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Relevant bibliographies by topics / Film screenplay

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Dissertations / Theses

Academic literature on the topic 'Film screenplay'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Dissertations / Theses on the topic "Film screenplay"

1

Hong, Ki Myung. "Exegesis and screenplay for a film entitled: White Magnolia." Click here to access this resource online, 2009. http://hdl.handle.net/10292/790.

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Most new migrants choose New Zealand as their second home country because New Zealand provides peaceful, safe and relaxed life style and also quality education compared to their homelands. However, for most migrants, settling down in New Zealand is one of the most dynamic and complex processes in their lives. Many migrants are struggling to adjust to New Zealand because the expression of cultural values is different in New Zealand than in their cultures. As migrants adjust to the new culture, their traditional cultural values are increasingly challenged by New Zealand cultural values leading t

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2

Raymond, Mark C. "Going In circles." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1938.

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3

Bachmann, Holger. "Arthur Schnitzler's Der junge Medardus as drama, screenplay and film." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627305.

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4

Gladman, Matthew J. "Film Noir--Purveyor of Cold War Anxiety." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1293817877.

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5

Fiskaa, Sverre, and n/a. "Road Maps - Navigating the Road Movie." RMIT University. Creative Writing, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080627.154735.

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This Master of Arts project in Creative Writing was submitted to the School of Creative Media at Royal Melbourne University of Technology. It contains a full length feature screenplay for an un-produced road movie entitled Free Radicals. It is primarily a dark love story between the drug-addicted rent boy Roman and the budding actor, the protagonist Jonathan. It is however written in a conventional structure familiar to Hollywood professionals, and a good deal of humour is used to attract interest in the story. The storyline itself is more familiar to the audience of road movies and independen

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6

Crittenden, Nicholas. "The generative image : visual screenwriting and the substance of screenplay structure." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368359.

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7

Zolliecoffer, James. "The Oracle." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/129.

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8

Lang, Steven. "Victorious Architecture : the changing shape of narrative in film." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15929/.

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Screenplay: A wealthy industrialist, Victor Sanderton, has undergone a life change and set up an 'Institute of Higher Learning' in rural South East Queensland. He invites environmental and other contemporary New Age luminaries to hold workshops, while the attendees get in touch with their roots by planting trees. Victor, however, has not come to terms with his own weaknesses. Aleesha, a young runaway, distracts him from his higher purpose. Matt, one of his employees, thinks he sees in this an opportunity to enrich himself at Victor's expense. The situation is further complicated when a pri

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9

Blackman, David, and dablack2@bigpond net au. "An exploration of the psychological and political dimensions of violence and aggression within the war film genre." RMIT University. Creative Media, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.121457.

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Parade's End, a screenplay accompanied by an exegesis exploring institutional and ideological violence within the war film genre. The problem to solve with my exegesis and subsequent screenplay was how to create a unique visual form for the treatment of violence. This was done by examining screenwriting techniques that have been used to explore the psychology of violence and aggression within the war film genre. I identified and examined those techniques used to depict vioence within the war film genre, specifically those discussed by film theorist Stephen Prince. Stephen Prince in Savage cine

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10

Ahmanson, Christus. "Unrelenting Force." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1254.

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The following is an original screenplay about Maturity set in the mode of a Summer Romance. It is structured like the classic Joseph Campbell Monomyth. However, it offers a commentary on the unchanging nature of people by utilizing non-linear storytelling and inverting the typical hero’s journey narrative by having the protagonist end up, more or less, where he began. Key moments and story beats are taken from classic hero’s journeys and refashioned to fit the scale and time periods. Collin Williams does not cross the threshold into a magical new land but instead into the fantastical realm of

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