Relevant bibliographies by topics / Evolution créatrice (Bergson, Henri)

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Academic literature on the topic 'Evolution créatrice (Bergson, Henri)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Evolution créatrice (Bergson, Henri)"

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Polak, Paweł, and Jacek Rodzeń. "The Influence of Bergson’s Entropic and Negentropic Ideas on Polish Philosophy Before the Second World War." Roczniki Filozoficzne 72, no. 4 (2024): 201–30. https://doi.org/10.18290/rf24724.10.

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The second law of thermodynamics and the concept of entropy became one of the most important scientific ideas to influence Western culture in the 19th century. Pessimistic conclusions, such as the concept of the heat death of the universe and the specter of the inevitable decay of everything, inspired philosophical reflection at the fin de siècle. The philosophy of Henri Bergson played a key role in overcoming this pessimistic attitude. In his famous work L’évolution créatrice (1907), he proposed a bold metaphysical vision for the completion of science through a vision of creative evolution dr
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De Souza, José Paulo Maldonado. "A propósito de “L’Évolution de l’inteligence géométrique” - Henri Bergson." Cadernos Cajuína 5, no. 1 (2020): 215. http://dx.doi.org/10.52641/cadcaj.v5i1.376.

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“A propos de ‘L‘Évolution de l’intelligence géométrique” (1907), de Henri Bergson, apareceu originalmente em Revue de Métaphysique et de Morale, sendo mais tarde incluída na edição crítica de <em>L’Évolution Créatrice </em>(1907), dirigida por Fréderic Worms.
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Manzano Vargas, Jorge. "Capítulo décimo: la emoción creadora." Xipe totek, no. 105 (March 31, 2018): 7–36. https://doi.org/10.31391/h3005m91.

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Manzano Vargas, Jorge. Capítulo décimo: la emoción creadora. En este capítulo Jorge Manzano pone en relación dos de las obras principales de Henri Bergson, L’évolution créatrice y Les deux sources, con el propósito de profundizar en los momentos de la vida que se habían descrito en la primera de ellas (acción divina; aparición de la corriente vital y de la materia y finalmente intelectualización y espacialización). Manzano analiza cómo en la segunda obra Bergson, apoyándose en los testimonios de los místicos, regresa a su primer esbozo y afirma ya la existencia de Dios, al mismo tiempo que exp
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Teixeira, Rafael Henrique. "CLAUDE BERNARD, BERGSON E O CONHECIMENTO DA VIDA COMO PROBLEMA." Kriterion: Revista de Filosofia 61, no. 146 (2020): 501–22. http://dx.doi.org/10.1590/0100-512x2020n14611rht.

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RESUMO O objetivo deste artigo é apresentar, tomando por referência a filosofia de Henri Bergson (1859-1941) e a fisiologia experimental de Claude Bernard (1813-1878), dois esforços análogos, ainda que sem relação direta em suas origens, em face de imperativos que se colocam ao sujeito do conhecimento que se ocupa da vida. Tentaremos mostrar, autorizados pelo próprio Bergson, no interior de determinada prática científica representada pela fisiologia experimental de Claude Bernard, uma atitude diante dos fatos orgânicos que não é o monopólio de uma filosofia que se ocupa da verificação das cond
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Costa Carvalho, Magda. "Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson." EDUCAÇÃO E FILOSOFIA 34, no. 71 (2021): 565–80. http://dx.doi.org/10.14393/revedfil.v34n71a2020-56831.

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Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson
 Resumo: Numa passagem da obra Évolution Créatrice, Bergson recupera a imagem da criança para afirmar que a natureza viva opera através de tendências divergentes. Apesar de não ter desenvolvido um pensamento de pendor educacional, encontram-se na obra bergsoniana referências que, por um lado, recuperam a dimensão criativa e criadora da infância e, por outro, acentuam a forma infantil dos movimentos do élan vital. Estas referências fazem parte da imagética do autor, mostrando como o seu pensamento sug
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Adamson, Gregory Dale. "Henri Bergson: Evolution, time and philosophy." World Futures 54, no. 2 (1999): 135–62. http://dx.doi.org/10.1080/02604027.1999.9972752.

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G.T., Kabulniyazova. "PHILOSOPHICAL ASPECTS AND SCIENTIFIC SIGNIFICANCE OF HENRI BERGSON'S INTUITIONISM AND THE IDEA OF "VITAL ENTHUSIASM"." American Journal of Philological Sciences 3, no. 10 (2023): 12–20. http://dx.doi.org/10.37547/ajps/volume03issue10-03.

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The article analyzes the views of the famous French philosopher Henri Bergson on vitality and intuitionism. Bergson contrasted his theory of creative evolution with Darwin's theory of evolution in a rationalistic spirit. He reveals that Darwin's views were mechanistic in nature. It also shows the difference between intellect and intuition. Since natural processes are characterized by vitality, they prove to be creative in nature.
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Kulyk, Andrii. "METAPHYSICS OF FREEDOM AND CREATIVITY IN THE PHILOSOPHY OF HENRI BERGSON." Scientific notes of the National University "Ostroh Academy". Series: Philosophy 1, no. 27 (2024): 10–15. https://doi.org/10.25264/2312-7112-2024-27-10-15.

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This article is dedicated to the analysis of the key aspects of the metaphysics of the French philosopher Henri Bergson, particularly his views on freedom and creativity as fundamental characteristics of being. At the core of the study are the concepts of duration and the vital impulse (élan vital), which Bergson opposes to mechanistic determinism. The article explores how Bergson understands freedom not as a choice between fixed possibilities, but as a creative act that generates new realities. Special attention is given to the role of intuition as a method for understanding the deep processe
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Macallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson." Process Studies 50, no. 1 (2021): 67–87. http://dx.doi.org/10.5840/process20215015.

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Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed on intuit
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Macallan, Brian Claude. "Freedom as a Centralizing Motif in the Work of Henri Bergson." Process Studies 50, no. 1 (2021): 67–87. http://dx.doi.org/10.5406/processstudies.50.1.0067.

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Abstract Contemporary debates on freedom traverse questions concerning metaphysics, the mind/body relationship, evolution, morality, and religion. Throughout his life, the French philosopher Henri Bergson dealt with these questions from the perspective of time, believing that spatializing these problems led to inadequate solutions. That freedom was a centralizing concern in his oeuvre can be demonstrated in the way he approached these questions in challenging determinism, materialism, mechanism, and finalism. Bergson studies, despite noting the importance of freedom for Bergson, have focussed
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Dissertations / Theses on the topic "Evolution créatrice (Bergson, Henri)"

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Rech, Luiz Ricardo. "Evolução e criação em Bergson." Universidade Estadual do Oeste do Parana, 2010. http://tede.unioeste.br:8080/tede/handle/tede/2110.

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Made available in DSpace on 2017-07-10T18:26:24Z (GMT). No. of bitstreams: 1 Luiz Ricardo Rech.pdf: 493792 bytes, checksum: c8aa8f16e2f49811843138b411d84831 (MD5) Previous issue date: 2010-11-29<br>This research investigates one of the celebrated concepts through which Henri Bergson was known: the vital impulse. As in all the author's thought, this idea provides direct relationships with all his philosophy, which is why it is necessary one approach to the notion of metaphysical employed by the philosopher. In fact, it is a metaphysical approach to the problem of evolution that Bergson is pro
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Medeiros, Azize Maria Yared de. "NAS TRILHAS DO IMPULSO VITAL: COMPREENDENDO A MÍSTICA BERGSONIANA." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/770.

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Made available in DSpace on 2016-07-27T13:46:32Z (GMT). No. of bitstreams: 1 AZIZE MARIA YARED DE MEDEIROS.pdf: 1274502 bytes, checksum: 29ccf54a80bcbace6a44480cbf796b32 (MD5) Previous issue date: 2014-08-12<br>The object of this essay is to understand the mystic formulated by Henri Bergson, in his last work The Two Sources of Morality and Religion. The philosopher s reflections show two kinds of religious manifestations, which he called static and dynamic. The first one is characterized by institutionalized religions, with its dogmas and doctrines, whose traces are recognized as responsible
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Li, Chengji. "La vie et la connaissance chez Bergson et Canguilhem." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100065/document.

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Nous revenons dans cette thèse sur les notions de vie et de connaissance chez Bergson et Canguilhem. Par une analyse de la métaphysique bergsonienne de la vie et de l’épistémologie canguilhemienne de la connaissance de la vie, nous voyons la similarité, la différence et le rapport entre ces deux grands philosophes. Ils aboutissent dans leur philosophie à la même conclusion : la vie et la connaissance sont en fait la même chose, qui est la création et la liberté. Ils sont tous les deux à la fois philosophes et scientifiques. Ils s’inspirent largement des sciences naturelles de leur époque. Il y
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Taylor, Mark R. "Evolution and the novels of D.H. Lawrence : a Bergsonian interpretation." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:904ab62e-d1ea-4cc3-bd01-b3cba9ae3447.

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This thesis examines the degree and nature of D.H. Lawrence’s interaction with the concept of evolution, as manifest in his novels and the longer of his short stories. It addresses both Lawrence’s engagement with evolutionism directly informed by biology and his relationship with extrapolations of evolutionary ideas from outside the scientific sphere. In particular it considers the theories of Henri Bergson, and theosophical and occultist appropriations of evolutionary concepts. Instead of approaching Bergson as a philosopher of time, as has much previous research into Bergson’s impact upon mo
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Dewas, Céline. "Le devenir-Dieu des personnages kazantzakiens : l'oeuvre de Kazantzaki à la lumière de la philosophie bergsonienne." Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30038/document.

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Dans l’Évolution créatrice, Bergson émet l’idée d’un sur-homme, individu qui prolongerait l’effort que la vie a fixé dans l’évolution des espèces, et qui s’élèverait vers une liberté divine incessamment actualisée. L’œuvre littéraire de Kazantzaki apparait dans notre étude comme le lieu de matérialisation de ce sur-homme à l’histoire singulière. La notion bergsonienne de durée, utilisée comme méthode d’approche du texte, révèle à l’intérieur des textes de l’auteur grec une façon particulière de penser la création, dans l’œuvre et en soi. Celle-ci est présentée comme la fixation progressive d’u
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LIN, CHING-FEN, and 林青芬. "A Study on the musical perspectives of Claude Debussy based on philosophy of Creative Evolution by Henri Bergson." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/s3ujc7.

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博士<br>東方設計大學<br>文化創意設計研究所<br>106<br>During the period of French “Belle Époque”, in philosophy and music circles, there were two great masters. One was the philosopher Henri Bergson (1859-1941) and the other was the musician Claude Debussy (1864-1918). They critically influenced in contemporary trend of philosophical thought and modern music development. This study uses text analysis on Creative Evolution, which is representative of the philosophical publication of Henri Bergson, and explores the musical pieces and artistic perspectives of Claude Debussy, to determine the context of their conne
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Books on the topic "Evolution créatrice (Bergson, Henri)"

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Conry, Yvette. L' évolution créatrice d'Henri Bergson: Investigations critiques. Harmattan, 2000.

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Henri, Bergson. HENRI BERGSON: L'ÉVOLUTION CRÉATRICE. Independently Published, 2021.

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Henri, Bergson. HENRI BERGSON : l'évolution Créatrice: NOUVELLE ÉDITION CHAILLAND / Henri Bergson / Henri Bergson / l'evolution Creatrice / Evolution / Creatrice. Independently Published, 2022.

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Tout ouvert: L'évolution créatrice en tous sens. Georg Olms Verlag, 2015.

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Henri, Bergson. Henri Bergson - l'évolution Créatrice: L'Évolution Créatrice Est un Ouvrage Philosophique Rédigé Par Henri Bergson en 1907. Dans Ce Livre, Bergson développe l'idée d'une « Création Permanente de Nouveauté » Par la Nature. Independently Published, 2021.

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Henri, Bergson. L'évolution Créatrice: Redécouvrez les Grands Classiques de HENRI BERGSON Avec la Collection CHAILLAND. Independently Published, 2021.

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Henri, Bergson. L'Évolution Créatrice: L'Évolution Créatrice Est un Ouvrage Philosophique Rédigé Par Henri Bergson en 1907. Dans Ce Livre, Bergson développe l'idée d'une Création Permanente de Nouveauté Par la Nature. Independently Published, 2020.

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CHAILLAND. Henri Bergson: L'ÉVOLUTION CRÉATRICE Avec Biographie. Independently Published, 2021.

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L'évolution créatrice de Bergson. Vrin, 2010.

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Wilm, Emil Carl. Henri Bergson: A Study in Radical Evolution. Creative Media Partners, LLC, 2018.

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Book chapters on the topic "Evolution créatrice (Bergson, Henri)"

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Roloff, Volker, and KLL. "Bergson, Henri Louis: L'évolution créatrice." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9474-1.

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de Mille, Charlotte. "Blasted Devolution: Wyndham Lewis and Henri Bergson." In Bergson in Britain. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474492386.003.0006.

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Wyndham Lewis’ vision for a regressive cultural politics in the period before the First World War runs counter to the vitalist, generative vision commonly associated with Bergsonian philosophy. From the plurality of Bergsons, Lewis (and this chapter) takes for its subject another: the ugly analysis of humanity in Laughter, and the bleak underside of Creative Evolution.
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Pollock, Jonathan. "Pound, Bergson, and the Vortex of Memory." In Cross-Cultural Ezra Pound. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979800.003.0013.

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Jonathan Pollock’s essay links Ezra Pound’s Vorticist thinking to the influential poetics of French philosopher Henri Bergson via Wyndham Lewis’s 1927 book, Time and Western Man. In that book, Lewis gives considerable attention to Bergson’s metaphysics but also devotes two chapters to Pound, whose reality is, like Bergson’s, of a temporal rather than a spatial nature. Drawing from Bergson, especially from Matière et Mémoire, Pollock makes a case for Pound’s Bergsonian poetics in The Cantos and speculates that from the start Pound’s notion of the vortex “almost certainly had in mind the famous
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Peng, Hsiao-yen. "Zhang Dongsun’s Chuanghualun [Creative Evolution]." In Modern Chinese Counter-Enlightenment. Hong Kong University Press, 2023. http://dx.doi.org/10.5790/hongkong/9789888805693.003.0004.

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Chuanghualun創化論‎, Zhang Dongsun’s 1918 translation of Bergson’s L’Évolution créatrice, taking its cue from traditional Heart-Mind philosophy turns “consciousness” in French to “Heart-Mind” (xin心‎) in Chinese. A close ally of Liang Qichao, he believes what Bergson opposes is not science, but the “outdated” science that maintained the body-mind dichotomy, while Bergson’s theory of change and ceaseless evolution is commensurable with the teachings in the Book of Changes. The transcultural lexicon used in his Chinese rendering reverberated in the Lifeview discourses and many terms have since becom
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Sinclair, Mark. "Bergson after Boutroux on Freedom and Contingency." In The Oxford Handbook of Modern French Philosophy. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198841869.013.7.

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Abstract Henri Bergson seldom refers to Emile Boutroux directly, and for this reason his relation to his teacher has often been neglected. On the basis of some of Bergson’s remarks about contingency in his recently published 1904–05 lecture course on the Evolution of the Problem of Freedom, this chapter shows how his whole philosophical career develops the ideas of Boutroux’s 1874 On the Contingency of Laws of Nature. The first part of the chapter concentrates in particular on how Bergson’s notion of free will in the third chapter of his primary doctoral dissertation develops Boutroux’s ideas
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de Duve, Christian. "What Is Life? Chemistry." In Life Evolving. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195156058.003.0002.

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Abstract The great Louis Pasteur was a confirmed vitalist. So was the philosopher Henri Bergson, winner of the 1927 Nobel prize in literature and author of L’evolution creatrice, in which evolution is depicted as propelled by an “elan vital,” a vital surge. It was the case also for the physicist Pierre Lecomte du Nouy, who coined the term “telifinalisme” to designate what he perceived as the innate ability of living organisms to act purposefully, in opposition to the second law of thermodynamics. When I was a student at the Catholic University of Louvain, in Belgium, all my biology teachers we
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Gontarski, S. E. "Towards a Creative Involution." In Creative Involution. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748697328.003.0005.

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This chapter analyses one of the most compelling discourses in Creative Evolution (1907), which is Henri Bergson's thinking through the issues of nothing. In this discourse, any negation, any inclusion of a ‘not’ in a statement announces ‘that some other affirmation, whose content I do not specify, will have to be substituted for the one I find before me’ (Bergson 1944: 315). Such is the ‘zero’ of Gilles Deleuze and psychoanalyst Félix Guattari's critique of Sigmund Freud's analysis of the Wolf Man, and centre stage in Beckett's first two published, eponymous, English novels, Murphy (1938) and
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King, Homay. "Notes on Some Forms of Repetition." In The Oxford Handbook of Film Theory. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190873929.013.17.

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Abstract Homay King’s “Notes on Some Forms of Repetition” offers an open-ended taxonomy of types of repetition found in moving images, with examples drawn from early cinema (Edison’s Fred Ott’s Sneeze), slapstick comedy (Charlie Chaplin’s Modern Times), Disney animation (Pinocchio), the French New Wave (Jean-Luc Godard’s Alphaville), documentary film (Rithy Panh’s S21: The Khmer Rouge Killing Machine and Joshua Oppenheimer’s The Act of Killing), contemporary video art (Victor Burgin’s The Little House and Harun Farocki’s Parallel I-IV), and others. The forms of repetition defined and discussed
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Bergson, Henri. "The Comic in Situations (1900)." In Modern Theories of Drama. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198711407.003.0004.

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Abstract Comedy down the ages has aroused rather less theoretical interest than has tragedy: partly because of comedy’s supposedly inferior literary standing and partly because the very act of analysis is always in danger of killing its subject, that elusive will-o’the-wisp, stone dead. The study of the comic in life and art constituted only a small part of the work of the French philosopher Henri Bergson (1859-1941 ); it was nevertheless a matter to which he devoted a good deal of thought. He first broached the subject of what makes us laugh in a series of lectures given at the Lycèe of Clerm
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