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1

Rhythm in Acting and Performance: Embodied Approaches and Understandings. Bloomsbury Publishing Plc, 2017.

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Rhythm in Acting and Performance: Embodied Approaches and Understandings. Bloomsbury Publishing Plc, 2017.

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3

Blue Sky Body: Thresholds for Embodied Research. Taylor & Francis Group, 2019.

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Spatz, Ben. Blue Sky Body: Thresholds for Embodied Research. Taylor & Francis Group, 2019.

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Spatz, Ben. Blue Sky Body: Thresholds for Embodied Research. Taylor & Francis Group, 2019.

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Spatz, Ben. Blue Sky Body: Thresholds for Embodied Research. Taylor & Francis Group, 2019.

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7

de, Alcantara Pedro. The integrated string player: Embodied vibration. 2018.

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8

Auyoung, Elaine. Tolstoy’s Embodied Reader. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.003.0002.

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This chapter considers a major representational strategy that Leo Tolstoy uses throughout Anna Karenina. By repeatedly focusing on his characters’ performance of routine physical actions, Tolstoy cues readers to draw on the motor memory they have acquired from their own embodied experience. Not only does this technique enable readers to grasp the fictional world with exceptional sensory and affective immediacy, but the ease or fluency with which readers retrieve their background knowledge can also heighten their sense of the fictional world’s familiarity and intimacy. Tolstoy’s handling of nov
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9

Embodied Environmental Risk in Technical Communication. Taylor & Francis Group, 2022.

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10

Mroz, Daniel. Dancing Word: An Embodied Approach to the Preparation of Performers and the Composition of Performances. Rodopi, 2012.

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11

Dancing Word: An Embodied Approach to the Preparation of Performers and the Composition of Performances. BRILL, 2011.

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12

Seeman, Sonia Tamar. Embodied Pedagogy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658397.003.0010.

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Ethnomusicological methods and perspectives provide important contributions to twenty-first-century music pedagogy. In this chapter I make a number of claims regarding (1) the effective teaching of music and what it entails; (2) how heightening awareness of the gap between far and near may be most effectively addressed; and (3) how effective enactment of these teaching goals may aid student engagement with issues in the outside world. I offer three case studies to illustrate the techniques I lay claim to. I conclude with a description of core curriculum reforms at the Austin branch of the Univ
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13

Emerson The Embodied Elephant. Play Therapy with Carmen Publishing, 2023.

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14

Emerson the Embodied Elephant. Play Therapy with Carmen Publishing, 2023.

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15

Media, Irb. Summary of Deirdre Fay's Becoming Safely Embodied. IRB MEDIA, 2022.

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16

Osterweis, Ariel. Disciplining , Animalizing Ambition. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.007.

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By paying particular attention to the role of the dancing body inBlack Swan(2010), this chapter interrogates the status of virtuosity and performance in a film that insists on the horror of transformation.Swan Lakeis significant in dance history for introducing thefouettéturn, the modern mark of female virtuosity in ballet from the late nineteenth century onward. Director Darren Aronofsky relies upon filmic techniques to invoke the dismantling effects of ballet technique, demonstrating how the pursuit of virtuosity narrates a story of the attainment, surpassing, and failure of technique. He do
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Chatterjea, Ananya. Of Corporeal Rewritings, Translations, and the Politics of Difference in Dancing. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.41.

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This chapter begins with the premise that embodied practices and works move across different contexts, and proposes that such migrations provide crucial insight into registers of power. While dance and embodied practices generally invite in audiences and/or participants, these journeys almost always are about access, which resonates differently in different contexts. It analyzes choreographic strategies and the “micropolitics of technique” in specific works by Rennie Harris, Nora Chipaumire, Rosy Simas, and Rulan Tangen in order to explore the different ways in which choreographers reimagine c
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Joo, Samantha. Embodied Presence: Redefining Leadership for Social Activism. Adult Guidebook. Asher Studies, 2022.

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19

Joo, Samantha. Embodied Presence: Redefining Leadership for Social Activism. Adult Guidebook. Asher Studies, 2022.

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20

Marking Blackness: Embodied Techniques of Racialization in Early Modern European Theatre. [publisher not identified], 2017.

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21

Embodied Movement Journal: A Guide & Journal for Reconnecting with Your Body and Movement. Lambert, Nicole, 2024.

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22

Auyoung, Elaine. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.003.0001.

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This introduction argues that psychological research on reading and cognition can help literary critics understand the relationship between narrative technique and the phenomenology of reading fiction. It presents cognitive perspectives on fictionality and the comprehension process to show how nineteenth-century novelists render characters and scenes intimately knowable in spite of their fictional status. To explore the realist writer’s pursuit of verisimilar effects, we need to adopt a new form of critical attention, approaching the words of a novel not as bearers of interpretive meaning but
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23

Sarkar, Kaustavi. Dance, Technology and Social Justice: Individual and Collective Emancipation Through Embodied Techniques. McFarland & Company, Incorporated Publishers, 2023.

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24

Raykoff, Ivan. Liberace’s Musical/Material Appeal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.175.

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Inspired by the celebrated pianist-bandleaders Eddy Duchin and Carmen Cavallaro and the cinematic technique of José Iturbi in Hollywood films, pianist-entertainer Liberace (1919–1987) developed a distinctive and highly successful aesthetic and performance style that prioritized visual spectacle and emphasized the tactile elements of his playing. As evident in his first Soundies from 1943, then his nationally syndicated television show in the 1950s, Liberace highlighted the physicality and materiality of his music-making, an approach that later evolved into the signature props and flashy costum
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25

Badoud, Nathan. The Colossus of Rhodes. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198903734.001.0001.

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Abstract The Colossus of Rhodes is both the most famous and the least well-known monument of ancient Greece. Numbered among the Seven Wonders of the World, this bronze statue of the god Helios, 34 m in height, was created by the sculptor Chares of Lindos between the years 295 and 283 bc, only to be destroyed by an earthquake in 227 bc. The legends that have spread after its collapse seem so strange and contradictory that, from an archaeological point of view, it has become a minor and almost negligible object, which the best specialists of Greek sculpture hardly mention. This book is the first
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26

Embodied Advocate: The Inner Work Necessary to Transform into an Effective Advocate Against Power-Based Violence in Families and Communities. Advocacy Academy, 2022.

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27

Bosna, Mel Gentry. In the House of Me: A Path from Self-Abandonment to Self-reclamation Through a Practice of Embodied Consent. Mel Gentry Bosna, 2023.

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28

Bosna, Mel Gentry. In the House of Me: A Path from Self-Abandonment to Self-reclamation Through a Practice of Embodied Consent. Mel Gentry Bosna, 2023.

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29

Whitesell, Lloyd. Wonderful Design. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.001.0001.

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Glamour is an elusive aspect of cinematic style. This book critically examines previous scholarship on glamour; defines the concept as a compound of artifice, allure, and magic; and examines the phenomenon at work in the genre of the film musical. The focus is on the role of music in representing glamour, and the stylistic and semiotic conventions by which glamour is embodied in sound. The book develops an analytical framework that applies across media, the better to appreciate music’s collaborative role within multimedia spectacle. First, glamour is situated as one of a handful of “style mode
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30

Mahoney, James, and Celso M. Villegas. Historical Enquiry and Comparative Politics. Edited by Carles Boix and Susan C. Stokes. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199566020.003.0003.

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This article discusses historical enquiry, which has always been central to the field of comparative politics. It examines the various methods of causal analysis and temporal analysis, and shows how historical analysts properly use historical data. This article shows that historical analysis embodies a distinctive set of techniques for the assessment of causal hypotheses, for the analysis of data, and for the study of temporal processes.
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31

Allen, William. 9. Novel. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0009.

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‘Novel’ discusses the ancient novel, a relative latecomer to Greek and Latin literature. Starting with the five surviving examples of the Greek novel, dating from the mid-1st century ad onwards, it considers the popular appeal of their typical motifs of love and adventure, and sees their increasingly sophisticated narrative techniques. How the social and political values embodied in these Greek prose fictions related to those of their audiences, both Greek and Roman, under Roman imperial rule is also examined. The manipulation and parody of generic convention found in the Greek novels is even
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32

Filimowicz, Michael, ed. Designing Interactions for Music and Sound. Routledge, 2022. https://doi.org/10.5040/9780367691370.

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Designing Interactions for Music and Sound presents multidisciplinary research and case studies in electronic music production, dance-composer collaboration, AI tools for live performance, multimedia works, installations in public spaces, locative media, AR/VR/MR/XR and health. As the follow-on volume to Foundations in Sound Design for Interactive Media, the authors cover key practices, technologies and concepts such as: classifications, design guidelines and taxonomies of programs, interfaces, sensors, spatialization and other means for enhancing musical expressivity; controllerism, i.e. the
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33

Sizemore, Michelle. American Civil Mysticism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190627539.003.0002.

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This theoretical chapter introduces a largely overlooked tradition of mysticism in the politics, art, religion, and culture of post-revolutionary U.S. society. Civil mysticism refers to nonsectarian practices of transcendence that engender the people, namely political and social rituals such as maypole ceremonies, presidential inaugurations, and literary pilgrimages. This chapter elaborates on civil mysticism’s specific conditions and techniques, insisting that the sacred interval of ritual is indispensable—its embodied practices (e.g., dancing, chanting, reading), sensuous objects (icons, boo
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34

Pelkmans, Mathijs. Walking the Truth in Islam with the Tablighi Jamaat. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501705137.003.0005.

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This chapter examines Tablighi techniques that are intended to make and keep ideas relevant, believable, and embodied. Tablighi Jamaat is a conservative Islamic piety movement that has made significant inroads into Kyrgyzstan since the 1990s. Movements such as the Tablighi Jamaat recognize the pulsating quality of faith and have devised their own strategies to combat the dissipation of conviction. Their central energizing practice is called dawat, or proselytizing tour. This chapter first provides a background on dawatchis (participants in dawat, or “travelers”) in Kyrgyzstan before discussing
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35

Nenadic, Stana. Craftworkers in Nineteenth Century Scotland. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474493079.001.0001.

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Craftworkers making fine goods using traditional techniques in wood, stone, metals or textiles, flourished in the nineteenth century, adapting to new technologies, creating new markets and exploiting new cultural devices, such as the great exhibitions, to showcase their wares and culture. But this side of Scotland’s history is conventionally overlooked. The book examines individuals, families and communities of craft workers and their changing experience in town and country. It looks at workplace dynamics and handmade wares shaped by personal consumption not industrial production, with craftsm
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36

Partridge, Christopher. Technologies of Transcendence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190459116.003.0002.

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This chapter introduces the book’s core ideas and some of the principal issues raised. Beginning with a discussion of Michel Foucault’s understanding of “technologies of the self,” it explores how drugs might be understood as “technologies of transcendence”—technologies that have the power to subvert dominant readings of reality. As such, they are always countercultural. By inducing the transcendence of ordinary consciousness, they are often understood to provide access to gnosis, or a special form of knowledge. They also typically induce mystical experiences of oneness that lead to a form of
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37

Morris, Pam. Persuasion: Fellow Creatures. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474419130.003.0006.

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Persuasion overtly foregrounds the self as embodied: physical accidents and sickness are recurrent. Sir Walter Eliot’s belief in the time-defying bodily grace of nobility is subject to Austen’s harshest irony. The transition from vertically ordered place to horizontal space in Persuasion is more extreme than in any other of the completed novels. Anne Elliot’s movement from social exclusiveness to socially inclusive possibility allows Austen to challenge gender and class hierarchies traditionally held to be inborn. Her writerly experimentation expands the possibilities of narrative perspective
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38

Fisher, Jennifer. Perception, Connections, and Performed Identities in American-Ghanaian Dance Encounters. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.020.

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This essay explores what dancers from different cultures can learn through exchanges when they involve concepts of nationalism, performed identities, spiritual practice, and the categories of “art” dance and “cultural” dance. A brief but impactful trip to Ghana by California university dance students and academics provides several scenes where energies, techniques, and ideas emerge. Studying with members the Ghana Dance Ensemble, one of the country’s national dance companies, as well as interacting with the dance department of the University of Ghana, Legon, results in enjoying and questioning
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39

Kaell, Hillary. Christian Globalism at Home. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691201467.001.0001.

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Child sponsorship emerged from nineteenth-century Protestant missions to become one of today's most profitable private fundraising tools in organizations including World Vision, Compassion International, and ChildFund. Investigating two centuries of sponsorship and its related practices in American living rooms, churches, and shopping malls, this book reveals the myriad ways that Christians who don't travel outside of the United States cultivate global sensibilities. The book traces the movement of money, letters, and images, along with a wide array of sponsorship's lesser-known embodied and a
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40

Hutter, Manfred. Priests, Prophets, Sorcerers. Edited by Michael Stausberg and Steven Engler. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198729570.013.42.

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Definitions of ‘priest,’ ‘prophet,’ or ‘sorcerer’ must take account of the social setting of such religious specialists. Though most definitions are rooted in biblical traditions, ‘priest’ can serve as a useful umbrella term in a typology of terms of religious authorities, describing a person serving a community as the main specialist responsible for transmitting religious knowledge and establishing the relationship between individuals or the society as a whole and superhuman beings by performing rituals on behalf of the former and for the pleasure of the latter. This approach rejects a functi
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41

Covington-Ward, Yolanda, and Jeanette S. Jouili, eds. Embodying Black Religions in Africa and Its Diasporas. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013112.

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The contributors to Embodying Black Religions in Africa and Its Diasporas investigate the complex intersections between the body, religious expression, and the construction and transformation of social relationships and political and economic power. Among other topics, the essays examine the dynamics of religious and racial identity among Brazilian Neo-Pentecostals; the significance of cloth coverings in Islamic practice in northern Nigeria; the ethics of socially engaged hip-hop lyrics by Black Muslim artists in Britain; ritual dance performances among Mama Tchamba devotees in Togo; and how I
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42

Minden, Gabriela. Modernism after the Ballets Russes. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198951704.001.0001.

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Abstract Modernism after the Ballets Russes recovers the striking yet understudied role that Serge Diaghilev’s Ballets Russes played in the development of modernist theatre in Britain. Diaghilev’s company holds a renowned position in modernism across various arts. Yet its contributions to dramatic literature and dramaturgy have remained surprisingly elusive. This book establishes the Ballets Russes as an integral part of British theatre history, revealing how the company’s avant-garde repertoire inspired the creation of new composition strategies and performance techniques that privileged the
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43

D'Errico, Mike. Push. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190943301.001.0001.

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This book shows how changes in music software design in the first decades of the twenty-first century shaped the production techniques and performance practices of artists across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations (DAWs) such as FL Studio and Ableton’s Live encouraged rapid music-creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid’s Pro Tools attempted to protect its s
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44

de Bruin, Boudewijn. The Business of Liberty. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198839675.001.0001.

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Two key arguments for the value of freedom are that freedom contributes to desire satisfaction and to personal responsibility. But what if we do not know about our freedoms? Or if we do not acknowledge each other’s freedoms? This book shows that what is really of value are the ideals of known freedom and acknowledged freedom. The book demonstrates the importance of these two ideals in many contexts, including neuromarketing, skilled work, discrimination, education, environments with stereotype threats, informed consent, consumer protection, socially responsible investing, climate-related finan
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45

Gillett, Molly-Claire. Irish Lacemaking. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350465541.

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Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), and exploring the contemporary relevance of her work, this book charts a path through the many institutions, organizations, philanthropic initiatives and government bodies that supported, promoted and monitored the crafting and design of lace in Ireland from the late 19th century onwards. The story of lace’s introduction in Ireland to provide work and sustenance during the Irish Famine is a well-known element of social history, yet the development of the craft – as a set of techniques and designs, with a
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