Relevant bibliographies by topics / Emotion and aesthetic relish

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Emotion and aesthetic relish'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Emotion and aesthetic relish"

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Madhurantika, Sunil. "Application of Rasa Theory in James Joyce's a Portrait of the Artist as a Young Man." International Journal of Trend in Scientific Research and Development 3, no. 1 (2018): 438–41. https://doi.org/10.31142/ijtsrd18998.

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The synchronic and diachronic study of literature explicate that literature is essentially about life and emotions thus it has timeless appeal meaning thereby that there is something in a literary work that transcends time and space. Readers of different countries, culture, religions, ideologies, passions and prejudices do appreciate and relish literature of altogether a different place as it provides aesthetic enjoyment to them. A close conspicuous analysis of the available literature may expound the fact that the most fascinating area of intersection between Indian and Western literature is
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Baghel, Virosh Singh. "Theorising the Idea of Aesthetic Self in Abhinavagupta." Integrated Journal for Research in Arts and Humanities 4, no. 4 (2024): 23–31. http://dx.doi.org/10.55544/ijrah.4.4.5.

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The paper examines Abhinavagupta’s concept of rasa, or aesthetic experience, and attempts to theorise the idea of an aesthetic self. According to him, while experiencing a drama (nāṭya), spectators attain a collective state of consciousness when they resonate with the underlying poetic intention and experience generalised emotions (through sādhāraṇīkaraṇa), creating a uniformity (ekaghanatā) among them, de-contextualising them from their personal-causal relations. Subsequently, their consciousness merges into a collective whole, becoming a universal subject that experiences generalised emotion
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Budhathoki, Mahendra Kumar. "Rasa Theory Applied to William Shakespeare’s Twelfth Night." Literary Studies 33 (March 31, 2020): 46–60. http://dx.doi.org/10.3126/litstud.v33i0.38057.

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The primary purpose of the paper is to study Shakespeare’s plays Twelfth Night (Western literature) through rasa theory i.e. an Eastern literary theory. Rasa etymologically refers to liquid, flavour, taste, elixir, essence, pleasure, beauty. Literary meaning of rasa, as Bharata defines, is that which is relished or enjoyed. He describes rasa as the delight that the readers experience the generalized emotions presented in the dramatic art. Rasa is a study of universal human emotions. “Rasa is the […] study of emotions which deals with the delight, one takes in literature” (Poonam 5). The ultima
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KONDRATІEVA, Iryna. "THE METHODOLOGY OF ROMAN INGARDEN IN THE STUDY OF RELIGIOUS ART." Almanac of Ukrainian Studies, no. 31 (2022): 95–99. http://dx.doi.org/10.17721/2520-2626/2022.31.13.

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Purpose of article is the disclosure of Roman Ingarden's aesthetic methodology as an important basis for the analysis of religious art. Methodology of the research is to use the phenomenological method of Roman Ingarden as a methodological basis in the analysis of religious art in the paradigmatic dimension of Religious Science. For the first time, the methodological potential of the aesthetic concepts of the Polish phenomenologist Roman Ingarden in the study of religious art on the example of the Armenian Cathedral of Saint James in Jerusalem as an example of an architectural narrative has be
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Ma, Xiaoyong. "The positive impact of environmentally artistic design in cultural architecture on OCD audience." CNS Spectrums 28, S2 (2023): S25. http://dx.doi.org/10.1017/s1092852923003127.

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BackgroundRecurrent compulsive thoughts and behaviors caused by obsessive-compulsive disorder (OCD) against the subjective wishes of the individual can lead to significant distress and anxiety for the patient. To improve the therapeutic effect on patients with severe OCD, to study the positive impact of environmental art design of cultural architecture under the characteristics of modern aesthetic psychology on patients with OCD.Subjects and MethodsTwenty-five patients with obsessive-compulsive disorder were selected as the experimental group and another 25 patients with obsessive-compulsive d
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Dash, Pratap Kumar. "Literary and Artistic Values of the Iconic Odia Movie Lyrics and Popular Modern Songs of Love and Romance from 60s to 80s." Indiana Journal of Arts & Literature 6, no. 5 (2025): 1–6. https://doi.org/10.5281/zenodo.15561081.

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<strong>Abstract:</strong> The profile of Odia cinema as well as popular Odia modern songs specially from the 60s to the 80s is indelible nostalgic reminiscences of artistic values for several reasons. Like commitments and movements of making movies in other Indian languages in those days, they deal with the potential socio-cultural and contemporary topics of discussion in varieties, and found to have considerable impact on audience because of the solidity of themes and literary flavour. While reflecting on social issues and realities, as usual, they reserve special position of love between th
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Spitzer, Michael. "Conceptual blending and musical emotion." Musicae Scientiae 22, no. 1 (2018): 24–37. http://dx.doi.org/10.1177/1029864917714302.

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The scholarly literature on conceptual blending and emotion is very scant. One exception is a short section in Fauconnier and Turner (2002) focused on the emotion of anger. Fauconnier and Turner refer to the cross-cultural research of Lakoff and Kövecses (1987) on the anger script. The present article takes this dialogue on anger as a starting point to develop two separate yet interlinked matters: first, to open up a perspective on emotion from the standpoint of conceptual blending; second, to apply this perspective to the analysis of music’s structural features. The article begins by reviewin
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BELEHBIB, Hassan. "AN AUDIO STUDY OF THE POETS' PUBLICATIONS: "THE APPARENT SECRET IN THE ONE WHO ACHIEVED THE BRILLIANT HONOR FROM THE HEELS OF SHEIKH ABDUL QADIR". FOR THE POET ABU AL-RABI` SULEIMAN AL-HAWATH AL-SHAFSHAUNI, WHO DIED IN 1231 AH / 1816 AD." International Journal of Education and Language Studies 03, no. 01 (2022): 70–78. http://dx.doi.org/10.47832/2791-9323.1-3.6.

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An audio study of the poets’ relics, “The apparent secret of who attained the splendid honour, following the heels of Sheikh Abd al-Qadir.” This study aims to answer questions that I consider urgent in the literary lesson, which are: To what extent can what a poet writes in prose and what other than poets write as one thing? Does the poet not accompanies when writing prose that musical rhythm he composed in poetry? Or does the writer/poet have two different memories, one for prose and the other for poetry? Or is it the memory that is pregnant with melody, rhythm, and the music itself accompany
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Käpylä, Juha, and Denis Kennedy. "Cruel to care? Investigating the governance of compassion in the humanitarian imaginary." International Theory 6, no. 2 (2014): 255–92. http://dx.doi.org/10.1017/s1752971914000025.

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Compassion is a key moral emotion of liberal modernity. Traditionally, it is seen as an unproblematic moral compass, both theoretically and ethico-politically. This applies especially in the case of humanitarian action, which hinges on the compassionate impulses of individuals – to care, to give and to act – in the face of distant suffering. The article takes a critical approach to compassion. It argues that humanitarian action is incomprehensible outside of a general theory of how compassion structures the encounter between the suffering object of relief and the caring public. It does this by
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Osypenko, V. "Ethnoaesthetics of the Ukrainian folk song tradition in the performance of the singer Oksana Mukha." Culture of Ukraine, no. 72 (June 23, 2021): 124–30. http://dx.doi.org/10.31516/2410-5325.072.17.

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The topicality is associated with the need for musicological understanding of the value categories of ethnoaesthetics in the creative activity of singers that represent the Ukrainian folk song tradition in modern variety vocal art.&#x0D; The purpose of the article is to identify ethno-aesthetic value components in the performance of O. Mukha as a personification of the uniqueness of the Ukrainian national expression.&#x0D; The methodology consists of scientific works of prominent Ukrainian scientists devoted to the study of ethno-aesthetic ideas and criteria in the traditional songs of Ukraine
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Dissertations / Theses on the topic "Emotion and aesthetic relish"

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Armitstead-Pinkney, Lucy. "The role of emotion in the aesthetic appreciation of nature." Thesis, Durham University, 2006. http://etheses.dur.ac.uk/2677/.

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This thesis argues that the emotion felt in response to the aesthetic appreciation of nature is relative to the relationship the observer has with the natural object or scene. The relative character of the emotional aesthetic response to nature indicates that the response is in one important sense subjective and yet the thesis also argues that some emotional responses to nature may be inappropriate and suggests guidelines for preventing such inappropriate responses. If emotion is linked to reason then the emotions felt in the aesthetic response to nature must be also involve reason. The emotio
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Bronelius, Eric. "”Aesthetic experience” och spelgrafik : Hur kunskap inom spelgrafik kan påverka ”the aesthetic experience”." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-13628.

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Syftet med studie var att undersöka hur kunskap inom spelgrafik kan påverka en spelares “aesthetic experience”. ”Aesthetic experience” är en term som används för att beskriva den tankeprocess en människa genomgår när hen betraktar ett verk. Detta resulterar i en ”aesthetic judgement” och en ”aesthetic emotion”. Enligt den studie Leder m.fl. har gjort kan kunskap inom modern konst resultera i en positiv ”aesthetic emotion” när observatören betraktar modern konst. Studien undersökte om kunskap om spelgrafik kunde ge ett liknande resultat vid betraktandet av en spelmiljö. Till undersökningen skap
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Molavi, Arabshahi Amir. "Elderly users & Mobile Phones: An explorative Study on Designing for Emotion & Aesthetic Experience :." Thesis, Uppsala universitet, Institutionen för informatik och media, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-191125.

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This thesis aims to examine the role that non-instrumental aspects such as aesthetic and emotion play in elderly user interaction with mobile phones. It presents an analysis of the results from in-depth interviews with a selected group of Swedish elderly users, and discusses how the aesthetic experience which they yield in interacting with mobile phones could impact their preference, and their perceived usability of the devices.  A set of mobile phones, different in usability and aesthetic levels were presented to the group of elderly user in order to investigate how they perceive phones attri
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Liao, Huakai. "A Unified Framework of the Shared Aesthetic Experience." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1307.

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Aesthetic expressions have been seen as the manifest of human culture. The psychology of aesthetics have proposed various models, describing the various phenomena related to aesthetic experience, such as sensory pleasure derived from aesthetic stimuli, emotional response toward aesthetic depiction, cognitive mastering over aesthetic emotion, etc. However, further examination reveals current models have theoretical limits for the explanation of society-wide aesthetic preference due to limited scope of focus. Thus, the current project proposes a new theoretical framework to describe the process
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Kasten-Daryanani, R. Amrit. "Poetic Leadership, A Territory of Aesthetic Consciousness and Change." Antioch University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1210204925.

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Boyce, Tara Brock. "Kenneth Burke as Educator: What His Theories of Aesthetic Form and (Non-Symbolic) Motion/(Symbolic) Action Suggest for Teachers in the Literature Classroom." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3708.

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Burke scholars oftentimes overlook Burke's fundamental role as educator and how his work can and should be applied to the classroom. This paper explores Burke's theoretical works and centers on two concepts important to developing rhetorical skills necessary for functioning and participating in a democratic society: his theory of aesthetic form and his distinction between motion and action. Specifically, this paper (1) clarifies these concepts and explains how they relate to each other and the emotional experience of literature, and (2) demonstrates how these concepts work together to imply a
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Gadret, Débora Thayane de Oliveira Lapa. "A Emoção na reportagem de televisão : as qualidades estéticas e a organização do enquadramento." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/143019.

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Esta tese investiga como a emoção constitui o discurso jornalístico. A partir da premissa de que a emoção desempenha vários papéis na tomada de decisão dos sujeitos, a pesquisa se insere em um novo paradigma dentro dos estudos em jornalismo: aquele que entende a emoção como um conceito com valor epistemológico, pois a compreende como parte intrínseca da atividade jornalística e de seus discursos. O telejornalismo, em especial a reportagem de TV, é objeto desta investigação, devido às características da televisão como uma tecnologia de intimidade, com qualidades estéticas que convidam o telespe
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Benenti, Marta. "Expressive Experience. An Inquiry Concerning The Expressiveness of Objects." Doctoral thesis, Università degli Studi di Torino, 2018. https://hdl.handle.net/11579/147780.

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How is it possible that we hear music or see paintings as expressive of affective states? How is it that this bizarre phenomenon extends to natural landscapes, atmospheres, and also to simple colours, sounds, shapes? This research aims at inquiring the phenomenon of expressiveness. In particular, it focuses on the expressiveness of inanimate objects. What is especially intriguing about expressiveness is that it mobilizes a number of issues concerning the nature of perception and that of affective experiences. Questions about the possibility that affective states such as anxiety, melancholy,
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Riegler, Anne-Sophie. "Les enjeux d'une esthétique du flamenco : étude analytique et critique du duende." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEE010/document.

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Cette thèse souhaite rendre intelligibles les expériences esthétiques puissantes qu'on nomme duende dans le flamenco. D'une part, le topos veut que le duende, parce qu'irrationnel et idiosyncrasique, constituerait une réalité indicible transcrite par un terme intraduisible. D'autre part, le flamenco est un genre artistique hybride dont il est difficile de cerner les limites : il s'alimente aussi bien au chant qu'à la musique instrumentale et à la danse, mêle les cultures populaire et savante et fait intervenir la spontanéité au sein d'un système de communication pourtant très codifié. Il pose
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Canet, Géraldine. "L’émotion esthétique aux frontières du lien : accordages, perceptions et représentations des limites dans le groupe art-thérapeutique à médiation plastique, en psychiatrie." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCB012/document.

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Notre thèse se propose de définir l’action de l’émotion esthétique dans le processus art-thérapeutique à médiation plastique, auprès de sujets souffrant de troubles psychotiques ou de problématiques de limites. Nous l’observons dans sa relation à la perception des limites psycho-corporelles, dans un contexte de prise en charge en groupe en institution hospitalière. Notre étude relate ainsi une spécificité de la situation d’artiste dans le lien art-thérapeutique, qui inclut sa sensibilité esthétique, en miroir aux questionnements esthétiques du sujet créant. Notre hypothèse générale est que l’é
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Books on the topic "Emotion and aesthetic relish"

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Hanich, Julian. Cinematic emotion in horror films and thrillers: The aesthetic paradox of pleasurable fear. Routledge, 2010.

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Bhaskar, Ira. Emotion, Subjectivity, and the Limits of Desire. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0012.

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This chapter analyzes three Bombay melodramas: Mahesh Kaul's Gopinath (1948), Kamal Amrohi's Daera (1953), and Bimal Roy's Devdas (1955). These films represent the tragic denouement of their protagonists, bringing into sharp relief a particular melodramatic embodiment of gender and identity in Bombay cinema of the 1940s and 1950. The chapter addresses the following questions: What are the issues at stake? What is the historical conjuncture that pressures gender and genre to take such forms? What significances does the aesthetic mode employed here press forth from the situations that the films
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Berliner, Todd. Ideology, Emotion, and Aesthetic Pleasure. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.003.0007.

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Chapter 7 examines the ways in which a film’s ideological properties contribute to aesthetic pleasure when they intensify, or when they complicate, viewers’ cognitive and affective responses. The chapter demonstrates the ways in which the ideology of a Hollywood film guides our beliefs, values, and emotional responses. In ideologically unified Hollywood films, such as Die Hard, Independence Day, Pickup on South Street, and Casablanca, narrative and stylistic devices concentrate our beliefs, values, and emotional responses, offering us a purer experience than we can find in most real-life situa
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Hanich, Julian. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. Taylor & Francis Group, 2011.

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Hanich, Julian. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. Taylor & Francis Group, 2012.

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Hanich, Julian. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. Taylor & Francis Group, 2011.

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Cinematic emotion in horror films and thrillers: The aesthetic paradox of pleasurable fear. Routledge, 2010.

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Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. Routledge, 2011.

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Temperley, David. Emotion and Tension. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0007.

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Following much other research on musical emotion, this chapter assumes a two-dimensional representation, with one dimension representing valence (positive/negative) and the other representing energy/activity. It is argued that the valence dimension in rock is conveyed primarily by the location of a song’s scale (relative to the tonic) on the “line of fifths”; this captures the well-known major/minor contrast but also allows finer distinctions. The energy dimension is conveyed by a variety of musical parameters including loudness, register, tempo, rhythmic density, and timbral brightness. The c
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Yousef, Nancy. The Aesthetic Commonplace. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856524.001.0001.

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The Aesthetic Commonplace is a study of the everyday as a region of overlooked value in the work of William Wordsworth, George Eliot, and Ludwig Wittgenstein. The Romantic poet, the realist novelist, and the modern philosopher are each separately associated with a commitment to the common, the ordinary, and the everyday as a vital resource for reflection on language, on feeling, on ethical insight, and social attunement. The Aesthetic Commonplace is the first study to draw substantive lines of connection between Wittgenstein and the cultural and literary history of nineteenth-century England.
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Book chapters on the topic "Emotion and aesthetic relish"

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Wesselinoff, Catherine. "Aesthetic Emotion." In The Revival of Beauty. Routledge, 2023. http://dx.doi.org/10.4324/9781003387282-18.

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Wiskowski, Andrew. "Mood, Affect, Feeling, Emotion." In Aesthetic Collectives. Routledge, 2022. http://dx.doi.org/10.4324/9781003205661-8.

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Leroy, Christine, and Anna Pakes. "Aesthetic emotion in dance." In Kinaesthetic Empathy, Ethics and Care. Routledge, 2025. https://doi.org/10.4324/9781003534822-5.

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Bateman, Chris. "The Aesthetic Motives of Play." In Emotion in Games. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41316-7_1.

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Finch, Edward, and Guillermo Aranda-Mena. "Emotion and the aesthetic workspace." In Creating Emotionally Intelligent Workspaces. Routledge, 2019. http://dx.doi.org/10.1201/9780429469558-7.

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Shibles, Warren. "Aesthetic Value: A Reconstruction of the Literature." In Emotion in Aesthetics. Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-015-8579-8_2.

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Shibles, Warren. "Aesthetic Emotion: A Reconstruction of the Literature." In Emotion in Aesthetics. Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-015-8579-8_3.

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Vayl, Irina. "Vyacheslav Ivanov’s Aesthetic: The Sonnet “Love”." In Life Creative Mimesis of Emotion. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4265-6_13.

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Xue, Yisi. "Aesthetic Emotion Measurement Methods for Painting." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-062-6_64.

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Eykman, Christoph. "Between Elation and Sorrow: Aesthetic Experience in the Western European Novel." In Life Creative Mimesis of Emotion. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4265-6_11.

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Conference papers on the topic "Emotion and aesthetic relish"

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Orbay, Gunay, Luoting Fu, and Levent Burak Kara. "Shape Spirit: Deciphering Form Characteristics and Emotional Associations Through Geometric Abstraction." In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-13274.

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Understanding and tailoring the visual elements of a developing product to evoke a desired emotional response and aesthetic perception is a key challenge in industrial design. To date, computational approaches to assist this process have either relied on stiff geometric representations, or focused on superficial features that exclude often elusive shape characteristics. In this work, we aim to study the relationship between product form and consumer emotions through a visual deconstruction and abstraction of existing final products. In particular, we attempt to answer three questions: (1) Do o
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DiPaola, Steve, Sara Salevati, Kristin M. Carlson, and Thecla Schiphorst. "Movement Awareness through Emotion Based Aesthetic Visualisation." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.27.

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Toppano, Elio, and Alessandro Toppano. "Staging sonic atmospheres as the new aesthetic work." In AM'18: Sound in Immersion and Emotion. ACM, 2018. http://dx.doi.org/10.1145/3243274.3243286.

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Chen, Yunlong, Yuanyuan Pu, Zhengpeng Zhao, Dan Xu, Man, and Wenhua Qian. "Image Aesthetic Assessment Based on Emotion-Assisted Multi-Task Learning Network." In ICMSSP 2021: 2021 6th International Conference on Multimedia Systems and Signal Processing. ACM, 2021. http://dx.doi.org/10.1145/3471261.3471263.

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Bakar, Zuriana Abu, Phillip Long, and Ralf Muhlberger. "The effects of dynamic aesthetic interfaces on students' emotion and performance." In 2011 International Conference on User Science and Engineering (i-USEr 2011). IEEE, 2011. http://dx.doi.org/10.1109/iuser.2011.6150527.

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Lee, Kwangyoung, James Andrew Self, and Hwajung Hong. "AESTHETIC PRODUCT INTERACTION: THE NECESSITY OF CONSISTENCY BETWEEN FUNCTION & EMOTION." In 15th International Design Conference. Faculty of Mechanical Engineering and Naval Architecture, University of Zagreb, Croatia; The Design Society, Glasgow, UK, 2018. http://dx.doi.org/10.21278/idc.2018.0291.

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Liu, Qian. "Research on Aesthetic Emotion Expression of Piano Music Based on Deep Learning." In 2023 5th International Conference on Applied Machine Learning (ICAML). IEEE, 2023. http://dx.doi.org/10.1109/icaml60083.2023.00085.

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Wu, Xinying, Minggang Yang, and Zishun Su. "Pleasurable Emotions of Product Design." In Intelligent Human Systems Integration (IHSI 2022) Integrating People and Intelligent Systems. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001003.

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Improving product attractiveness and usability has become a new direction of product design. In the past, the functional aesthetics pursued in product design was gradually replaced by emotional experience. The new usability is transformed into positive emotional needs. As an emotion type with research value in positive emotion, pleasant emotion has gradually become a new usability issue in emotional design. Therefore, the construction of product form pleasant emotion evaluation system helps designers to develop products that meet market orientation according to the combination of aesthetic exp
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Lv, Zhiqiang. "Exploration on the Importance of Singer's Emotion and Aesthetic Imagination in Vocal Performance." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.211.

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Zhang, Jinmeng, Rui Xu, and Ziqiong Yang. "Research and application of public welfare poster design under the background of perceptual design and digitalization." In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.61.

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Graphic language has become the information age of today's layout design concept and consciousness. The integration of design and digitization constructs the cultural ecological environment of diversified design, which makes the thinking, concept and aesthetic style of design permeate with unique cultural value. Based on the perceptual image elements under visual innovation and the communication effect of modern public welfare posters, combined with the update of media and the application and iteration of digital technology, emotional graphic elements are equipped in the design of public welfa
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