Academic literature on the topic 'Electronic Percussion'
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Journal articles on the topic "Electronic Percussion"
Harada, Minoru, and Yuichirou Suenaga. "Electronic percussion system and electronic percussion instrument incorporated therein." Journal of the Acoustical Society of America 127, no. 2 (2010): 1180. http://dx.doi.org/10.1121/1.3326933.
Full textKashio, Yukio, and Yoneaki Arai. "Electronic percussion instrument." Journal of the Acoustical Society of America 90, no. 3 (September 1991): 1712. http://dx.doi.org/10.1121/1.401686.
Full textHashimoto, Ryuji. "ELECTRONIC PERCUSSION INSTRUMENT." Journal of the Acoustical Society of America 133, no. 1 (2013): 614. http://dx.doi.org/10.1121/1.4774195.
Full textToda, Jiro. "Electronic percussion instrument." Journal of the Acoustical Society of America 117, no. 5 (2005): 2699. http://dx.doi.org/10.1121/1.1932398.
Full textTakeuchi, Akihiko, and Masaaki Mizuguchi. "Electronic keyboard percussion instrument." Journal of the Acoustical Society of America 88, no. 1 (July 1990): 594. http://dx.doi.org/10.1121/1.399833.
Full textYoshino, Kiyoshi. "Electronic percussion instrument and vibration detection apparatus." Journal of the Acoustical Society of America 120, no. 5 (2006): 2416. http://dx.doi.org/10.1121/1.2395173.
Full textSusami, Ryo. "Electronic percussion instrument, system, and method with vibration." Journal of the Acoustical Society of America 127, no. 2 (2010): 1179. http://dx.doi.org/10.1121/1.3326932.
Full textFujita, Akihiro. "Electronic percussion device for generating a percussion waveform using shock strength and vibration of a batter head." Journal of the Acoustical Society of America 94, no. 6 (December 1993): 3540. http://dx.doi.org/10.1121/1.407118.
Full textAdinolfe, Alfonso. "Electronic percussion system simulating play and response of acoustical drum." Journal of the Acoustical Society of America 96, no. 3 (September 1994): 1951. http://dx.doi.org/10.1121/1.410132.
Full textSuenaga, Yuichiro. "Drumhead and muting structure for acoustic and electronic percussion instruments." Journal of the Acoustical Society of America 117, no. 3 (2005): 996. http://dx.doi.org/10.1121/1.1896681.
Full textDissertations / Theses on the topic "Electronic Percussion"
Thierauf, Andrew. "Percussion and Max: a collection of short works for solo percussion and live electronics." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1774.
Full textMichael, Carlucci. "The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31376.
Full textBudón, Osvaldo 1965. "Territorios : for percussion ensemble and digital sounds on tape." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23969.
Full textSince different tempi are often used simultaneously in Territorios, the performance of the piece requires a set of computer-generated click-tracks carrying individual pulse lines; hearing these pulses through headphones, the performers are able to play the piece in precise tempo.
Tan, Anthony. "--then time killed the wind-- : for percussion quartet and live electronics." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116055.
Full textSokolov, Yaron. "Atteone significa : for viola, piano and percussion with controllers /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Full textSchryer, Claude. "A kindred spirit : (1985) : for flute, bass clarinet, cello, guitar, percussion and piano [and tape]." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61257.
Full textThe following excerpt from the programme note in the score summarizes the 'spirit' of the composition.
"The computer generated sounds on tape form a large body in which instrumental sounds float and from which they appear, like weeds oscillating on a sometimes calm and often turbulent sea of sound.
'You're afraid, in the mirror, of the sea, in front of, you're afraid ... ' and 'searching, for a common pulse, to sustain, to carry on, searching ... ' are circular phrases in the text which reflect elements of both doubt and courage. Mourning that which can never return. Celebrating that which will always be with us."
Radford, Laurie 1958. "Origophonie : for 2-12 voice choirs (SATB), 6 percussion and tape." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59615.
Full textAndersson, Håkan. "A Co-Simulation Approach for Hydraulic Percussion Units." Licentiate thesis, Linköpings universitet, Mekanik och hållfasthetslära, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-151018.
Full textLee, Brent. "Ribbons of visible air." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0033/NQ38923.pdf.
Full textHarrison, William Brady II. "FINDING THE “TECH” IN TECHNIQUE: A PEDAGOGICAL APPROACH TO ELECTROACOUSTIC CONCERT PERCUSSION PERFORMANCE PRACTICE." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/139.
Full textBooks on the topic "Electronic Percussion"
Dearling, Robert. Percussion & electronic instruments. Philadelphia, PA: Chelsea House Publishers, 2000.
Find full textRobby, Berman, ed. All about-- electronic percussion. Milwaukee, WI: Hal Leonard, 2006.
Find full textWeinberg, Norman. The electronic drummer. Cedar Grove, NJ: Modern Drummer Publications ; Exclusive distributor, H. Leonard Pub. Corp., 1989.
Find full textBatkin, T. Strategic marketing plan for Simmons Electronic Percussion Company. Oxford: Oxford Brookes University, 1996.
Find full textFriedman, Dean. The complete guide to synthesizers, sequencers & drum machines. New York: Amsco Publications, 1985.
Find full textPauly, Ortiz, ed. Beat it!: Serious drum patterns from Heavenly Music's Joe and Pauly Ortiz. Kent: PC Publishing, 1997.
Find full textStubley, Eleanor Victoria. A guide to solo french horn music by Canadian composers. Toronto: Canadian Music Centre, 1990.
Find full textAlbright, William. Symphony for organ: Organ solo with percussion (or pre-recorded tape). New York: Henmar Press, 1993.
Find full textBook chapters on the topic "Electronic Percussion"
Siwe, Thomas. "Electronic Music." In Artful Noise, 107–17. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0008.
Full textSiwe, Thomas. "Introduction." In Artful Noise, 1–4. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0001.
Full textStillie, Bryden. "Learning and Performing with Drum Kit Technologies (Advanced)." In The Music Technology Cookbook, 51–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197523889.003.0010.
Full textZalasiewicz, Jan. "Futures." In The Planet in a Pebble. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199569700.003.0019.
Full textSiwe, Thomas. "Music-Theater." In Artful Noise, 118–35. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0009.
Full textNakai, You. "(Likeness to) Voices." In Reminded by the Instruments, 416–509. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190686765.003.0009.
Full text"Light and Electron Microscopic Studies of Fluid-Percussion Brain Injury in Rats: Posttraumatic Temperature Considerations." In Recovery After Traumatic Brain Injury, 81–96. Psychology Press, 2014. http://dx.doi.org/10.4324/9781315806198-12.
Full textConference papers on the topic "Electronic Percussion"
Xiao, Yong, Fei Ning, Yuqin Wen, and Kai Sang. "Designing and Researching about A New Type of Mechanical-Electronic Percussion Equipment." In 2017 5th International Conference on Frontiers of Manufacturing Science and Measuring Technology (FMSMT 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/fmsmt-17.2017.220.
Full textWorland, Randy. "Electronic speckle pattern interferometry: Applications to the musical acoustics of percussion instruments." In 179th Meeting of the Acoustical Society of America. ASA, 2019. http://dx.doi.org/10.1121/2.0001461.
Full textSchneider, M., L. Berthe, R. Fabbro, M. Muller, and M. Nivard. "Absorption in laser drilling in percussion regime." In 2007 European Conference on Lasers and Electro-Optics and the International Quantum Electronics Conference. IEEE, 2007. http://dx.doi.org/10.1109/cleoe-iqec.2007.4386664.
Full textHu, Wenqian, Galen B. King, and Yung C. Shin. "Micromachining of Metals, Alloys and Ceramics by Picosecond Laser Ablation." In ASME 2008 International Manufacturing Science and Engineering Conference collocated with the 3rd JSME/ASME International Conference on Materials and Processing. ASMEDC, 2008. http://dx.doi.org/10.1115/msec_icmp2008-72247.
Full textMezzapesa, F. P., A. Ancona, T. Sibillano, F. De Lucia, M. Dabbicco, P. M. Lugara, and G. Scamarcio. "Real-time in-situ measurement of the penetration depth in short pulse laser percussion drilling of metal targets." In 12th European Quantum Electronics Conference CLEO EUROPE/EQEC. IEEE, 2011. http://dx.doi.org/10.1109/cleoe.2011.5943359.
Full textLuo, Ren C., and Kai Chun Hsieh. "Tapping motion control of dynamic impulse-momentum contact to human body for robotic therapeutical percussive massage." In 2017 IEEE 26th International Symposium on Industrial Electronics (ISIE). IEEE, 2017. http://dx.doi.org/10.1109/isie.2017.8001405.
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