Log in

Relevant bibliographies by topics / Film camera / Journal articles

To see the other types of publications on this topic, follow the link: Film camera.

Journal articles on the topic 'Film camera'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Film camera.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Burnett, Bryan, and Steven Blaauw. "Macro Imaging with Digital Cameras." Microscopy Today 11, no. 4 (2003): 32–35. http://dx.doi.org/10.1017/s1551929500053050.

Full text

Abstract:

Advances in charged couple device (CCD) design, low cast processor power, cheap memory and dropping prices of digital cameras over the last few years have made the CCD digital camera art attractive alternative to the film camera for many imaging applications. This is especially true in macro imaging where it appears likely that digital cameras will replace film cameras (curiously, Long (2001), says otherwise). As will be described here, a digital camera equipped with a quality macro-zoom lens, generates images with a depth of field (e.g., Fig. 1) that greatly surpass images produced by a film

APA, Harvard, Vancouver, ISO, and other styles

2

Westwood, Paul, and Michelle Novotny. "Examination of 35 mm Color Transparencies." Journal of the American Society of Questioned Document Examiners 8, no. 1 (2005): 29–36. https://doi.org/10.69525/jasqde.115.

Full text

Abstract:

Forensic Document Services (FDS) was engaged by the New South Wales Police to examine 157 35 mm color transparencies (positives) and a 35 mm camera to assist in the investigation of the disappearance of a young girl. The purpose of the examinations was twofold: first, to determine whether 2 or more of the transparencies originally formed part of the same roll of 35 mm film and, second, whether any of these films had been exposed using the suspect camera. The combination of the findings revealed that the transparencies originated from 26 rolls of film and were exposed using at least 2 different

APA, Harvard, Vancouver, ISO, and other styles

3

Rødje, Kjetil. "Intra-Diegetic Cameras as Cinematic Actor Assemblages in Found Footage Horror Cinema." Film-Philosophy 21, no. 2 (2017): 206–22. http://dx.doi.org/10.3366/film.2017.0044.

Full text

Abstract:

This article proposes a reconceptualization of the term “actor” within motion pictures and presents the argument that “acting” is a matter of distributed agency performed by heterogeneous assemblages. What constitutes an actor is what I will label as a “cinematic actor assemblage,” a term that comprises what is commonly known as human actors as well as material entities that play an active part in motion picture images. The use of intra-diegetic cameras in contemporary found footage horror films constitutes a particular case of such cinematic actor assemblages. Through a dynamic relational per

APA, Harvard, Vancouver, ISO, and other styles

4

Yeadon, Maurice R. "A Method for Obtaining Three-Dimensional Data on Ski Jumping Using Pan and Tilt Cameras." International Journal of Sport Biomechanics 5, no. 2 (1989): 238–47. http://dx.doi.org/10.1123/ijsb.5.2.238.

Full text

Abstract:

A method is presented for the three-dimensional analysis of ski jumping using two pan and tilt cameras. In each film frame two reference markers are digitized and identified so that a pseudo focal length and three angles defining camera orientation can be calculated from a knowledge of the positions of camera and markers. In each film frame 12 body landmarks are digitized and the films taken by the two cameras are synchronized using the digitized displacement data. The time histories of the center of mass location and 15 angles describing the orientation and configuration of the jumper are cal

APA, Harvard, Vancouver, ISO, and other styles

5

Whitehouse, Richard, and Fenella Moulding. "Latitude and noise comparisons between digital cameras and a radiographic film scanner." Journal of Telemedicine and Telecare 6, no. 1_suppl (2000): 41–42. http://dx.doi.org/10.1258/1357633001934104.

Full text

Abstract:

The test image generated by a radiographic laser printer was used as a test object to measure the latitude and image noise of two digital cameras and a dedicated radiographic film scanner. The film scanner had the widest latitude and least image noise. A Kodak digital camera had a wider latitude but more image noise than an Olympus camera. A blue filter on the Olympus camera increased the latitude without significant increase in image noise.

APA, Harvard, Vancouver, ISO, and other styles

6

Manzanilla, JPaul. "Camera EDSA Obscura." Plaridel 9, no. 1 (2012): 31–54. http://dx.doi.org/10.52518/2013.9.1-02mnznll.

Full text

Abstract:

Twenty years after the EDSA uprising, 20 independent filmmakers created 20 films showing different images of the country. Ending the project with the film Mistulang Kamera Obskura, the omnibus film project self-crtically staged its representation of the social and the political. The camera obscura has a long and fraught history as a metaphor of ideology, most prominently broached by Marx in his discussion of being, consciousness, and ideology. This paper discusses the relation of the camera obscura to discourses of visuality, knowledge, and ideology. Reading the moving images as concretization

APA, Harvard, Vancouver, ISO, and other styles

7

Moran, Thomas Francis. "The Camera Devoured." Exchanges: The Interdisciplinary Research Journal 7, no. 2 (2020): 76–95. http://dx.doi.org/10.31273/eirj.v7i2.461.

Full text

Abstract:

Pedro Costa’s Casa De Lava (1994) draws on the cannibalistic potential of cinema in order to excavate the history of colonialism in Cape Verde. Cannibalism operates in a two-fold manner in Casa. Firstly, it refers to Costa’s practice of employing cinematic references in order to draw out otherwise concealed elements of earlier films. Secondly, it denotes an aesthetic practice in which the film is cannibalised by the people and geography of Cape Verde. By operating in a zone between documentary and fiction, Casa undermines the commodifying and exoticising tendencies of cinema. Instead, by drawi

APA, Harvard, Vancouver, ISO, and other styles

8

Bédard, Philippe. "Virtual Production and the Transformation of Cameras Mechanical, Virtual, and Actual." Animation 17, no. 2 (2022): 226–43. http://dx.doi.org/10.1177/17468477221102498.

Full text

Abstract:

This article examines the rising importance of ‘virtual production’ by focusing on one of its core components, the so-called ‘virtual camera’. Using the virtual camera as a focal point, the author highlights how a particular industrial model of film production has changed in response to the transformations brought about by digital technologies. More specifically, this article uses the notion of ‘virtualization’ introduced by Pierre Lévy in Becoming Virtual: Reality in the Digital Age (1998) to offer a unique point of view on films ‘shot’ with cameras that are ultimately all but virtual. Here,

APA, Harvard, Vancouver, ISO, and other styles

9

McClain, Adam. "Lights, Camera, Andragogy! Adult Learning and Development in Film." Adult Learning 30, no. 4 (2019): 150–59. http://dx.doi.org/10.1177/1045159519829039.

Full text

Abstract:

This article will examine specific films that portray events or phenomena of adult learning and development, and how adult learning and development can be explored by studying the lives of the fictional characters in film. It will demonstrate how the use of contemporary film by adult educators and adult learners can enhance insights about people, about life’s dilemmas, and about the growth and development in adulthood. To teach adults successfully, methods and techniques must be adapted to their skills and environments. Despite genre or popularity, film has the opportunity to tell a story and/

APA, Harvard, Vancouver, ISO, and other styles

10

Williamson, S. "THE CUT FILM CAMERA." Photogrammetric Record 2, no. 11 (2006): 330–40. http://dx.doi.org/10.1111/j.1477-9730.1958.tb01084.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Horn, Edward, Gregory J. Metzger, Francis T. Ashton, and Lee D. Peachey. "A high-resolution, wide-field, optically coupled, digital CCD camera for the JEOL 4000-EX intermediate-voltage electron microscope." Proceedings, annual meeting, Electron Microscopy Society of America 50, no. 2 (1992): 960–61. http://dx.doi.org/10.1017/s0424820100129437.

Full text

Abstract:

We have designed and constructed a camera system for acquisition of digital images directly from a JEOL 4000-EX 400 kV transmission electron microscope. Our major goal was the ablity to sample and test images for suitability for various forms of image processing and analysis during a session on the microscope, rather than after processing and digitizing films, so that adjustments could be made while the specimens were still in place. Our design parameters were 1) good resolution, in terms of pixels in the image, 2) wide field, so low magnification images could be obtained, 3) no interference w

APA, Harvard, Vancouver, ISO, and other styles

12

Deng, Yufei. "A Study on the Reflection of Feminism in Movies - Taking Barbie as an Example." Communications in Humanities Research 45, no. 1 (2024): 143–48. http://dx.doi.org/10.54254/2753-7064/45/20240057.

Full text

Abstract:

Feminism demands gender equality rather than enslavement of others. The film "Barbie" by renowned female director Greta Geweg sparked a pink wave in 2023, attracting numerous audiences from all over the world. The film showcases the feminine power of female characters in the film through the shaping of character images, changes in camera style, and transformation of perspective. This article analyzes feminism in Barbie films from several perspectives, including the portrayal of specific character images and their reasons, camera styles, the manifestation and reasons for specific perspective tr

APA, Harvard, Vancouver, ISO, and other styles

13

Kaczmarek, Jerzy. "Visual sociological research using film and video, on the example of urban studies." Acta Universitatis Lodziensis. Folia Sociologica, no. 73 (June 30, 2020): 5–19. http://dx.doi.org/10.18778/0208-600x.73.01.

Full text

Abstract:

The use of film and video in sociological research, or social sciences in general, has a long and well-established tradition. Motion pictures have, on the one hand, been the object of analysis, as in the case of sociology of film, and, on the other, they have been used as a research tool. Moreover, films can be scientific statements in their own right, as is the case with sociological film. The use of visual methods based on both still and moving pictures works very well for exploring the physical and social space of the city. The article looks at ways of using films and the actual proce

APA, Harvard, Vancouver, ISO, and other styles

14

Almeida, Laisla Alves de, Denize Demarche Minatti Ferreira, and Kátia Dalcero. "Light, camera, action! Accounting profession and the accountant." Revista Catarinense da Ciência Contábil 23 (October 11, 2024): e3500. http://dx.doi.org/10.16930/2237-7662202435002.

Full text

Abstract:

The paper analyzes how accountants are portrayed in feature films and series on streaming platforms, including “The Accountant,” “Brooklyn,” “Summer Love,” and “Ozark.” The method is qualitative and is based on Langer (2004), who proposes five stages: (i) identification of the research object and theme; (ii) selection of the film; (iii) external critique of the film; (iv) internal critique of the film; and (v) comparison and content analysis. The results indicate that the stereotype of the accountant prevails, both negatively - as a weak, submissive, and uncreative professional - and positivel

APA, Harvard, Vancouver, ISO, and other styles

15

Nakkab, Renée. "Lights, Camera, Action!" Brandeis University Law Journal 8, no. 1 (2021): 8. http://dx.doi.org/10.26812/bulj.v8i1.478.

Full text

Abstract:

This article captures the legal history of censorship in film. In an effort to prevent an American governmental body from regulating the movie industry, Hollywood created their own agencies to police film production companies. While this moral and ethical policing may be considered censorship, this article will explain why the industry’s approach made perfect sense. Although production companies had to abide by a code, it was only for America’s three most modest decades in the 1900s. If the government created legislation about film content requirements, it would be an incredibly difficult proc

APA, Harvard, Vancouver, ISO, and other styles

16

Duncan, Pansy. "Lights, Camera, Lumino-Politics: LightingThe Searchers, from Paraffin to LED." Film-Philosophy 22, no. 2 (2018): 184–202. http://dx.doi.org/10.3366/film.2018.0072.

Full text

Abstract:

Across the past decade or so, “politically committed” strains of film studies have undergone a much-vaunted aesthetic turn. It is now widely acknowledged that political struggle is as likely to converge in and around the tangible, audible and/or visible surface of the filmic image as it is to involve forces operating “within,” “beyond” or “behind” that surface. Yet while this so-called aesthetic turn has restored questions of film sound, film form and film colour to the film-political agenda, questions of film lighting are yet to feature prominently in these discussions. This essay addresses t

APA, Harvard, Vancouver, ISO, and other styles

17

Zhang, Yiqian. "Analysis of Female Gaze in Lesbian Films from the Perspective of Camera Language —Taking Portrait of a Lady on Fire as an Example." BCP Social Sciences & Humanities 21 (February 15, 2023): 227–31. http://dx.doi.org/10.54691/bcpssh.v21i.3482.

Full text

Abstract:

Western feminist film theory was formed in the 1960s and 1970s and it has been widely discussed since then. With the help of Freud’s psychoanalysis, Laura Mulvey analyzes the interweaving of erotic pleasure in film, its meaning, and the central place of the image of the woman. At the same time, the improvement of film technology and photography methods provide more chances for female spectators to seek pleasure as counterparts in films. The lesbian film is a category that crosses many film genres and highlights female subjectivity. Both female characters and spectators can be the subject of di

APA, Harvard, Vancouver, ISO, and other styles

18

Rahardja, Untung. "Camera Trap Approaches Using Artificial Intelligence and Citizen Science (ITALIC)." International Transactions on Artificial Intelligence (ITALIC) 1, no. 1 (2022): 71–83. http://dx.doi.org/10.34306/italic.v1i1.202.

Full text

Abstract:

For the purpose of tracking several animal species, camera trapping is developing into a more reliable and popular technology. The idea of "citizen science"—incorporating members of the public into the research process—has been gaining momentum concurrently . As a result, millions of individuals have made contributions to research in numerous sectors. Despite early acknowledgment of camera traps' significance for public engagement, they were previously unsuited for citizen science. Academics are seeking assistance in categorizing film as a result of camera trap technological advancements that

APA, Harvard, Vancouver, ISO, and other styles

19

Rahardja, Untung. "Camera Trap Approaches Using Artificial Intelligence and Citizen Science." International Transactions on Artificial Intelligence (ITALIC) 1, no. 1 (2022): 71–83. http://dx.doi.org/10.33050/italic.v1i1.202.

Full text

Abstract:

For the purpose of tracking several animal species, camera trapping is developing into a more reliable and popular technology. The idea of "citizen science"—incorporating members of the public into the research process—has been gaining momentum concurrently . As a result, millions of individuals have made contributions to research in numerous sectors. Despite early acknowledgment of camera traps' significance for public engagement, they were previously unsuited for citizen science. Academics are seeking assistance in categorizing film as a result of camera trap technological advancements that

APA, Harvard, Vancouver, ISO, and other styles

20

Medina, Isabel, Stephan Scholl, and Matthias Rädle. "Film Thickness and Glycerol Concentration Mapping of Falling Films Based on Fluorescence and Near-Infrared Technique." Micromachines 13, no. 12 (2022): 2184. http://dx.doi.org/10.3390/mi13122184.

Full text

Abstract:

Falling film evaporation processes involve high fluid velocities with continuous variations in local film thickness, fluid composition, and viscosity. This contribution presents a parallel and complementary film thickness and concentration mapping distribution in falling films using a non-invasive fluorescence and near-infrared imaging technique. The experiments were performed with a mixture of glycerol/water with a mass fraction from 0 to 0.65 gglycgtotal−1 and operating ranges similar to evaporation processes. The measurement system was designed by integrating two optical measurement methods

APA, Harvard, Vancouver, ISO, and other styles

21

Prasetyo, Martinus Eko, and Asrullah Ahmad. "Kajian Komposisi, Transisi, dan Camera Movement dalam Trailer Film KKN di Desa Penari." Rekam 20, no. 2 (2024): 161–72. https://doi.org/10.24821/rekam.v20i2.12363.

Full text

Abstract:

Study Of Composition, Transition And Camera Motion On The Film Trailer Of KKN In Desa Penari. Indonesia has been rocked by many quality horror films in the last five years, where there have been many horror films made by original Indonesian filmmakers that have caught the attention of the audience, one of which is the film called KKN DI DESA PENARI which has become the second highest-grossing film in Indonesia by successfully attracting nine million viewers in Indonesia. the big screen and has aired in the United States, and this is the second largest achievement after the Avengers-End Game fi

APA, Harvard, Vancouver, ISO, and other styles

22

Babalola, Oluyinka Smart. "An appraisal of cinematography technique in select Yorùbá films." International Journal of Current Research in the Humanities 28, no. 1 (2025): 222–44. https://doi.org/10.4314/ijcrh.v28i1.16.

Full text

Abstract:

Visual storytelling is a deliberate and highly technical form of storytelling that involves a lot of arts, crafts and techniques as well as specialized professionals in different fields. It is impossible to contemplate the film phenomenon without dissecting the art of visual storytelling – cinematography. This technical demand may be the reason scholars have written sparsely on cinematographic technique in Yorùbá films. Therefore, this paper interrogates the art of cinematography in Yorùbá films to ascertain their technical reliability. Using the historical-analytical method, and relying on th

APA, Harvard, Vancouver, ISO, and other styles

23

Lipiner, Michael. "Lights, Camera, Lesson: Teaching Literacy through Film." E-Learning and Digital Media 8, no. 4 (2011): 375–96. http://dx.doi.org/10.2304/elea.2011.8.4.375.

Full text

Abstract:

This in-depth case study explores a modern approach to education: the benefits of using film, technology and other creative, non-conventional pedagogical methods in the classroom to enhance students' understanding of literature. The study explores the positive effects of introducing a variety of visual-based (and auditory-based) teaching methods to learners within an urban high school English language arts inclusion classroom. The study group reads literature, analyses films and works on various creative assignments, such as incorporating music lyrics, using computer technology and creating ar

APA, Harvard, Vancouver, ISO, and other styles

24

Maki-Yonekura, Saori, and Koji Yonekura. "Electron Digital Imaging toward High-Resolution Structure Analysis of Biological Macromolecules." Microscopy and Microanalysis 14, no. 4 (2008): 362–69. http://dx.doi.org/10.1017/s1431927608080665.

Full text

Abstract:

Digital imaging has been applied to structure analysis of biological macromolecules in combination with electron energy filtering. Energy filtering can improve the image contrast of frozen-hydrated specimens, but needs a high-sensitivity imaging device instead of photographic film, because of a decrease in electrons after filtration. Here, a lens-coupled slow-scan charge-coupled device (SSCCD) camera with a post-column-type energy filter were examined to image bacterial flagellar filaments embedded in ice. We first measured the modulation transfer function of this camera and showed the remarka

APA, Harvard, Vancouver, ISO, and other styles

25

Cha, Mi Song, Atikah Ruslianti, and Dwi Linda Kusuma. "On the “mise-en-scène” of Pinoocchio 1940 and 2022 films' versions." Lililacs Journal : English Literature, Language, and Cultural Studies Journal 4, no. 1 (2024): 1–10. http://dx.doi.org/10.21009/lililacs.041.01.

Full text

Abstract:

This study examines the film Pinocchio (2022) by Robert Zemeckis in comparison to the 1940 version of old animation on the basis of mise-en-scène. The analysis was done using the descriptive analysis method with the film approach and the films are analyzed on both the narrative and cinematographic aspect. The result showed that two films show a lot of similarities since they were both made on the same story. The analysis of the narrative aspect showed that they have different opening and conclusion in plot, have extra more characters in the new film, as well as show different social setting of

APA, Harvard, Vancouver, ISO, and other styles

26

Till, Brian D. "Lights, Camera, Action! Engaging Students on Ethics and Values Through Film." Journal of Business Ethics Education 20 (2023): 103–15. http://dx.doi.org/10.5840/jbee2023207.

Full text

Abstract:

There is a long tradition of the value of using film as a pedagogical tool. Such use spans a variety of business disciplines including organizational behavior (Smith 2009), accounting (Bay & Felton 2012), business ethics (Fisher, Grant & Palmer 2015) and cultural competency (Greene, Barden, Richardson & Hall 2014). Presented here is a recently developed course, Business in Film, which engages students in deep reflection on business issues with an emphasis on ethics and values. The course is structured around a weekly film (mix of dramas and documentaries), 15 weeks, 15 films coveri

APA, Harvard, Vancouver, ISO, and other styles

27

Jepri, Muhammad, Mahdalena Risnawaty, and Ahmad Riza. "PERENCANAAN PUSAT SINEMATOGRAFI DI TENGGARONG DENGAN PENDEKATAN ARSITEKTUR METAFORA." Jurnal Totem : Architecture, Environment, Region and Local Wisdom 4, no. 1 (2023): 1. http://dx.doi.org/10.31293/ttm.v4i1.6451.

Full text

Abstract:

Along with the development of the world of cinematography among young people in Tenggarong, where their activities include making films, short films, film screenings, and film competitions. However, there are no facilities or gathering places for them, so it is necessary to create a place or place that can provide facilities for the cinematographic community. The purpose of this research is to plan a Cinematography Center with a metaphorical architectural concept in the form of a building taken from the formation of a film camera, and to provide a forum for the activities of the cinematography

APA, Harvard, Vancouver, ISO, and other styles

28

Czernis, Loretta. "The Canadian Experimental Camera-Child." Articles divers 2, no. 1 (2011): 155–67. http://dx.doi.org/10.7202/1001057ar.

Full text

Abstract:

Experimental film is not highly visible but it has had an impact on cinema as both art and technique. Conceptual and technical experiments in film take many forms depending on their cultural contexts. Canadian experimental filmmakers have recorded our inability to invent ourselves as they imagine that we might have been. They are influenced by European and American avant-garde filmmakers and their relationship to the camera as a "living" and technological entity.

APA, Harvard, Vancouver, ISO, and other styles

29

Lubelski, Tadeusz. "Krzysztof Kieślowski’s “Camera Buff”: a revised version of “First Love”." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 24, no. 33 (2019): 129–36. http://dx.doi.org/10.14746/i.2018.33.11.

Full text

Abstract:

The article develops its title thesis, which proposes interpreting Kieślowski’s Camera Buff (Amator, 1979), his second full-length feature film, as a revised version of his documentary First Love, made five years earlier. Both films have similar starting points ‒ the story of a couple expecting the birth of their first child. But the conclusion in each case also has something in common and results in the abandoning of a film project. The latter similarity meant that Kieślowski changed the character of the main protagonist in his full-length movie. It is no longer a documentary hero but the fil

APA, Harvard, Vancouver, ISO, and other styles

30

Mostafa, M. M. R., J. Hutton, S. Sobol, L. Viveros, S. Cooper, and Y. Raizman. "HIGH PRECISION FULLY INTEGRATED AIRBORNE DIGITAL MAPPING SYSTEMS – STATE OF THE ART AND PERFORMANCE ANALYSIS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B1-2020 (August 6, 2020): 337–42. http://dx.doi.org/10.5194/isprs-archives-xliii-b1-2020-337-2020.

Full text

Abstract:

Abstract. This paper introduces the Phase One Aerial System 150, a next generation fully integrated fully digital aerial camera system with one single digital camera head and lens which almost matches the perfect geometry of a film camera for all airborne mapping applications. It is the first true replacement for the simplicity, geometry and efficiency established by film cameras for traditional airborne mapping. Several test flights were planned to be flown with the Phase One Aerial System 150 over the Greater Denver Area, Colorado, U.S.A. during the Winter of 2020. Two lenses are planned to

APA, Harvard, Vancouver, ISO, and other styles

31

Nagy, E. C., and M. L. Landreville. "Aerial camera filters and their use with aerochrome infrared." CISM journal 43, no. 4 (1989): 353–56. http://dx.doi.org/10.1139/geomat-1989-0036.

Full text

Abstract:

Differences in the color rendition of Kodak Aerochrome Infrared photography have been noticed between the photography from Wild and Zeiss aerial cameras during the years in which efforts have been made to control the infrared color balance on contract photography. The cause of these differences has been narrowed down to the different spectral transmissions of the standard yellow filters supplied with these cameras. The filtration recommended by the film manufacturer is most closely matched by the Wild filter. This report recommends an alternative filter combination for the Zeiss camera which w

APA, Harvard, Vancouver, ISO, and other styles

32

Mbura, Issa. "Effects of Digitalization on the Three-tier Structure of Tanzania’s Film Industry." Umma: The Journal of Contemporary Literature and Creative Art 9, no. 1 (2022): 140–63. http://dx.doi.org/10.56279/ummaj.v9i1.7.

Full text

Abstract:

This paper examines the effects of digitalization on the three-tier structure of Tanzania film industry. Explicitly, the paper focuses on the period between 1990 and 2020. It follows on the presumptions that omnipresent and pervasive digital video and Internet-based technologies promoted under the theme of digitalization and underpinned by the digital revolution theory are impacting on film industries across nations. The specific drivers of the digitalization that the paper advances are digital video cameras and computer-based nonlinear editing systems applied in the production of films, Digit

APA, Harvard, Vancouver, ISO, and other styles

33

Salihu, Murtala, and Edith Ugochi Ohaja. "An Analysis of Aesthethic Differences between Hollywood and Kannywood Films." Zamfara International Journal Of Humanities 3, no. 01 (2025): 142–56. https://doi.org/10.36349/zamijoh.2025.v03i01.015.

Full text

Abstract:

Using a qualitative content analysis method, this paper analyses aesthetic differences between two Hollywood films (The Protector, The Objective) and two Kannywood films (This Is The Way, Duniya Makaranta) by juxtaposing aesthetic elements of the two film industries in terms of approaches to production, acting, special effects, culture, plotting, camera work, graphics, setting, taste, and Computer Generated Imagery (CGI). The paper was anchored on formalist film theory to establish a justification for human intervention and technological manipulation during film production in order to make the

APA, Harvard, Vancouver, ISO, and other styles

34

Morricone, Ennio. "A Composer behind the Film Camera." Music, Sound, and the Moving Image 1, no. 1 (2007): 95–105. http://dx.doi.org/10.3828/msmi.1.1.9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Chateauvert, Jean, and Francois Jost. "L'Oeil-Camera. Entre film et roman." SubStance 19, no. 1 (1990): 112. http://dx.doi.org/10.2307/3684856.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Robyns, Clem, and Francois Jost. "L'oeil-camera: Entre film et roman." Poetics Today 9, no. 3 (1988): 675. http://dx.doi.org/10.2307/1772746.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Dohr, S., M. Muick, B. Schachinger, and M. Gruber. "IMAGE MOTION COMPENSATION – THE VEXCEL APPROACH." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B1-2022 (May 30, 2022): 333–38. http://dx.doi.org/10.5194/isprs-archives-xliii-b1-2022-333-2022.

Full text

Abstract:

Abstract. Motion compensation in general and forward motion compensation in particular was an important milestone in aerial imaging when presented for film-based camera systems in the late 90ts of the last century. It focused on the forward motion compensation to enhance the image quality when flight speed and image scale produce such motion blur even at short exposure time. Another development and milestone in aerial photogrammetry, the active mount, contributed as well to reduce motion blur.When digital aerial cameras replaced the film-based camera systems in the first decade of the 21st cen

APA, Harvard, Vancouver, ISO, and other styles

38

Mahmud, Nadia. "In the Presence of Photons: Portraying Light through Cinematography." International Journal of Creative Multimedia 1, no. 1 (2020): 8–14. http://dx.doi.org/10.33093/cm.2020.1.1.2.

Full text

Abstract:

Film is a medium that is impossible to exist without light. Essential to its production process is cinematography, a discipline in filmmaking that is directly responsible with visually presenting the information of a shot through a camera using the manipulation of time, lighting and framing. Frame distance describes the distance between a subject and the camera but more vital is the intent of application of frame distance as it is capable of implying meaning or eliciting a feeling in the viewer. The grammar of frame distance can be utilized to present structures, themes and styles of a film. E

APA, Harvard, Vancouver, ISO, and other styles

39

Bono, Francesco. "Playing with the Camera. Critical Notes on Two Films by Austrian Director Willi Forst." European Journal of Interdisciplinary Studies 6, no. 1 (2020): 13. http://dx.doi.org/10.26417/ejis.v6i1.p13-19.

Full text

Abstract:

This essay aims to critically reflect on the work of Austrian film director Willi Forst, devoting special attention to two of Forst’s films of the 1930s, Mazurka and Allotria. Forst’s career developed successfully in both Austria and Germany between the 1930s and the end of the 1950s and Forst has been widely counted among the major figures in German-speaking cinema of the time. In scholarly works on the history of Austrian film, Forst’s name has been typically associated with the musical genre and the so-called Viennese Film, of which Forst has been regarded as the indisputable master. In thi

APA, Harvard, Vancouver, ISO, and other styles

40

Pope, Norris. "Film History as Film Stock History: American Production Choices, 1937–1940." Film History: An International Journal 35, no. 2 (2023): 72–94. http://dx.doi.org/10.2979/fih.00004.

Full text

Abstract:

ABSTRACT: This essay examines the cinematic possibilities and reception of an important group of 35mm fine-grain, black-and-white, negative film stocks introduced in America in the period from 1937 to 1940. These new stocks included camera stocks, sound-recording stocks, duplicating stocks, and release-print stocks. All these new stocks were unprecedented in their ability to combine faster emulsion speeds with impressively fine grain—innovations in film manufacture that contributed significantly to improved images and sound quality in black-and-white theatrical films.

APA, Harvard, Vancouver, ISO, and other styles

41

Markowski, Tomasz. "Analysis on the dynamic deformations of the images from digital film sequences." Geodesy and Cartography 64, no. 1 (2015): 43–64. http://dx.doi.org/10.1515/geocart-2015-0005.

Full text

Abstract:

Abstract Image sequences, in particular digital video sequences, are characterised by the features which result in their high potential as measurement data. However, as early as at the stage of visual assessment of digital film images, originating, in particular, from amateur cameras, occurrence of some deformations may be observed, which may highly influence the results of measurements performed using these images; such deformations differ from deformations occurred in the case of static photographic images. It results both, by the method of image recording, using an electronic shutter and in

APA, Harvard, Vancouver, ISO, and other styles

42

Rochmat, Zain Arifin, and Cito Yasuki Rahmad. "PENGAMBILAN GAMBAR HANDHELD SEBAGAI PEMBENTUK KETEGANGAN PADA FILM MODUS ANOMALI." Texture:Art and Culture Journal 1, no. 2 (2019): 116–31. http://dx.doi.org/10.33153/texture.v1i2.2435.

Full text

Abstract:

ABSTRACT Shooting techniques in films are needed so that the storyline can be continuous between actors and audiences. The action in the Modus Anomali film is visualized through shots, scenes, and sequences in the structure of the film in harmony with causation. Through shooting techniques can create a tension that affects the anxiety of the audience awaiting the risk that befalls the protagonist. The shooting technique in this film is dominant by using handheld techniques in realizing an action. The emergence of interesting and important handheld movements is assessed to form tension. The ana

APA, Harvard, Vancouver, ISO, and other styles

43

Muzakki, Muhammad Ariq, Choiru Pradhono, and Adriyandi Adriyandi. "Unsur Sinematik dalam Membentuk Genre Found Footage pada Film Keramat Karya Monty Tiwa." ROLLING 6, no. 2 (2023): 104. http://dx.doi.org/10.19184/rolling.v6i2.42645.

Full text

Abstract:

This study aims to reveal and determine the role of cinematic elements contained in found footage genre films. The formation of the found footage genre contained in the film, seen from the aspects of mise en scene (setting, lighting, makeup and costumes as well as players and movements), cinematography, sound and editing. The research method used is a qualitative research method with a descriptive approach. The object of research chosen was the Sacred (2009) by director Monty Tiwa. Data in the study were obtained from observation, literature studies and documentation about films. The theory us

APA, Harvard, Vancouver, ISO, and other styles

44

Wang, Sanhui, Mengyun Zhang, Zhiyu Wen, Zhenxuan Zhao, and Ruoyu Zhang. "Residual Mulching Film Detection in Seed Cotton Using Line Laser Imaging." Agronomy 14, no. 7 (2024): 1481. http://dx.doi.org/10.3390/agronomy14071481.

Full text

Abstract:

Due to the widespread use of mulching film in cotton planting in China, residual mulching film mixed with machine-picked cotton poses a significant hazard to cotton processing. Detecting residual mulching film in seed cotton has become particularly challenging due to the film’s semi-transparent nature. This study constructed an imaging system combining an area array camera and a line scan camera. A detection scheme was proposed that utilized features from both image types. To simulate online detection, samples were placed on a conveyor belt moving at 0.2 m/s, with line lasers at a wavelength o

APA, Harvard, Vancouver, ISO, and other styles

45

Anger, Jiří. "Trembling Meaning: Camera Instability and Gilbert Simondon's Transduction in Czech Archival Film." Film-Philosophy 25, no. 1 (2021): 18–41. http://dx.doi.org/10.3366/film.2021.0155.

Full text

Abstract:

Many experimental found footage films base their meanings and effects on an interaction between the figurative content of the image and its material-technological underpinnings. Can this interaction arise accidentally without artistic appropriation? A recently digitised film by the Czech cinema pioneer Jan Kříženecký, Opening Ceremony of the Čech Bridge (1908), presents such an exercise in accidental aesthetics. At one point, the horizontal and vertical trembling of the cinematograph – obtained from the Lumière brothers – translates into a trembling of the figures on the bridge so precisely th

APA, Harvard, Vancouver, ISO, and other styles

46

Nardelli, Matilde. "Laura Rascaroli (2009) The Personal Camera: Subjective Cinema and the Essay Film." Film-Philosophy 14, no. 2 (2010): 191–95. http://dx.doi.org/10.3366/film.2010.0058.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Adamson, Morgan M. "The Closure of the ‘Gold Window’: From ‘Camera-Eye’ to ‘Brain-Screen’." Film-Philosophy 17, no. 1 (2013): 245–64. http://dx.doi.org/10.3366/film.2013.0014.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Alsalman, Abdullah S. "Digital and Conventional Film-Based Non-Metric Cameras: A Comparison of Performance in Structural Deformation Surveys." FES Journal of Engineering Sciences 4, no. 1 (2009): 11. http://dx.doi.org/10.52981/fjes.v4i1.43.

Full text

Abstract:

This research work presents the results of an experiment concerned with a comparison of the performance of non-metric digital and non-metric film -based cameras for structural deformation surveys. An Olympus OM 10 non-metric camera and a Fujix DS-100 still image digital camera were used to measure the amount of deformation of a model of a light-weight building when under load. For the sake of consistency, the same photogrammetric network design, control configuration and self -calibrating bundle adjustment were used for data evaluation. The results of the research show that digital non-metric

APA, Harvard, Vancouver, ISO, and other styles

49

Taras, Katarzyna. "O roli kamery w filmach Wojciecha Smarzowskiego." Załącznik Kulturoznawczy, no. 3 (2016): 254–67. http://dx.doi.org/10.21697/zk.2016.3.14.

Full text

Abstract:

In this paper, I reflect on the role and function of the camera ‘acting’ (that is, the camera placed in the hands of the heroes of films by Wojciech Smarzowski) that appears on the screen as often as an ax – item strongly associated with this director’s cinema. I also refute the ‘digital’ legend of his debut, i.e. Wesele (Wedding), which has not been realized with the use of a digital camera, but a film one. A camera ‘casted’ in the films by Smarzowski can be considered as an extra, but a full-fledged hero, a witness seeing (and therefore recording) more than the character whose hands it is lo

APA, Harvard, Vancouver, ISO, and other styles

50

Kim, Seojin, Weontae Oh, Jong-Seong Bae, et al. "Heating Characteristics of Films Prepared with Polymer-Graphite Composites." International Journal of Polymer Science 2019 (August 19, 2019): 1–8. http://dx.doi.org/10.1155/2019/3478325.

Full text

Abstract:

Heating films were prepared by using poly(methyl methacrylate) and polybutadiene composites containing graphite. The heating film was prepared by casting the as-made polymer composite on the PET film. Copper electrodes were attached to both ends of the as-prepared film, and the heating characteristics of the film were analyzed while applying the DC voltage. The electrical conductivity and the heating temperature of the heating films depended on the size, the structure, the content, and the dispersion characteristics of the graphite in the composite. The electrical resistance of the heating fil

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!