Relevant bibliographies by topics / Extended techniques in music

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Extended techniques in music'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Extended techniques in music"

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Stokes, Jordan Camalt. "Max Steiner and Extended Tonality." Journal of Film Music 9, no. 1-2 (2022): 54–68. http://dx.doi.org/10.1558/jfm.20935.

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Since the revitalization of film music studies in the 1980s, the field has been dominated by musicological approaches, with music theory and analysis taking a back seat. As a result, film music scholars lack a common set of techniques for grappling with the harmony, rhythm, form, and melody of film music cues. But this situation is beginning to change: recent research by Frank Lehman and Scott Murphy offers powerful new tools for thinking about film music harmony. The purpose of this essay is to test the systems developed by these theorists against the music of Max Steiner, hopefully contribut
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Noble, Charissa. "‘Extended’ vocal techniques in the institution: The Extended Vocal Techniques Ensemble at the Center for Musical Experiment at UCSD." Journal of Interdisciplinary Voice Studies 7, no. 2 (2022): 137–62. http://dx.doi.org/10.1386/jivs_00062_1.

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In the decades following the Second World War, novel sound technologies and the proliferation of ethnomusicological field recordings ignited curiosity and experimentation among many musicians; these cultural phenomena also sparked a re-examination of conventional Euro-American musical sound sources. Classically trained instrumentalists and singers – particularly those associated with the ‘experimental tradition’ – cultivated intentionally idiosyncratic musical practices and widened their range of sonic possibility; this cultural zeitgeist included a heightened interest in so-called extended vo
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Greenacre, Luke, Lynne Freeman, Jared Filby, and Taryn Ostrovsky. "My-music my-self." Qualitative Market Research: An International Journal 18, no. 1 (2015): 145–60. http://dx.doi.org/10.1108/qmr-02-2014-0017.

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Purpose – The purpose of this article is to use an extended model of self to understand the consumption of music and similar entertainment products. Design/methodology/approach – In-depth interviews using experts within the music field were used to penetrate the private worlds of musical theatre enthusiasts. Multiple qualitative analytic techniques were used to explore the different aspects of the self underlying music consumption. Findings – Repeated exposure to musical theatre allowed subjects to refine their consumption of specific performances that reflect the preferred aspect of their ext
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Steinberg, Michael. "The Contemporary Violin: Extended Performance Techniques (review)." Notes 59, no. 2 (2002): 352–54. http://dx.doi.org/10.1353/not.2002.0194.

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N., V. S. V. Vijay Kumar, Raja Rajeswari K., and Rajesh Kumar P. "A Novel Extended Cyclic MUSIC algorithm using Wavelet Decomposition Technique." International Journal of Innovative Science and Modern Engineering (IJISME) 6, no. 8 (2020): 24–27. https://doi.org/10.35940/ijisme.E1194.076820.

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The study and analysis of direction of arrival(DOA) estimation has been a very challenging aspect in wireless communication systems, radar and sonar in the presence of a fading channel. Extended cyclic MUSIC subspace based method is reviewed for the DOA when noise is present. An extension of the Cyclic MUSIC algorithm is the Extended mode of the cyclic MUSIC which uses an extended version of the data array vector. Based upon the spectral correlation of the inbound signals these algorithms can estimate the signals’ direction of arrival. The spatially correlated noises, present degrade the
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Ferraz, Silvio, and William Teixeira. "EXTENDED TECHNIQUE AND POLYPHONIC WRITING IN LUCIANO BERIO'S SEQUENZA XIV." Tempo 77, no. 304 (2023): 73–83. http://dx.doi.org/10.1017/s0040298222001152.

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AbstractThis article discusses the use of extended techniques by Luciano Berio (1925–2003), focusing on his Sequenza XIV, for cello, finished in 2002. Our analysis attempts to demonstrate how Berio uses new ways of playing the instrument to create a kind of polyphony. The article references a large number of writings by Berio himself, including sketches, drafts and early manuscripts of Sequenza XIV, including exchanges between the composer and Rohan de Saram, for whom he wrote the piece.
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Bernstein, Tamara. "The Vocal Music of Ana Sokolović: Love Songs for the Twenty-First Century." Circuit 22, no. 3 (2013): 19–35. http://dx.doi.org/10.7202/1014226ar.

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Enchanted by the vocal music of Serbian-born Canadian composer Ana Sokolović, Tamara Bernstein visited the composer at her home in Montreal. Sokolović’s music draws on several sources, including the theatrical world and the culture of the Balkans. The extended vocal techniques in Sokolović’s music are rooted not in the avant-garde music of the twentieth century, but in the oral traditions and poetic voice of Serbia. It seems that the more the composer returns to her cultural roots, the more she embraces the universality of the human soul.
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Zappi, Victor, Andrew Allen, and Sidney Fels. "Extended Playing Techniques on an Augmented Virtual Percussion Instrument." Computer Music Journal 42, no. 2 (2018): 8–21. http://dx.doi.org/10.1162/comj_a_00457.

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Innovation and tradition are two fundamental factors in the design of new digital musical instruments. Although apparently mutually exclusive, novelty does not imply a total disconnection from what we have inherited from hundreds of years of traditional design, and the balance of these two factors often determines the overall quality of an instrument. Inspired by this rationale, in this article we introduce the Hyper Drumhead, a novel augmented virtual instrument whose design is deeply rooted in traditional musical paradigms, yet aimed at the exploration of unprecedented sounds and control. In
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Pàmies-Vilà, Montserrat. "Extended playing techniques as a source of unusual acoustic phenomena to explore with music students." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A194. http://dx.doi.org/10.1121/10.0027275.

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When teaching acoustics, instructors typically consider musical instruments to introduce students to the science of sound. Common examples, such as the flute as an open pipe or the behavior of a string fixed at both ends, are often used to illustrate the acoustics of musical instruments. In addition, when teaching acoustics to advanced musicians, one could take advantage of the precise prior knowledge that students have regarding both conventional and extended playing techniques. When using extended techniques, musicians may incorporate unusual ways of producing sound with their instruments, a
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Holovan, Yevheniia. "Extended piano techniques and their reproduction in Leonid Hrabovsky’s Trio for violin, double bass and piano." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 73, no. 73 (2024): 52–70. https://doi.org/10.34064/khnum1-73.03.

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Statement of the problem. The second half of the 20th century became a period of intense changes in musical language, leading to the emergence of new unique works that went beyond traditional forms. Chamber instrumental music proved especially receptive to these processes due to the flexibility of ensemble composition and the interaction between performers. One of the brightest examples of this direction is the Trio by L. Hrabovsky for violin, double bass, and piano, created between 1964 and 1975. The work features a wide sound range and extended performance techniques, including the use of di
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Dissertations / Theses on the topic "Extended techniques in music"

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Ohara, Yuko. "New sounds and extended composition techniques." Thesis, Brunel University, 2012. http://bura.brunel.ac.uk/handle/2438/7674.

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This commentary supports my PhD composition portfolio. The composition processes of each piece are related to my central research questions, which concern the creation of new sounds using overtone-based scales and extended instrumental techniques. I have developed four main conceptual composition themes and these are represented in the thirteen compositions in the portfolio. In this commentary I consider how each composition was developed around these conceptual themes.
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Cherry, Amy Kristine. "Extended Techniques in Trumpet Performance and Pedagogy." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242326372.

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Petterson, Jill. "Extended flute techniques in three culturally different solo flute pieces." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/12652.

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Includes bibliographical references.<br>Extended playing techniques on the flute have long since captured the interest of flute players and composers alike. Whilst the physical development of instruments from different cultures took place independently of each other, it has been found that to some extent there have been lasting and mutual influences between different flute playing cultures, specifically (for the purposes of this dissertation) with regard to Western, Africa and Asian flutes and flute playing.
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Proulx, Jean-François. "A Pedagogical Guide to Extended Piano Techniques." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/38213.

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Music Performance<br>D.M.A.<br>Extended piano techniques, which mainly involve playing directly on the internal components of the piano, emerged early in the twentieth century, mainly in the United States. Henry Cowell (1897-1965) explored some of these techniques in short piano pieces such as The Tides of Manaunaun (1917; clusters) The Banshee (1925; glissando, pizzicato) and Sinister Resonance (1930; mute, harmonic). Several contemporary composers followed this path. Notably, George Crumb's (b. 1929) mature works combine conventional techniques with an unprecedented variety of extended techn
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Everall, Philip. "A digital resource for navigating extended techniques on bass clarinet." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1940.

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Extended techniques are integral to the creation and interpretation of works for the bass clarinet. Effects such as multiphonics, microtones, or percussive and air sounds, have become commonplace in repertoire from the twentieth and twenty-first centuries. This PhD dissertation posits that the bass clarinet’s affinity for these sounds can be traced back to the instrument’s earliest uses, and thus extended techniques should be central to the understanding of the bass clarinet. While there is a large knowledge-base of these techniques, the paradigm of print resources with accompanying music medi
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Dimpker, Christian. "Extended notation : the depiction of the unconventional." Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/3184.

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Most extended instrumental playing techniques are still deprived of a conventional method of notation. In order to facilitate the utilisation of these unconventional musical elements, a coherent and consistent notation system is developed in this thesis. It comprises chapters on string instruments, wind instruments, percussion instruments, plucked instruments and keyboard instruments. A systematic notation of unconventional instrumental playing techniques has not yet been attempted, nor have all tech-niques subject to this work yet been explained in detail. In order to coherently depict unconv
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Lunn, Robert Allan. "Extended Techniques for the Classical Guitar: A Guide for Composers." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274474311.

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Kim, Yeji. "Hybridity in Flute Music of Four Contemporary Composers." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1351532629.

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Cannon, Joanne. "Playable ambisonic spatial motion : music performance techniques and mappings for the extended bassoon /." Connect thesis, 2009. http://repository.unimelb.edu.au/10187/7120.

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This research dissertation presents work undertaken to develop new performance techniques and mappings for the expressive control of spatial motion using Ambisonic projection. The dissertation reviews relevant research from the fields of Spatial Sound and Extended Instruments, and establishes playability as a useful set of criteria for a reflexive project methodology and evaluation. This reflexive research systematically investigates Trevor Wishart’s taxonomy of spatial motions through the development of new hardware, software, performance techniques and spatial motion analysis.
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Danard, Rebecca J. "Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757.

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Books on the topic "Extended techniques in music"

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Allen, Strange, ed. The contemporary violin: Extended performance techniques. University of California Press, 2001.

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Fellmann, Ellen, Charlie Bendisch, Cornelia Horsch, and Almut Röhrborn. Extended compositions. Pasquart Kunsthaus Centre d'art, 2017.

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D, Wagoner James, ed. Analog electronic music techniques. Schirmer Books, 1985.

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Joshua, Fineberg, ed. Spectral music: History and techniques. Harwood Academic Publishers, 2000.

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Silver, Troy. 40 iPod techniques. Youngjin, 2006.

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Lamb, Gordon H. Choral techniques. 3rd ed. Wm.C. Brown, 1988.

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Thomas, Benjamin. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. 5th ed. Wadsworth Pub. Co., 1998.

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Thomas, Benjamin. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. 4th ed. Wadsworth Pub. Co., 1992.

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Cope, David H. Techniques of the contemporary composer. Schirmer Books, 1997.

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Briot, Jean-Pierre, Gaëtan Hadjeres, and François-David Pachet. Deep Learning Techniques for Music Generation. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-70163-9.

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Book chapters on the topic "Extended techniques in music"

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Abdyssagin, Rakhat-Bi. "Quantum Entanglement in Physics and Extended Techniques in Music." In Quantum Mechanics and Avant-Garde Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63161-0_21.

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Radovanovic, Bojana. "Voice and Body in Extreme Metal Music." In Musik und Klangkultur. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839458914-010.

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Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the »meta-genre« of extreme metal, have built up a very specific sound and imagery during the last several decades. As Keith Kahn-Harris noticed, this cluster of sub-genres gathers musical acts of different historical backgrounds and ideologies, which show the highest level of diversity, artistic vibrancy and dynamics, while at the same time being the most problematic area of metal culture in general. The supposed aggression, radicalism, and exclusivity in sound stem not only fro
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Murakawa, Hideki, Tatsuya Kawaguchi, Hironari Obayashi, Yuichi Murai, and Yuji Tasaka. "Extended Techniques." In Ultrasonic Doppler Velocity Profiler for Fluid Flow. Springer Japan, 2012. http://dx.doi.org/10.1007/978-4-431-54026-7_7.

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Fraser, Anthony R., and Ron W. Daniel. "Extended perturbation techniques." In Perturbation Techniques for Flexible Manipulators. Springer US, 1991. http://dx.doi.org/10.1007/978-1-4615-3974-2_8.

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Young, Gareth W., and Aljosa Smolic. "Extended Reality." In Artificial Intelligence and Music Ecosystem. Focal Press, 2022. http://dx.doi.org/10.4324/9780429356797-8.

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de Clercq, Trevor. "Extended Chords." In The Practice of Popular Music. Routledge, 2024. http://dx.doi.org/10.4324/9781003331155-59.

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Weekhout, Hans. "Recording Techniques." In Music Production. Routledge, 2019. http://dx.doi.org/10.4324/9780429459504-7.

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Lanzarotto, Greta, and Ludovico Pernazza. "Extended Vuza Canons." In Mathematics and Computation in Music. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07015-0_10.

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Billinton, Roy, and Ronald N. Allan. "Distribution systems — extended techniques." In Reliability Evaluation of Power Systems. Springer US, 1996. http://dx.doi.org/10.1007/978-1-4899-1860-4_9.

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Toft, Robert. "Studio Techniques." In Recording Classical Music. Focal Press, 2019. http://dx.doi.org/10.4324/9781351213783-16.

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Conference papers on the topic "Extended techniques in music"

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Krittiyatechasit, Pharidtad, and Mahasak Ketcham. "Copyrighted Music Detection Using Machine Learning Techniques." In 2025 IEEE International Conference on Cybernetics and Innovations (ICCI). IEEE, 2025. https://doi.org/10.1109/icci64209.2025.10987332.

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Anggraini, Rizka Dewi, Arif Laksito, Bety Wulan Sari, and Mulia Sulistiyono. "Multi-Extraction Techniques of Content-Based Music Recommender System." In 2024 7th International Conference on Information and Communications Technology (ICOIACT). IEEE, 2024. https://doi.org/10.1109/icoiact64819.2024.10913453.

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Golwala, Sunil R., Andrew D. Beyer, Daniel Cunnane, et al. "NEW-MUSIC: The Next-generation Extended-Wavelength MUltiband Sub/millimeter Inductance Camera." In Millimeter, Submillimeter, and Far-Infrared Detectors and Instrumentation for Astronomy XII, edited by Jonas Zmuidzinas and Jian-Rong Gao. SPIE, 2024. http://dx.doi.org/10.1117/12.3021175.

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Amarie, Nicusor, Gianluca Fadda, Vlad Popescu, Jean-Marius Ghenta, Maurizio Murroni, and Anderson Augusto Simiscuka. "Live Feedback for Immersive Music Performances - A Case Study." In Proceedings of the ACM International Conference on Interactive Media Experiences Workshops. Sociedade Brasileira de Computação, 2025. https://doi.org/10.5753/imxw.2025.8520.

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This paper presents the architecture of an Extended Reality (XR) system for real-time streaming and spatial rendering of live music performances, along with a comprehensive setup for the acquisition of multichannel audio and three-dimensional performer motion data. The system enables remote users to experience live performances in immersive virtual environments, where each musician is represented by an avatar. Audio input is captured via a digital mixing console, enabling the transmission of synchronized multitrack audio streams using low-latency networking protocols. These streams are spatial
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Lyons, Michael J., and Nobuji Tetsutani. "Facing the music." In CHI '01 extended abstracts. ACM Press, 2001. http://dx.doi.org/10.1145/634067.634250.

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Lyons, Michael J., and Nobuji Tetsutani. "Facing the music." In CHI '01 extended abstracts. ACM Press, 2001. http://dx.doi.org/10.1145/634246.634250.

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Blythe, Mark A. "The digital music box." In CHI '07 extended abstracts. ACM Press, 2007. http://dx.doi.org/10.1145/1240866.1240997.

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Charge, Yide Wang, and Saillard. "An extended cyclic MUSIC algorithm." In IEEE International Conference on Acoustics Speech and Signal Processing ICASSP-02. IEEE, 2002. http://dx.doi.org/10.1109/icassp.2002.1005324.

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Charge, Pascal, Yide Wang, and Joseph Saillard. "An extended cyclic music algorithm." In Proceedings of ICASSP '02. IEEE, 2002. http://dx.doi.org/10.1109/icassp.2002.5745286.

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Voong, Michael, and Russell Beale. "Music organisation using colour synaesthesia." In CHI '07 extended abstracts. ACM Press, 2007. http://dx.doi.org/10.1145/1240866.1240913.

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Reports on the topic "Extended techniques in music"

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Duggin, Michael J. Extended Experimentation Using Polarization Techniques. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada387756.

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Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.686088.

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Unfolding processes of timbre and memory in improvisational piano performance This exposition is an introduction to my research and practice as a pianist, in which I unfold processes of timbre and memory in improvised music from a performer’s perspective. Timbre is often understood as a purely sonic perceptual phenomenon. However, this is not in accordance with a site-specific improvisational practice with changing spatial circumstances impacting the listening experience, nor does it take into account the agency of the instrument and objects used or the performer’s movements and gestures. In m
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Wright, Louise, and Louise Crocker. PR-670-183826-R03 Extended Evaluation of LSM-Magnetostrictive Pipe Models. Pipeline Research Council International, Inc. (PRCI), 2021. http://dx.doi.org/10.55274/r0012097.

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Integrity assessment of pipelines is vital to ensure that oil and gas pipes have adequate strength to prevent leaks and ruptures. Regular inspections are conducted to confirm safe operation conditions of pipelines. The industry's principal method for assessing pipelines is in-line inspection (ILI), involving the passing of a device along the inside of a pipe to assess the condition of the pipeline. ILI devices can be fitted with a number of sensors allowing various measurement parameters to be obtained simultaneously. Not all pipelines are suited to ILI for reasons such as small diameter, obst
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Tummaruk, Padet, Kakanang Buranaamnuay, Wanpen Adulyanubap, Jinda Singlor, and Mongkol Techakumphu. Development of techniques for freezing boar semen. Chulalongkorn University, 2006. https://doi.org/10.58837/chula.res.2006.91.

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The objective of the present study was to investigate the feasibility of boar semen cryopreservation in Thailand and to investigate factors that could affect the boar semen quality after cryopreservation. Fifteen purebred boars (5 Landrace, 5 Yorkshire and 5 Duroc) from 2 commercial herds in Nakorn-prathom province were used in the experiment. Three ejaculates from each boar were collected with over one-week interval using gloved-hand technique. After collection, the semen was diluted with isothermal Beltsville thawing solution (BTS) extender. Diluted semen was held at 15 °C for 2 h and centri
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Gattoni and Olsen. PR-179-10211-R01 Advanced Control Techniques and Sensors for Gas Engines with NSCR. Pipeline Research Council International, Inc. (PRCI), 2012. http://dx.doi.org/10.55274/r0010987.

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High exhaust emissions reduction efficiencies from a spark ignited (SI) internal combustion engine utilizing an NSCR catalyst system requires complex fuel control strategies. The allowable equivalence ratio operating range is very narrow where NSCR systems achieve high exhaust emissions reduction efficiencies of multiple species. Current fuel control technologies utilizing lambda sensor feedback are reported to be unable to sustain these demands for extended operation periods and when transients are introduced. Lambda sensor accuracy is the critical issue with current fuel controllers. The goa
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Pasupuleti, Murali Krishna. Next-Generation Extended Reality (XR): A Unified Framework for Integrating AR, VR, and AI-driven Immersive Technologies. National Education Services, 2025. https://doi.org/10.62311/nesx/rrv325.

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Abstract: Extended Reality (XR), encompassing Augmented Reality (AR), Virtual Reality (VR), and Mixed Reality (MR), is evolving into a transformative technology with applications in healthcare, education, industrial training, smart cities, and entertainment. This research presents a unified framework integrating AI-driven XR technologies with computer vision, deep learning, cloud computing, and 5G connectivity to enhance immersion, interactivity, and scalability. AI-powered neural rendering, real-time physics simulation, spatial computing, and gesture recognition enable more realistic and adap
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Baader, Franz, Bernhard Ganter, Ulrike Sattler, and Barış Sertkaya. Completing Description Logic Knowledge Bases using Formal Concept Analysis. Aachen University of Technology, 2006. http://dx.doi.org/10.25368/2022.155.

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We propose an approach for extending both the terminological and the assertional part of a Description Logic knowledge base by using information provided by the assertional part and by a domain expert. The use of techniques from Formal Concept Analysis ensures that, on the one hand, the interaction with the expert is kept to a minimum, and, on the other hand, we can show that the extended knowledge base is complete in a certain sense.
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Powell, Andrew, and Matteo Bobba. Aid Effectiveness: Politics Matters. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0010874.

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The literature on aid effectiveness has focused more on recipient policies than the determinants of aid allocation yet a consistent result is that political allies obtain more aid from donors than non-allies. This paper shows that aid allocated to political allies is ineffective for growth, whereas aid extended to countries that are not allies is highly effective. The result appears to be robust across different specifications and estimation techniques. In particular, new methods are employed to control for endogeneity. The paper suggests that aid allocation should be scrutinized carefully to
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Gingerich, Daniel. When to Protect? Using the Crosswise Model to Integrate Protected and Direct Responses in Surveys of Sensitive Behavior. Inter-American Development Bank, 2014. http://dx.doi.org/10.18235/0009229.

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The applied social sciences have witnessed a growing use of sensitive survey techniques (SSTs) to study the relationship between facets of an individuals background and his propensity to engage in sensitive behavior. The rationale undergirding the use of these techniques is the assumption that the rate of misrepresentation and/or nonresponse under direct questioning among individuals bearing the sensitive trait would be so high as to make the use of direct questioning infeasible. But is this indeed the case? Presently available methodological tools do not provide an answer. The current paper p
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Pasupuleti, Murali Krishna. Augmented Human Intelligence: Converging Generative AI, Quantum Computing, and XR for Enhanced Human-Machine Synergy. National Education Services, 2025. https://doi.org/10.62311/nesx/rrv525.

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Abstract: Augmented Human Intelligence (AHI) represents a paradigm shift in human-AI collaboration, leveraging Generative AI, Quantum Computing, and Extended Reality (XR) to enhance cognitive capabilities, decision-making, and immersive interactions. Generative AI enables real-time knowledge augmentation, automated creativity, and adaptive learning, while Quantum Computing accelerates AI optimization, pattern recognition, and complex problem-solving. XR technologies provide intuitive, immersive environments for AI-driven collaboration, bridging the gap between digital and physical experiences.
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Journal articles Dissertations / Theses Books
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