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Dissertations / Theses on the topic 'Exoticisms'

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1

Гостєва, К. В. "Особливості перекладу екзотизмів". Master's thesis, Сумський державний університет, 2019. http://essuir.sumdu.edu.ua/handle/123456789/76437.

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Мeтoю дoслiдження є aнaлiз виxiдниx тeoрeтичниx пoзицiй, що можуть пояснити феномен відсутності прямого відповідника у мові перекладу та поняття безеквівалентності лексики, ознайомлення з iснуючими класифікаціями бeзeквiвaлeнтнoї лeксики й cпocобaми її пeрeклaду нa мaтepiaлах публіцистичних та художнix текстів. У нашому дослідженні ми не лише розглянули екзотизм як важливий лінгвістичний феномен. Ми також зрозуміли механізм запозичення та адаптації екзотичної лексики, проаналізували екзотизми, що були запозичені з англійської мови, розглянули класифікацію запозиченої лексики, виявили слова,
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Wright, Jeffrey Marsh Neal Jocelyn R. """Russia's greatest love machine" disco, exoticism, subversion /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,911.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the degree of Master of Arts in the Department of Music." Discipline: Music; Department/School: Music.
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3

Guégan, Xavier. "Samuel Bourne and Indian natives : aesthetics, exoticism and imperialism." Thesis, Northumbria University, 2009. http://nrl.northumbria.ac.uk/2218/.

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Samuel Bourne (1834-1912), one of the most prestigious Victorian English commercial photographers to have worked in British India, is best known for his photographs of the Himalayas. Bourne's work features in general studies of photography of the period; his representations of the Indian landscape have been the object of studies and several exhibitions. Bourne was in India initially from 1863 to 1870 thereby establishing his career as a professional photographer. Soon after his arrival he started a business with the experienced photographer Charles Shepherd. Within a few years, the firm of Bou
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4

Zilcosky, John. "Kafka's travels : exoticism, colonialism and the traffic of writing /." New York : Palgrave Macmillan, 2003. http://catalogue.bnf.fr/ark:/12148/cb41352859h.

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5

Cioffi, Robert Louis. "Imaginary Lands: Ethnicity, Exoticism, and Narrative in the Ancient Novel." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11028.

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This dissertation is centered around two related questions: How does literature contribute to the creation of identity? How does narrative locate individuals in the world? It studies how both individual and ethnic identity is shaped by the imagined landscapes encountered by the protagonists of the Greek novel over the course of their journeys. In this dissertation, I develop a model for reading the protagonists' travels across the Mediterranean as an integral part of the genre's narrative strategy. I begin by tracing the novels’ conceptual geographies of the Mediterranean world and the relatio
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6

Wenderoth, Valeria. "The making of exoticism in French operas of the 1890s /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40034534r.

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7

Wong, Pak Lu. "Exoticism and feminist consciousness in Hsu Ti-shan's literary works /." View Abstract or Full-Text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20WONG.

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8

Forsdick, Charles. "Journeys between cultures : exoticism in the prose writings of Victor Segalen." Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306879.

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9

Schram, Kristinn Helgi Magnusson. "Borealism : folkloristic perspectives on transnational performances and the exoticism of the North." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5976.

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This thesis examines the exotic performances and representations of Icelanders and 'the North' (borealism) in both contemporary mediums and daily life focusing on their practice within intricate power-relations and transnational folkloric encounters. It sets forth theory in understanding the dynamics, agency and ironies involved with performing one's identity and folklore and a corresponding methodology of fieldwork and audio-visual documentation. It looks at the representation of the North through the produced and widespread images of Icelanders. It sheds light on the dynamics behind these re
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10

Cooper, Thomas. "French Empire and musical exoticism to the end of the nineteenth century." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365908.

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11

Steadman, Amanda Joy. "Images of Japonisme: The Portrayal of Japan in Select Musical Works." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1249250727.

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12

Scheibmeir, Julia T. "Film, Fashion and Fotografía: The Exoticism and Eroticism of Female Victims in Juárez." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/132.

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This thesis examines the phenomenon of feminicide in Ciudad Juarez, Mexico, and the representation of female victims in U.S. and Mexican mainstream media and performance activism. Specifically analyzing representations of maquiladora workers and feminicide victims in film, fashion and photography, this thesis explores the simultaneous fetishization and devaluation of border women in patriarchal society. By broadening the base of pressure for justice, via performance and internet activism, misogynist governments and policies can and will change.
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13

Deliss, Clementine Marie. "Exoticism and eroticism : representations of the other in early twentieth century French anthropology." Thesis, SOAS, University of London, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296096.

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Oldmixon, Katherine Durham. "Otherworlds/otherness : the cultural politics of exoticism in the Middle English "Breton" lays /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008409.

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15

Choi, Sangyun. "Minimalism, Exoticism, and Alternatim in Tarik O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103301/.

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Abstract British composer Tarik Hamilton O’Regan is a significant choral composer of the early twenty-first century. O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above exhibit two notable compositional techniques: minimalism influenced by Steve Reich and exoticism representing Balinese gamelan and Andalusian music. Additionally, Reich joins the technique of minimalism with the Renaissance practice of alternatim. The examination of these works will demonstrate the application of these two compositional techniques and how he integrates them into a textural context to evoke specif
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Johnson, Brandon Esposto. "The Eternal and the Transitory: Exoticism, Otherness, and Commodity in Giovanni Boldini's La Zingara." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/9093.

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Giovanni Boldini's La Zingara is an image fraught with mystery. As a lesser-known artist, scholarship on him and this painting is sparse. This thesis details the innovations that Boldini exhibited as an artist working in nineteenth-century France, using the lenses of feminist and Marxist art historical readings for a new interpretation of this piece. Participating in the oppressive systems of capitalism, sexism, and prejudice, Giovanni Boldini created the image of La Zingara for personal gain. Painting a subject from a marginalized community, the Romani, Boldini benefitted from those systems.
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Merlino, Shannon M. "Adoration, Appropriation, or Approximation? Rethinking the Exotic in Western Music." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/548419.

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Music Performance<br>D.M.A.<br>Throughout the history of European art music, the desire to portray “Other” cultures has been given voice by composers by way of exoticism. The ability to depict the exotic has, for centuries, held the fascination of listeners and composers alike. In spite of this, the identification and study of exoticism as an aesthetic trend in music has not been given nearly as much attention as it deserves. Drawing from and expanding upon the work of Ralph Locke and Jonathan Bellman, I explore and illuminate some of the deeper issues that undermine the potential study of thi
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Kose, Selcuk. "Sources Of The Exoticism In The Architecture Of Louis Sullivan: The Primitive, The Oriental, The Natural." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605136/index.pdf.

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The aim of this study is to demonstrate the idea of Exoticism and its effect on nineteenth century architectural tendencies and especially on the philosophy and the works of Louis Sullivan (1856-1924). The study begins with an elucidation of the concept &ldquo<br>exoticism.&rdquo<br>After the thoughts of a group of nineteenth century European intellectuals are discussed, the philosophy of Sullivan is analyzed. Following chapters are dedicated to the works of Sullivan. Exotic world was the source of a stimulating discourse for the nineteenth century intellectuals. American architect Sulliva
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HARA, KUNIO. "PUCCINI'S USE OF JAPANESE MELODIES IN MADAMA BUTTERFLY." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1060955367.

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Rodrigue, Matthew M. "THE SEARCH FOR ANTI-RACIAL EXOTICISM : BLACK LEISURE TRAVEL, THE CARIBBEAN, AND COLD WAR POLITICS, 1954-1961." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/89131.

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History<br>M.A.<br>By the mid-1950s leisure travel became both a new arena in the civil rights movement as well as a tactic in that struggle. Middle class African Americans felt their travel (both domestic and international) constituted both a critique of race relations at home and a realization of their rights as citizens. Alongside this development, I argue, was the proliferation of black travel columns and travel ads that simultaneously upheld the Caribbean as a model of racial progressivism while reinforcing its status as an exotic location dedicated to the pleasure of American tourists. B
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Toro, Vial Miguel José de. "In exoticis historiis acutissimus. L'ancien Orient dans les chroniques universellesdu XIIe siècle." Thesis, Poitiers, 2014. http://www.theses.fr/2014POIT5007.

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Au cours de la « Renaissance du XIIe siècle », l'écriture de l'histoire s'épanouit dans l'Europe Latine. L'un des genres dans lequel ce phénomène est le plus visible est celui des chroniques universelles. Les chroniqueurs tentent d'y raconter l'histoire de l'humanité, depuis la Création jusqu'à leur propre époque. Certaines sont particulièrement riches en matière d'histoire ancienne, et fournissent même parfois d'amples informations sur l'Orient ancien. Pourquoi des moines reclus dans leurs monastères s'intéressaient-ils à une histoire aussi éloignée dans le temps et dans l'espace ? Le présent
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Zenk, Volker. "Innere Forschungsreisen literarischer Exotismus in Deutschland zu Beginn des 20. Jahrhunderts /." Oldenburg : Igel Verlag Wissenschaft, 2003. http://catalog.hathitrust.org/api/volumes/oclc/53155073.html.

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Brlecic, Maja. "Old and New Directions in Stravinsky’s Les Noces: Venturing into Neoclassicism through the Avenues of Eurasianism, Exoticism, and Primitivism." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592137262344743.

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Caltabiano, Pamela Ann. "Embodied Identities: Negotiating the Self through Flamenco Dance." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/anthro_theses/33.

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Drawing on ethnographic research conducted in Atlanta, this study analyzes how transnational practices of, and discourse about, flamenco dance contribute to the performance and embodiment of gender, ethnic, and national identities. It argues that, in the context of the flamenco studio, women dancers renegotiate authenticity and hybridity against the backdrop of an embodied “exot-ic” passion.
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Medvedev, Natasha. "The contradictions in Vereshchagin's Turkestan series visualizing the Russian Empire and its others /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835633981&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Hicks, William L. "Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/hicks%5Fwilliam/index.htm.

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Serafim, Fernando Ulisses Mendonça. "Camilo Pessanha no contexto da sinologia do seu tempo: idiossincrasias." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-13012016-133230/.

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O presente trabalho se propõe a analisar algumas concepções sobre o Oriente, correntes na primeira metade do século XX, que interferiram diretamente na escrita de Camilo Pessanha (1867-1926) sobre a vida chinesa. Morador de Macau por cerca de 26 anos, escreveu alguns poucos textos em prosa que tematizam a cultura e os costumes da China, além de ter tido contato com sinólogos de destaque. Os pareceres de Pessanha sobre o Oriente, bem como o de outros atores importantes, são relevantes na medida em que revelam influências do orientalismo, do exotismo e da sinologia, de maneira a reproduzir ou de
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Balacon, Maira. "Style Hongrois Features in Brahms’s Hungarian Dances: A Musical Construction of a Fictionalized Gypsy “Other”." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123166536.

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Harvey, Gabrielle Annora. "A piece of the exotic: virtuosic violin compositions and national identity." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2887.

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Violin virtuosos Henryk Wieniawski, Ole Bull, and Pablo de Sarasate each composed short virtuosic works based on their own cultural heritage. This thesis examines the exotic elements incorporated into the character pieces by the three violinists. It draws upon contemporary literature and newspaper reviews of their performances in order to demonstrate the ways in which the violinists and their music were perceived as representative of nineteenth-century exoticism. Wieniawski, whose musical training was primarily French, produced exotic
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Randles, Kathleen Martha. "Exoticism in the mélodie : the evolution of exotic techniques as used in songs by David, Bizet, Saint-Saëns, Debussy, Roussel, Delage, Milhaud, and Messiaen." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1220040810.

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Randles, Kathleen Martha. "Exoticism in the mélodie : the evolution of exotic techniques as used in songs by David, Bizet, Saint-Saëns, Debussy, Roussel, Delage, Milhaud, and Messiaen /." Connect to resource, 1992. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1220040810.

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Fuentes, Pangtay Manuel Alejandro. "Qigong (氣功) e interculturalidad: práctica corporal y pensamiento chino en Barcelona". Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399843.

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El interés central de esta investigación ha sido el estudio del qigong en Occidente, visto como una práctica corporal originaria de Asia Oriental que circula en el mercado de consumo de las terapias alternativas. El actual contexto en España, caracterizado por la crisis social, económica y política, ha sido clave para entender el proceso de resignificación e incorporación de algunas ideas y conceptos del pensamiento chino a las propias necesidades de la realidad de los practicantes de qigong. En los estudios preliminares se identificaron tres estilos de qigong, el marcial, el espiritual y el e
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Vincent, Michael F. "Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292720996.

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Schreiber, Rebecca A. "(Re)Framing the Storyteller’s Story in John Adams’s "Scheherazade.2"." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin155361836303747.

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Titus, Stephanie. "Japanese Contemporary Piano Music: Cultural Influence and Identity." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433.

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Choi, Keeryong. "Invented exoticism : the development of artistic forms and inlaid colouring technique to explore the aesthetics of the cultural uncanny in an individual's visual experience with glass." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/20943.

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This practice led research explores the possibility of cultural dislocation intrinsic to my glass art practice. The research on cultural dislocation is explored through both my practice and viewers’ interaction with the major works created during the investigation. The development of Korean glass art in the late 1980s provides an important example of the influence of a universalised culture in the course of adopting, adapting, and assimilating it, and why the artistic medium of glass is still perceived as ‘foreign’ by some artists and viewers in Korea. The artistic aim in creating a vase form,
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37

Demougin, Laure. "Identités et exotisme : représentations de soi et des autres dans la presse coloniale française au dix-neuvième siècle (1830 - 1880)." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30078.

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Sur les territoires colonisés par la France paraissent des journaux locaux qui suivent le développement national de la presse : entre 1830 et 1880, l’époque est médiatique et le journal est un support important des publications littéraires. Dans les colonies, les périodiques contiennent ainsi des textes adaptés à leurs territoires respectifs, mais publiés toujours selon la même structure, ce qui permet une comparaison entre les différentes stratégies conduisant à l’élaboration d’identités coloniales. Ces textes, par leur diversité et leurs évolutions, représentent une sorte de chaînon manquant
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Gärdemalm, Lena. "Un lieu oublié du monde : L'image de l'autre et de l'ailleurs dans Le dernier Lapon par Olivier Truc." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-52787.

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The title of this essay is ”A place forgotten by the world – the image of the Other and the Elsewhere in Forty Days Without Shadow by Oliver Truc”. Olivier Truc is a French-born journalist living in Stockholm, where he works as a correspondent for Le Monde and Le Point. He has also produced TV documentaries and non-fiction books. Forty Days Without Shadow is his first fictional work, a crime novel published in 2012. The story is settled in the Norwegian and Swedish parts of Lapland, and Sami people are in focus. In this essay, a postcolonial reading is used to interpret the novel, based mainly
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Serfontein, Andre. "Maurice Ravel and Exoticism. A study of the exotic in he vocal works of Maurice Ravel with special reference to L'Enfant et les sortileges and the Trois Chansons Madecasses." Master's thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/7848.

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The fascination for things exotic or fairytale-like occupied Ravel throughout his entre life. In fact, one can safely assume that these fascinations may have prevented him from forming some sort of mental inertia in those difficult years for him following the First World War. On writing about his Shéhárazade triptych, Ravel stated : ... in them, I have succumbed again to the profound fascination which the East has held for me since childhood.""""' That is the purpose of this dissertation : to examine Ravel's handling and incorporation of this fascination into his works for solo voice. Ravel,
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40

Park, Grace Haekyung. "The exotics of representation in twentieth-century Korean American literature." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1483474281&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Barnes, Jennifer Michelle. "Images of distant lands : a comparison of the compositional techniques used by Georges Bizet and Felicien David to portray the exotic in their operatic works." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1221301.

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Georges Bizet (1838-1875) is best known for his operatic masterpiece, Carmen, but his other works have received much criticism. Much of this criticism stems from the belief that his work was simply derivative of other composers, including the father of French musical exoticism, Felicien David (1810-1876). However, there has never been any formal study comparing the two composers' compositional techniques.The purpose of this study is to compare the approaches that both Bizet and David took to portray the exotic in their operatic works, and to categorize any differences or similarities between t
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Macário, Paula Gomes 1975. "Cortesãs de Pierre Louÿs." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270106.

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Orientador: Mário Luiz Frungillo<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-21T20:41:20Z (GMT). No. of bitstreams: 1 Macario_PaulaGomes_D.pdf: 2046658 bytes, checksum: 5fadb7c1fc29def33ea655c8c32c303f (MD5) Previous issue date: 2012<br>Resumo: A presente tese inclina-se sobre a obra do escritor francês Pierre Louÿs (1870 - 1925). Estudioso dos antigos poetas gregos e entusiasta da arte antiga, Louÿs pode, num primeiro momento ser associado à escola parnasiana. Em seus primeiros poemas, bem como em diversos
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Rebouh, Sabrina. "L'exotisme postcolonial dans l'oeuvre de Jean-Claude Eloy." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0199.

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Jean-Claude Eloy est un compositeur passionné de musiques extra-européennes (et en particulier de musique japonaise) qui revendique un multiculturalisme militant et refuse farouchement que sa démarche puisse être associée à un quelconque exotisme. Pourtant, et sans que la sincérité de son positionnement idéologique puisse être remise en cause, certaines ambiguïtés apparaissent au fur et à mesure de l’étude de sa production. Ainsi, si l’exotisme de surface caractéristique du XIXe siècle a disparu au profit d’un intérêt largement documenté pour les cultures musicales non occidentales, on n’en dé
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Grimmer, Jessica H. "From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384426378.

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Ceon, Hyecun. "Are We Still Exotic?: Examining Korean American Ethnicity Through the Music of Young Jean Lee's Play, Songs of the Dragons Flying to Heaven." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395348168.

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46

LACIRIGNOLA, DONATO. "ANTIGONES D'AFRIQUE SUR LA SCENE FRANCOPHONE. LES PARADOXES CULTURELS ET POLITIQUES DE LA CREATION THEATRALE FRANCO-AFRICAINE." Doctoral thesis, Università degli Studi di Milano, 2022. http://hdl.handle.net/2434/943799.

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All’incrocio tra questioni culturali, politiche e antropologiche, questa tesi analizza la trasposizione di un mito greco nell’universo africano. Si concentra, in particolare, sulla figura di Antigone e sulla sua rappresentazione, interrogando la produzione teatrale francofona contemporanea attraverso lo studio di dieci «Antigoni d’Africa», in un arco cronologico che va dalla fine degli anni Ottanta a oggi. Questo lavoro si basa su un corpus composto da riletture testuali, ma anche e soprattutto sulla ricerca di materiali peri-testuali (spettacoli, adattamenti, fotografie di spettacoli, p
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47

Lebranchu, Marc. "Les fabriques du taoïsme en Occident : quatre siècles de représentation et de réception du taoïsme en France et en Europe." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP071.

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De toutes les grandes traditions religieuses le taoïsme est la moins connue. L’objectif de cette recherche est de dresser un panorama de ses représentations et de sa réception en Occident, plus particulièrement en France et en Europe, et d’en identifier les étapes et les modalités, les vecteurs et les publics à un moment charnière où il se diffuse en Occident et où son image de négative devient positive. Ce travail emprunte les voies de l’histoire, notamment missionnaire, de l’orientalisme et de la sinologie, et interroge le rôle joué par les différents acteurs et contextes de réception dans l
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Viljoen, Susanna Isobella. "The articulation of context and identity in U-Carmen eKhayelitsha / Susanna Isobella Viljoen." Thesis, North-West University, 2012. http://hdl.handle.net/10394/8973.

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The primary focus of this qualitative research project is on the articulation of contexts and identity in operatic texts. In literature, postmodern appropriations and re-writings of classic nineteenth-century texts have changed perceptions about the ability of the marginalized Other’s identity to change. As a discursive phenomenon, opera helped to shape nineteenth-century perceptions of the exotic Other. This thesis argues that the appropriation of operatic texts to reflect various contexts induces the potential to shape alternative perceptions about identity. In U-Carmen eKhayelitsha (2005),
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Ung, Franz. "Bylingen och den Andre : En adaptionsteoretisk närläsning av romanen Den skrattande polisen och filmen Beck - Invasionen." Thesis, Södertörns högskola, Svenska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32946.

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The study is using a method called close reading through adaptation theory, invented by Linda Hutcheon. Through this method we are comparing the book The laugning policeman from 1968 written by Maj Sjöwall and Per Wahlöö with the movie Beck- The invasion from 2015. The movie is based on the book in the sense that it has many so called Sign elements that appears both in the book and in the movie.   The study is focusing on a comparison between the book and the movie regarding the Other, that is people who as characters in the book and the movie respectively are foreign, both as a citizen as wel
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Carotenuto, Gianna Michele. "Domesticating the harem reconsidering the zenana and representations of elite Indian women in Colonial painting and photography of India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2024771361&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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