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Books on the topic 'Electronic Arts (Firm)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Schutz, Susan Polis. Blue Mountain: The story of Blue Mountain Arts Publishers, Bluemountain.com, and two accidental entrepreneurs living their dreams. Blue Mountain Press, 2004.

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2

Cazals, Thomas. The video game: Past, present and future. Films for the Humanities & Sciences, 2004.

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3

Al-Qirim, Nabeel A. Y. Enabling electronic medicine at Kiwicare: The case of video conferencing adoption for psychiatry in New Zealand. Idea Group Pub., 2000.

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4

Craft, John. Electronic media. Wadsworth Thomson Learning, 2001.

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5

Kluszczyński, Ryszard W. Film, wideo, multimedia: Sztuka ruchomego obrazu w erze elektronicznej. 2nd ed. Rabid, 2002.

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6

Gaggi, Silvio. From text to hypertext: Decentering the subject in fiction, film, the visual arts, and electronic media. University of Pennsylvania Press, 1997.

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7

(2008), Prix Ars Electronica. Prix Ars Electronica: CyberArts 2008 : international compendium Prix Ars Electronica : Computer animation/film/VFX, digital music, hybrid art, interactive art, digital communities, Media Art Research Award, u19 - freestyle computing. Hatje Cantz, 2008.

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8

Symposium on Thin Film Transistor Technologies (4th 1998 Boston, Massachusetts). Thin film transistor technologies: Proceedings of the Fourth Symposium on Thin Film Transistor Technologies. Edited by Kuo Yue, Electrochemical Society. Dielectric Science and Technology Division., and Electrochemical Society Electronics Division. Electrochemical Society, 1999.

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9

Yukimi, Ichikawa, ed. Amorphous silicon p-i-n diodes: Their fabrication & application to thin film devices. World Scientific, 1996.

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10

Sue, Thornham, ed. Feminist film theory: A reader. Edinburgh University Press, 1999.

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11

IEEE/CPMT, International Electronics Manufacturing Technology Symposium (23rd 1998 Austin Tex ). Twenty third IEEE/CPMT International Electronics Manufacturing Technology Symposium: Proceedings 1998 IEMT symposium : October 19-21, 1998, Austin, TX, USA. IEEE, 1998.

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12

1940-, Leopoldseder Hannes, Schöpf Christine, Stocker Gerfried, and Prix Ars Electronica (2007), eds. Prix ars electronica: CyberArts 2007 : international compendium Prix Ars Electronica - computer animation/film/VFX, digital musics, hybrid art, interactive art, digital communities, (the next idea), Media.Art.Research Award, u19 - freestyle computing. Hatje Cantz Pub, 2007.

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13

1940-, Anderson Joseph, and Anderson Barbara Fisher 1951-, eds. Moving image theory: Ecological considerations. Southern Illinois University Press, 2005.

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14

Payne, Oliver. Taschen: Oliver Payne & Nick Relph. Kerber, 2004.

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15

1940-, Anderson Joseph, and Anderson Barbara Fisher 1951-, eds. Moving image theory: Ecological considerations. Southern Illinois University Press, 2005.

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16

Schelde, Per. Androids, humanoids, and other science fiction monsters: Science and soul in science fiction films. New York University Press, 1993.

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17

Lynn, Spigel, and Olsson Jan 1952-, eds. Television after TV: Essays on a medium in transition. Duke University Press, 2004.

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18

1921-, Atwater H. A., Materials Research Society Meeting, and Symposium on Heterogeneous Thin-Film Materials and Devices (2003 : San Francisco, Calif.), eds. Integration of heterogeneous thin-film materials and devices: Symposium held April 23-24, 2003, San Francisco, California, U.S.A. Materials Research Society, 2003.

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19

Ju, Y. Sungtaek. Microscale heat conduction in integrated circuits and their constituent films. Kluwer Academic, 1999.

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20

Ju, Y. Sungtaek. Microscale heat conduction in integrated circuits and their constituent films. Kluwer Academic, 1999.

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21

Albert, Auster, ed. American film and society since 1945. 2nd ed. Praeger, 1991.

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22

Albert, Auster, ed. American film and society since 1945. 3rd ed. Praeger, 2002.

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23

IEEE International Symposium on Applications of Ferroelectrics (10th 1996 East Brunswick, N.J.). ISAF '96: Proceedings of the Tenth IEEE International Symposium on Applications of Ferroelectrics, East Brunswick, NJ, U.S.A., August 18-21, 1996. Edited by Amin Ahmed 1945-, Kulwicki Bernard M, Safari Ahmad, IEEE Ultrasonics, Ferroelectrics, and Frequency Control Society., and Institute of Electrical and Electronics Engineers. Institute of Electrical and Electronics Engineers, 1996.

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24

Chanan, Michael. The dream that kicks: The prehistory and early years of cinema in Britain. 2nd ed. Routledge, 2003.

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25

Kindem, Gorham Anders. Introduction to media production: From analog to digital. Focal Press, 1997.

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26

Eagle, Douglas Spotted. Vegas Pro 8 editing workshop. Elsevier/Focal Press, 2008.

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27

Shires, Linda M., and Steven Cohen. Telling Stories: A Theoretical Analysis of Narrative Fiction (New Accents (Routledge (Firm)).). Routledge, 1988.

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28

Craft, John E., Frederic A. Leigh, and Donald G. Godfrey. Electronic Media (with InfoTrac ) (Radio/TV/Film Series). Wadsworth Publishing, 2000.

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29

Fisher, Jean, Richard Dyer, and Peter Wollen. Electronic Shadows: The Art of Tina Keane. Black Dog, 2003.

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30

ELECTRONIC SHADOWS: THE ART OF TINA KEANE. PHAIDON, 2003.

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31

Rymaszewski, Eugene J., and Pushkar Jain. Thin-Film Capacitors for Packaged Electronics. Springer, 2003.

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32

Rymaszewski, Eugene J., and Jain Pushkar. Thin-Film Capacitors for Packaged Electronics. Springer, 2014.

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33

Rymaszewski, Eugene J., and Jain Pushkar. Thin-Film Capacitors for Packaged Electronics. Springer London, Limited, 2011.

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34

Pyne, Russell. Last Days of Film and the Rise of Electronic News Gathering. Puleo Press, 2023.

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35

Gaggi, Silvio. From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media. University of Pennsylvania Press, 2015.

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36

The four: The hidden DNA of Amazon, Apple, Facebook, and Google. Portfolio, 2017.

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37

(Editor), Jeffrey Shaw, and Peter Weibel (Editor), eds. Future Cinema: The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice). The MIT Press, 2003.

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38

Ross G, Anderson. Ch.2 Formation and authority of agents, s.1: Formation, Introduction to Arts 2.1.1–2.1.14. Oxford University Press, 2015. http://dx.doi.org/10.1093/law/9780198702627.003.0232.

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Chapter 2 of the UNIDROIT Principles of International Commercial Contracts (PICC) contains the core provisions on contract formation. It has two sections: the first deals with offers, acceptances, negotiations, standard terms, and standard firms; the second deals with agency. The fundamental rules on formation of contract which focus on the law of offer and acceptance are provided in Arts 2.1.1–2.1.14. The ‘classical’ model of contract law centres on the parties' agreement to assume obligations with private law consequences, whereas the ‘neoclassical’ model adopts a less strict approach but wi

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39

Sakai, Hiroshi, and Y. Ichikawa. Amorphous Silicon Pin Diodes : Their Fabrication and Application to Thin Film Devices. World Scientific Pub Co Inc, 1996.

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40

Feminist Film Theory. Edinburgh University Press, 1999.

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41

Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories. University of Michigan Press, 2018.

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42

Yeh, Emilie Yueh-yu. Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories. University of Michigan Press, 2018.

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43

(Editor), Amy Scholder, ed. Interaction: Artistic Practice in the Network. D.A.P./EYEBEAM ATELIER, 2001.

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44

Kuo, Yue, and massachus Symposium on Thin Film Transistor Technologies 1998 Boston. Thin Film Transistors Technologies: Proceedings of the Fourth Symposium on Thin Film Transistor Technologies (Proceedings (Electrochemical Society), V. 98-22.). Electrochemical Society, 1998.

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45

Institute Of Electrical and Electronics Engineers and Tex.) CPMT International Electronics Manufacturing Technology Symposium (23rd : 1998 : Austin. 1998 Ieee/Cpmt 23rd Electronics Manufacturing Technology, Iemt. Institute of Electrical & Electronics Enginee, 1998.

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46

Muir, Gregor, and Jessica Morgan. Time Zones: Recent Film and Video. Tate, 2004.

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47

From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media (Penn Studies in Contemporary American Fiction). University of Pennsylvania Press, 1998.

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48

Ashliman, D. L. Fairy Lore. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798400649578.

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Fairy lore concerns beliefs about elves, dwarfs, gnomes, trolls, mermaids, brownies, pixies, leprechauns, and many other beings found in world folklore. Written for students and general readers, this book is an introduction to fairy lore from around the world. The handbook defines and classifies types of fairies, provides numerous examples and texts, overviews scholarship, and discusses the role of fairies in art, film, and popular culture. It closes with a glossary and a bibliography of print and electronic resources.

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49

Green, Thomas A. Greenwood Library of American Folktales. Greenwood Publishing Group, Inc., 2006. http://dx.doi.org/10.5040/9798216193951.

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Paul Bunyan, Br'er Rabbit, Bluebeard, and Billy the Kid. These are just some of the many character alive today through folktales. A goldmine for students, storytellers, and general readers, this massive work gives easy access to the stories and legends that have captivated us for generations and continue to influence film, television, literature, and popular culture. The most ambitious undertaking of its kind, this collection conveniently groups American folktales by region and includes common and less familiar stories from a wide range of ethnic traditions. It also provides a generous samplin

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50

Green, Thomas A. Greenwood Library of American Folktales. Greenwood Publishing Group, Inc., 2006. http://dx.doi.org/10.5040/9798216193944.

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Paul Bunyan, Br'er Rabbit, Bluebeard, and Billy the Kid. These are just some of the many character alive today through folktales. A goldmine for students, storytellers, and general readers, this massive work gives easy access to the stories and legends that have captivated us for generations and continue to influence film, television, literature, and popular culture. The most ambitious undertaking of its kind, this collection conveniently groups American folktales by region and includes common and less familiar stories from a wide range of ethnic traditions. It also provides a generous samplin

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