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Journal articles on the topic 'Exoticisms'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Kozyra, Marzena. "Экзотизмы в репортажах Рышарда Капущинского и их перевод на русский язык". Acta Polono-Ruthenica 4, № XXII (2018): 111–23. http://dx.doi.org/10.31648/apr.1242.

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This paper concentrates on the ways in which exoticisms should be translated from Polish to Russian. We focus on the exoticisms used in Cesarz and Podróże z Herodotem by R. Kapuściński. In this text we stress the need to preserve the local cultural coloring of a given exoticism in the process of translation. Moreover, we notice that a unified definition of the term exoticism is necessary, and the lack thereof makes it more difficult to single out exoticisms from among other borrowings. We also touch upon the issue of the so-called third culture while our interest in it results from the very na

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Jacob, Jean-Paul. "Editorial [Exoticisms]." Archeopages, no. 36 (November 1, 2013): 2–3. http://dx.doi.org/10.4000/archeopages.17700.

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3

BOHACHENKO, Hanna. "PECULIARITIES OF TRANSLATION OF EXOTICISMS OF THE NOVEL THE PROSPECTOR BY JEAN-MARIE GUSTAVE LE CLÉZIO INTO UKRAINIAN." 7, no. 7 (December 26, 2022): 34–51. http://dx.doi.org/10.26565/2521-6481-2022-7-02.

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The article is devoted to the analysis of the peculiarities of translation of exoticisms as a characteristic feature of the French writer Jean-Marie Gustave Le Clézio into Ukrainian. The features of the writer's style, the problem of translation of his novels are outlined. The historical context of the novel is considered as a basis for high-quality translation. The basis for the analysis is the translation of one of Le Clézio's novels "The Prospector" by Halyna Chernienko. The two major translation strategies, domestication and foreignization, are also considered in the article. The expedienc

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Kozyra, Marzena. "Экзотизмы как особенная категория заимствований". Acta Polono-Ruthenica 2, № XXIV (2019): 87–101. http://dx.doi.org/10.31648/apr.4464.

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This article is aimed at establishing the place of exoticisms against the spectrum of other loan words. We consider increased language and cultural contacts, intensified in recent years. Additionally, we focus on the typology of loan words, taking into account their degree of assimilation to the rules of the recipient language. We define exoticisms as unassimilated loan words, whose main aim is to re-create various national features and name unknown cultural phenomena. The domination of cultural traits in the semantic structure of exoticisms (which constitutes the hallmark of this lexical grou

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Styshov, Oleksandr A. "EXOTISMS IN FOOD DESCRIBING IN UKRAINIAN-LANGUAGE MASS MEDIA AND INTERNET DISCOURSE OF THE 21ST CENTURY." Studia Linguistica, no. 25 (2024): 148–66. https://doi.org/10.17721/studling2024.25.148-166.

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The article studies various exoticisms for food in the Ukrainian language of the first quarter of the 21st century. The study was conducted on the material of printed and electronic media and Internet discourse (social networks, forums, blogs, chats, guest books, search sites), since today, they act as a robust communicative environment in which new uncodified lexical units constantly arise and actively function. Among the latter, a significant corpus of specific foreign words – exoticisms, which result from the intensification of intercultural communication in the modern globalized world, has

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Sia, Rosanne A. "Transpacific Exoticisms: Performing Asia Across the U.S. Southern Border." American Studies 61, no. 3 (2023): 151–73. http://dx.doi.org/10.1353/ams.2023.0006.

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Martínez Figueroa, Adriana. "Binational Indianism in James DeMars’s Guadalupe, Our Lady of the Roses." Journal of the Society for American Music 18, no. 2 (2024): 93–107. http://dx.doi.org/10.1017/s1752196324000063.

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AbstractSince the late nineteenth century, the “Indian” as symbol has been a recurring trope in the art music of Mexico and the United States. Composers in both countries have often turned to representations of Indigenous Peoples as symbolic of nature, spirituality, and/or aspects of the national Self. This article seeks to place James DeMars's opera Guadalupe, Our Lady of the Roses (2008) in the context of two major cultural trends: Indianism in the U.S., and the representation of Mexico by U.S. composers. DeMars's use of Indigenous instruments in Guadalupe, including Mexican pre-Hispanic per

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Selemeneva, O. A. "“Geisha”, “Bunad”, “Gennever”: Exoticisms as Representatives of Geocultural Images in Tourist Discourse." NSU Vestnik. Series: Linguistics and Intercultural Communication 23, no. 1 (2025): 33–45. https://doi.org/10.25205/1818-7935-2025-23-1-33-45.

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This article deals with the issue of lexical explication of geocultural territory images in tourist discourse. As a linguistic tool for creating authentic images of spaces in “other cultures”, the author considers exotic lexemes functioning in the relatively new magazine “Russian Traveler” as a written alternative of tourist discourse. By continuous sampling of the issues for the period 2023–2024 a selection of 238 exotic words was made. These words were interpreted with the help of lexicographic and ethnographic sources as well as contextual analysis. In the process of systematising the lingu

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Voronchenko, Tatiana V., Svetlana G. Korovina, and Ekaterina V. Fyodorova. "Russian cultural code in the polylogue of cultures of the Russian-Chinese and Mexican-American borderland." Philological Sciences. Scientific Essays of Higher Education 2, no. 6 (2021): 168–75. http://dx.doi.org/10.20339/phs.6-21.168.

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The article deals with the elements of Russian cultural code in folklore and literary works of the Russian-Chinese and Mexican-American borderlands. The object of the study is the texts united by the topos of the border. The borderland is considered as the place of the most intense interaction of cultures. The authors focus on the features of the polylogue of cultures at specific loci: Trekhrechye, Northern China (right bank of the border river Argun); California and Baja California (Mexican-American border) — historically marked by the “Russian presence”. These loci are characterized by lingu

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Sokolov, Alexander I., and Irina A. Malysheva. "Turkisms in one of the early Russian translations of the 18th century." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 187–201. http://dx.doi.org/10.21638/spbu09.2021.110.

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The article considers Turkic borrowings in the Russian language at the beginning of the 18th century. The material of the study was a translation of the 17th century treatise “The History of the Present State of the Ottoman Empire” written by the English diplomat Paul Ricaut and translated into a number of European languages. The Russian translation was done by P.A.Tolstoy from the Italian version in 1702–1714 and published as “The Turkish Monarchy” in 1741. The study presents the methods of phonetic (orthographic) and morphological adaptation of Turkisms by comparing a typographical manuscrip

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Sismondini, Alberto. "Orientalismo e a Estética do Desejo em “Alkamar A Minha Amante” de Jamil Almansur Haddad." EXILIUM Revista de Estudos da Contemporaneidade 6, no. 10 (2025): 257–66. https://doi.org/10.34024/ave4wt21.

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This study examines the recent scholarly rediscovery of Jamil Almansur Haddad (1914–1988) as a significant figure in Brazilian literature. The son of Lebanese immigrants, Haddad was a poet, essayist, and translator whose work is characterized by a synthesis of Eastern and Brazilian cultural elements. In Alkamar, a Minha Amante (1935), the author engages with Orientalism, employing imagotypes imbued with exoticisms traditionally associated with Arab culture. His proximity to the decadent aesthetic that dominated early twentieth-century European literature — epitomized, in particular, by the Ita

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Blizniuk-Biskup, Jekaterina. "“Russian Muzhiks – Who Else if not Russians…”: Why Gogol is so Difficult to Translate." Przegląd Wschodnioeuropejski 10, no. 2 (2019): 315–24. http://dx.doi.org/10.31648/pw.5483.

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The author addresses the issue of how peculiarities of Gogol’s narrative style can be retained in the translations of “Petersburg Stories” and “Dead Souls”, with special focus on the attitude of the narrator towards what is reported. The main attention is paid to constructions with the qualificator russkij ‘Russian’ referring to phenomena deeply rooted in Russian culture and, on the face of it, serving to highlight the national “local color”. Still, on a closer inspection one finds that, contrary to expectations, relevant constructions reflect alienation of the narrator with respect to reporte

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Munro, M. "Wild Thing: Noble Savages, Exoticisms and Postcolonial Space in Jacques-Stephen Alexis's Les Arbres Musiciens." French Studies 57, no. 1 (2003): 55–67. http://dx.doi.org/10.1093/fs/57.1.55.

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Kishchenko, Alla. "STYLISTICALLY MARKED VOCABULARY IN THE MODERN LITERARY TEXT: INTERACTION OF THE CATEGORY OF ADDRESSABILITY AND EXPRESSIVENESS." Odessa National University Herald. Series: Philology 25, no. 2(22) (2020): 36–43. http://dx.doi.org/10.18524/2307-8332.2020.2(22).235162.

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The article is devoted to the analysis of lexical means of expression of the category of the addressee in the modern Ukrainian artistic postmodern text. The main groups of stylistically marked and stylistically reduced vocabulary presented in the modern literary text are characterized, in particular barbarisms, exoticisms, vulgarisms and dialectisms: such lexical units that are subject to the author's intention and are able to demonstrate the linguistic personality of the author. The considered language means are characterized as representatives of two categories of the artistic text – address

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15

Sicherl, Eva. "Anglo-American Cultural Influence in Slovenia: The Case of Personal Names." Acta Neophilologica 51, no. 1-2 (2018): 49–62. http://dx.doi.org/10.4312/an.51.1-2.49-62.

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The article aims to address the growing tendency of Slovene native speakers towards borrowing English personal names when naming their new-borns. Statistical data confirm that foreign (and, with that, English) names have increased in the past decades, and statistical lists illustrate how in the case of personal names, ’exoticisms’ (e.g. Liam, Patrick, Nick, listed among the most popular 200 first names in the 2001-2015 period) compete with name forms that have been adapted and nativised long ago (e.g. Patrik), or are currently being introduced for the first time into Slovene. The influx of nam

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16

Pak, S. M. "BORROWINGS AS AN ASPECT OF LINGUACULTURAL TRANSFER IN THE CONTACT LITERATURE IN ENGLISH." Humanities And Social Studies In The Far East 18, no. 1 (2021): 176–81. http://dx.doi.org/10.31079/1992-2868-2021-18-1-176-181.

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The article explores borrowings in terms of linguacultural transfer in the ethnic (Russian) fiction written in the English language, the material being works of Helen Litman, an American writer of Russian-Jewish ancestry. The research significance is related to communicative value of the original culture both for interpretation of the author’s style and purport as well as for developing the theory of Russian English in terms of the World Englishes paradigm. Since the primary message of H. Liman’s writings is the difficulty of integrating into a new reality, reference to the past is embodied in

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Sicherl, Eva. "The English-Slovene language contact: borrowing of personal names." Linguistica 55, no. 1 (2015): 273–89. http://dx.doi.org/10.4312/linguistica.55.1.273-289.

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The article aims to shed some light on the growing tendency of Slovene native speakers towards borrowing English personal names when naming new-born children. Some historical overview of the borrowing of English personal names into Slovene is given, starting with lists compiled from 1931 onwards, established from the data supplied by the Statistical Office of the Republic of Slovenia (SURS). The phenomenon of borrowing personal names is discussed from the point of view of pragmatic borrowing as advocated by G. Andersen (2014), taking into account the traditional distinction between necessary l

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Seidullayeva, G. A., I. S. Klimenko, and Zh L. Kenzhitaeva. "Language Tools in Boris Akunin's Novel «The Turkish Gambit»." Iasaýı ýnıversıtetіnіń habarshysy 128, no. 2 (2023): 43–53. http://dx.doi.org/10.47526/2023-2/2664-0686.04.

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This article attempts to trace the genre motivation of the choice of linguistic means of different levels (lexico-semantic, morphological, syntactic) to express information and plot collisions of a modern Russian detective novel based on the work of B. Akunin («Turkish Gambit»). The hypothesis of the study is that in literary discourse, the nature and structure of the narrative, as well as the choice of lexical units by the author are determined by the belonging of the work to a particular genre. It also attempts to prove that the writer's project about Erast Fandorin is a product of mass cult

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Kishchenko, Alla, and Liudmyla Striy. "LEXICAL MEANS OF EXPRESSION OF THE CATEGORY OF EXPRESSIVENESS IN MODERN UKRAINIAN PROSE." Odessa National University Herald. Series: Philology 27, no. 2(26) (2023): 42–53. http://dx.doi.org/10.18524/2307-8332.2022.2(26).274981.

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The article is devoted to the analysis of expressive vocabulary that functions in the Ukrainian literary text of the beginning of the 21st century. The category of expressiveness is characterized and the main groups of expressive vocabulary in the literary text are defined. Vulgarism used with the aim of creating outrage and powerful influence on the consciousness of the addressee is considered. Exoticisms, subordinate functions of “mixing” of Ukrainian and foreign lexemes, elimination of borders between languages, actualization of interlinguistic and intercultural interaction are analyzed. It

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20

Temirgazina, Zifa K. "Transculturalism and Its Manifestation in the Poetics of Lyric Texts." Polylinguality and Transcultural Practices 18, no. 1 (2021): 29–43. http://dx.doi.org/10.22363/2618-897x-2021-18-1-29-43.

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Using the example of the work of the Soviet Russian poet Pavel Nikolaevich Vasilyev, the author shows the representation of transcultural aesthetics in a literary text created in Russian by a Russian author, formed in the conditions of the borderline coexistence of two cultures: Russian and Kazakh. His works can be classified as borderland literature, in which the combination of the Russianlanguage discourse and the paradigm of the steppe, nomadic culture generates a hybrid text with a peculiar artistic aesthetics and poetics, which can be traced at the external and internal deep levels. The I

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Azad, Arezou. "Living happily ever after: fraternal polyandry, taxes and “the house” in early Islamic Bactria." Bulletin of the School of Oriental and African Studies 79, no. 1 (2016): 33–56. http://dx.doi.org/10.1017/s0041977x1600001x.

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AbstractThis paper is a first attempt at understanding the impact of Islam on families in eighth-century rural Ṭukhāristan (modern-day northern Afghanistan), at the periphery of the late Umayyad and early ʿAbbāsid caliphate. Tukhāristan lay in the ancient region of Bactria, which became the land and city of Balkh after the Islamic conquests of the early seven hundreds ad. My analysis is based on a fascinating corpus of legal documents and letters, written in Bactrian and Arabic in the fourth to eighth centuries ad, which were discovered, edited and translated relatively recently. Scholars of C

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22

Salakhova, A. R. "Tatar appellatives in G. Yakhina’s novel “Zuleikha Opens Her Eyes”: polylinguality and transculturality." Philology and Culture, no. 3 (October 4, 2023): 66–70. http://dx.doi.org/10.26907/2782-4756-2023-73-3-66-70.

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The article is devoted to the linguocultural meanings of nationally specific forms of vocatives used by G. Yakhina in her novel “Zuleikha Opens Her Eyes”. The research object is the corpus of language units, used in G. Yakhina’s novel “Zuleikha Opens Her Eyes”, which are selected by continuous sampling from the first part of the novel. To analyze the studied units (appellatives), we use the descriptive and comparative methods, the method of word-formation, component and contextual analyses, as well as the method of quantitative calculation. To reconstruct the world of the Tatar village, the Ru

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Serdechnaya, Vera V., and Dmitry N. Zhatkin. "Sigizmund Krzhizhanovsky as a translator of Shakespeare’s “songs”." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2024): 100–107. http://dx.doi.org/10.20339/phs.1-24.100.

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The article is devoted to a comprehensive analysis of the creative principles of Shakespeare’s texts translation by Sigizmund Krzhizhanovsky (1887–1950). Krzhizhanovsky was a writer, an art historian, an original thinker, whose legacy was published mostly only after the 1980s. Being a prominent researcher of the theater philosophy, Krzhizhanovsky dealt with the problems of Shakespeare’s work; while in the 1930s he dealt with the more global problems of his heritage, and in the 1940s he focused on narrower topics. One of such local themes was Shakespeare’s “songs” contained in his plays. Krzhiz

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Hlazova, Svitlana, Nataliia Akulshyna, Nataliia Shkvorchenko, Viktoriia Hromovenko, and Olha Orenchak. "Linguistic aspects of language culture: study of norms, standards and variations in speech communication." Multidisciplinary Science Journal 6 (January 21, 2024): 2024ss0214. http://dx.doi.org/10.31893/multiscience.2024ss0214.

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The article examines the linguistic aspects of a language culture. It describes the study of norms, standards and variations in speech communication. The relevance of this study originates from the fact that today, speech communication plays a significant role as intercultural communication intensifies. Hence, people living in the globalized world should be able to use their language to express themselves as a person. At the same time, learning norms and standards is a complex and continuous process. Moreover, the presence of variations in speech communication requires not only theoretical but

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Bakurova, Maria V. "Semantic adaptation of borrowings: a case study of Spanish loanwords in the Russian language." Sibirskiy filologicheskiy zhurnal, no. 2 (2025): 145–57. https://doi.org/10.17223/18137083/91/12.

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The article examines the semantic adaptation of Spanish loanwords in modern Russian. The present subject exhibits unique scholarly merit owing to the previous lack of comprehensive study. A comparative analysis of the semantic systems of the source and recipient languages is undertaken, with a focus on semantic shifts in Spanish borrowings, their causative factors, recurring patterns, as well as the integration into the lexicon of the recipient language. In the course of the research, a comprehensive array of lexicographical resources was utilized, encompassing academic dictionaries of the Rus

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Senko, Elena V., and Irina S. Bondarenko. "The Concept of Borrowing in Textbooks for Higher Education (a View from the Standpoint of Modern Lexicology)." Vestnik of North Ossetian State University, no. 3 (September 25, 2022): 90–96. http://dx.doi.org/10.29025/1994-7720-2022-3-90-96.

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The question of the linguo-methodological basis of the concept of the process of intercultural lexical transfer in the system of modern university education is considered. It is argued that in textbooks for higher educational institutions there is an ambiguous definition of a borrowed word, ignoring the requirement of systemic unambiguity for terminological lexemes. The purpose of the article is to state the diversity of definitions of the named concept and to substantiate the point of view that corresponds to modern theoretical principles. allowing to optimize the educational and methodologic

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Molkov, Georgiy A. "Ways of adapting Greekisms in the Slavic-Russian version of the Euchologion of the Great Church." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 97–113. http://dx.doi.org/10.21638/spbu09.2021.106.

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The Slavic-Russian translation of the Euchologion of the Great Church, made at the end of the 14th century by scribes from the circle of Metropolitan Cyprian, contains a large layer of exotic vocabulary. The purpose of this article is to describe the specifics of the adaptation of Greek vocabulary, borrowings, in this translation within the framework of Greek influence, which are known from the South Slavic translations of the 14th century. The article describes the differences concerning the degree of their morphological development, the relationship with their Slavic equivalent and with each

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Amiri, Mohamed Mehdi El. "Orientalist Art: Morocco’s Depiction by Delacroix as a Case Study." International Journal of English Literature and Social Sciences 9, no. 5 (2024): 180–88. http://dx.doi.org/10.22161/ijels.95.24.

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Edward Said, in his seminal work "Orientalism" (1978), is credited with coining the term "orientalism," which refers to the depiction of Eastern nations from a Western point of view. While concurrently promoting imperialist ideals, this representation frequently romanticizes and exoticizes the civilizations that are now being discussed. In the 19th century, Orientalism emerged as a popular artistic and literary style in the Western world. Painters such as Eugène Delacroix, who were essential in influencing Western conceptions of the East, had a major impact on the development of this style. De

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Egodurova, V. M. "Exoticisms in I.K. Kalashnikov’s Novel “Cruel Age” as a Means of Displaying the Era of Genghis Khan (Based on the the Names of Clothes and Everyday Life)." Bulletin of Chelyabinsk State University, no. 12 (2020): 46–54. http://dx.doi.org/10.47475/1994-2796-2020-11206.

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Shay, Anthony, and Barbara Sellers-Young. "Belly Dance: Orientalism—Exoticism—Self-Exoticism." Dance Research Journal 35, no. 1 (2003): 13–37. http://dx.doi.org/10.1017/s0149767700008755.

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The Orient was almost a European invention, and had been since antiquity a place of romance, exotic beings, haunting memories and landscapes, remarkable experiences. (Said 1978,1)The past century has witnessed the phenomenon of belly dancing becoming a key icon of the Middle East in the West. This iconic representation often causes outrage, resentment, and even protest among Arabs who resent Westerners (mis)representing them by focusing on cabaret-style belly dance, a low-class and disreputable symbol for many in the Arab world, as a primary media image of the Middle East. Since the 1970s, mil

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Nevynna, I. P. "PECULIARITIES OF SPANISH MENU AND ITS TRANSLATION." Linguistic and Conceptual Views of the World, no. 66 (2) (2019): 103–8. http://dx.doi.org/10.17721/2520-6397.2019.2.14.

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Tapas as a part of menu refer to the nonequivalent lexics, which only complicates the translation of such elements, because they belong to exoticisms, words with the cultural shade. In linguistics, the realia of the subject were investigated by: R.Zorivchak, S. Vlakhov S. Florin, V. Vinogradov and others. In Spain this is one of the most popular topics for research. But some linguists and translators generally do not distinguish the term “realia”, for example, A. Popovich, doesn’t mention “realia” in the dictionary of translation analysis” at all. In order to achieve an adequate translation of

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Lobachova, Iryna. "COMMUNICATIVE FUNCTION OF FOREIGN LANGUAGE BORROWINGS IN THE MODERN YOUTH SPEECH." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 12(80) (2021): 150–53. http://dx.doi.org/10.25264/2519-2558-2021-12(80)-150-153.

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The article clarifies the place of anglicisms in the Ukrainian language, identifies the functional features of English borrowings in youth communication. Anglicisms function organically in the modern lexical system of the Ukrainian language. They both freely entered various spheres of public life, and the speech of young people, who react quickly to foreign language innovations, actively using them in their communication. The main characteristic of young people’s speech is using slang, jargon and anglicisms, which leads to the simplification of the language of communication. It is found out th

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Sovtic, Nemanja. ""Exoticism” in the opera Gilgamesh by Rudolf Brucci in Ralph Locke’s “All the music in the full context” paradigm." Muzikologija, no. 15 (2013): 105–25. http://dx.doi.org/10.2298/muz1315105s.

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In this text, Rudolf Brucci?s opera Gilgamesh is viewed in the light of Ralph Locke?s ?All the Music in the Full Context? Paradigm which promotes the approach that one should search for the exotic elements in musical works first in the discursive components (title, program, accompanying notes), visual representations (costume, scenery) and a ?horizon of expectations? of a particular culture, and only then to observe exoticism as the aspect of a musical style. In the light of this Paradigm, ?exoticism? of the opera Gilgamesh is detected at the level of the music material and compositional proce

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Harper, D. "Exoticism Reconsidered." Science 260, no. 5111 (1993): 1184. http://dx.doi.org/10.1126/science.260.5111.1184.

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Penionzhkevich, Yu E. "Nuclear exoticism." Physics of Atomic Nuclei 79, no. 4 (2016): 549–60. http://dx.doi.org/10.1134/s1063778816040189.

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Hayes Edwards, Brent. "Transplanted Exoticism." TDR/The Drama Review 64, no. 2 (2020): 75–78. http://dx.doi.org/10.1162/dram_a_00919.

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Nelisiwe Xaba’s Fremde Tänze is a remarkable exercise in transplanted exoticism. Its trenchant critique of German imaginings of racialized and eroticized Others unavoidably took on different meanings when Xaba performed it in Chicago in the fall of 2017.

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De Souza, Rebecca. "Undermining Exoticism." MHRA Working Papers in the Humanities 14 (December 9, 2019): 38–47. http://dx.doi.org/10.59860/wph.a165dcb.

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Correa de Sa, Andre. "Rethinking the Limits of Endemic Cannibalism: on Cinco Voltas na Bahia e um Beijo para Caetano Veloso." Nau Literária 21, no. 1 (2025): 20–38. https://doi.org/10.22456/1981-4526.144558.

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This paper undertakes the unconventional experiment of arguing that the metaphor of anthropophagy is oversimplified and readily deployed, often without critical examination. Through a reading of Alexandra Lucas Coelho’s 2019 non-fiction book, Cinco Voltas na Bahia e um Beijo para Caetano Veloso, I argue that the concept of cultural cannibalism as a progressive and transformative force is shaped by Brazilian self-representations that frequently obscure the complex historical and cultural tensions inherent in it, making it not unlike other forms of exceptionalism. By idealizing Antropofagia as a

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Berque, Augustin. "Indigenous Beyond Exoticism." Diogenes 50, no. 4 (2003): 39–48. http://dx.doi.org/10.1177/03921921030504006.

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Benn, Sheila M. "SCHILLER AND EXOTICISM." German Life and Letters 45, no. 1 (1992): 1–15. http://dx.doi.org/10.1111/j.1468-0483.1992.tb00343.x.

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Popławski, Błażej. "illusion of exoticism." Journal of Central and Eastern European African Studies 1, no. 1-2 (2024): 156–75. https://doi.org/10.59569/jceeas.2021.1.1-2.9.

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The aim of this article is to describe the evolution of the perception of Africa, especially the Sub-Saharan part, and its inhabitants in Poland between 1945 and 1989 on the basis of official documents, literary sources, and memoirs. It is possible to assume that the process of conventionalization of the symbols generated the image of the “Dark Continent” and the substantial modification of the language of cognition – from “Afro-Optimistic” in the early 1960s to “Afro-Pessimistic” in the 1980s. This change was caused by various factors: cold-war geopolitics, anticolonial and “fraternal aid” rh

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Toshpulatova, Xusniya. "ANALYSIS OF LINGUOCULTURAL UNITS OF GLUTTONIC CHARACTER IN THE NOVEL "BALANCE"." Multidisciplinary Journal of Science and Technology 5, no. 3 (2025): 381–84. https://doi.org/10.5281/zenodo.15031556.

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This article is a brief analysis within the framework of linguoculturology, which discusses the importance of gluttonous unitys in expressing the culture of a particular people. Gluttony plays an important role as a source in expressing the culture of a nation. In this article, the author highlights some aspects characteristic of the culture of the Uzbek people based on examples taken from Ulugbek Hamdam’s nove “Balance”.    

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Yang, Chengkun. "Titles of Traditional Chinese Musical Instruments in Russian Concert Posters : Methods of Formal and Semantic Adaptation." Филология: научные исследования, no. 5 (May 2025): 1–15. https://doi.org/10.7256/2454-0749.2025.5.73729.

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In recent years, cultural ties between different nations have been expanding. Concerts of Chinese national music are often held in Russian cities. Posters are distributed both through traditional methods and online. The question arises about which linguistic means allow Russian-speaking readers to learn about a new cultural experience and to make the description of Chinese musical tradition understandable and appealing. The subject of this study is the examination of the ways information about musical instruments that are exotic for the Russian culture is conveyed. It investigates the reasons

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Shi, Qi. "A Review on Musical Exoticism the History of Scholarship and Extension of Concept." Communications in Humanities Research 29, no. 1 (2024): 113–17. http://dx.doi.org/10.54254/2753-7064/29/20230572.

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Musical Exoticism has emerged as a significant concept in musicology. The previous research on it has evolved from a narrow focus on foreign musical elements to a much broader view of full-context-exoticism practices. This paper explores this historical development of the scholarship and its implications for interpreting Western music. By examining the transformation of Music Exoticism, the researcher can gain insights in how it has shaped our understanding of Western musical tradition.

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Cummins, J. S., G. S. Rousseau, and Roy Porter. "Exoticism in the Enlightenment." Modern Language Review 87, no. 2 (1992): 425. http://dx.doi.org/10.2307/3730683.

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Hammond, Brean S., G. S. Rousseau, and Roy Porter. "Exoticism in the Enlightenment." Yearbook of English Studies 22 (1992): 309. http://dx.doi.org/10.2307/3508429.

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Abelove, Henry, G. S. Rousseau, and Roy Porter. "Exoticism in the Enlightenment." Eighteenth-Century Studies 25, no. 1 (1991): 119. http://dx.doi.org/10.2307/2739196.

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Hudson, Nicholas. "Indigenes / Exoticism: A Response." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 24 (2005): 165. http://dx.doi.org/10.7202/1012182ar.

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Aravamudan, Srinivas. "Response: Exoticism beyond Cosmopolitanism?" Eighteenth-Century Fiction 25, no. 1 (2012): 227–42. http://dx.doi.org/10.3138/ecf.25.1.227.

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Koenigsberger, Dorothy. "Exoticism in the enlightenment." History of European Ideas 13, no. 6 (1991): 867–69. http://dx.doi.org/10.1016/0191-6599(91)90167-w.

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