, he made the following assertion and deliberately cast it entirely in italics: “In my own lifetime I have witnessed more changes in the modes of communication than occurred in all recorded history before.” That observation is noteworthy not only because it is true, but because Seldes’ persistent emphasis upon the constancy of change in American culture characterized his entire career as a critic and historian. As early as 1926 he called attention to “the speed in America, that uncertainty and restlessness, the incapacit
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Heydari Gharahcheshmeh, Meysam. "Manufacturing of Conducting and Semiconducting Polymers by Chemical Vapor Deposition (CVD) Method." In Nanofabrication - The Art of Manipulating Matter at the Nanoscale [Working Title]. IntechOpen, 2025. https://doi.org/10.5772/intechopen.1009989.

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Chemical vapor deposition (CVD) is a versatile technique for fabricating high-quality thin films, widely used across various industries. As materials science advances, CVD continues to evolve, enabling the precise deposition of both inorganic 2D materials and high-purity polymeric thin films with excellent conformality on diverse substrates. In particular, conducting polymers have emerged as promising materials for next-generation electronic, optoelectronic, and energy storage devices, offering electrical conductivity, optical transparency, ionic transport, and mechanical flexibility. Oxidativ
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Shiner, Larry. "Toward a Total Work of Art." In Art Scents. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.003.0020.

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Chapter 9 begins with the idea of the total work of art (Gesamtkunstwerk) and considers examples of odors in theater from the Renaissance to the present, arguing that the inclusion of odors in some types of theater production is appropriate. In the case of film, the chapter discusses the difficulties faced by the first serious attempts in the 1950s and the handful of recent efforts, arguing that the combination of images with sound is able to suggests odors, whereas actual odors are likely to create more puzzles than they are worth, except in the case of highly experimental “art house” films.
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Berg, Chuck. "Jazz and Film and Television." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0055.

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Abstract Jazz and film, both artistic children of the twentieth century, are arguably America’s greatest gifts to world culture. Born and nurtured at the fringes of proper society, each has risen to attain respectability. After decades of being shunned by Eurocentric guardians of high culture, jazz and film are now deemed subjects worthy of serious study. With film screenings and jazz concerts at the White House and formal recognitions by Congress, these two prototypically American arts, with their melting-pot parentage and kinetic New World dynamism, speak passionately of diverse peoples seek
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Conference papers on the topic "Electronic Arts (Firm)"

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Sadek, Ashraf Z., Nahed A. A. Reheem Aly, M. F. El-Demerdash, and Ahmed M. El-Sheikh. "Laboratory Examination of SCC Initiation and Propagation Mechanisms in Austenitic Stainless Steel Weldment Type 304 in Boiling MgCl2 Solutions at Various Concentrations. A Chemo-Physical Approach." In CORROSION 1999. NACE International, 1999. https://doi.org/10.5006/c1999-99158.

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Abstract Constant strain rate tests were conducted on welded austenitic stainless steel AISI 304 (UNS 30400) in boiling MgCl2 solutions at concentrations of 32% and 37% weight respectively. Potentiodynamic anodic polarization tests were carried out on unstressed welded coupons. Open circuit potential measurements on stressed specimens showed that weldments exhibited free corrosion behavior in the active-passive region. Residual ferrite phase in weldments was detected using experimental and analytical methods. The presence of residual delta ferrite in weldments is hypothesized to have been resp
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Sadek, A. Z., and A. M. El-Sheikh. "Failure Analysis of SS 304 Weldments by Metallurgically Enhanced Stress Corrosion Cracking in Laboratory Environments." In CORROSION 2000. NACE International, 2000. https://doi.org/10.5006/c2000-00365.

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Abstract The mechanisms of metallurgically enhanced crack initiation and propagation in austenitic stainless steel weldments were investigated using electrochemical and physical methods. The test media was boiling Magnesium Chloride solutions, MgCl2, at 32% and 37% weight respectively. A batch of U-Bend specimens was tested at each salt concentration. Optical and electron microscopy was used to examine cracked weldments. Traditionally, welding rods used for joining austenitic stainless steels contain a percentage of retained δ-ferrite. This small content of the electrically active phase remain
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Edmonds, Ernest A. "Beyond abstract film: constructivist digital time." In Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.8.

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Hillman, John J., and Ravi Deepres. "Entrelacé: How technology, movement and visuals are interlaced in the film design for The Royal Ballet’s Woolf Works." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.56.

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Maloney, Peter V. "FILM AS DATABASE: A VISUAL ANALYSIS OF 2001:A SPACE ODYSSEY." In Electronic Visualisation and the Arts (EVA 2008). BCS Learning & Development, 2008. http://dx.doi.org/10.14236/ewic/eva2008.18.

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Markowski, P., and A. Dziedzic. "Fabrication of miniaturized thick-film arms for thermoelectric microgenerators." In 2010 33rd International Spring Seminar on Electronics Technology (ISSE). IEEE, 2010. http://dx.doi.org/10.1109/isse.2010.5547264.

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Rudnicka, Justyna, and Gregory R. Madey. "A Framework for Effective User Interface Design for Web-Based Electronic Commerce Applications." In 2001 Informing Science Conference. Informing Science Institute, 2001. http://dx.doi.org/10.28945/2357.

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Efficient delivery of relevant product information is increasingly becoming the central basis of competition between firms. The interface design represents the central component for successful information delivery to consumers. However, interface design for web-based information systems is probably more an art than a science at this point in time. Much research is needed to understand properties of an effective interface for electronic commerce. This paper develops a framework identifying the relationship between user factors, the role of the user interface and overall system success for webba
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Trudel, Gisèle. "Ecotechnologies of Practice: in-forming changing climates." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-33-short-trudel-ecotechnologies-of-practice.

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SHORT PAPER. How do ecotechnologies of practice actualize? This paper traces the material/theoretical operations of an ongoing research-creation concerned with changing climates. It mixes information in experimental approaches from collectivities of trees, media arts and forest sciences. Through individuations of symbiotic modulations, the paper is a thinking-with Balsam Fir, Diana Beresford-Kroeger, Camera, Domingo Cisneros, Dendrometer, Erin Manning, Isabelle Stengers, Jack Pine, Gilbert Simondon, Light Emitting Diodes, Numbers, Microphone, Recorder, Sapflow, Sensings, Speakers, Sugar Maple,
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Kobryn, Olga, Matthieu Couteau, Rémi Sagot-Duvauroux, et al. "Feeling One’s Way: In Search of a Symbiotic Vocabulary of the Virtual." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-68-full-kobryn-et-al-feeling-ones-way.

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This article aims to present the collective research that has been made in the framework of the research seminar "Vocabulary of the Virtual" organized by IRCAV (Institute of Research on Cinema and Audiovisual Studies), Sorbonne Nouvelle and the “Spatial Media” group, EnsadLab. The main topic is to clarify the notions that refer to the concept of the "Virtual" in order to define it through an interdisciplinary approach according to different fields of science (aesthetics, philosophy, film theory, sound theory, ergonomics, design, engineering, cognitive sciences, etc.). This article presents man
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Chambers, Benjamin C. "Novel Method for Estimating Thermal Film Coefficients for Analysis of Thermal Cycling of Microelectronic Packages." In ASME 2003 International Electronic Packaging Technical Conference and Exhibition. ASMEDC, 2003. http://dx.doi.org/10.1115/ipack2003-35217.

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A failure analysis on microelectronic packages subjected to temperature cycling between liquid baths required the need for realistic boundary conditions in the thermal analysis portion of the overall thermal stress analysis. Prior arts found in literature for thermal film coefficients in immersion cooling focused only on metallurgical quenching. The results indicated that these data are highly dependant on temperature, thus not applicable since they were derived for quenching of steel at higher initial temperatures. An alternative technique was developed here by assuming that the package could
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Reports on the topic "Electronic Arts (Firm)"

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Baumgartner, Franz, Cyril Allenspach, Ebrar Özkalay, et al. Performance of Partially Shaded PV Generators Operated by Optimized Power Electronics 2024. Edited by Ulrike Jahn. International Energy Agency Photovoltaic Power Systems Programme, 2024. https://doi.org/10.69766/leof5152.

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Inhomogeneous shading on the PV generator leads to disproportionately high losses. As the potential of PV generation on roofs or façades is to be increasingly utilised in the coming decades, these cases will occur more frequently. The aim here is to provide an overview of the challenges and state-of-the-art technical solutions for partial shading. Current developments in PV engineering show that maximum performance lies in the combination between optimised module placement, the use of modules that are tolerant of shading and optimised power electronics. Shortly after the discovery of the solar
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