Relevant bibliographies by topics / Feminist Art Workers

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Feminist Art Workers'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Feminist Art Workers"

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Praznik, Katja. "Artists as Workers." Social Text 38, no. 3 (2020): 83–115. http://dx.doi.org/10.1215/01642472-8352259.

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This article offers a contribution to the political economy of creative labor in socialist Yugoslavia, tracing the emergence of a socialist entrepreneur from the shell of an art worker. It discusses shifts in economic policies that restructured the economic and material conditions of art workers from models based on welfare in the early socialist period to a freelance and self-employment labor model implemented during the last decade of Yugoslav socialism. Linking socialist political economy with the study of art, the article analyzes legal regulation and rare artists’ interventions concerning
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Lloyd, Kirsten. "Art, Life and Capitalist Social Reproduction: Curating Social Practice." Journal of Curatorial Studies 10, no. 2 (2021): 150–76. http://dx.doi.org/10.1386/jcs_00041_1.

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Addressing the latest encounter between feminist politics and art, this article identifies a curatorially driven turn towards social reproduction processes and infrastructures across the contemporary art field. It analyses the curatorial mediation of social practice through two UK-based projects that foreground social and economic justice issues, specifically through the politics and economies of food: Effy Harle and Finbar Prior’s Wandering Womb (2018), commissioned by Manual Labours for Nottingham Contemporary, and WochenKlausur’s Women-led Workers’ Cooperative (2013), initiated through Glas
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Höft, Swantje, and Jelena Micić. "Taking back self-care! Challenging the invisibility of unpaid care work through feminist art." Art & the Public Sphere 11, no. 1 (2022): 87–98. http://dx.doi.org/10.1386/aps_00071_1.

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Once again, the COVID-19 pandemic has tragically made visible on whose shoulders the functioning of our society rests. While precarious workers faced depletion and increased time-poverty, the privileged gained an extra portion of leisure time. Under the present conjectures, politics of time allocation have exacerbated. We are a Vienna-based feminist art collective, which during the pandemic experienced an urge to shift our work on unpaid care work towards the dimension of self-care. We stress on the feminist potential of practices of self-care, to subvert, as a collective action, neo-liberal n
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Alexandra, Antoniadou. "Performance Art and Feminism: Bodies of Care and Patience." Proceedings of The Global Conference on Women’s Studies 1, no. 1 (2023): 74–84. http://dx.doi.org/10.33422/womensconf.v1i1.23.

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This paper examines the concepts of “care” and “patience” under capitalism and in relation to social reproduction theory through performative works of art. The idea that reproduction is not about creating life but instead the creation of new workers has preoccupied a new wave of feminist theorists and activists who wish to explore women’s place and labour in and outside the sphere of production and explain the relationship between oppression and exploitation. Although working class women have been carrying the burden of the extra physical, mental and emotional labour generated by the Coronavir
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Märten, Lu. "Lu Märten: Four Texts." October, no. 178 (2021): 15–34. http://dx.doi.org/10.1162/octo_a_00437.

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Abstract This article collects four texts written by German feminist-materialist art historian Lu Märten (1879–1970): “Artistic Aspects of Labor in Old and New Times” Published in 1903 in the social-democratic journal Die Zeit at a time when Märten dedicated the majority of her writings on form to feminist perspectives on housing and reproduction. It is her first systematic essay on what will become a central concern of her own “life-work,” namely, the question of how to break open the capitalized division between “productive labor” and what Märten calls “social-personal” work. Märten thus ske
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Sandström, Frida. "Carla Lonzi och krisens kritik 1969-1970." K&K - Kultur og Klasse 52, no. 137 (2024): 55–86. http://dx.doi.org/10.7146/kok.v52i137.145764.

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Departing from the Italian critic, art historian, and feminist Carla Lonzi’s essay ”La critica è potere” (Critique is power) from 1970, this article discusses a crisis immanent to the concepts of art and history that dominated the late 1960s Italy. In line with Lonzi’s argumentation, this crisis resulted in what the communist Massimo Cacciari described as ”negative thinking” in 1969, and what Lonzi in her essay describes as a ”critique of the crisis”. Beyond a universal consciousness and its presupposed identities, as they were reproduced within the party form and at academic institutions duri
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Wolff, Lesley A. "Café Culture as Decolonial Feminist Praxis: Scherezade García’s Blame … Coffee." Humanities 10, no. 1 (2021): 35. http://dx.doi.org/10.3390/h10010035.

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This article provides a decolonial feminist analysis of Latinx artist Scherezade García’s most recent portable mural, Blame it on the bean: the power of Coffee (2019), created for and installed in the café and library of The People’s Forum, a “movement incubator for working class and marginalized communities” and “collective action” in the heart of Manhattan. This artwork depicts three allegorical women convening over cups of coffee, one of which has precariously overflowed onto a miniaturized portrait of Napoleon Bonaparte, whose undoing was said to have been facilitated by his excessive indu
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Hayward, Beverely. "Developing Talent Not Privilege: An Exploration of the Vulnerable-Resilient Vessel within the Everyday ‘Student Journey’ at an English Arts University." International Journal for Talent Development and Creativity 11, no. 1-2 (2023): 193–207. https://doi.org/10.7202/1115428ar.

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To celebrate the 10th anniversary of the International Journal of Talent Development and Creativity, I return to the vision of the publication, by understanding what it means to develop talent and creativity in the 21st century. This paper celebrates the development of talent in the context of an arts education for neurodiverse students. Often talent is overlooked in pedagogies of neoliberalism, as the ethos for universities favour the market forces of competition and survival. In particular, post-1992 universities, face fierce competition for students due to market saturation. Students’ needs
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UFOlab:, Charlotte Kim Boed, Anna Jin Hwa Borstam, Trine Mee Sook Gleerup, Skye Jin, and Jane Jin Kaisen. "Historicizing the Work of UFOlab Artist Collective Around Transnational Adoption." Kunsten som Forum på tryk, no. 16 (May 2, 2024): 1–46. https://doi.org/10.7146/ksf.vi16.157087.

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In Historicizing the Work of UFOlab Artist Collective Around Transnational Adoption the artist collective UFOlab re-examines and historicizes their exhibitions, talks, events, performances, and public interventions. Through their collective art practice from 2004 to 2010 they contested and re-framed normative perceptions of racism and transnational adoption from a post- and decolonial feminist viewpoint. UFOlab was primarily active in Denmark and South Korea, but they connected with a global network of cultural workers, activists, and researchers in a joint challenge to official narratives aro
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Fontcuberta, Joan. "IZAS, RABIZAS Y COLIPOTERRAS: UN ÀLBUM FURTIU." Catalan Review 18, no. 1-2 (2004): 181–90. http://dx.doi.org/10.3828/catr.18.1-2.12.

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This essay examines the work of Joan Colom, a Catalan photographer who has come to receive a welter of honors, including the National Prize in Photography, but whose career has been anything but easy and uninterrupted. Colom’s fame derives largely from Izas, rabizas y colipoterras, a photo-book produced in collaboration with Camilo José Cela that focuses on the prostitutes of the Barri Xino of Barcelona and that quickly acquired a cult status among members of the “divine left” critical of Franco’s morally smug regime. Addressing tensions between amateurism and professionalism, art and document
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Dissertations / Theses on the topic "Feminist Art Workers"

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Triisberg, Airi. "The Workers of Society – the Artist, the Housewife and the Nun : A Feminist Marxist Analysis on the Intersections of Art, Care Work and Social Struggles." Thesis, Linköpings universitet, Tema Genus, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-113403.

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What do art workers, nuns and care workers have in common? How can these commonalities be conceptualised from the perspective of feminist Marxism? How would such conceptualisation open up intersectional and transversal perspectives for social movements struggling against precariousness? Departing from an auto-ethnographic account on activist experiences originating from the art workers’ movement in Tallinn, this thesis aims to theorise the intersection of precarious labour and gender. By using the thinking technology of diffractive reading, it places the debates around unwaged labour within ar
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Tolley, Rebecca. "Review of Feminine Persuasion: Art and Essays on Sexuality." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5719.

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Crosland, Gerri, and n/a. "Social welfare professionals as managers : a feminist perspective." University of Canberra. Management, 1992. http://erl.canberra.edu.au./public/adt-AUC20060703.122518.

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The dissertation presents the argument that the formal training of a professional social worker is relevant but not equivalent to the training needs of a professional manager in the social work field. Social work professionals as managers do not, without management training, have the same credibility and/or skills as professional managers of social work. Within the general topic of welfare, research is first directed to the Australian welfare experience in its historic sense. Selecting relevant philosophical and ideological frameworks the writer a) critically explores traditional and contempor
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Bruton, Rita Tovar. "A Feminist Rereading of Selected Works by Carlos Morton." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984223/.

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Carlos Morton is a prominent Chicano playwright that has contributed greatly to Chicano theatre, creatively and academically, since in 1970s. This thesis offers a feminist analysis of the gender representation in three of his works: Lilith (1977), La Malinche (1984), and Dreaming on a Sunday in the Alameda (1992). The female characters in these three plays possess a unique agency that allows them to challenge oppressive patriarchal standards imposed on their gender identity. The second chapter explores Morton's Lilith, a play based on a Jewish creation myth. In the play, Lilith possesses agenc
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Lane, Kathryn. "Representaciones de Figuras Feministas en la Muestra Despierta!" Scholarship @ Claremont, 2008. http://scholarship.claremont.edu/pitzer_theses/6.

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Elizabeth Waltenburg es una artista contemporánea argentina. En su muestra, despierta!, las obras en óleo sobre tela representan a mujeres, niños y animales en fondos extraños y deprimidos. Ella utilize simbolismo de animales y figuras femeninas para discutir el feminismo actual. Ella trabaja en un tiempo complicado por el feminismo, el postfeminismo, la critica de ambos, y un sistema de comunicación global. Su trabajo marca una tendencia hecho por la confusión de todos estos movimientos. Esta tesis discute su trabajo en el contexto de la historia de representaciones de mujeres, de niños y de
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Calvert, Michelle Carleton University Dissertation Canadian Studies. "The body as topos: the discursive mapping of the feminine subject in selected works of Canadian art and literature." Ottawa, 1991.

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Mostert, Linda Ann. "Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1371.

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According to Lewis Seifert, “Fairy tales are obsessed with femininity … These narratives are concerned above all else with defining what makes women different from men and, more precisely, what is and is not acceptable feminine behaviour” (1996: 175). This study, then, will demonstrate how certain patriarchal ideas associated with fairy tales are disseminated when fairy tale elements are reworked in film, visual art and the novel. The aim of this project, more specifically, is to show how certain stereotypical representations of women endure in works that could be read as feminist appropriatio
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Mayer, Jennifer L. "From "Living Hell" to "New Normal": Illuminating Self-Identity, Stigma Negotiation, and Mutual Support among Female Former Sex Workers." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6079/.

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Women in the sex industry struggle with emotional turmoil, drug and alcohol addiction, poverty, and spiritual disillusionment. Their lived experiences as stigmatized individuals engender feelings of powerlessness, which inhibits their attempts to leave the sex industry. This study illuminates how personal narratives develop throughout the process of shedding stigmatized identities and how mutual support functions as a tool in life transformation. Social identity theory and feminist standpoint theory are used as theoretical frameworks of this research, with each theory adding nuanced underst
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January, LaTricia M. "Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1391.

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The Cuban-born artist Ana Mendieta (1948-1985) created the Silueta Series during the 1970s and ‘80s. It consists of earth-body works in situ featuring the silhouette of the artist's body fashioned from mud, plants, rocks, gunpowder and other materials. Underlying the creation of the Silueta Series is Mendieta's belief that the elements are sentient and powerful beings. This perception is particularly strong in the Afro-Cuban religion Santeria, a creolized form of the Òrìsà tradition of the Yoruba of West Africa introduced to the Americas during the trans-Atlantic slave trade. While scholars h
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Balic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.

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This study explores six utopias by female authors written at the turn of the twentieth century: Mary Bradley Lane's Mizora (1881), Alice Ilgenfritz Jones and Ella Merchant's Unveiling Parallel (1893), Eloise O. Richberg's Reinstern (1900), Lena J. Fry's Other Worlds (1905), Charlotte Perkins Gilman's Herland (1915), and Martha Bensley Bruère's Mildred Carver, USA (1919). While the right to vote had become the central, most important point of the movement, women were concerned with many other issues affecting their lives. Positioned within the context of the late nineteenth century women's righ
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Books on the topic "Feminist Art Workers"

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Klick, Laurel. Feminist Art Workers: A history. Otis College of Art and Design, 2012.

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Centre, International Women's Tribune. Feminist logos: Símbolos y logotipos feministas = emblèmes féministes : a clip art book = coleccion de collages = collection de collages. The Center, 1991.

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Norma, Broude, Garrard Mary D, and Brodsky Judith K, eds. The power of feminist art: The American movement of the 1970s, history and impact. H.N. Abrams, 1996.

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Arora, Payal, Usha Raman, and René König. Feminist Futures of Work. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728386.

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The future of work is at the centre of debates related to the emerging digital society. Concerns range from the inclusion, equity, and dignity of those at the far end of the value chain, who participate on and off platforms, often in the shadows, invisible to policymakers, designers, and consumers. Precarity and informality characterize this largely female workforce, across sectors ranging from artisanal work to salon services to ride hailing and construction. A feminist reimagining of the futures of work—what we term as “FemWork” —is the need of the day and should manifest in multiple and var
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Kehl, Richard. The feminine. Green Tiger Press, 1986.

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Tricker, Greg. Bernadette of Lourdes: The mystery of Mary & the eternal feminine : paintings & sculptures. Paul Holberton Pub., 2008.

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1951-, Tricker Greg, Beckett Wendy, and Vann Philip, eds. Bernadette of Lourdes: The mystery of Mary & the eternal feminine : paintings & sculptures. Paul Holberton Pub., 2008.

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Vries, Maureen de, author, compiler, Wessels Elise author compiler, and Nihon no Hanga (Amsterdam, Netherlands), eds. Feminine and independent: The modern women of pre-war Japan. Nihon no hanga, 2011.

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1958-, Nakagawa Chihiro, Fujimoto Kuniharu, and Miki Pamera, eds. New girly graphics: A new interpretation of glamorous, cute and romantic designs. Pai Intānashonaru, 2010.

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Lyon, J. Vanessa. Figuring Faith and Female Power in the Art of Rubens. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985513.

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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of
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Book chapters on the topic "Feminist Art Workers"

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Provansal, Mathilde. "4. Gender-Based Violence in French Art Schools and the Reproduction of Gender Inequality in Contemporary Art." In Gender-Based Violence in Arts and Culture. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0436.04.

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In the past five years, the testimonies published on social media by ‘Balancetonecoledart’ (‘expose your art school’) and the ones that accompanied a manifesto ‘for a #Metoo of the art world’ called attention to the fact that art schools are one of the sites of gender-based violence in the contemporary art. Yet, contrary to gender-based violence in university and elite academic institutions, gender-based violence in artistic higher education remains largely under-documented. Based on the case of French schools of visual arts, this chapter studies the forms of gender-based violence experienced
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Castriota, Brian. "The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_4.

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AbstractConservation approaches for contemporary artworks have increasingly turned to a work’s identity as the object of conservation and perpetuation. Within the “performance paradigm” of conservation (van de Vall, Revista de História Da Arte 4, 7–17, 2015a) authenticity is often predicated on a manifestation’s compliance with an artist’s explicit directives. In practice, this paradigm is challenged by works of art that unfold in protracted states of creation and accrue new modes of presentation. This chapter reads notions of artwork identity, authenticity, and documentation for conservation
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Birnbaum, Paula J. "Swoon's Medea (2017) as a Feminist Intervention." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-8.

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Robinson, Hilary. "Bodies, Borders and Law." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-3.

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Low, Yvonne. "Phaptawan Suwannakudt's Akojorn (1995)." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-14.

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von Veh, Karen. "Transgressive Martyrs in Diane Victor's Wise and Foolish Virgins (2008)." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-7.

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Vigneault, Marissa. "Reading Hannah Wilke's S.O.S. Starification Object Series (1974–1982) in the Era of #MeToo." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-5.

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Schmahmann, Brenda. "Introduction." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-int01.

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Dekel, Tal. "Private Trauma, Public Healing." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-6.

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Schmahmann, Brenda. "Household Matters." In Iconic Works of Art by Feminists and Gender Activists. Routledge, 2021. http://dx.doi.org/10.4324/9781003147770-4.

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Conference papers on the topic "Feminist Art Workers"

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Jacob, Dany. "Intersectionality in Practice: A Multi-Dimensional Approach to Teaching Feminism from a Francophone Perspective in the USA." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-007.

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This presentation will focus on my approach to teaching Feminism and Patriarchy in a General Education course on Francophone cultures, with an emphasis on the integration of intersectionality throughout the course. I will share insights from students’ experiences and reflections on how feminist themes related to race, gender, and class resonate within the context of Francophone literature and film. The course is organized into four modules, each examining key feminist theories and their application in different Francophone settings. In Module 1, students reflect on historical portrayals of wom
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Li, Zhaoying. "On Feminine Consciousness Reflected by Jane Austen's Works." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.262.

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Sun, Xin. "Feminism Interpretation of Joseph Conrad’s Works –Taking Heart of Darkness as an Example." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.206.

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Wang, Qing. "From "Making up Carefully" to "Without Makeup" Analyzing Evolution of Female Images from the Feminist Perspective in Works of Tie Ning." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.73.

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Harkema, Lindsay. "WIP: Work in Progress | Women in Practice." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.50.

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What happens when independent women designers form a collective practice rooted in co-creation rather than singular authorship? How could feminist values inform and inspire a shared design approach? Which professional conventions should be unlearned in order to foster more mutually supportive spatial practices? The history of feminist practice in architecture offers more than a century of women-led collective initiatives. But their marginalization has prevented feminist values from being normalized in the profession and the built environment at large. Still today, women-led collaborative pract
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Oddo, Gloria. "Graphic novel as tool to preserve and pass on the works of female architects: a feminist perspective." In ICAG 2023 - VI INTERNATIONAL CONFERENCE ON ARCHITECTURE AND GENDER. Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/icag2023.2023.16810.

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Since women have been allowed to access professional male-predominant fields such as architecture, their work has often been undervalued and dismissed in the historical record. Many of the designs and ideas of female architects longly disappeared from public view, but when reemerging on the surface, their traces tell a different (hi)story. In this sense, a paradigm shift is needed to a more accessible access to the legacy of female architects.Being architecture first a graphic discipline, graphic novels can play an essential role in preserving and showcasing the work of female architects. Grap
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Beriş, Yeter. "DEVELOPMENT OF FEMALE ARTIST IDENTITY IN THE 19TH CENTURY: AN EXAMINATION IN THE CONTEXT OF PRINT ART." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p65.

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The 19th century stands as a pivotal period in art history, marked by significant strides in both artistic expression and the struggle for women's rights. Women encountered various obstacles as they endeavoured to carve out their identities, seeking greater recognition and acceptance within the artistic sphere. However, this journey was fraught with substantial impediments to women's artistic and educational development. Initially, during the first half of the 19th century, access to art education for women was severely restricted. Often deprived of formal artistic training, they were typicall
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Panić, Aleksandra. "MULTI-LAYERED DIALOGUE IN LANA BASTAŠIĆ'S THE RED SUITCASE AS A PRACTICE FOR SOCIAL TRANSFORMATION." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.091p.

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This paper analyzes the multi-layered dialogue in Lana Bastašić's The Red Suitcase (Crveni kofer) as a practice for social transformation. The Red Suitcase is a hybrid narrative composed of autobiographical, epistolary-diary entries and black-and- white photographs, documenting the author’s residency in Switzerland from March 10 to July 13, 2021. The hybrid nature of the book is reflected not only in the merging of text and photography but also in the blending of different genre elements. This analysis explores the characteristics and functions of dialogue within the text, focusing on the them
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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the
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BENT, M. M. "“WOMEN NEVER HAVE AN HALF HOUR... THAT THEY CAN CALL THEIR OWN”: AFFINITY OF IDEAS IN F. NIGHTINGALE'S “CASSANDRA” AND V. WOOLF'S “A ROOM OF ONE'S OWN”." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_105.

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This paper dwells upon critical essays written by two outstanding authors whose influence over the women's movement in Great Britain of the 19th and 20th c. cannot be underestimated. Upon publication, their works have in effect become feminist proclamations. V. Woolf was familiar with F. Nightingale's essay and engaged in a dialogue with her to a certain degree. Even though they became known to the general public at approximately the same time, the affinity of ideas in essays is striking. Both authors describe women's situation in their contemporary society, while uncovering the reasons and me
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Reports on the topic "Feminist Art Workers"

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Varga, Mihai, Volodymyr Ishchenko, Ignacio Sar Chávez, Tarik Basbugoglu, Nelli Ferenczi, and Nachita Rosun. Toolkit 7.3: Using Dual Perspectives to Explore Concepts of Radicalization, Methods of Enhancing Social Support and Cohesion, and Uncover the Impact of Online Harms. Glasgow Caledonian University, 2025. https://doi.org/10.59019/9nkkg551.

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This toolkit uses a holistic approach to investigate the concepts of extremism and radicalisation, and to examine the barriers to social cohesion, particularly in the context of digital spaces. To this end, we interviewed 30 young people across 15 countries in our consortium and 13 practitioners engaged in deradicalisation work in Germany, France, Israel, and the UK. The aim of the interviews with young people was threefold. First, we sought to investigate experiences of marginalisation, perceived injustices, and social identity as contributing to radicalisation. We also explored how young peo
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Futures of Gender and Global Health 2030. UNU International Institute for Global Health, 2024. http://dx.doi.org/10.37941/mr/2024/4.

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Held between May and June 2022, the two-part ‘Futures of Gender and Global Health 2030” workshop was UNU-IIGH's first foray into integrating a decolonial feminist lens to futures and foresight. Organised as part of a series of ‘Changemakers’ workshops with youth-led feminist activists based in Kenya and South Africa and supported by the Ford Foundation, the workshop’s primary aim was to explore the practical uses of a futures lens and foresight methodologies for feminist activists working at the intersection of gender and health. Dr Geci Karuri-Sebina, founding director of the Southern African
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Equality Works: The Global Health 50/50 Report 2019. Global Health 50/50, 2019. http://dx.doi.org/10.56649/lvpj2240.

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The Global Health 50/50 2019 report focuses on gender equality in the workplace, reviewing policies, programmes, and indicators of power and privilege across 198 organisations. The 2019 Report provides an in-depth look at gender equality within the workplace across four dimensions: commitment, evidence-informed policy content, equitable outcomes in power and pay, and gender-responsive programming. By focusing its 2019 Report on gender in the workplace, Global Health 50/50 (GH5050) seeks to equip organisations and individuals with the data and tools to review and strengthen their own policies b
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