Relevant bibliographies by topics / Facture de piano

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Facture de piano'

Author: Grafiati
Published: 22 June 2024
Last updated: 31 July 2025

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Journal articles on the topic "Facture de piano"

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Martynenko, N. N. "PECULIARITIES OFORCHESTRA FACTURE IN CONCERT FOR PIANO WITH ORCESTRA F.POULENC (CIS-MOLL)." National Association of Scientists 3, no. 27(54) (2020): 9–14. http://dx.doi.org/10.31618/nas.2413-5291.2020.3.54.201.

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The article considers a concert for piano and orchestra by F. Poulenc in the context of the musical aesthetics of thecomposer and features of the orchestra texture as key components of the author s creative method. The basic principles of orchestral writing are analyzed. Using specific examples from individual parts of the concerts, interesting distinctive properties inherent in the orchestration jf the composer are examined.
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Didi, Amer. "Ziad Kreidy. 2018. La facture du piano et ses métamorphoses. Château-Gontier (Fr) : Éditions Aedam Musicae, coll. « Musiques xxe–xxie siècles », 128 p. ISBN 978-2-919046485." Book Review 37, no. 1 (2019): 221–24. http://dx.doi.org/10.7202/1059896ar.

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Swartz, Anne. "Facteurs de pianos en Russie au XIXe siècle." Slavica Occitania 23, no. 1 (2006): 19–33. https://doi.org/10.3406/slaoc.2006.2256.

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Chi, Ju-Yang, Mark Halaki, and Bronwen J. Ackermann. "Ergonomics in violin and piano playing: A systematic review." Applied Ergonomics 88 (October 2020): 103143. http://dx.doi.org/10.1016/j.apergo.2020.103143.

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Fuentes López, Martha Elena, José Alberto García Salazar, and Juvencio Hernández Martínez. "Factores que afectan el mercado de madera aserrada de pino en México." Madera y Bosques 12, no. 2 (2016): 17–28. http://dx.doi.org/10.21829/myb.2006.1221240.

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Con el objetivo de evaluar el comportamiento de la producción y el consumo de madera aserrada de pino, ante variaciones en los precios, se calcularon las elasticidades de la oferta y la demanda en un período de 23 años (1980-2003). Se ajustó un modelo de ecuaciones simultáneas compuesto de una ecuación de oferta, una de demanda, una de transmisión de precios y una de identidad. Los resultados indican que la producción de madera aserrada responde de manera inelástica (0 ,0748) a las variaciones en los precios, y que los factores que más afectan la oferta de madera aserrada de pino son la capaci
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Garay Mendoza, Martha Paola. "La procrastinación y los factores que inciden en el desempeño de estudiantes de piano de la Facultad de Música." Paradigma Creativo 5, no. 1 (2024): 18–33. https://doi.org/10.29105/pc.v5i1.44.

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La procrastinación es una práctica común que implica posponer tareas importantes mediante actividades alternativas, evitando enfrentar responsabilidades. En carreras creativas como las artes (música, danza, pintura, escultura), este hábito puede ser especialmente perjudicial, ya que afecta el progreso técnico y emocional de los estudiantes. La disciplina es esencial en estas áreas, ya que fomenta la estimulación cerebral y la motivación diaria. En profesiones más teóricas, donde las evaluaciones suelen depender de proyectos escritos o en grupo, la procrastinación puede no impactar tanto el ren
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Lai, Kuan-Yin, Shyi-Kuen Wu, I.-Ming Jou, Hsiao-Man Hsu, Mei-Jin Chen Sea, and Li-Chieh Kuo. "Effects of hand span size and right-left hand side on the piano playing performances: Exploration of the potential risk factors with regard to piano-related musculoskeletal disorders." International Journal of Industrial Ergonomics 50 (November 2015): 97–104. http://dx.doi.org/10.1016/j.ergon.2015.09.011.

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GRIECO, A., E. OCCHIPINTI, D. COLOMBINI, et al. "Muscular effort and musculoskeletal disorders in piano students: electromyographic, clinical and preventive aspects." Ergonomics 32, no. 7 (1989): 697–716. http://dx.doi.org/10.1080/00140138908966837.

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Harbec, Jacinthe. "Within the Quota de Cole Porter et Charles Koechlin : la francisation du jazz américain." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (2017): 39–50. http://dx.doi.org/10.7202/1039611ar.

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Créé à Paris le 23 octobre 1923 par les Ballets suédois de Rolf de Maré, Within the Quota a été commandé en vue de la tournée américaine prévue pour le mois suivant. Ayant comme toile de fond les péripéties d’un immigrant suédois arrivant à New York, le ballet se déroule sur une musique jazz composée par Cole Porter et orchestrée par Charles Koechlin. Or, lors de la représentation new-yorkaise en novembre 1923, F. D. Perkins du New York Tribune affirme que le jazz de Porter contient plus de traces stylistiques de Darius Milhaud que celles de George Gershwin. Installé à Paris depuis 1919, Porte
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Abdillah, Herudin. "Accounts of Adult English Language Learners in Their Classroom Communication: A Phenomenology." Psychology and Education: A Multidisciplinary Journal 25, no. 7 (2024): 924–47. https://doi.org/10.5281/zenodo.13833710.

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This qualitative study described the accounts of five (5) adults English language learners from Gani L. Abpi College Incorporated, Datu Piang, Maguindanao. The study is based on Cross's (1981), theory that adult learning characteristics have been primarily focused on understanding how adults learn. Thus, it was utilized the phenomenological research design described by Colaizzi’s, (1978) seven steps strategy that provided a meticulous analysis of data. The transcription and translation, as well as classifying statements into themes, were employed with in-depth interview with the particip
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Dissertations / Theses on the topic "Facture de piano"

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Vandervellen, Pascale. "La facture du piano dans les provinces belges des origines à 1851." Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210716.

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L’étude fournit un panorama exhaustif de la facture du piano dans les provinces belges. Elle s’étend de 1761, année de la première référence écrite au piano, à 1851, date jalon marquée par l’industrialisation progressive des techniques et la standardisation des modèles. Entre ces deux dates, le dépouillement des almanachs permet de dénombrer plus d’une centaine de facteurs, majoritairement actifs à Bruxelles. Ils possèdent, suivant les registres des patentables, de petits ateliers. L’examen des instruments conservés montre que la production est de qualité. Elle relève à part entière de l’artis
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Somma, Antonio. "Acoustique de la pratique musicale sur instruments historiques : étude transdisciplinaire de l’interprétation historiquement informée au piano." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUS069.

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Cette thèse est motivée par la volonté de repositionner la facture instrumentale dans l’histoire de la technique pianistique. À l'intersection de l'acoustique musicale et de la musicologie, une approche unifiée est proposée, tirant parti de la tendance des deux disciplines à confronter plus directement leurs démarches de recherche avec la pratique musicale. En acoustique musicale, les propriétés mécaniques et vibro-acoustiques particulières des pianos historiques, appelés par convention fortepianos ou pianofortes pour les distinguer de leurs homologues modernes, suscitent un intérêt croissant.
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Margerit, Pierre. "Caractérisation large bande du comportement dynamique linéaire des structures hétérogènes viscoélastiques anisotropes : application à la table d'harmonie du piano." Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC1151/document.

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Le présent travail, réalisé dans le cadre du projet ANR MAESSTRO, concerne le remplacement des tables d’harmonie de piano traditionnellement constituées d’épicéa par des structures composites stratifiées. Cette démarche suppose une connaissance fine des matériaux à remplacer et des matériaux de remplacement. La contribution de la thèse consiste donc en le développement d’outils de caractérisation du comportement dynamique de structures viscoélastiques anisotropes hétérogènes sur une large bande de fréquence. Dans une première partie, l’étude théorique de la propagation des ondes planes dans ce
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Chi, Ju-Yang. "Musical Instrument Ergonomics in Violin and Piano Performance." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/30064.

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The compatibility of the instrument with human physical abilities and characteristics is one of the principles in ergonomics. Inadequate instrument set-ups and sizes that mismatch the player’s physical attributes is frequently cited as one of the risk factors contributing to the development of playing-related musculoskeletal disorders (PRMDs) in violin and piano performers. For violinists, playing in a sustained asymmetric posture is inevitable and it has been observed that the left upper limb, which is the side that supports the instrument, is predominantly symptomatic in upper string players
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Dyal, Edith Irene Colvin. "An examination of factors which associate with a successful outcome in piano lessons /." Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11169643.

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Thesis (Ed.D.) -- Teachers College, Columbia University, 1991.<br>Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Lenore Pogonowski. Includes bibliographical references: (leaf 124).
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Yee, Susan. "A comparison between junior and senior university piano students' health factors." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0013/MQ42116.pdf.

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Yoshimura, Eri. "Risk factors for piano-related pain among college students and piano teachers solutions for reducing pain by using the ergonomically modified keyboard /." Thesis, connect to online resource. Recital, recorded Apr. 14, 2006, in digital collections. Access restricted to the University of North Texas campus, 2009. http://digital.library.unt.edu/ark:/67531/metadc1469.

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Lewis, Lisa Michele. "Twelve nouvelle impressions : historical and cultural factors relating to the performance of Isaac Albeniz's Iberia Suite /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11222.

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Miniotas, Donatas. "Karvių aplinkos veiksnių įtaka pieno kokybei." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130618_095939-58864.

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Pienininkystė – nuo seno Lietuvos respublikoje sparčiai besivystanti gyvulininkystės šaka, nes čia yra palankios gamtinės sąlygos. Pieno kokybė dažniausiai priklauso nuo gyvulio sveikatos ir žinoma nuo jam sudarytų laikymo sąlygų. Pieninių galvijų laikymo sąlygos turi atitikti jų biologines ir etologines reikmes. Respublikoje nuolat atliekami tyrimai siekiant užtikrinti ne tik produkcijos kiekybę, bet ir kokybę. Šiuo metu vis dažniau vyrauja reikalavimai, bei teiginiai, kad geriausiai galvijus laikyti nepririštus. Gyvulininkystės patalpų mikroklimatas įtakoja galvijų fiziologinių rodiklių norm
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Adamavičiūtė, Deimantė. "Pieno ir kefyro mikrobiologinių rodiklių analizė." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060316_101049-88281.

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The aim of this work is to research milk and kefir microbiological indicators according to microbiological risk factors in the milk processing company A. Work tasks: to analyze drinking milk, ultra high temperature pasteurized milk and kefir descriptions and factors of the risk in technological process schemes; microbiological factors of the risk control schemes; samples of these products microbiological indicators according to company’s self-control plan. Conclusion: The main microbiological risk factors in drinking milk is total bacterial count, coliform bacteria, Salmonella; in the kefir –
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Books on the topic "Facture de piano"

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Rainer & Kloss (Firm), ed. Rainer & Kloss, piano-forte manufacturers, warerooms, Whitby, C.W. s.n., 1986.

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Co, Mendelssohn Piano, ed. Compliments of Mendelssohn Piano Co., 110 Adelaide St. West, Toronto. s.n., 1987.

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Senise, Daniel. The piano factory. Andre Jakobsson Estúdio, 2002.

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Agnaldo, Farias, ed. Daniel Senise: The piano factory. Andrea Jakobsson Estúdio, 2002.

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Co, Morris Feild Rogers, ed. We do one thing and do it well: We make upright pianos only : the Morris, Feild, Rogers Co., Listowel, Ontario. s.n., 1987.

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Weber, Marie-Christine. J.K. Mercken: Premier facteur parisien de forte-piano. Flûte de Pan, 1986.

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McElroy, Gil. Pianoworks: Imagining the R.S. Williams Piano Factory : Murray Favro, Alexander Graham, Ryan Legassicke, Carl Zimmerman. Robert McLaughlin Gallery, 2003.

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Angelo, Rossi, ed. Renzo Piano: La fabbrica della musica : l'Auditorium Paganini nella città di Parma = the music factory ... Abitare Segesta, 2002.

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Company, Cornish. The Cornish Company: Established over fifty years, makers of high-grade pianos and organs and direct dealers between factory and home. Reed Organ Society, 1992.

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author, Presa Donald G., ed. Sohmer & Company Piano Factory Building, 31-01 Vernon Boulevard (a.k.a 11-02 to 11-16 31st Avenue), Borough of Queens: Built c. 1886 (Berger & Baylies, architects), addition: c.1906-07 (attributed to Franklin Baylies). Landmarks Preservation Commission, 2007.

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Book chapters on the topic "Facture de piano"

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Piccinini, Mario. "Architetture olivettiane: un itinerario da sud a nord." In Dialoghi con la società. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0459-0.07.

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Adriano‘s interest and passion for architecture and urban planning they manifest themselves both for industrial architecture, but also in the creation of residential neighborhoods for the employers of the Olivetti. The Neighborhoods of Ivrea are un example between 1930 and 1960. Ivrea, in 2018, was appointed from Unesco as World Heritage of Umanity. Among the most works is remembered la Summer colony of Massa Marittima (1948-1958). This work represent an example of insertion into the natural contest. Other examples are the Factory of Pozzuoli (1951-1954) an example of design which over looks t
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Alghazali, Najm O. S., and Taghreed Abd-Almahdee Musa. "Hydraulic Design Optimization and Performance Analysis of Piano Key Weirs: A Study of Geometric Factors and Staged Configurations." In Springer Proceedings in Earth and Environmental Sciences. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57054-4_33.

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Clinkscale, Martha Novak, and John R. Watson. "S." In Makers Of The Piano. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0019.

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Abstract Sachmeister. See Sakmeister, Charles S. Sachs (Sax), Conrad (fl. c.1820-21). Piano maker in Vienna. (Ottner/Wien, 125) Sachsossky. Maker in Kassel. (Dolge/Pianos) Saether, R. E. (fl. 1844-1880s). Maker of upright pianos at Mø llergt. 15 in Christiania (Oslo), Norway. He might be the partner Saether in the firm Srether &amp; Koch, listed in the Norwegian Hande!skalendar of 1866— 67 as proprietors of a piano factory in Thv. Meyers gt. in Christiania. Another partnership, that of Srether og Berg, were connected to the firm of the Brndrene (Brothers) Hals.
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Clinkscale, Martha Novak, and John R. Watson. "A." In Makers Of The Piano. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0001.

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Abstract Aarestrup, Jens Peder Smidt (b 1827-d Bergen?, 1893). Maker of upright pianos at Smaastrandgaden 9 in Bergen, Norway. Aarestrup’s factory was established in 1857 and sold to H. S. Riisna:s in 1886. (Kjeldsberg/ PIANO, 85) Abate, Stefano (fl. late 1830s to c.1853). Dealer and maker in Milan. In the late 1830s Abate and Caspar Lorenz held a patent for soundboard improvement.
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Cole, Michael. "The Upright Pianoforte: The Genesis of Upright Forms." In The Pianoforte In The Classical Era. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166344.003.0015.

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Abstract It1s Easyto imagine that the development of upright pianos is merely an answer to the need to save space in a domestic environment. During the twentieth century such a perception was plainly evident: the best type of piano was the grand, but for those who needed to save space or expense, the upright must suffice. In former times it was different.Throughout the period covered by this study the pianoforte came principally in two forms: the square piano and the grand. Economy was effected by choosing the square. When such an instrument cost as little as one-third of the cost of the grand
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"The Piano in a Factory." In China's Cinema of Class. Routledge, 2017. http://dx.doi.org/10.4324/9781315393988-7.

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Smallan, Basil. "Introduction." In The Piano Trio. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780193183070.003.0001.

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Abstract It seldom happens that the ongms of an artistic form can be assigned with confidence to a particular date or identified with a specific creative artist; usually such beginnings are obscured by the number and variety of the factors that contribute to them, or by the inconsistencies which appear inseparable from the evolutionary process. In the case of the piano trio, however, the criteria applicable to its fully fledged form are sufficiently precise to make the pin-pointing of a date, or at least a narrow period of origin, more than usually feasible. The genre represents, as we shall s
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Clinkscale, Martha Novak, and John R. Watson. "I." In Makers Of The Piano. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0009.

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Abstract Ibach. A distinguished firm of German piano manufacturers; founded in 1794 byJohannes Adolph Ibach (b Lüittringhausen near Barmen, 20 Oct. 1766-dBarmen, 14 Sept. 1848) in Barmen, near Di.isseldorf. According to Dolge/PIANOS, 222 £, Johannes Adolph was educated at the monastery in Beyenburg (later Barmen). He learned his craft and worked apparently independently in Beyenburg in 1794, in Rittershausen in 1801, and Wupperfeld in 1806. In 1816 he had expanded by opening a new shop on the Alleestraße in Unterbarmen. His sons, Carl Rudolflbach (b 22 Feb. 1804—d Barmen, 26 Apr. 1863) and Ric
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Novosiadla, Iryna. "Piano art of composers in the Ukrainian diaspora: genre-stylistic, educational and personological aspects." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-6.

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The piano art of the Ukrainian diaspora is a unique and interesting phenomenon. It is a component of the educational and cultural system abroad, an embodiment of performance mastery and compositional talent, where the key factor is the attraction to Ukrainian traditions. Thanks to the universality of the expressed forms, the piano art of the diaspora contributes to the entry of Ukrainian national culture into the global cultural space.
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Tarchynska, Yulia. "WAYS OF FORMING THE TECHNIQUE OF SOUND PRODUCTION IN THE INTERPRETATION OF MULTI-STYLE PIANO MUSIC." In Integration of traditional and innovative scientific researches: global trends and regional as. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-1-9.

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The article discusses the ways of the optimal formation of sound production techniques in the interpretation of multi-style piano music. The research methodology is based on the use of the historical method to highlight the evolution of methodological approaches to the formation of piano performing technique; analytical - to study the problem in scientific research in psychology, psychophysiology, musical pedagogy, piano performance; musicological method of analysis of piano styles; method of generalizing the piano performing experience of leading artists to substantiate the peculiarities of p
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Conference papers on the topic "Facture de piano"

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Adli, Alexander, Zensho Nakao, Toshiaki Yokoda, and Yasunori Nagata. "Piano Sound Characteristics: a Study on Some Factors Affecting Loudness in Digital and Acoustic Pianos." In Second International Conference on Innovative Computing, Informatio and Control (ICICIC 2007). IEEE, 2007. http://dx.doi.org/10.1109/icicic.2007.453.

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Yuksel, Beste F., Kurt B. Oleson, Lane Harrison, et al. "Learn Piano with BACh." In CHI'16: CHI Conference on Human Factors in Computing Systems. ACM, 2016. http://dx.doi.org/10.1145/2858036.2858388.

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Labrou, Katerina, Cagri Hakan Zaman, Arda Turkyasar, and Randall Davis. "Following the Master’s Hands: Capturing Piano Performances for Mixed Reality Piano Learning Applications." In CHI '23: CHI Conference on Human Factors in Computing Systems. ACM, 2023. http://dx.doi.org/10.1145/3544549.3585838.

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Jiang, Qian, and Kin Wai Michael Siu. "How Multi-sensory Can Help the Visually Impaired Better Play the Instruments: An Inclusive Design Practice." In 2024 AHFE International Conference on Human Factors in Design, Engineering, and Computing (AHFE 2024 Hawaii Edition). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005642.

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For the visually impaired, it is harder to learn how to play an instrument. Taking playing the piano as the case, we conducted the research to explore how other senses work better to support this special group to learn how to play the piano. Using the methods of literature analysis and data collection by designed questionnaire, we tried to design a smart keyboard to solve the problems people with impaired sight may meet in three perspectives: 1) Finding the corresponding keys for notes. 2) Communication with instructors. 3) Variable changes in rhythm. We provide a new learning possibility for
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Akiba, Misato, and Wonseok Yang. "Learning to Read Music by Differences in Perception of Information." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001754.

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The development of information technology and devices has made it easier for everyone to take and share videos and photos, and many number of information has become available in the world. For example, when learning how to play a musical instrument, a game, or a household appliance, they can effectively understand it from videos and images on YouTube or Instagram, instead of reading an instruction manual or a reference book. Whereas the piano is difficult to practice efficiently because repetition and reading music are said to be the two most important elements needed to acquire the skill. The
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Kilian, Annika, Jakob Karolus, Thomas Kosch, Albrecht Schmidt, and Paweł W. Paweł. "EMPiano: Electromyographic Pitch Control on the Piano Keyboard." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411763.3451556.

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Zonco, Audrey, Bastiaan Göttgens, Kieran O'Riordan, Che Liu, and Dominique Rat. "Exploring circularity: Europengineers on piano." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0141.

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&lt;p&gt;Europengineers organized a design sprint on the theme of reuse, which took place at Setec’s headquarters from the 20th to 22nd February 2020. This was based on a study case: how could the 80 steel frames in the Thales factory be saved from the foundry and reused in another project? What barriers and difficulties would be encountered in such a project?&lt;/p&gt;&lt;p&gt;The teams of twenty engineers shed light on the design stages (find the client, use and shape), the technical challenges (Structural diagnosis and reliability, dismantling, storage) and marketing issues (marketplace, in
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Zonco, Audrey, Bastiaan Göttgens, Kieran O'Riordan, Che Liu, and Dominique Rat. "Exploring circularity: Europengineers on piano." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0141.

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&lt;p&gt;Europengineers organized a design sprint on the theme of reuse, which took place at Setec’s headquarters from the 20th to 22nd February 2020. This was based on a study case: how could the 80 steel frames in the Thales factory be saved from the foundry and reused in another project? What barriers and difficulties would be encountered in such a project?&lt;/p&gt;&lt;p&gt;The teams of twenty engineers shed light on the design stages (find the client, use and shape), the technical challenges (Structural diagnosis and reliability, dismantling, storage) and marketing issues (marketplace, in
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Lipton, Lenny. "Factors Affecting "Ghosting" In Time-Multiplexed Piano-Stereoscopic Crt Display Systems." In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), edited by David F. McAllister and Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940123.

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Qi, Ling. "On the Ethnic Factors in the Piano Works of Jiang Wenye." In 2016 International Conference on Economy, Management and Education Technology. Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.138.

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