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Dissertations / Theses on the topic 'Fiction’s poetics'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Stewart-Shaw, Lizzie. "The cognitive poetics of horror fiction." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/43340/.

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This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic perspective. The approach adopted in this thesis combines thorough consideration of Text World Theory, attention and resonance, emotion studies, and online reader responses to provide a detailed analysis of the texture of the horror-reading experience. Three classic contemporary horror novels are the analytical focus of this investigation: Ira Levin’s (1967) Rosemary’s Baby, Stephen King’s (1986) IT, and William Peter Blatty’s (1971) The Exorcist. These popular novels were chosen for their ability t

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2

White, S. J. "George Sand and the political poetics of fiction." Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479272.

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3

Rose, Arthur James. "The poetics of reciprocity in selected fictions by J. M. Coetzee." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8098.

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Includes bibliographical references (leaves 93-96).<br>David Attwell, in the interview that prefaces "The Poetics of Reciprocity" section of Doubling the Point, identifies a recurrent concern with the function of reciprocity in the work of J. M Coetzee. 1 "The I-You relation ... connects with larger things in the whole of [Coetzee's] work, what I would like to call broadly the poetics of reciprocity." (Attwell 1992: 58) This dissertation seeks to examine the poetics of reciprocity as an aesthetic-ethical concern of Coetzee' s fiction. By establishing Coetzee's works as an extended critique of

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4

Gregoriou, Christiana. "The poetics of deviance in contemporary American crime fiction." Thesis, University of Nottingham, 2003. http://eprints.nottingham.ac.uk/11826/.

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The study directly explores the three aspects of deviance that contemporary American crime fiction manipulates: linguistic, social, and generic. I conduct case studies into crime series by James Patterson, Michael Connelly and Patricia Cornwell and investigate the way in which the novelists correspondingly challenge linguistic norms, the boundaries of acceptable social behaviour, and the relevant generic conventions. The study particularly explores the nature of the figurative language employed to portray the criminal mind in Patterson, and additionally examines the moral justification of crim

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5

Harmer, J. K. ""Shall I say 'tis so?' : Elizabethan fictions and the poetics of inquiry." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603722.

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This thesis concerns emergent representations of psychological epistemology in Elizabethan fictions. For Elizabethan writers, does self-consciousness exist as consciousness of an actual <i>something</i> that makes meaning out of experience? The thesis explores how an Elizabethan poetics of inquiry develops this question on its own terms, seeking to represent and question the reality of an originary dialogic inner voice – a voice in the head – as the heuristic moment-to-moment experience of the self as a thinking thing. I argue that the problem of the reality, the <i>actualité </i>of such an in

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6

James, David. "The spatial imaginary of contemporary British fiction : place, perception, poetics." Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426265.

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7

Benzon, K. "A poetics of chaos : schizoanalysis and post modern American fiction." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1444024/.

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In "A Poetics of Chaos: Schizoanalysis and Postmodern American Fiction," I use theories from physics and psychoanalysis together to explore narrative structures in recent American fiction. Chaos theory, which emerged in mathematical and biological discourses in the 1960s, postulates the intrinsic instability and unpredictability of many natural and physical phenomena. Theorists like Bertalanffy, Mandelbrot and Lorenz produced a vocabulary to account for these pervasive systems. In assessing historical, economic and, indeed, literary systems, we may draw terms from chaotic inquiry: bifurcation,

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8

Segar, Emma. "Blog fiction : the relational poetics of a distributed narrative form." Thesis, Edge Hill University, 2015. http://repository.edgehill.ac.uk/7764/.

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This analysis explores blog fiction as a distributed narrative form, and the relational nature of the reading and writing processes that shape its poetics. It does this primarily through the analysis of Bad Influences1, the blog fiction that forms the creative part of this thesis. Bad Influences tells a disaster story distributed over four separate fictional blogs, exploring online identities, friendships, and how our relations to the world and our communities are shaped by the stories we tell about ourselves. Jill Walker Rettberg’s ideas on distributed narrative are used to investigate blog f

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9

Nankov, Nikita. "A poetics of freedom Anton Chekhov's prose fiction and modernity /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3243795.

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Thesis (Ph.D.)--Indiana University, Dept. of Slavic Languages and Literatures, 2007.<br>Title from PDF t.p. (viewed Nov. 17, 2008). Source: Dissertation Abstracts International, Volume: 67-12, Section: A, page: 4559. Adviser: Andrew Durkin.

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10

Chinca, Mark. "History, fiction, verisimilitude : studies in the poetics of Gottfried's "Tristan /." London : Modern humanities research association for the Institute of Germanic studies, University of London, 1993. http://catalogue.bnf.fr/ark:/12148/cb355989277.

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11

Garay, Christopher. "Infinite Hallways: “Parabola Heretica” and Other Journeys." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407839/.

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This creative thesis collects five fictional stories, as well as a critical preface entitled “Fractals and the Gestalt: the Hybridization of Genre.” The critical preface discusses genre as a literary element and explores techniques for effective genre hybridization. The stories range from psychological fiction to science fiction and fantasy fiction. Each story also employs elements from other genres as well. These stories collectively explore the concept of the other and themes of connection and ostracization.

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12

Anjaria, Keya Shailendra. "The poetics of modernity in the Turkish realist novel, 1950-1960." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656052.

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13

Salmose, Niklas. "Towards a poetics of nostalgia : the nostalgic experience in modern fiction." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7728.

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In recent years there has been a body of studies relating nostalgia and fiction in political, sociological, feminist, or historical ways. This thesis, instead, sets out to perform an unusual textual study of nostalgia in modern fiction in order to work towards a poetics of nostalgia. Although the experience of emotion is private, the object of analytical discourse must be to approach this experience with objective tools. The thesis therefore develops a method for analyzing the experience of nostalgia in literary texts and then uses this method to study how nostalgia can be evoked in readers. T

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14

Rainbow, Adrian Paul. "The poetics of emancipation : critical pedagogy, radical aesthetics and contemporary fiction." Thesis, University of Exeter, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445771.

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15

Bentham, A. A. "Empathy for the devil : the poetics of identification in psychopath fiction." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/31950/.

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As Philip L. Simpson notes, humankind has an ‘ongoing ... fascination with tales of gruesome murders and evil villains’ (15). Popular culture abounds with depictions of the mad and the bad; and perhaps no single disorder holds as much morbid appeal as psychopathy, the baffling condition which combines what Hervey M. Cleckley terms a ‘mask of sanity’, with a seeming lack of the qualities usually deemed to constitute humanity. My thesis focuses on how authors have sought to explain, interpret and understand the psychopathic individual, and explores how literary techniques have manipulated reader

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16

Mehtonen, Päivi. "Old concepts and new poetics : "historia", "argumentum" and "fabula" in the twelfth- and early thirteenth-century Latin poetics of fiction /." Helsinki : Societas Scientiarum Fennica, 1996. http://catalogue.bnf.fr/ark:/12148/cb37172566r.

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17

Okumura, Sayaka. "The poetics of Virginia Woolf's fiction : time, space and the material world." Thesis, University of York, 2007. http://etheses.whiterose.ac.uk/9911/.

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18

Waidner, Isabel. "Experimental fiction, transliteracy & 'Gaudy Bauble' : towards a queer avant-garde poetics." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/experimental-fiction-transliteracy--gaudy-bauble(ea7f0b2a-8230-41e8-81fc-b23f8e5cbbd6).html.

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This practice-led thesis situates the experimental novella <i>Gaudy Bauble</i> within the context of interdisciplinary approaches to experimentation which cross the arts, humanities, literature and sciences. The novella and thesis develop a queer avant-garde poetics and writing methodology that I have called transliteracy. Transliteracy builds on my situated and embodied writing practice as a queer identified novelist and nonnative English speaker. I have mobilised the perceived 'otherness' of English to produce narratively and linguistically experimental prose fictions (Waidner, 2010, 2011).

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19

Collins-White, Ella Jennifer. "Keeping the Novel “Novel”: Reading Embodied, Borderless and Untranslatable Experimental Fiction." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/26673.

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How can theories of narrative account for experimental texts that are “irreducibly diverse”? This thesis is a case study presenting a dual-focused analysis of three contemporary experimental novels. In the first chapter Nicola Barker’s H(A)PPY is explored through the lenses of paratextual theory and rhetorical poetics. The analysis traces how Barker decentres her narrative and breaks conventional forms of narration, pushing her reader beyond typical textual borders to reflect on the limitations of narrative. The second chapter grapples with translation and the notion of comparatizing archives

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20

Cintra, Agnes Teresa Colturato [UNESP]. "Manual intermitente: notas sobre a poética ficcional de José Saramago." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/102396.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-06-25Bitstream added on 2014-06-13T18:43:02Z : No. of bitstreams: 1 cintra_atc_dr_arafcl.pdf: 2518898 bytes, checksum: b056d6ef62c74b89e48264a5c28ae4d0 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Esta tese objetiva apresentar a “outra história” que aflora à obra ficcional de José Saramago e que expõe, de forma intermitente, as diretrizes do seu processo de criação. O texto é visto como construção progressiva de um universo fictício em processo de contínua

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21

Keuss, Jeffrey F. "A poetics of Jesus : a/christology in the early fiction of George Eliot." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/1599/.

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This thesis argues for a reading of George Eliot s early fiction - Scenes of Clerical Life, Adam Bede, and The Mill on the Floss - as an exercise in developing what I have termed a poetics of Jesus. This constitutes a poetics that is a space of continual clearing (lichtung) and an ultimate deconstruction of barriers that inhibit the nexus of the subject and the sacred. I reflect on the work of eighteenth and nineteenth century Anglo-German Higher Criticism and Victorian novelists and situate George Eliot as a writer who seeks to transfigure poetics as that which recovers what John Hick has ter

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22

Laffer, Alex. "A poetics of empathy : discussion of migrants in and around a work of fiction." Thesis, Open University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694539.

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23

Rovina, Marcia Regina Porto. "A poetica autobiografica na arte contemporanea." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284682.

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Orientador: Marco Antonio Alves do Valle<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-12T14:58:07Z (GMT). No. of bitstreams: 1 Rovina_MarciaReginaPorto_M.pdf: 5101165 bytes, checksum: c74d99d6022ed779270b00cdcbcd00f6 (MD5) Previous issue date: 2008<br>Resumo: Esta dissertação trata da relação da autobiografia como poética na arte contemporânea, onde o artista é o narrador e sujeito de sua produção. Tendo como ponto de partida a relação estreita que alguns artistas fazem entre sua autobiografia e seu trabalho, o gêner

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24

Christian, George Scott. "The friendly companion : toward a comic poetics in the nineteenth-century English novel /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004239.

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25

Abbasi, Hasti. "Dislocation and Remaking Identity in Selected Contemporary Australian and Persian Fictions; Creative Novella with Dissertation." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/370570.

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Dislocation, whether enforced or self-inflicted, can in many ways be a disaster for a writer, who immigrates to a new country but does not experience a sense of belonging. However, a greater creative capacity can also be cultivated and even become a source of creative expression, once the individual in question experiences transnational existence and the feeling of belonging. This study, therefore, reflects upon writing from the experience of settling in a place away from home or even at home where characters re-evaluate their perceptions of expected life journeys after experiencing the unlike

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26

Sanyal, Sudipto. "An Uncertain Poetics of the Intoxicated Narrative: Drugs, Detection, Denouement." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367932599.

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27

Chinca, Mark Gianni. "History, fiction, verisimilitude : a contribution to the study of the poetics of Tristan by Gottfried von Strassburg." Thesis, University of Cambridge, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.256761.

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28

Grujić, Ana. "Her Impenetrable Prose: Disobedient Poetics and New Erotic Collectivities in Experimental Women's Writing." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1282106991.

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29

Bush, Matthew Robert. "Poetic justice: Melodrama and the articulation of political identities in modern Latin American fiction." Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3337046.

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30

Lattanzi, Giulia <1986&gt. "Priests, Poets, Criminals, Lunatics: The Detective Fiction in Chesterton's Works." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/2265.

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In questa tesi ho analizzato tre raccolte di racconti gialli di Chesterton: The Farther Brown Stories, The Poet and the Lunatics e The Paradoxes of Mr. Pond, i cui protagonisti sono tre straordinari investigatori dilettanti. La predilezione di Chesterton per il genere giallo si spiega partendo dal presupposto che esso fosse quello che più si avvicinava al suo atteggiamento intellettuale nei confronti del mistero della vita.

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31

uk, tom_lonie_tefl_teacher@yahoo co, and Thomas Christie Lonie. "Magic causality : the function of metaphor and language in the earlier verse, essays and fictions of Jorge Luis Borges, read as consitutive of a theory of generic incorporation." Murdoch University, 1997. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100108.131010.

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Borges saw narrative as the bearer of universally re-combinable elements. Although these elements seem sequential, their essential formal integrity guarantees their rearrangement to generate new narratives. The ficción lives beyond its author. However, Borges ontological anxieties also have a life of their own that undermines the ficcións assimilative potential. By developing poetic and linguistic insights Borges creates immortal text through the construction of a symbolic repertoire. Each element of the repertoire has its genesis in the authors personal development. This history is archae

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32

Hsu, Chun-Ting [Verfasser]. "Textual emotion potential, fiction feelings, and immersion: an fMRI study testing the neurocognitive poetics model of literary reading / Chun-Ting Hsu." Berlin : Freie Universität Berlin, 2015. http://d-nb.info/1065234031/34.

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33

Atteh, Abdalkareem. "The sites of uncertainty : the politics and poetics of place in short fiction by James Joyce, Sherwood Anderson and William Faulkner." Thesis, University of Essex, 2015. http://repository.essex.ac.uk/15365/.

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This thesis is a study of the poetics and politics of place in the short stories of James Joyce, Sherwood Anderson and William Faulkner. In an introduction, three chapters, each examining the short fiction of a writer, and a conclusion this thesis explores various aspects of understanding and representing place. Focusing on these writers’ short story cycles and drawing on short story theories, I argue that the main characteristic of the modernist short story cycle is the creation of interiorly diversified chronotopes. My main argument is that these writers create uncertain fictional places tha

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34

Odor, Erin M. "Re-versing the Eighth Genius: Invoking Partnerships and Poetics to Translate the Huajian ji." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1417015192.

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35

Macauslan, John. "Schumann's music and Hoffmann's fictions." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/schumanns-music-and-hoffmanns-fictions(6204c093-4ed6-44c9-b992-08c19f3060e9).html.

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This thesis interprets four of Schumann’s works in the light of the Hoffmann fictions with which they seem to be associated. Unlike previous studies, it deals with each of the four works, treating them as aesthetic entities enhanced by literary relationships that are not primarily programmatic, nor primarily a matter of formal parallels. Each work emerges both in a new light and as it always was. Carnaval (1834-37) appears as a dizzying comedy of theatrical vignettes and character, in the spirit of the German literary understanding of Italian carnival (including in Hoffmann), and Fantasiestück

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36

Miller, Susan. "Shelley's early fiction in relation to his poetics and his politics : an assessment : not waiting to see the event of his victory." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4130/.

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This thesis positions itself between two general approaches to Shelley, that of appreciating his poetics, on the one hand, and that of valuing his philosophical vision, on the other. Duffy has noted that “Shelley’s epistemological and political maturity is no longer in any serious doubt”, and he goes on to demonstrate that Shelley’s radical tendencies remained undiminished throughout his lifetime. My findings support Duffy’s contention, and broaden it to include not only Shelley’s writings but the actions of his life. At the same time, O’Neill has highlighted the importance of exploring Shelle

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37

Thorp, Jennifer. "Prowling the meanings : Anne Carson's 'Doubtful Forms' and 'The Traitor's Symphony'." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/prowling-the-meanings-anne-carsons-doubtful-forms-and-the-traitors-symphony(3e123674-37a8-4fce-bde6-ec9fe3b23201).html.

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This thesis uses four works by the contemporary Canadian poet Anne Carson (born 1950) to argue that it is in the embracing of failure and difficulty that modern poetics may negotiate formal erosion and the limits of language. The introduction addresses Carson’s divisive reputation, and uses two separate criticisms of her poetic skill to delineate her liminal position in the modern poetic landscape, and therefore demonstrate her potential as a valuable framework for discussing innovative form. Via an examination of the criticisms of Robert Potts and David Solway, I argue that Carson is neither

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38

Morse, Andrew. ""A new discipline of vision" : the synthesis of poetic and scientific epistemologies in contemporary speculative verse /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102180.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-241). Also available for download via the World Wide Web; free to University of Oregon users.

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39

Hugonnier, François. "Les interdits de la représentation dans les œuvres de Paul Auster et de Jérome Rothenberg." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100163/document.

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Les événements d’Auschwitz, d’Hiroshima et du 11 septembre 2001 ravivent un questionnement ancien sur le pouvoir du langage, ainsi que sur la responsabilité et les modes du témoignage. Tenter de dépasser les interdits de la représentation dans ce contexte historique relève d’un acte de résistance envers tous les préceptes linguistiques, éthiques, épistémologiques ou politiques. Écrivains juifs-américains séculiers et polymorphes, Paul Auster et Jerome Rothenberg redéfinissent le réel grâce à l’imagination, à la mutation du medium et au dérèglement des sens dans leurs textes défigurés. S’inscri

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Morisson, Julie. "Le Roman de l'art chez Aragon : l'essai aux frontières de la fiction." Thesis, Poitiers, 2014. http://www.theses.fr/2014POIT5015.

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Ce travail de recherche vise l'exploration de la prose critique et romanesque des années soixante chez Aragon dans une optique qui prend en compte les correspondances et les déplacements en réorganisant le système générique. En mobilisant les notions d'anachronisme et de défiguration Aragon réinvestit la notion de transgénéricité en suivant une poétique de la collusion des paroles et des espaces qui transforme l'écriture en réseau organique. Le partage des genres s'opère au sein d'une dynamique de circulation de codes, de paroles et de motifs prégnants contrôlée par une langue qui tente de con

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Otero, Ellan B. "The Fiction of The Rime: Gaspara Stampa’s “Poetic Misprision” of Giovanni Boccaccio’s The Elegy of Lady Fiammetta." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1733.

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This study maintains that although Gaspara Stampa's Rime (1554) appears to straddle two popular literary genres-lyric poetry and autobiography-analysis of the Rime within its cultural context demonstrates that while Stampa (1523-1553) used Petrarchan conventions, she also both borrowed and swerved from Giovanni Boccaccio's Elegy of Lady Fiammetta (1334-1337) to imagine a non-Petrarchan narrative of an abandoned woman. In the Renaissance, lyric poetry and autobiography were distinguished not only by their style-prose vs. verse-but, more importantly, by the treatment of their distinctive subject

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42

Meslet, Sandrine. "Métamorphoses hallucinatoires et mutations des personnages dans les romans d’Amin Maalouf." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040057.

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L’œuvre romanesque d’Amin Maalouf propose un traitement particulier du personnage qui dépasse le cadre habituel de son analyse. Objet de toutes les attentions mais aussi de tous les débordements, le personnage reflète l’ensemble des problématiques qui opèrent à l’intérieur de la fiction. On trouve ainsi dans les romans d’Amin Maalouf une contamination, voire même une dissémination, du personnage vers d’autres instances. Ces instances le prolongent en peuplant, à leur tour, le roman et en se proposant d’y laisser une empreinte poétique.Les métamorphoses et les mutations successives, dont le rom

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43

Lopoukhine, Juliana. "The poetics and politics of urban spaces; sexual difference under pressure in British women's fiction 1910-1930: Rose Macaulay, Katherine Mansfield, Virginia Woolf & Jean Rhys." Thesis, Keele University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572425.

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From 1910 to 1930, and in the aftermath of the First World War, history and politics were focused on the city. The city crystallised what was at once a temporal crisis and a period rich in potential. It was, at the same time, a laboratory for a new Modernist aesthetics in literature and the stage on which women at last arrived. The writings of Virginia Woolf, Jean Rhys, Katherine Mansfield and Rose Macaulay take on the historical and socio-political determinations that, for women, structured urban space like a grid. The subjectivities of their female characters constitute positions which allow

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Ward, Daryl Adam. "Teaching with the End in Mind: A Teacher's Life History as a Legacy of Educational Leaders." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5401.

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The purpose of this study was to understand the life history of a female teacher by examining her beliefs about leaving a teaching legacy and by analyzing the narratives of four educational leaders as they reflect on the generative behaviors of this teacher. The research questions guiding this study were: (a) What elements of this teacher's life history contributed to creating a legacy of educational leaders? (b) What are the perspectives of the educational leaders impacted by this teacher as they relate to crafting an educational legacy? (c) How do the life stories of the teacher and educatio

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Franco, Edgar Silveira. "Perspectivas pós-humanas nas ciberartes." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-13082009-154033/.

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Esta pesquisa contextualiza e analisa poéticas artísticas polêmicas e visionárias de alguns ciberartistas que vêm refletindo continuamente sobre o avanço da tecnologia nos campos da genética, robótica e telemática e de sua relação com o corpo e a consciência. Essas tecnologias são elementos fundamentais para a configuração de obras que questionam a própria condição biológica da espécie humana, vislumbrando uma possível relação de simbiose entre a tríade \"homem, máquina e biotecnologia\" que poderá resultar em uma nova espécie, pós-humana. Como produto poético, parte experimental desta tese -

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46

Ågerup, Karl. "L'esthétique didactique de Yasmina Khadra." Licentiate thesis, Stockholms universitet, Humanistiska fakulteten, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-55686.

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Based on three novels by the contemporary Algerian novelist Yasmina Khadra, the study discusses didactic and aesthetic features of the literary text. While essentially set in the Arab world, Khadra’s fiction links to western encyclopaedia and journalistic discourse. In relating to this part of the reader’s experience, the novels produce an impression of proximity to the peripheral real, and a sense of responsibility. It is suggested that this interdiscursivity be viewed not as a deviation from literature but as inherent to literary discourse itself; the text comments and constitutes simultaneo

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Ebeling, Charlotte. "'Dreamers, madmen and poets' : illusion, reality and the role of the artist in the fiction of Sven Delblanc." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683117.

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Petit, Adrienne. "Le Discours romanesque des passions. Rhétorique et poétique des passions dans la fiction narrative en prose du XVIIe siècle." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040171.

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L’objet de cette thèse est d’étudier les changements qui s’opèrent au cours du XVIIe siècle dans la manière dont les passions sont exprimées et représentées dans la fiction narrative en prose. Avec le passage des longs romans aux nouvelles galantes, la date de 1660 est souvent considérée comme une date charnière pour le genre romanesque. Ce renouveau formel intéresse tout particulièrement la question de l’affectivité – aussi bien sur les plans stylistique, énonciatif que pragmatique. Alors que l’expression pathétique se voit redéfinie par la critique de l’ornement et la promotion du naturel, l

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Cintra, Agnes Teresa Colturato. "Manual intermitente : notas sobre a poética ficcional de José Saramago /." Araraquara : [s.n.], 2008. http://hdl.handle.net/11449/102396.

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Orientador: Márcia Valéria Zamboni Gobbi<br>Banca: Maria Lúcia Dall Farra<br>Banca: Sônia Helena de Oliveira Raymundo Piteri<br>Banca: Guacira Marcondes Machado Leite<br>Banca: Luiz Gonzaga Marchezan<br>Resumo: Esta tese objetiva apresentar a "outra história" que aflora à obra ficcional de José Saramago e que expõe, de forma intermitente, as diretrizes do seu processo de criação. O texto é visto como construção progressiva de um universo fictício em processo de contínua auto-avaliação e em constante re-elaboração. Integrantes de um fio discursivo coerente, questões específicas sobre o gênero r

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Clemens-Smucker, Judith A. "Major Kira of Star Trek: DS9: Woman of the Future, Creation of the 90s." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1601300905690302.

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