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Relevant bibliographies by topics / Film camera / Dissertations / Theses

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Dissertations / Theses on the topic 'Film camera'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Molapo, Mpaki. "The cross-cultural camera of Akira Kurosawa." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/11010.

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Bibliography: leaves 110-120.<br>This minor dissertation is undertaken to examine the cross-cultural similarities that are revealed by motion pictures through analyzing the work of Akira Kurosawa and contrasting it with selective mainstream cinema texts. Kurosawa is a critical case in point due to his welding of Occidental and Japanese ideas into his films, and his origin from a hybridized Japan, a society which historically has freely absorbed and embellished itself from numerous cultures, including America, Korea, China and Europe.

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2

Soulodre, Gilbert A. "Adaptive methods for removing camera noise from film soundtracks." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0017/NQ55423.pdf.

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Pierce, Zechariah H. "The Actor Behind the Camera." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4113.

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Through an accidental discovery of an interest in the film making process, I decided to explore the opportunities that would come through self-education in the field. Along the way, I found that the process of working behind the camera can, in fact, help the actor’s career in front of the camera and provide a chance to train in a nontraditional way. After directing two projects (one simple and one more complicated), I decided to propose a class in which students would be required to self- produce their own video projects online. The class was vastly popular, and the students’ responses to the

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4

Pelling, Kate. "Select, reject, reconfigure : editing speech in artists' direct address to camera." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/10825/.

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This practice-based thesis offers a new approach to editing processes that take place during the recording and subsequent editing of an individual speaking directly to a camera. Rosalind Krauss identified all performance to camera as narcissistic (1976), which includes the subset of artists’ direct address to camera, and since then the area has been widely understood within a psychoanalytical framework. This new approach provides a non-psychoanalytical perspective on direct address to camera, taking into account linguistic self-editing during the generation of speech (Skinner, 1957, p. 370) an

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5

Poland, Jennifer Lee. "LIGHTS, CAMERA, EMOTION! AN EXAMINATION ON FILM LIGHTING AND ITS IMPACT ON AUDIENCES’ EMOTIONAL RESPONSE." Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1437562969.

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Shresthova, Sangita. "Strictly Bollywood? : story, camera and movement in Hindi film dance." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/39161.

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Filmography: leaves 85-86.<br>Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2003.<br>Includes bibliographical references (leaves 86-95).<br>Film dances, or filmed dance sequences accompanying film songs, are an important part of popular Indian cinema. Over the years, Hindi film dance has evolved from a cinematically simplistic, filmed documentation of performance traditions, to a recognized and increasingly respected dance category emulated in staged performances in India and abroad. Despite their significance, dances in Indian popular films have not

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Rosenblatt, Jacob A. "Cinematic Style: The Effects of Technology." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1277815461.

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8

Pelster-Wiebe, Richard. "In the jaws of death: Leon Caverly’s camera-history of World War I." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6663.

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This dissertation argues that a critical anti-war cinema emerged with the birth of the so-called war documentary during World War I. Focusing on Leon Caverly, the first official war cinematographer of the United States military, I that argue America’s first war propaganda films gave birth to America’s first anti-war cinema. Military-produced images of World War I are available in various archives such as the Library of Congress, the National Archives, and the Marine Corps History Center. In addition to unedited reels of war related footage, the archives hold propaganda films such as Pershing’s

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Tran, Thu, and thutran55@yahoo com au. "New Radiochromic Film Densitometry System Using Commercially Available Digital Camera and LEDs." RMIT University. Applied Sciences, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080528.112722.

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This project involved designing and building a radiochromic film (RCF) densitometer using a still digital camera as the light detector and light emitting diode, LED, as the light source. The behaviour of the LED and charged coupled device (CCD) in the still digital camera, under different light exposure settings (by changing LED current and camera shutter speed) were measured and an optimal setting was determined. Additionally, methods were devised and tests were carried out in order to spread the illumination area of the single light source. Uniform spreading of the LED illumination area was

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Delaporte, Marie-Laure. "L’artiste à la caméra : hybridité et transversalité artistiques (1962-2015)." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100145.

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A partir des années 1960, le lien entre pratiques filmiques et artistiques s’accentue. Les artistes plasticiens et performeurs utilisent désormais la caméra non seulement pour enregistrer leur discipline mais pour la transformer et la révéler. Le film d’artiste devient un moyen de dialoguer avec les autres pratiques artistiques et de créer des formes d’hybridité et de transversalité au sein de la création. Cette thèse a pour but de démontrer que l’artiste à la caméra est une catégorie à part entière qui dépasse l’aspect documentaire de l’enregistrement filmique de l’oeuvre. Il renouvelle l’ima

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Ljunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.

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This thesis examines the characteristics of moving image documents such as they pertain to the selection of films for archival preservation. It is advanced that both the physical nature of the film record and the nature of the evidence it presents are prime considerations in the development of archival selection criteria. Furthermore it is argued that the structure and content of film are interrelated factors which impact significantly upon the determination of archival value, and the suitability of the film record for permanent preservation. Finally, a major factor affecting selection involve

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Sulca, Jaime Diego José María. "Blackmagic Cinema Camera: participación y presencia en la industria audiovisual peruana." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653166.

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Blackmagic Design destaca entre la competencia en cámaras de cine por ofrecer equipos con calidad cinematográficas a un precio menor a marcas como ARRI y RED. Los diferentes modelos han sido la opción preferida entre cineastas independientes y estudiantes audiovisuales como primer equipo con capacidad de crear contenido en calidad cine estándar. Con el dominio de las cámaras DSLR por su flexibilidad en imagen y video, la investigación analiza las diferencias y los beneficios que ambos equipos ofrecen en calidad de imagen y formato recopilando la opinión tanto de profesionales audiovisuales en

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Samman, Juwana Nicole. "Camera-based Texture Mapping: An Approach for Creating Digital Environments with Foreground Forms Using 2d Paintings." Texas A&M University, 2008. http://hdl.handle.net/1969.1/86069.

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This thesis develops the method of using textures projected from the perspective of a projection camera, in combination with two-dimensional paintings and threedimensional models, to create digital environments. Past uses have demonstrated effectiveness only for background and midground scene elements with limited camera movement. This work explores how camera animation can be maximized using the projected texture technique onto foreground environment forms. Through several case studies, general guidelines for artists are developed for using camera-based projected textures.

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Jandová, Markéta. "Dance for camera v ČR po roce 2000." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-253745.

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Dance for camera is a dance film genre whose popularity is constantly growing in the world and thanks to that the professional and general public pays more and more attention to this field. In fact the situation in the Czech Republi has never been directly mapped by anybody. This thesis is preview, complex, analysis and review of the works that deals with the genre - dance for camera. Firstly it shows how this genre has been developing by the artists in the country after the year of 2000 until now and secondly it offers you insight into the 80s and 90s, where it explores the origins of today´s

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Vaughan, Michael Hunter. "From camera to code : Godard, Resnais and the problem of representation in film theory." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea.

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This thesis presents a theory of film representation as a process of organizing relations in order to connote the image's status as a type of representation. It is, thus, a study of film form, the form of its representations. Building from such theoretical sources as Merleau- Ponty and Deleuze, I hope here to use a phenomenological base to build a theory of film semiotics that focuses on the immanent field of film representation, which I will postulate as a structuring of the inter-dependent relationship between the content of representation and the signified source of representation. This rel

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De, Beer Adam. "Lights camera lesson plan : higher education programme design in the film and media environment." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/10416.

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Includes bibliographical references (leaves 76-79).<br>The primary aim of this this research is to explore the question of how learning programmes in higher education are constructed by craft-specific film, television and media industry professionals. This research gathers information from these professionals, tasked with the development and design of their relevant programmes, and focuses on uncovering the influences on their decision-making in the programme design process, and relating these influences of pedagogic theory.

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Geanotes, Alyxia. ""Don't look at the camera!" : an investigation into directorial methodologies and practise used when working with child actors in film." Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/10545.

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Title of CD-ROM is "Unwritten Letters", written and directed by Alyxia Geanotes.<br>Includes bibliographical references.<br>This dissertation sets out to explore the complexities inherent in working with children in a filmic context. The focus is on creating a set of guidelines for other emergent filmmakers to use when and if they choose to work with children in film. It will analyse how the complex dynamics of children and film together create both the obstacles and inspirations in filmmaking. The film Unwritten letters forms the platform for the analysis and discussion around the nature of c

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Tornberg, Aron, and Sofia Wennström. "Development and Research in Previsualization for Advanced Live-Action on CGI Film Recording." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-137670.

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A major disadvantage of shooting on green screen with CGI is that the director cannot see or interact with the virtual elements in the scene and thus get a realistic view of how the end result will look like, and also not being able to make changes as necessary by moving objects and actors around during the shooting session. This disadvantage can be mitigated by the use of previsualization where the director is given a rough take of what the final cut will look like by combining the filmed material with the virtual environment in real-time. This masters thesis work aims to come up with soluti

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White, Jonathan Charles. "HIGH-FRAME-RATE OIL FILM INTERFEROMETRY." DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/572.

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High-Frame-Rate Oil Film Interferometry Jonathan Charles White This thesis presents the design and implementation of a high-frame-rate oil film interferometry technique (HOFI) used to directly measure skin friction in time dependent flows. Experiments were performed to determine the ability of a high-speed camera to capture oil film interferometry images. HOFI was found to be able to capture these interferometry images at frequencies up to 105 Hz. Steady laminar and turbulent flows were tested. Transient flows tested consisted of a wind tunnel ramping up in velocity and a laminar boundary laye

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De, Coninck Cécile. "Enjeux politiques et esthétiques de l'anthropologie visuelle. Programmes et débats du Comité du Film Ethnographique (1947-1962)." Electronic Thesis or Diss., Université de Lille (2022-....), 2024. https://pepite-depot.univ-lille.fr/ToutIDP/EDSHS/2024/2024ULILH048.pdf.

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Cette étude propose de retracer l'histoire du Comité du Film Ethnographique (CFE) dont les fondements furent établis à Paris en 1947 lors du Premier Congrès du Film Ethnologique et de géographie humaine. Les enjeux politiques et esthétiques de cette institution, créée officiellement en 1952, seront analysés à travers l'examen des documents d'archives relatifs aux catalogues de films, à leur réalisation et à leur réception ainsi qu'aux comptes rendus des débats-projections lors des séminaires et des festivals internationaux organisés par ses membres de 1953 à 1962. En proposant un tour d'horizo

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21

Strausz, Laszlo. "Traveling through Space: Stylistic Progression and Camera Movement." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04202007-122230/.

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Thesis (Ph. D.)--Georgia State University, 2007.<br>Title from file title page. Greg M. Smith, committee chair; Charlie Keil, Ted Friedman, Kathy Fuller-Seeley, Angelo Restivo, committee members. Electronic text (310 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed Oct. 17, 2007. Includes bibliographical references (p. 276-283).

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Bellany, Jeanette Anne. "'Going live' : establishing the creative attributes of the live multi-camera television professional." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/57730/1/Jeanette_Bellany_Thesis.pdf.

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In my capacity as a television professional and teacher specialising in multi-camera live television production for over 40 years, I was drawn to the conclusion that opaque or inadequately formed understandings of how creativity applies to the field of live television, have impeded the development of pedagogies suitable to the teaching of live television in universities. In the pursuit of this hypothesis, the thesis shows that television degrees were born out of film studies degrees, where intellectual creativity was aligned to single camera production, and the 'creative roles' of producers, d

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Barber, Stella M. "Woomera’s women : rolls and roles of film : camera operators on the Anglo-Australian rocket range 1947-1970." Thesis, Barber, Stella M. (2020) Woomera’s women : rolls and roles of film : camera operators on the Anglo-Australian rocket range 1947-1970. PhD thesis, Murdoch University, 2020. https://researchrepository.murdoch.edu.au/id/eprint/55984/.

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With the aftermath of World War II and the onset of the Cold War, Australia hosted with the UK one of the few global centres dedicated to the research, development and testing of rockets, jets and other long-range weapons, including Britain’s atomic warheads. By the mid 1950s a new purpose-built town had been constructed in the Australian desert, named “Woomera”, with a population of 7,000 at its peak. No expense was spared in establishing the testing grounds, laboratories and infrastructure – which included a security cleared film laboratory and production facilities at Salisbury near Adelaid

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Falkerby, Lundmark Albin. "Analog och digital diffusion. : En studie i kamerafilter, diffusion och huruvida fotografer kanidentifiera digitalt bearbetat material." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35739.

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The main purpose of this essay is investigating to which extent individuals withcompetence in film and photography can identify digitally processed material. Thestudy uses a questionnaire to create a statistical picture of the result. The participantsin the survey are part of a selected demographic consisting of current students atDalarna University (within film production) as well as graduated students. Throughthe survey, these individuals are divided into different groups based on theircompetence in film and photography. The survey consists of two tests whereparticipants view, compare and as

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Dolzani, Francesca <1977&gt. "Camera, revue mensuelle internationale de la photographie et du film, 1953-1975: gli anni di Romeo E. Martinez." Doctoral thesis, Università Ca' Foscari Venezia, 2010. http://hdl.handle.net/10579/980.

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La ricerca intende documentare l’attività di Romeo Martinez alla direzione della rivista svizzera “Camera”, il ruolo che essa ha avuto nello sviluppo del campo fotografico europeo, nella definizione dei generi fotografici e nella promozione degli Autori. La sua prospettiva internazionale ha dato un contributo fondamentale al rinnovamento della cultura fotografica dei Paesi d’Europa, in anni in cui la pratica amatoriale elitaria cede il passo al professionismo e la fotografia si afferma come un linguaggio di massa.<br>This project aims to document the work of Romeo Martinez as editor-in-chief o

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Sjöström, Michaela. "Match Moving : En analys av olika arbetsmetoder." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74259.

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Match moving är ett av de steg inom en vfx produktion som avgör och skapar intergrerandet mellan filmat material och filmiska effekter gjorda i 3D. Redan under en inspelning förekommer förberedande arbete och dokumentation för att i ett senare stadie underlätta för match moving. Detta för att utesluta specifika problem som kan uppstå under match moving processen då det är väsentligt att skapandet av en virtuell kamera är korrekt i förhållande till det filmade materialet. Detta för att vfx ska kunna adderas senare. Detta arbete tar upp den problematik som kan uppstå när förberedelser och dokum

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Mills, Scott DuPre. "Old World, New Media: Cross-cultural Explorations with Camera and Analytic Text in Cusco, Peru." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3454.

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Abstract OLD WORLD, NEW MEDIA: CROSS-CULTURAL EXPLORATIONS WITH CAMERA AND ANALYTIC TEXT IN CUSCO, PERU By Scott DuPre Mills, PhD. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. Virginia Commonwealth University, 2014 Major Director: Dr. Nicholas A Sharp, Assistant Professor, Department of English This dissertation draws on my field research in Cusco, Peru, documenting Old World methods of making Andean musical instruments. The cross-cultural interactions I engaged in are concret

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White, David Maurice. "Pedagogical Fusion." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/993.

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During the five semesters that I have been at VCU I have learned a great deal from the courses that I have been enrolled in but I have learned the most through my experiences as a Teaching Assistant. These experiences have been so valuable because of the wide range of subject areas in which I have been involved and the diverse instructors that I have assisted. Although I hesitate to use the word "problem" I feel that there is a tendency in teacher training for a student to latch onto one professor and model their teaching practices after that one mentor. While this is not always a bad thing

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Heinke, Ralf Heiner. "Dem Künstler begegnen. Untersuchungen zu Jacques Rivettes Film „La Belle Noiseuse“." Bachelor's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-109774.

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Welche Möglichkeiten hat ein Kunsthistoriker einen Film spezifisch zu analysieren? Ist das Fotogramm oder die Einstellung sein Forschungsgegenstand? Oder etwa die Wechselwirkung zweier Fotogramme, zweier Einstellungen? Der Künstlerfilm in all seinen Formen, also die vielfältigen Beziehungen von Bildender Kunst und Filmkunst, standen seit Beginn der kunsthistorischen Betrachtungen des Mediums in einem besonderen Fokus kunstwissenschaftlicher Neuorientierungen. Am Beispiel eines „prototypischen Künstlerfilms“, Jacques Rivettes „La Belle Noiseuse“ von 1991 untersucht der Autor, wie sich eine foto

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Puchner, Jiří. "Vliv cílené modifikace topografie na elastohydrodynamické mazací filmy." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2008. http://www.nusl.cz/ntk/nusl-227909.

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Diploma thesis describes analysis of influence of surface texturing on non-conformal rubbing surfaces. High speed camera was used to observe the effect of micro-dents of various depths on film thickness under pure rolling and rolling/sliding conditions. It can be concluded from the obtained results that micro-texture of suitable sizes can results in film thickness increase without lubrication film breakdown.

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Barutcu, Burcu. "The Design And Production Of Interference Edge Filters With Plasma Ion Assisted Deposition Technique For A Space Camera." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614574/index.pdf.

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Interference filters are multilayer thin film devices. They use interference effects between the incident and reflected radiation waves at each layer interface to select wavelengths. The production of interference filters depend on the precise deposition of thin material layers on substrates which have suitable optical properties. In this thesis, the main target is to design and produce two optical filters (short-pass filter and long-pass filter) for the CCDs that will be used in the electronics of a space camera. By means of these filters, it is possible to take image in different bands (RGB

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Son, Pham Hong. "Experimental Study of Annular Two-phase Flow on 3x3 Rod-bundle Geometry with Spacers." 京都大学 (Kyoto University), 2014. http://hdl.handle.net/2433/192189.

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Catling, Aaron. "The Ending Needs Work AKA the Good, the Bad and the Ugly of being an independent filmmaker in Australia." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16091/1/Aaron_Catling_Thesis.pdf.

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Over the period of candidature, write and direct a feature film to completion. Furthermore, undertake a thorough reflective phase which involves the analysis of each aspect relating to those key components, writing and directing. Through this form of creative practice and utilising state of the art digital filmmaking techniques it is hoped that an addition to knowledge will be achieved.

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Catling, Aaron. "The Ending Needs Work AKA the Good, the Bad and the Ugly of being an independent filmmaker in Australia." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16091/.

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Over the period of candidature, write and direct a feature film to completion. Furthermore, undertake a thorough reflective phase which involves the analysis of each aspect relating to those key components, writing and directing. Through this form of creative practice and utilising state of the art digital filmmaking techniques it is hoped that an addition to knowledge will be achieved.

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Vacula, Richard. "Nové metody záznamu a reprodukce optické zvukové stopy 16mm filmu." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2016. http://www.nusl.cz/ntk/nusl-242157.

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The work deals with the recording and reproduction of sound tracks on 16mm film and with old forgotten film optic sound technologies, as well as plans experiments and research, which examines possible methods for reading and writing tracks using modern optoelectronic devices. The final output is intended to drive the writing negative audio (analog and digital) on the photosensitive material and design of the device for synchronous playback of digital audio tracks from an external memory card. The work is done in collaboration with film laboratories Barrandov Studio a.s. and Meopta-Optika, spol

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Price, Jennifer L. "Letting Go and the Silence that Remains: The Effects of Translating Point-of-view from Text to Film in The Remains of the Day and Never Let Me Go." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2920.

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Kazuo Ishiguro's novels The Remains of the Day and Never Let Me Go exhibit many of the same characteristics as his other works. Out of all of those works, however, only these two novels have been adapted to film as of yet. Because of Ishiguro's reliance on first-person narration and point-of-view his novels are particularly more problematic to adapt to screen. This phenomenon is partially due to the audio-visually dependent medium of film and the camera lens' limitations when it comes to exhibiting character interiority. Therefore, the effect of the translation to screen for both of these film

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Masters, Chase M. "An Analysis of the Shift from Black and White to Color Photography in Higher Education Introductory Photography Courses." Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1225313825.

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Blazevic, Sasha, and Carl Johan Kesten. "Editing within The Thriller Genre." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-21915.

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Thriller är en favoritgenre för många och har funnits längre än de flesta tror. Ursprungligen som en litteraturgenre har den utvecklats till en av de mest eftertraktade genrerna inom film. Tidiga anmärkningsvärda verk som Alfred Hitchcocks filmer i mitten av 1900-talet har banat vägen för genren och utformat dess redigering och cinematografi till vad vi har idag. Trots sin ödmjuka början i mitten av 1900-talet lyckas teknikerna, även om dem är aningen repetitiva, fortfarande vara relevanta idag och har bara utvecklats med åren. I den här artikeln studerar vi grunderna inom thrillergenren, redi

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Hardie, Harold Robert (Bob). "The documentary mind: In the subject of a practitioner’s perspective on changes in documentary concept and production." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1924.

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This autoethnographic study examines the influences of recent digital technology upon the practice and philosophy of documentary filmmaking. To assess the impact of new digital methodology on the film production process, The Musicians, a wholly-digital, 55-minute documentary film, was produced as an example. This music-based subject was chosen to specifically demonstrate the potential advantages of lightweight digital equipment and its extended recording capacity in orchestral documentation. The capability of non-linear digital editing to process large amounts of imagery, together with its abi

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Perampalam, Meera. "Surveiller et Cadrer. Les caméras de surveillance dans le cinéma des années 1990 à nos jours." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA047.

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L’état de surveillance dans lequel est plongée la société contemporaine contraint à ériger des dispositifs spécifiques de sécurité. Les méthodes de surveillance utilisées relèvent principalement de l’observation et de l’écoute. De ce fait, le septième art, jouant sur « l’audio – visuel », se serait réapproprié certains de ces dispositifs comme celui de la caméra de surveillance.Ce travail de recherche s’inscrit dans le courant des Visual Culture Studies, etcherche à faire l’archéologie puis l’analyse d’un regard particulier, tel que le cinéma de fiction l’actualise très souvent depuis plusieur

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Wellton, Pascal. "Att tala i ord och bild: : Den audiovisuella essäns historiska utveckling." Thesis, Högskolan Dalarna, Bildproduktion, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30730.

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The audio visual essay, or ”film/video essay” as it might be better known, has in recent years started to enjoy a level of popularity previously unseen in its long and obscure history; encouraging a proper reexamination of the genre through the years, to see how it has developed and changed throughout its lifetime to finally arrive at where it is today. With a lineage stretching back across the centuries, through to the 16th -century writings of Michel de Montaigne, the essay format, either as it manifests in the traditions of literature or the audio visual mode, is a curious form of expressio

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Baker, Jeremy Charles. "Observational Animation: An Exploration of Improvisation, Interactivity and Spontaneity in Animated Filmmaking." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1357315576.

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Scansani, Andréa Carla. "A imagem explícita: a materialidade do cinema sob o olhar da fotografia." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-11092018-160508/.

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Este trabalho tem como objetivo pensar a fotografia cinematográfica dentro dos estudos do cinema como um modo de ampliar as perspectivas de abordagem sobre sua imagem. A partir da explicitação de seus aspectos físicos e sua potência em fazer reverberar uma série de questionamentos acerca da dimensão imaterial de seu corpo, traçamos um percurso heterogêneo pelos domínios da filosofia, da teoria da imagem e do cinema para desenvolver um pensamento que tenha como base a conjugação de saberes que constituem o olhar fotográfico. Nossa ênfase está no ato cinematográfico e nas relações recíprocas de

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Olofsson, Emil. "Filmklippningens inverkan : För att konstruera overklighet." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43571.

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Den surrealistiska thrillern I´m thinking of ending things av Charlie Kaufman hade premiär på Netflix hösten 2020. Långfilmens narrativ är en utspelad fantasi och innehåller flera inslag som framställs och kan betraktas som verklighetsfrånvända. Syftet med uppsatsen var att undersöka hur overkligheten framställs genom filmklippning och hur kamerapositionering används för att skapa ett fantasi-perspektiv. Klipp-metoder diskuterade av bland annat Bordwell och Thompson, Karen Pearlman och Walter Murch ligger till grund för en audiovisuell analys. Resultatet visar att några av valda sekvenser bryt

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Morote-Pedroza, Jorge-Warren. "“Experiencia profesional de un camarógrafo de prensa en la construcción de noticias”." Bachelor's thesis, Universidad de Lima, 2017. http://repositorio.ulima.edu.pe/handle/ulima/4653.

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El objetivo principal del proyecto "Experiencia Profesional de un Camarógrafo de Prensa en la Construcción de Noticias" es demostrar y revalorar la importancia que tienen los camarógrafos de prensa como personajes importantes en el registro de la historia diaria, (más que el reportero incluso). Todos pueden fallar, menos el camarógrafo; sin su participación no existiría Nota Informativa Televisiva.<br>Trabajo de suficiencia profesional

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Asadipour, Saeedeh. "5 Broken Cameras: Landscape, Trauma, and Witnessing." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1459439752.

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Beam, Brooke W. "Lights, Cameras, and Agricultural Documentaries: Understanding viewers’ interpretation of source credibility in food documentary films." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500448684766755.

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Azad, Sehar Banu. "Lights, camera, accent examining dialect performance in recent children's animated films /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456287167/viewonline.

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Prakash, Deepak. "Stereoscopic 3D viewing systems using a single sensor camera." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196268883.

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Klotz, Sarah Beth. "Armed with cameras: The Canadian Army Film Unit during the Second World War." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26679.

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This thesis focuses on a previously undocumented part of Canadian military history: the Canadian Army Film Unit (CAFU). Like the official historians, war artists and photographers, the CAFU was to create an official record of Canada's Army in the Second World War. Although the National Film Board (NFB) was established in 1939, receiving complete control over the federal production of film in Canada, the CAFU was created in 1941 by the Department of National Defence outside of the mandate of the National Film Board Act. This caused a significant amount of conflict between the NFB and the Depart

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