Relevant bibliographies by topics / Fiction’s poetics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fiction’s poetics'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Fiction’s poetics"

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Bertram, Alex. "Creative Non-fiction and ABSTRACT Photography: An Insightful Partnership." Writing in Practice 08 (January 29, 2022): 53–64. https://doi.org/10.62959/wip-08-2022-06.

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A key issue in debates about creative writing as an academic discipline is the question whether practice- based research can contribute to knowledge. Creativity has traditionally been valued for its innate qualities that transcend reason and method. The practice of creative writing today has evolved from a craft that can be taught into a discipline with its own research frameworks. This paper outlines how a recent practice- based creative writing PhD took a multi-frame approach to research to write the creative non-fiction thesis: a cultural biography of a portrait of French actress, Sarah Ber
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Zalomkina, Galina V. "GOTHIC COMPONENTS OF SCIENCE FICTION’S GENEALOGY." VESTNIK IKBFU PHILOLOGY PEDAGOGY AND PSYCHOLOGY, no. 2 (2023): 43–59. http://dx.doi.org/10.5922/pikbfu-2023-2-5.

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Science fiction can be defined as the literature about cognizable unusual phenomena which represents hypothetical scientific, technical and social products of their rational exploration. Before the genre emerged, the subject of exploring the unusual was developed mainly in the field of mythological fiction, which became the basic element of Gothic literature. In Gothic, the features of science fiction began to form: in M. Shelley’s novel “Frankenstein, or the Modern Prometheus”, the motives of the supernatural are rationalized through the use of scientific and technical issues. The goal of the
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Van Gerwen, Rob. "Fiction as Universal Truth." Aesthetic Investigations 3, no. 1 (2019): i—v. http://dx.doi.org/10.58519/aesthinv.v3i1.11946.

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 Perhaps, a work of fiction’s truth is the unfaltering manner in which its details guide the spectator, reader or listener to the coherent whole of the work, and never disappoint their experience, or at least never for long. This view requires us to hold back the inclination to think of truth as short for the correspondence of some representation to something beyond itself, which is the normal way to view truth in real life, in journalism and in science. A work that is true to itself may be said to generate a particularist type of universal knowledge, like Aristotle characterised poetry
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Bowering, Thea. "A New Ontology for the Female Subject: The Rise of the Flat Character in Stories by Solvej Balle and Kirsten Thorup." Scandinavian-Canadian Studies 15 (December 1, 2005): 8–21. http://dx.doi.org/10.29173/scancan1.

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ABSTRACT: This paper examines the way the literary convention of the “flat-character” is re-imagined, in Kirsten Thorup’s story “Crazy Marie” and Solvej Balle’s “Alette V.,” as a feminist trope that disrupts modern fiction’s clichéd representations of female characters. The flat-character, a term coined by E.M. Forster, is an undeveloped figure designated to embody “a single idea or quality.” Based on the poetics of Erin Mouré that theorize the preposition as the woman’s sign: “because in the language it has no power, & can’t exist alone,” the essay compares the value of the flat character
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Огульчанська, Оксана Анатоліївна. "СВІЙ/ЧУЖИЙ ХРОНОТОП У ТВОРАХ ВІКТОРА ДОМОНТОВИЧА «ДОКТОР СЕРАФІКУС» І ВОЛОДИМИРА НАБОКОВА «ЗАХИСТ ЛУЖИНА»". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 95–104. https://doi.org/10.5281/zenodo.45542.

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Chronotope is an important part of the work of fiction’s poetics. The analysis of the spacetime coordinates gives a researcher an opportunity to go deep into a character’s inner life, to represent features of a writer’s worldview. The comparative analysis of the Ukrainian and Russian writers’ works was made by R. Tkachuk, N. Romanyuk and others. The article focuses on the fact that in both characters’ consciousness the space is divided into one’s and somebody’s. Such precise distinction of the space gave an opportunity to make the versatile analysis of
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Gilman, Donald. "Teaching the Truth: Thomas More, Germanus Brixius, and Horace’s Ars poetica." Moreana 42 (Number 164), no. 4 (2005): 43–66. http://dx.doi.org/10.3366/more.2005.42.4.7.

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In his Letter to Brixius (1520) Thomas More proposes a poetics that incorporates Horatian prescriptions of structure, style, and the role of the poet. In attacking the untruths in the poem Chordigerae navis conflagratio (1513) by the French humanist Germanus Brixius or Germain de Brie, More alludes frequently to loci classici in Horace’s Ars poetica and, at the same time, presents three poetic principles: (1) the use of history in imaginative literature; (2) the significance of decorum and verisimilitude in the creation of fictional representation; (3) the nature of the poet who, similar to th
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Zhang, Richard, and Duri Long. "Beyond Content: Leaning on the Poetics of Defamiliarization in Design Fictions." Proceedings of the ACM on Human-Computer Interaction 9, GROUP (2025): 1–19. https://doi.org/10.1145/3701184.

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Literary approaches to design fictions, though previously theorized to be diverse in form and content, often fall within narrow stylistic and content boundaries such as speculative abstracts, memos, and studies. By drawing on a rich history of science fiction criticism, we advocate for literary design fictions that diverge from what is commonplace in HCI and design research. We foreground our paper with a discussion of the poetics of science fiction, and their relationship to current design fiction practices. Specifically, we highlight how the poetics of a design fiction can work to familiariz
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Zubov, Artem A. "Cognitive Aspects of Reception of Popular Literary Genres and Their Historical Variability." Studia Litterarum 6, no. 2 (2021): 10–27. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-10-27.

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In the article, the author investigates connections between historical variability of literary genres and readers’ ability to recognize them. Following J.-M. Schaeffer, the author understands genre as a semiotic sign constituted of a “generic name” and “generic notion.” The author interprets Schaeffer’s theory from the perspective of cognitive poetics and treats genres as “prototypes.” Their nature is both individual and collective—it derives from a person’s individual experience and skills of aesthetic reception, but also from social imaginary and stereotypes. The author focuses on a noncanon
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Zubov, Artem A. "Cognitive Aspects of Reception of Popular Literary Genres and Their Historical Variability." Studia Litterarum 6, no. 2 (2021): 10–27. http://dx.doi.org/10.22455/2500-4247-2021-6-2-10-27.

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In the article, the author investigates connections between historical variability of literary genres and readers’ ability to recognize them. Following J.-M. Schaeffer, the author understands genre as a semiotic sign constituted of a “generic name” and “generic notion.” The author interprets Schaeffer’s theory from the perspective of cognitive poetics and treats genres as “prototypes.” Their nature is both individual and collective—it derives from a person’s individual experience and skills of aesthetic reception, but also from social imaginary and stereotypes. The author focuses on a noncanon
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Orlemanski, Julie. "Literary Persons and Medieval Fiction in Bernard of Clairvaux’s Sermons on the Song of Songs." Representations 153, no. 1 (2021): 29–50. http://dx.doi.org/10.1525/rep.2021.153.3.29.

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Like many exegetes before him, the twelfth-century Cistercian abbot Bernard of Clairvaux regarded the lovers in the Song of Songs as allegorical fictions. Yet these prosopopoeial figures remained of profound commentarial interest to him. Bernard’s Sermons on the Song of Songs returns again and again to the literal level of meaning, where text becomes voice and voice becomes fleshly persona. This essay argues that Bernard pursued a distinctive poetics of fictional persons modeled on the dramatic exegesis of Origen of Alexandria as well as on the Song itself. Ultimately, the essay suggests, Bern
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Dissertations / Theses on the topic "Fiction’s poetics"

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Stewart-Shaw, Lizzie. "The cognitive poetics of horror fiction." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/43340/.

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This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic perspective. The approach adopted in this thesis combines thorough consideration of Text World Theory, attention and resonance, emotion studies, and online reader responses to provide a detailed analysis of the texture of the horror-reading experience. Three classic contemporary horror novels are the analytical focus of this investigation: Ira Levin’s (1967) Rosemary’s Baby, Stephen King’s (1986) IT, and William Peter Blatty’s (1971) The Exorcist. These popular novels were chosen for their ability t
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White, S. J. "George Sand and the political poetics of fiction." Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479272.

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Rose, Arthur James. "The poetics of reciprocity in selected fictions by J. M. Coetzee." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8098.

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Includes bibliographical references (leaves 93-96).<br>David Attwell, in the interview that prefaces "The Poetics of Reciprocity" section of Doubling the Point, identifies a recurrent concern with the function of reciprocity in the work of J. M Coetzee. 1 "The I-You relation ... connects with larger things in the whole of [Coetzee's] work, what I would like to call broadly the poetics of reciprocity." (Attwell 1992: 58) This dissertation seeks to examine the poetics of reciprocity as an aesthetic-ethical concern of Coetzee' s fiction. By establishing Coetzee's works as an extended critique of
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Gregoriou, Christiana. "The poetics of deviance in contemporary American crime fiction." Thesis, University of Nottingham, 2003. http://eprints.nottingham.ac.uk/11826/.

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The study directly explores the three aspects of deviance that contemporary American crime fiction manipulates: linguistic, social, and generic. I conduct case studies into crime series by James Patterson, Michael Connelly and Patricia Cornwell and investigate the way in which the novelists correspondingly challenge linguistic norms, the boundaries of acceptable social behaviour, and the relevant generic conventions. The study particularly explores the nature of the figurative language employed to portray the criminal mind in Patterson, and additionally examines the moral justification of crim
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Harmer, J. K. ""Shall I say 'tis so?' : Elizabethan fictions and the poetics of inquiry." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603722.

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This thesis concerns emergent representations of psychological epistemology in Elizabethan fictions. For Elizabethan writers, does self-consciousness exist as consciousness of an actual <i>something</i> that makes meaning out of experience? The thesis explores how an Elizabethan poetics of inquiry develops this question on its own terms, seeking to represent and question the reality of an originary dialogic inner voice – a voice in the head – as the heuristic moment-to-moment experience of the self as a thinking thing. I argue that the problem of the reality, the <i>actualité </i>of such an in
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James, David. "The spatial imaginary of contemporary British fiction : place, perception, poetics." Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426265.

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Benzon, K. "A poetics of chaos : schizoanalysis and post modern American fiction." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1444024/.

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In "A Poetics of Chaos: Schizoanalysis and Postmodern American Fiction," I use theories from physics and psychoanalysis together to explore narrative structures in recent American fiction. Chaos theory, which emerged in mathematical and biological discourses in the 1960s, postulates the intrinsic instability and unpredictability of many natural and physical phenomena. Theorists like Bertalanffy, Mandelbrot and Lorenz produced a vocabulary to account for these pervasive systems. In assessing historical, economic and, indeed, literary systems, we may draw terms from chaotic inquiry: bifurcation,
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Segar, Emma. "Blog fiction : the relational poetics of a distributed narrative form." Thesis, Edge Hill University, 2015. http://repository.edgehill.ac.uk/7764/.

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This analysis explores blog fiction as a distributed narrative form, and the relational nature of the reading and writing processes that shape its poetics. It does this primarily through the analysis of Bad Influences1, the blog fiction that forms the creative part of this thesis. Bad Influences tells a disaster story distributed over four separate fictional blogs, exploring online identities, friendships, and how our relations to the world and our communities are shaped by the stories we tell about ourselves. Jill Walker Rettberg’s ideas on distributed narrative are used to investigate blog f
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Nankov, Nikita. "A poetics of freedom Anton Chekhov's prose fiction and modernity /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3243795.

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Thesis (Ph.D.)--Indiana University, Dept. of Slavic Languages and Literatures, 2007.<br>Title from PDF t.p. (viewed Nov. 17, 2008). Source: Dissertation Abstracts International, Volume: 67-12, Section: A, page: 4559. Adviser: Andrew Durkin.
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Chinca, Mark. "History, fiction, verisimilitude : studies in the poetics of Gottfried's "Tristan /." London : Modern humanities research association for the Institute of Germanic studies, University of London, 1993. http://catalogue.bnf.fr/ark:/12148/cb355989277.

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Books on the topic "Fiction’s poetics"

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Rimmon-Kenan, Shlomith. Narrative fiction: Contemporary poetics. Routledge, 1994.

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Rimmon-Kenan, Shlomith. Narrative fiction: Contemporary poetics. Routledge, 1989.

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Mantzaris, Thomas. Multimodal Poetics in Contemporary Fiction. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-68873-7.

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Wheatley, Patience. The astrologer's daughter: Poetic fictions. Pendas Productions, 2004.

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Weisman, Karen A. Imageless truths: Shelley's poetic fictions. University of Pennsylvania Press, 1994.

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Jodha, Avinash. Michael Ondaatje's fiction: Poetics of Exile. Rawat Publications, 2011.

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Lefkowitz, Mary R. First-person fictions: Pindar's poetic "I". Clarendon Press, 1991.

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Moss, John George. The paradox of meaning: Cultural poetics and critical fictions. Turnstone Press, 1999.

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Weinreich, Regina. Kerouac's spontaneous poetics: A study of the fiction. Thunder's Mouth Press, 1987.

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1956-, Mihailescu Calin Andrei, and Hamarneh Walid 1952-, eds. Fiction updated: Theories of fictionality, narratology, and poetics. University of Toronto Press, 1996.

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Book chapters on the topic "Fiction’s poetics"

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Harrison, Ada, and Derek Stanford. "‘Poetic Fiction." In Anne Brontë. Routledge, 2025. https://doi.org/10.4324/9781003614029-16.

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Tunca, Daria. "‘Bi-textual’ Poetics." In Stylistic Approaches to Nigerian Fiction. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137264411_6.

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Just, Daniel. "Milan Kundera and the Transformative Poetics of the Novel." In Transformative Fictions. Routledge, 2022. http://dx.doi.org/10.4324/9781003299585-2.

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Babík, Milan. "The Fictions of E. H. Carr’s Realism." In The Poetics of International Politics. Routledge, 2018. http://dx.doi.org/10.4324/9780429437472-4.

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Cumpsty, Rebekah. "Ritualisation and the limits of the body in Chris Abani's and Yvonne Vera's fiction." In Postsecular Poetics. Routledge, 2022. http://dx.doi.org/10.4324/9781003276081-2.

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Mukherji, Subha. "Trying, Knowing and Believing: Epistemic Plots and the Poetics of Doubt." In Fictions of Knowledge. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230354616_5.

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Barfield, Owen. "Poetic Diction and Legal Fiction." In The Importance of Language, edited by Max Black. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501741319-006.

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Yang, Xinran. "Narrative Structures and Fictional Mad Minds." In A Poetics of Minds and Madness. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-5249-6_2.

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Curry, Alice. "A Poetics of Earth: Ecofeminist Spiritualities." In Environmental Crisis in Young Adult Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137270115_6.

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Mantzaris, Thomas. "Archiving the Print Novel: Valeria Luiselli’s Lost Children Archive." In Multimodal Poetics in Contemporary Fiction. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-68873-7_6.

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Conference papers on the topic "Fiction’s poetics"

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Richardson, Brian. "Toward a Poetics of Multiversion Narratives." In Impossible fictions / Fictions impossibles. Fabula, 2024. http://dx.doi.org/10.58282/colloques.11181.

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Ribeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.

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This text comprises an excerpt of the Doctoral research completed in 2021, developed in the Line of Poetics and Processes of Performance in Arts (PPGARTES-UFPA), which will present a conceptual reflection about the creative process that unfolded poetically from the appropriation of an old family photo album. The album in question began to be observed as a place of overlapping time and space, triggering an internal movement of belonging by presenting itself as a place of poetic power due to the physical evidence that emerged from it. Through Augmented Reality, the empty spaces left by the time
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Markussen, Thomas, and Eva Knutz. "The poetics of design fiction." In the 6th International Conference. ACM Press, 2013. http://dx.doi.org/10.1145/2513506.2513531.

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Chilton, Myles. "Nation, Genre, and the Poetics of Pax Americana: Atwood’s Ustopian Fictions." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8958.

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As part of a project that compares unified world systems with the cultural development of nation-states through the taxonomy of pax periods, this paper focuses on Margaret Atwood’s speculative dystopian Maddaddam trilogy (2003-2013). These novels are widely read and studied because they offer a credible global barometer of the (post)national response to the destruction wrought by Pax Americana’s global liberal order. While Pax Americana is never mentioned in the novels, their setting in a dystopian near-future discloses the retreat of the national order in the face of biotechnologically engine
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Barbakadze, Tamar. "Besik Kharanauli's Latest Metapoetic Books – at the Crossroads of Tradition and Innovation." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9007.

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Besik Kharanauli called the „intersection of prose and poetry“ an innovative, alternative genre which has been established by him in Georgian literature in 2020s. In his metapoetic collections („Eh, Bessarion“, „The Great Drinking“), Kharanauli talks about the latest hard times, caused not only by the pandemic, but also by the movement of man’s soul, national pain, and blowing of the dream. In our view, Besik Kharanauli's lyrical poems reflect the spiritual kin­ship of the poet's work, on the one hand, with Nikoloz Baratashvili's lyrical judgment and the attempt to answer the main epochal ques
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Arskaya, J. A. "CONSTRUCTING A FICTIONAL WORLD IN A POETIC TEXT: ON SOME FUNCTIONS OF ARTICLES IN DURS GRÜNBEIN’S LYRICS." In NEMECKIJ JaZYK V TOMSKOM GOSUDARSTVENNOM UNIVERSITETE: 120 LET ISTORII USPEHA. Publishing House of Tomsk State University, 2021. http://dx.doi.org/10.17223/978590744247/9.

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The paper deals with functions of the definite and indefinite articles in the poetic cycle of the contemporary German poet Durs Grünbein «Vom Schnee». The analysis of referential status of noun phrases proves that articles perform in a poetic text additional functions connected with modeling of fictional world and supporting the plot framework of the text.
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Vasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.

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Anton Chekhov is generally acknowledged as a writer who symbolizes a transition period, marks the end of the Classical Russian literature of the 19th century and establishes the basics of the poetics of the 20th century. Scholars are traditionally focused on Chekhov’s innovations but not on the connections with the previous tradition. This contribution makes an attempt to reassess the aspect of Chekhov’s poetics which could be called historical “form’s thinking” (in Alexander Mikhailov’s terminology). I mean the features of tradition which result from historical dynamics of culture and are bey
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Figedyová, Marianna. "POETIC TEXT OF VASILY SHUKSHIN – THE RED GUELDER ROSE IN RUSSIAN AS A FOREIGN LANGUAGE CLASS." In Aktuální problémy výuky ruského jazyka XIV. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-2.

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The paper is devoted to teaching the interpretation of the artistic text in the master’s degree program at the Department of Russian Studies, Faculty of Arts, UCM. In the process of study, we look for the most effective way to bring students to learn about fiction, to help them discover the meaning of the work of art and find its place in the Russian and world artistic heritage. The paper aims to approach the teaching process as a synthesis of the reader’s own experiences and work with relevant scientific resources. The aim of such work is to gain deeper and more professional knowledge of stud
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Papkova, Elena. "VSEVOLOD IVANOV'S TRILOGY ABOUT THE BORODINO FIELD: HISTORICAL CONTEXTS." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3631.khmelita-19/29-44.

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This article deals with the stories of Vsevolod Ivanov “At Borodino”, “Near the old Smolensk road” and the story “On the Borodino Field”, written in 1943 and forming a kind of trilogy in the writer's work dedicated to the Patriotic War of 1812 and the Great Patriotic War of 1941-1945. The elements of the poetics of texts that unite them into a whole are revealed. For the first time, the historical context of the creation of Ivanov's works in 1943 is analyzed: the actualization of attention to Russian history, and in particular to the war with Napoleon, Soviet propaganda work in the early years
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Koblenkova, Diana V. "ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063576.

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The article deals with satirical tendencies in Swedish literature and cinema of the end of the 20th — beginning of the 21st century. On the example of the book by C.-J. Vallgren “This is for you for a brochure, Mr. Bachmann” and R. Östlund’s paintings “Turist” (“Force Majeure”), “Voluntarily-compulsory”, “The Square” and “Triangle of Sadness”, the main problems of Swedish society are analyzed, which are becoming pan-European scale. The paper concludes that both authors consider the most significant problems to be the disappearance of independent thinking, the distortion of ethical principles,
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