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1

Objects of culture: Ethnology and ethnographic museums in Imperial Germany. University of North Carolina Press, 2003.

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2

Penny, H. Glenn. Objects of culture: Ethnology and ethnographic museums in Imperial Germany. University of North Carolina Press, 2002.

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3

Regional variation in the material culture of hunter gatherers: Social and ecological approaches to ethnographic objects from Queensland, Australia. Archaeopress, 2003.

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4

Sweden), Etnografiska museet (Stockholm, ed. Whose objects?: Art treasures from the kingdom of Benin in the collection of the Museum of Ethnography, Stockholm. Etnografiska museet, 2010.

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5

Muzeĭ etnohrafiï ta khudoz︠h︡nʹoho promyslu Instytutu narodoznavstva NAN Ukraïny and Schlossbergmuseum Chemnitz, eds. Schätze des jüdischen Galizien: Begleitheft zur Ausstellung des Museums für Ethnographie und Kunstgewerbe, Lviv/Ukraine. Schlossbergmuseum Chemnitz, 2002.

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6

Derlon, Brigitte. De mémoire et d'oubli: Anthropologie des objets malanggan de Nouvelle-Irlande. CNRS éditions, 1997.

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7

Duda, Eugeniusz. Skarby dziedzictwa galicyjskich Żydów: Judaica z Muzeum Etnografii i Przemysłu Artystycznego we Lwowie = Treasures of the Galician Jewish heritage : Jewish collection from the Museum of Ethnography and Artistic Crafts in Lvov. Wydawn."DUO", 1993.

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8

Prampolini, Gaetano, and Annamaria Pinazzi, eds. The Shade of the Saguaro / La sombra del saguaro. Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-393-9.

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This volume springs from that fruitful project of scientific cooperation between the humanities departments of Università di Firenze and University of Arizona which was the Forum for the Study of the Literary Cultures of the Southwest (2000-2007). Tri-cultural, at least (Native, Hispanic and Anglo-American), and multi-lingual, today’s Southwest presents a complex coexistence of different cultures, the equal of which would be hard to find elsewhere in the United States. Of this virtually inexhaustible object of study, the essays here collected tackle an ample range of themes. While the majority
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9

Bo wu guan min zu zhi: Zhongguo xi nan di qu de wu xiang xu shi yu zu qun li shi = Museum Ethnography : Object Narrative and Ethnic History on the Southwestern Frontiers of China. Min zu chu ban she, 2014.

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10

Tsuneyuki, Morita, Pearson C, and International Taniguchi Symposium (9th : 1985 : Osaka and Otsu, Japan), eds. The Museum conservation of ethnographic objects. National Museum of Ethnology, 1988.

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11

1938-, Morita Tsuneyuki, Pearson C, and Kokuritsu Minzokugaku Hakubutsukan, eds. The Museum conservation of ethnographic objects. National Museum of Ethnology, 1988.

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12

Penny, H. Glenn. Objects of Culture: Ethnology and Ethnographic Museums in Imperial Germany. The University of North Carolina Press, 2007.

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13

Penny, H. Glenn. Objects of Culture: Ethnology and Ethnographic Museums in Imperial Germany. The University of North Carolina Press, 2007.

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14

Hahn, Tomie, and J. Scott Jordan. Sensible Objects. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190210465.003.0010.

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This chapter integrates ethnographic techniques, cognitive science, and enactive theory to examine the phenomenology dynamics that emerge during spontaneous interaction in a newly developed practice called banding. Specifically, participants are connected to each other via large rubber bands. An enactivist analysis of participants’ journals reveals participants undergo intense intercorporeal experiences with properties that are: disorienting; multiscale; conjure intercorporeal surprise and discovery; undergo patterns of change, in both groups and individuals; give rise to intercorporeal trust;
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15

F, Hansen Eric, International Institute for Conservation of Historic and Artistic Works. United Kingdom Group., and Getty Conservation Institute, eds. Matte paint: Its history and technology, analysis, properties and conservation treatment : with special emphasis on ethnographic objects. Getty Conservation Institute in association with the International Institute for Conservation of Historic and Artistic Works (IIC), London, 1993.

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16

Matte paint: Its history and technology, analysis, properties and conservation treatment : with a special emphasis on ethnographic objects. Getty Conservation Institute in association with the International Institute for Conservation of Historic and Artistic Works (IIC), London, 1993.

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17

Ba-hazarah la-ayarah: An-ski veha-mishlahat ha-etnografit ha-Yehudit, 1912-1914 : Me-osfe ha-muzeon ha-mamlakhti le-etnografyah be- Sankt Petersburg (Katalog). Muzeon Yisrael, 1994.

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18

Rivka, Gonen, та Muzeʾon Yiśraʾel (Jerusalem), ред. Ba-ḥazarah la-ʻayarah: An-sḳi ṿeha-mishlaḥat ha-etnografit ha-Yehudit, 1912-1914 : me-osfe ha-muzeʾon ha-mamlakhti le-etnografyah be- Sanḳṭ Peṭersburg. Muzeʾon Yiśraʾel, 1994.

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19

1942-, Mock Shirley Boteler, ed. The sowing and the dawning: Termination, dedication, and transformation in the archaeological and ethnographic record of Mesoamerica. University of New Mexico Press, 1998.

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20

The Sowing and the Dawning: Termination, Dedication, and Transformation in the Archaeological and Ethnographic Record of Mesoamerica. University of New Mexico Press, 1998.

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21

Tracing: Jewish collections from the state ethnographic museum in St. Petersburg; An-sky. Waanders Uitgevers, 1992.

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22

Tracing: Jewish collections from the state ethnographic museum in St. Petersburg; An-sky. Waanders Uitgevers, 1992.

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23

Berthod, Olivier, Michael Grothe-Hammer, and Jörg Sydow. Inter-organizational ethnography. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796978.003.0011.

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Olivier Berthod, Michael Grothe-Hammer, and Jörg Sydow report an unconventional research design using multi-site ethnography. The aim is to study inter-organizational relationships, which are not well understood, and are not addressed by single-site ethnographic methods. Ethnography is a popular and established methodology in organization studies. However, organizing is a process that crosses boundaries, and the traditional approach that involves immersing the ethnographer in one defined social or organizational setting means that inter-organizational phenomena are overlooked. The challenge is
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24

(Editor), Eric F. Hansen, Sue Walston (Editor), and Mitchell Hearns Bishop (Editor), eds. Matte Paint: Its History and Technology, Analysis, Properties, and Conservation Treatment with Special Emphasis on Ethnographic Objects (Getty Trust Publications: Getty Conservation Institute). Getty Trust Publications: Getty Conservation Institute, 1994.

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25

Los Zares y los pueblos: Museu d'Etnologia, Centre Cultural La Beneficiència, Diputació de València, del 21 de mayo al 30 de junio de 1998. Museu d'Etnologia, 1998.

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26

Objects and Objections of Ethnography. Fordham University Press, 2011.

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27

Objects and Objections of Ethnography. Fordham University Press, 2011.

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28

Tsars et peuples: Collections impériales : 29 juin -13 octobre 1996, Abbaye de Daoulas. Centre Culturel Abbaye de Daoulas, 1996.

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29

Ballestero, Andrea, and Brit Ross Winthereik, eds. Experimenting with Ethnography. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478013211.

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Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors—who come from a variety of intellectual and methodological traditions—enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, show
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30

Wheeler, William. Fish as Property on the Small Aral Sea, Kazakhstan. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813415.003.0009.

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This chapter looks at a postsocialist fishery in Kazakhstan to explore the relationship between property rules designed to manage natural resources, and practices of resource exploitation. The Aral Sea is famous for its desiccation over the second half of the twentieth century, which stemmed from Soviet irrigation projects; in 2006 a World Bank/Republic of Kazakhstan project restored a small part of the sea, and fish catches have recently recovered somewhat. In this chapter, based on ethnographic and archival research, I explore the disjuncture between formal rules and practice to address deba
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31

Wastiau, Boris. The Legacy of Collecting. Edited by Paula Hamilton and James B. Gardner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199766024.013.25.

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This chapter portrays the historical actors who established the unique ethnographic collections of the Royal Museum for Central Africa and the Royal Museum of the Armed Forces and of Military History (Belgium). The objects they collected, like the majority of those in the museum, arrived in Belgium during the colonial period. The government of the Congo Free State, then the Ministry of Colonies and several scientific institutes issued directives encouraging their agents to collect artifacts, as well as photographic images of “indigenous types” and specimens of physical anthropology. This chapt
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32

Tenhunen, Sirpa. A Village Goes Mobile. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190630270.001.0001.

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This book examines how mobile telephony contributes to social change in rural India (West Bengal, Bankura district) on the basis of long-term ethnographic fieldwork in a village before and after the introduction of mobile phones. The book investigates how mobile telephones emerged as multidimensional objects that not only enable telephone conversations, but also facilitate status aspirations, internet access, and entertainment practices. It explores how this multifaceted use of mobile phones has influenced economic, political, and social relationships, including gender relationships, and how t
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33

Fox, Richard. More Than Words. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501725340.001.0001.

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Grounded in extensive ethnographic and archival research on the Indonesian island of Bali, More Than Words challenges conventional understandings of textuality and writing as they pertain to the religious traditions of Southeast Asia. Through a nuanced study of Balinese script as employed in rites of healing, sorcery and self-defence, this book explores the aims and desires embodied in the production and use of palm-leaf manuscripts, amulets and other inscribed objects. Balinese often attribute both life and independent volition to manuscripts and copperplate inscriptions, presenting them with
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34

Art, ethnography and the life of objects: Paris, c.1925-35. Manchester University Press, 2012.

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35

Hermkens, Anna-Karina. Sinuous Objects: Revaluing Women’s Wealth in the Contemporary Pacific. ANU Press, 2017.

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36

Carlson, Roy L. Figurines and Figural Art of the Northwest Coast. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.017.

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Similarities between the earliest Northwest Coast art and ethnographic art are traced regionally from 2000 bc into the late nineteenth century. The earliest known figural art is in the Fraser River–Gulf Islands region and consists of human and animal images with ribs and backbones, joint marks, and protruding tongues, and masks. These motifs are present on ritual spoons used for feeding the dead, probably as part of an early form of the memorial potlatch, and are related to beliefs in human–animal transformation, regeneration from bone, spirit power, and shamanism. These same motifs are found
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37

Bickford, Tyler. Schooling New Media. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190654146.001.0001.

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Schooling New Media is an ethnography of children’s music and media consumption practices at a small elementary and middle school in Vermont. It examines how transformations in music technologies influence the way children, their peers, and adults relate to one another in school. Focusing especially on digital music devices—MP3 players—it reveals the key role of intimate, face-to-face relationships in structuring children’s uses of music technologies. It explores how headphones mediate face-to-face peer relationships, as children share earbuds and listen to music with friends while participati
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38

Geismar, Haidy. Museum Object Lessons for the Digital Age. UCL Press, 2018.

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39

Andrade, Xavier. The vulgarity of democracy. Political, pornography, masculinity and politics in Ecuador. Universidad de los Andes, 2019. http://dx.doi.org/10.30778/2019.55.

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The Vulgarity of Democracy explores key aesthetics and affective aspects of democracy via a visual ethnographic exploration of political pornography and the public uses of machismo to construct agendas for popular redemption in Guayaquil, Ecuador, during the 1980s. This period was the beginning of a highly conflictive social process as a result of the imposition of neoliberal policies. Its focus is on the life and work of Pancho Jaime (1946-1989), the most controversial and widely known rock promoter and independent journalist. Between 1984 and his assassination in 1989, Jaime’s underground pu
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40

Yaneva, Albena. Crafting History. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751820.001.0001.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? This book provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow t
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41

Center, Ames Research, ed. An ethnographic object-oriented analysis of explorer presence in a volcanic terrain environment: Claims and evidence. National Aeronautics and Space Administration, Ames Research Center, 1994.

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42

An ethnographic object-oriented analysis of explorer presence in a volcanic terrain environment: Claims and evidence. National Aeronautics and Space Administration, Ames Research Center, 1994.

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43

An ethnographic object-oriented analysis of explorer presence in a volcanic terrain environment: Claims and evidence. National Aeronautics and Space Administration, Ames Research Center, 1994.

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44

Center, Ames Research, ed. An ethnographic object-oriented analysis of explorer presence in a volcanic terrain environment: Claims and evidence. National Aeronautics and Space Administration, Ames Research Center, 1994.

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45

Kelly, Julia. Art, Ethnography and the Life of Objects: Paris, c. 1925-35 (Critical Perspectives in Art History). Manchester University Press, 2007.

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46

Ntarangwi, Mwenda. Intersections, Overlaps, and Collaborations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040061.003.0001.

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This chapter summarizes in brief an ethnography which demonstrates a close collaboration between the subject and researcher; the role one hip hop artist plays in a counterdiscourse to Christianity's conservative posture in Kenya; a methodological approach that blurs any assumed distance between object and subject; and the intersections, overlaps, and collaborations that have taken place in the life and work of Julius Owino—more famously known as Juliani—as an artist and the author's own as the ethnographer. This chapter provides the groundwork for later discussion by briefly examining the life
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47

Browner, Tara, and Thomas L. Riis, eds. Rethinking American Music. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042324.001.0001.

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Only since the 1970s have the variety of American musical styles and sounds have been allowed to stand on their own two feet in the academic world. Recent efforts to place American music-making within new or heretofore neglected contexts are diverse and inevitably shift our consciousness about music’s meaning and impact in culture. This volume contains a series of commentaries or glosses, chapters about American music broadly understood that seek especially to explore four critical factors beyond the the familiar categories defined by repertory or biography alone: the impact of performance; th
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48

Maldonado-Estrada, Alyssa. Lifeblood of the Parish. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479872244.001.0001.

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Each year the Shrine Church of Our Lady of Mount Carmel in Williamsburg, Brooklyn, celebrates its annual Feast of Our Lady of Mount Carmel and San Paolino di Nola. The crowning event is the Dance of the Giglio, a devotional spectacle of strength and struggle in which men lift a four-ton, seventy-foot tower through the streets. This ethnographic study delves into this masculine world of devotion and the religious lives of lay Catholic men. It explores contemporary men’s devotion to the saints and the Catholic parish as an enduring venue for the pursuit of manhood and masculinity amid gentrifica
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49

Cardoso, Leonardo. Sound-Politics in São Paulo. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190660093.001.0001.

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This book is an ethnographic study of controversial sounds and noise control debates in Latin America’s most populous city. It discusses the politics of collective living by following several threads linking sound-making practices to governance issues. Rather than discussing sound within a self-enclosed “cultural” field, I examine it as a point of entry for analyzing the state. At the same time, rather than portraying the state as a self-enclosed “apparatus” with seemingly inexhaustible homogeneous power, I describe it as a collection of unstable (and often contradictory) sectors, personnel, s
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50

Śarah, Harʾel-Ḥoshen, Galai Haya, and Bet ha-tefutsot ʻal shem Naḥum Goldman., eds. Treasures of Jewish Galicia: Judaica from the Museum of Ethnography and Crafts in Lvov, Ukraine. Beth Hatefutsoth, The Nahum Goldmann Museum of the Jewish Diaspora, 1996.

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