Relevant bibliographies by topics / Epic poetry, Lao

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Epic poetry, Lao'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Epic poetry, Lao"

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Ha, Do Thu. "Localizing India’s Values of Ramayana in Southeast Asia- The Case of Hikayat Seri Rama." International Journal of Religion 5, no. 11 (2024): 910–20. http://dx.doi.org/10.61707/4vqpgs68.

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Intercultural communication is the communication among different cultures, different communities with different lifestyles and worldviews, which is a dispensable and unavoidable trend. The Ramayana is one of the largest ancient epics in world literature and has had an important influence on later Sanskrit poetry and Hindu life and culture because it presents the teachings of ancient Hindu sages in narrative allegory, interspersing philosophical and ethical elements. The characters Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are all fundamental to the cultural consciousness of India, Nep
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Coe, Richard N. "Poetry and the child-self lyric and epic in the autobiographical mode." Neohelicon 12, no. 2 (1985): 47–93. http://dx.doi.org/10.1007/bf02093319.

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Vladimirovich, Kondratiev Konstantin. "Mythological Thinking and Philosophy." International Journal of Criminology and Sociology 9 (April 5, 2022): 2554–58. http://dx.doi.org/10.6000/1929-4409.2020.09.313.

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The article's primary purpose is to analyze the problems of the emergence of philosophy against the background of myth and the correlation of mythical and philosophical styles of thinking. The author substantiates the question of myth theories that do not consider the bearer's inner conviction of mythological thinking in the absolute reality of events and characters described in myths. The main features of the myth as the most ancient form of social consciousness are revealed: absolute subjective certainty, anonymity, which is expressed in an unconscious type of authorship, as well as a specif
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Kim, Young. "A Study on the Translation and Enjoyment of <Gongjakdonnambi> in the Joseon Dynasty: Focusing on Manuscripts." Korean Society of Culture and Convergence 44, no. 9 (2022): 75–86. http://dx.doi.org/10.33645/cnc.2022.9.44.9.75.

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The purpose of this paper is to &lt;Gongjakdonnambi&gt; discuss the influx and enjoyment of the Joseon Dynasty, and the translation characteristics of the famous long-form folk epic of ancient Chinese poetry from the Joseon Dynasty. It only targets materials transcribed in the Joseon Dynasty. Currently, there are 4 Chinese manuscripts and 3 Hangul manuscripts. All of the titles showed the characteristics of being used as “Gongjaksi” and “Gongjakhaeng.” It was named by Joseon itself and was used to reflect the first words appearing in the text of the work and the stylistic nature of the work. T
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Arveladze, Natia. "For the Translation of Epithets from an Ancient Greek Epic Poetry (Homer, Apollonius)." enadakultura, March 4, 2024. http://dx.doi.org/10.52340/lac.2024.09.03.

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Dissertations / Theses on the topic "Epic poetry, Lao"

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Malamis, Daniel Scott Christos. "The justice of Dikê on the forms and significance of dispute settlement by arbitration in the Iliad." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002162.

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This thesis explores the forms and significance of dispute settlement by arbitration, or ‘δίκη’, in the Iliad. I take as my focus the ‘storm simile’ of Iliad XVI: 384-393, which describes Zeus’ theodical reaction to corruption within the δίκη-court, and the ‘shield trial’ of Iliad XVIII: 498-508, which presents a detailed picture of such a court in action, and compare the forms and conception of arbitration that emerge from these two ecphrastic passages with those found in the narrative body of the poem. Analysing the terminology and procedures associated with dispute settlement in the Iliad,
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Pron, Patricio. ""Aquí me río de las modas"." Doctoral thesis, 2007. http://hdl.handle.net/11858/00-1735-0000-0006-AED1-E.

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Books on the topic "Epic poetry, Lao"

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Vīravong, Silā. Thāo Hung Thāo Chư̄ang: Sabap sombūn. Sathāban Khonkhwā Silapavannakhadī, Khana Kammakān Khonkhwā Vithanyāsāt Sangkhom hǣng Lat, 1988.

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Vīravong, Silā. Thāo Hung Thāo Chư̄ang: Mahākāp. Hō̜samut hǣng Sāt, 2000.

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Hoa, Bùi Viêt, ред. Kalêvala: Sủ thi Phần Lan. Nhà Xuất Bản Văn Học, 1994.

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D, Baltazar Saturnino, ed. Epics and ballads of Lam-ang's land & people. UST Pub. House, 2006.

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Muslimova, M. Partu Patima: Na lakhskom i russkom i͡azykakh. "Ėpokha", 2010.

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Sini, Francesco. Bellum nefandum: Virgilio e il problema del "diritto internazionale antico". Libreria Dessì, 1991.

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Jurasinski, Stefan. Ancient privileges: Beowulf, law and the making of Germanic antiquity. West Virginia University Press, 2007.

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Ratkowitsch, Christine. Karolus Magnus: Alter Aeneas, alter Martinus, alter Iustinus : zur Intention und Datierung des "Aachener Karlsepos". Verlag der Österreichischen Akademie der Wissenschaften, 1997.

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Muntoha. Otonomi daerah dan perkembangan "peraturan daerah bernuansa syari'ah". Safiria Insania Press, 2010.

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Treasures of Lao literature. Vientiane Times Publications, 2000.

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Book chapters on the topic "Epic poetry, Lao"

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Wagner, Silvan. "Chapter 5. Narrator and narrative space in Middle High German epic poetry (Parzival, Ehescheidungsgespräch, Prosalancelot)." In Linguistic Approaches to Literature. John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/lal.21.06wag.

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Van der Laan, Sarah. "Speaking with Homer." In The Choice of Odysseus. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198778295.003.0002.

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Abstract Chapter 1 explores early humanist efforts to establish Homer as the head of a Renaissance epic tradition. Readings of Francesco Petrarch’s Africa and Trionfi and Angelo Poliziano’s Silvae reveal that from its earliest days, Renaissance epic establishes speech with Homer as the ultimate proof of a poet’s place in the epic tradition. Throughout Petrarch’s epic output, metaphors of deafness and muteness to Homer and his heroes contrast with the language of hearing and speech that describes Petrarch’s relationships with Latin poets and reveal the limitations of the humanist poetics of imi
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Feeney, D. C. "The Critics: Beginnings, and a Synthesis." In The Gods in Epic. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198140559.003.0002.

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Abstract The aim of the first chapter is to give a picture of the intellectual environment inhabited by the epic poets of the classical tradition, and their readers, as they confronted the problems of the gods in epic. The task is rendered difficult by the obvious fact that this was no homogeneous environment, but a contested and evolving one, of extreme complexity, itself always being transformed by the contribution of each successive poet. It is, further, practically impossible to establish any very firm boundaries around the environment we arc trying to recover, so pervasive was the presenc
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Likhacheva, Svetlana B. "Fiction as a Commentary on Reality — Reality as the Roots of Fiction: European Epics and J.R.R. Tolkien’s Original Legendarium." In Commentary: Theory and Practice. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/978-5-9208-0618-5-113-142.

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J.R.R. Tolkien owes much of his success as a writer to his scholarly expertise: the professional mastery of epic traditions of the past allowed the author to create an epic of his own. From the analysis of ancient texts and preparation of critical editions and translations (Sir Gawain and the Green Knight, Pearl, Beowulf), via “sequelizing” (The Homecoming of Beorhthnoth) and filling in the gaps in Germanic epics, the author comes to creating his own mythology deeply rooted in the authentic tradition. In this article we consider the three different traditions, or the three sources of the mater
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Anderson, Michael J. "Daughters and Daughters-in-Law." In The Fall of Troy in Early Greek: Poetry and Art. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150640.003.0005.

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Abstract Of the twelve daughters and the many daughters-in-law who inhabited Priam’s palace, Ilioupersis sources focus their attention primarily on three: Kassandra, Polyxene, and Andromache. The rest, Helen excepted, seem not to have been elevated to canonical status in the tradition. Apollodoros records that a chasm opens in the earth to engulf Laodike (Epit. 5. 25), the princess accompanying Hekabe at her meeting with Hektor in Iliad 6; but, although Lykophron’s allusion to the fate of Laodike at Alexandra 316-22 would suggest an earlier, possibly Classical treatment, the episode remained o
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Rábade Villar, María do Cebreiro. "Teoría y crítica del roman à clef Propuestas de lectura de la novela política." In Novela postcrisis en la España plurilingüe. Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-870-5/011.

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This chapter hinges on two fundamental hypotheses: a) the Galician novelistic tradition, at least since Rosalía de Castro’s El primer loco, can be considered a roman à clef; and b) in contrast to the epic model, conceived as a mythical narrative of the nation since the poetry of Eduardo Pondal, much of the modern Galician novel expresses political disenchantment. The author tests both hypotheses in the postcrisis novel Pazo de inverno by the poet and novelist Alberto Lema and in other relevant examples of the roman à clef genre by authors such as Xosé Luís Méndez Ferrín, Diego Ameixeiras, Xaqu
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Jahner, Jennifer. "Coda." In Literature and Law in the Era of Magna Carta. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198847724.003.0006.

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The conclusion to the book expands the terrain of “jurisdictional poetics” to include both contemporary and medieval poetry. It begins with the work of Carter Revard, Osage poet and medievalist, whose discovery of the scribe of Harley 2253 has fundamentally shaped contemporary scholarship on legal and literary copying in later medieval England. His poem “Starring America” provides an entry point into the tensions between epic and local histories that resonate as well in a set of cross-Channel satires that date to the time of the Second Barons’ War. The coda examines the earliest surviving Midd
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Maholkar, Santosh Govindrao. "GENEALOGY OF DISCRIMINATION AND CRITIQUE OF CASTE IN THE SELECT INDIAN LITERARY REPRESENTATIONS." In Research Trends in Language, Literature & Linguistics Volume 3 Book 2. Iterative International Publisher, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3bblt2p1ch10.

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The purpose of this paper is to articulate the genealogy of discrimination and arbitrary caste-based inequality in the light of Indian literary and cultural (con)texts. Thus the paper problematizes the issue of the discrimination in Indian literary and cultural representations, right from the time of great Indian epic The Mahabharta (Eklavya, Karna, Barbarik/Belarsen and other life stories) through the medieval reformist Bhakti poetry to the modern time. In short the paper addresses the following research questions. •In what ways do the study of literary explorations and cultural representatio
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"Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life." In Fugitive Time. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478027508-003.

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In chapter 2, three sketches drawn by the Cuban painter Wifredo Lam usher us into the shape of fugitive time in Aimé Césaire’s négritude epic Notebook of a Return to the Native Land. Produced for the 1943 Cuban translation of Césaire’s original 1939 Notebook, these drawings—which to date have only been cursorily examined in relation to the poem—allow us to appraise anew a canonical text written amid the incipient rise of fascism in Europe and increasing anticolonial demonstrations throughout the colonized world. Rather than mere illustrations, the chapter shows how Lam’s surrealist, multispeci
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Siraganian, Lisa. "Limited Poetic Liability." In Modernism and the Meaning of Corporate Persons. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198868873.003.0005.

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Of all the corporate person’s vital qualities, the most powerful and contentious was limited liability: the rule that a corporation’s shareholders cannot be held responsible for more than the value of the shares they own. This chapter examines challenges to that rule and its effects in the world by analyzing the responses of three very different writers: law professor Maurice Wormser, novelist Theodore Dreiser, and poet and lawyer Charles Reznikoff. Should corporations be understood as veils for individuals or as fully formed entities inextricably meshed with their managers, owners, and enviro
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