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Dissertations / Theses on the topic 'Film screenplay'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Hong, Ki Myung. "Exegesis and screenplay for a film entitled: White Magnolia." Click here to access this resource online, 2009. http://hdl.handle.net/10292/790.

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Most new migrants choose New Zealand as their second home country because New Zealand provides peaceful, safe and relaxed life style and also quality education compared to their homelands. However, for most migrants, settling down in New Zealand is one of the most dynamic and complex processes in their lives. Many migrants are struggling to adjust to New Zealand because the expression of cultural values is different in New Zealand than in their cultures. As migrants adjust to the new culture, their traditional cultural values are increasingly challenged by New Zealand cultural values leading t

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2

Raymond, Mark C. "Going In circles." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1938.

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Bachmann, Holger. "Arthur Schnitzler's Der junge Medardus as drama, screenplay and film." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627305.

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4

Gladman, Matthew J. "Film Noir--Purveyor of Cold War Anxiety." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1293817877.

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5

Fiskaa, Sverre, and n/a. "Road Maps - Navigating the Road Movie." RMIT University. Creative Writing, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080627.154735.

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This Master of Arts project in Creative Writing was submitted to the School of Creative Media at Royal Melbourne University of Technology. It contains a full length feature screenplay for an un-produced road movie entitled Free Radicals. It is primarily a dark love story between the drug-addicted rent boy Roman and the budding actor, the protagonist Jonathan. It is however written in a conventional structure familiar to Hollywood professionals, and a good deal of humour is used to attract interest in the story. The storyline itself is more familiar to the audience of road movies and independen

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6

Crittenden, Nicholas. "The generative image : visual screenwriting and the substance of screenplay structure." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368359.

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7

Zolliecoffer, James. "The Oracle." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/129.

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8

Lang, Steven. "Victorious Architecture : the changing shape of narrative in film." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15929/.

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Screenplay: A wealthy industrialist, Victor Sanderton, has undergone a life change and set up an 'Institute of Higher Learning' in rural South East Queensland. He invites environmental and other contemporary New Age luminaries to hold workshops, while the attendees get in touch with their roots by planting trees. Victor, however, has not come to terms with his own weaknesses. Aleesha, a young runaway, distracts him from his higher purpose. Matt, one of his employees, thinks he sees in this an opportunity to enrich himself at Victor's expense. The situation is further complicated when a pri

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9

Blackman, David, and dablack2@bigpond net au. "An exploration of the psychological and political dimensions of violence and aggression within the war film genre." RMIT University. Creative Media, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.121457.

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Parade's End, a screenplay accompanied by an exegesis exploring institutional and ideological violence within the war film genre. The problem to solve with my exegesis and subsequent screenplay was how to create a unique visual form for the treatment of violence. This was done by examining screenwriting techniques that have been used to explore the psychology of violence and aggression within the war film genre. I identified and examined those techniques used to depict vioence within the war film genre, specifically those discussed by film theorist Stephen Prince. Stephen Prince in Savage cine

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10

Ahmanson, Christus. "Unrelenting Force." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1254.

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The following is an original screenplay about Maturity set in the mode of a Summer Romance. It is structured like the classic Joseph Campbell Monomyth. However, it offers a commentary on the unchanging nature of people by utilizing non-linear storytelling and inverting the typical hero’s journey narrative by having the protagonist end up, more or less, where he began. Key moments and story beats are taken from classic hero’s journeys and refashioned to fit the scale and time periods. Collin Williams does not cross the threshold into a magical new land but instead into the fantastical realm of

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11

Gillespie, Dana M. (Dana Marie). "Leni: A Screenplay Based on the Career of Leni Riefenstahl." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500269/.

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This screenplay dramatizes the controversial career of German film maker Leni Riefenstahl during ten years of her association with the Nazi Party. Beginning with the premiere of her first film in 1932, this account chronicles her rise as a film director of such films as Triumph of the Will and Olympia to her arrest after World War II on charges that she had been a Nazi sympathizer. Besides delineating the character and talents of Leni Riefenstahl, this screenplay addresses the difficult question of the relationship between politics and art.

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12

Neal, Sarah Jane, and sarahneal@myplace net au. "Structuring the Thrill in the True Crime Story: An Analysis of how the substructures of the classic screenplay operate in the Thriller film." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080514.095721.

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The research undertaken as the requirements of the degree is an analysis, evaluation and application of the usefulness of the substructures contained in the classic Thriller screenplay. The research identifies tools and techniques that the screenwriter can apply to the construction of a classically structured Thriller. These tools and techniques have been applied to the creation of an original feature length screenplay entitled Magnetic Fields. The substructures explored in this exegesis are those identified by screen theorist Dr Lisa Dethridge as being essential to the screenplay form,

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13

Smith-Eivemark, Jane Elizabeth Ann. "Pamela Bay, a screenplay, and, Developing a methodology for theological connoisseurship of feature film." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0018/NQ48901.pdf.

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14

Stånggren, Mikael. "Writing a screenplay : A study in crafting quality stories for movies and television." Thesis, University of Gävle, Department of Mathematics, Natural and Computer Sciences, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-215.

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<p>The art and science of crafting superior stories for feature film, television, and computer graphics productions, for both local and international purposes alike, are extremely important. In the artistic sense, this is a glimpse at the key elements in creating successful characters, stories, and environments. In the technical sense, it is a review on how to write a professional screenplay, as well as a comparison between different mediums, methods, and styles of writing. In order to conduct this research and accomplish said goals, material from a variable set of sources, including work by a

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15

Anson, Tylyn. "Changes." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/honors_theses/7.

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The screenplay for a narrative film is the key starting point in the development process, and writing a feature length screenplay is a particularly grueling process. This thesis traces my efforts to write a full, strong draft of a feature length screenplay, from conception to the current draft. The essay catalogs the notes I received on the screenplay, as well as my own ideas for changes and developments as I wrote the screenplay. After the essay, the current (as of this date, May of 2012) draft of the screenplay is attached as a presentation of my work reflected in the essay.

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Dantas, Luiz Augusto Duarte. "Roteiro cinematográfico: narrativa clássica, estudo e aplicação." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-01122010-094838/.

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Através da discussão do modelo para análise da estrutura dramática do cinema clássico proposto por Kristin Thompson e David Bordwell em contraposição não somente aos ditamos correntes na maioria dos manuais de roteiro norte-americanos, mas também a uma posição preconizada por autores que procuram analisar o cinema com modelos mais próximos à dramática, o estudo de dois filmes, Cidade de Deus e Central do Brasil, serve de subsídio para a composição de um roteiro cinematográfico intitulado Cléo e Damião.<br>Through the discussion of the model for analysis of dramatic structure in classical cinem

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17

Dorr, Summer. "And Then Okay." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1385.

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18

Selbo, Jule Britt. "The constructive use of film genre for the screenwriter : creating film genre's mental space." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3501.

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This practice-led PhD project consists of two sections: the first examines a breakdown of the components of film genre to be used as practical guideposts for my own creative practice as a screenwriter and (hopefully in the future) for other screenwriters; the second section contains my practical application – first acts of three screenplays that are constructed utilizing my research and subsequent assessments. Using a theoretic construct presented in the area of philosophy in the 1990s by cognitive theorist Gilles Fauconnier called ‘mental space’, a concept exploring a person’s natural inclina

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19

Bloore, Peter. "The screenplay business : managing creativity in script development in the contemporary British independent film industry." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/49837/.

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A screenplay is sometimes said to be a blueprint for a film, and its genesis and development is therefore important to our understanding of how films are created. Film business studies has traditionally avoided close study of the screenplay development process, perhaps as a result of the film studies emphasis on analysing the text of the completed film, and the auteur theory emphasis on the importance of the director; both of which may have marginalised the study of development and the creativity of development practitioners. Professional screenplay development is a team activity, with creativ

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Tolliver, Staci. "Hurting the Ones They Love: Character Analysis and Original Screenplay Crimes of Passion." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/honors_theses/22.

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The thesis is a ten-page analysis on two films, Fatal Attraction and Lakeview Terrace. The thesis begins with a brief introduction to the horror genre and its subgenre in which the two films and original screenplay are categorized, psychological horror. It covers all the important elements of a film and screenplay: conflict, arc, goal, structure and plot. The thesis also consists of feminists’ reactions to Fatal Attraction, and examines whether the original 60- page screenplay helps or worsens the image of women. The screenplay also raises the question if having the villains need to be insane

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21

Armstrong, Shayne. "Beast Sellers: The Necessary Evils of Paratexts in the Development and Marketing of the Horror-Thriller Screenplay." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16446/.

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Monster Business is a feature film project comprising a horror-thriller feature screenplay and an accompanying exegesis. The screenplay is about a best-selling author who is behind on the delivery of the sequel to his money-spinning first novel and is made an offer by an enigmatic stranger to help rearrange his working environment to facilitate the rapid completion of the manuscript. Over the coming hours, then months, the author discovers just how far the stranger will go to complete the terms of this bizarre and brutal new contract. This accompanying exegesis examines a series of 'paratex

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22

Belaubre, Yves. "Le scénario dans l'intention du film." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20074.

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Depuis une vingtaine d’années, le scénario américain s’est imposé comme modèle du scénario de fiction auprès des acteurs de la production de cinéma et de télévision pour sa performance et sa rationalité narratives. Conçu pour assurer au film de fiction le maximum de chance de succès, il subordonne la création audiovisuelle à un dispositif narratif assurant l’identification du spectateur et sa satisfaction émotionnelle. Or, eu égard à une ambition artistique du cinéma, sa légitimité est problématique. La présente recherche développe une alternative à la formalisation narrative du film à travers

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23

Davis, Isabelle. "Clean Sweep." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/971.

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Best friends, Harry and Dave, both come to face their own versions of mid-life crises. Harry is a former hockey player stuck in his glory days, and Dave is a recently divorced, try-hard dad without any glory days. Harry realizes he’s not in the “prime” he thinks he is but still wants another shot at the Olympics, so he decides to trade hockey in for the most exciting and physical sport in the world – Curling. He drags along Dave to form a team of misfits, including the local shuffleboard champ and hairdresser, Ramona, and a high-school janitor, Gail. Under the training of Harry’s former hockey

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Devlin, William Connor. "Exquisite Corpse." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/918.

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25

Urech, Chelsea. "This Won't Hurt." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/794.

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26

Yule, Eleanor. "Sensing the Middle Ages : a quest for sensorial fidelity in the writing of a medieval film screenplay." Thesis, University of the West of Scotland, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.759318.

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27

Blanke, Will H. Jr. "Worlds Wide." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1610.

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Story of an alien who inhabits the body of middle-aged man George. Mission for Alien George is to convince a fertile, intelligent, attractive woman to move back with him to their planet to create a hybrid species. The major benefit for the woman is having the alien's elixir for her to live for thousands of years. George begins to feel human emotions for Connie, the young woman he initially picks. However, Connie is a lost drug addict who has no signs of a future. This does not appease George's alien guide. George must weigh his new human emotions with his almost eternal life with creating a ne

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28

Freitas, Patrícia Maciel de. "From novel to film : the transposition of some character roles in Emma Thompson's screenplay of Sense and Sensibility." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/72749.

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Sense and Sensibility (1811), o primeiro romance publicado de Jane Austen, foi transposto para o cinema em 1995, conferindo seis prêmios de melhor diretor a Ang Lee e dezenove a Emma Thompson, oito como melhor atriz e onze pelo melhor roteiro adaptado. Nesta dissertação eu apresento minha leitura da transposição feita por Emma Thompson do romance de Jane Austen, focando especialmente na maneira em que os personagens principais são transpostos para a tela. Para isso, utilizo três apoios, o texto do roteiro, os diários de Thompson e as performances dos atores. Em cada um desses eixos foram feita

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Hess, Cassie Mae. "More Than Anything." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/795.

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Gabriel, Melia. "This Is How It Ends." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/792.

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31

Lehe, Patrick J. "Shit Show." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/915.

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32

Dev, Namrata. "Malfunction." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2186.

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Malfunction is a science fiction thriller that explores what the other extreme of mental health awareness could look like. A system that is TOO technologically equipped, proactive and sure in its ability to solve every mental health illness. but can such a perfect world ever exist? not everyone in this world has good intentions and if you try to go against the norm...you may not survive.

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Chesnut, Christian P. "Stray Cats." ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2447.

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This paper details the making of Stray Cats, a University of New Orleans thesis film. It examines the process of creating the film in three parts. Part one will detail the pre-production, including the conceptualization, writing, and preparation for the project. Part two will cover the production, including the directing, production design, cinematography, and on-set operations. Part three will describe the post-production process, including the editing, color correction, sound design, and musical score. These three components will then be referenced in regards to the theme of the film, and wi

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Durgin, Chelsea A. "The Redeemer." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/818.

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Sierra, Simon. "99¢ Dreams." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/978.

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Desperate to post bail after the love of his life is seized by ICE, an undocumented dishwasher descends into the underbelly of California’s Central Valley and a bloody bidding war for the severed head of a man everyone is looking for.

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Bronson, IV Theodore Lawrence. "Forgotten Depths." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/975.

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Kontje, Timothy. "Zero Line." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/797.

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An action-adventure script about a hard-driving journalist named Jen who teams up with a talented but fainthearted Iraqi archaeologist and a cynical renegade soldier turned smuggler to track down antiquities looted by ISIS after the death of her war correspondent fiancé.

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Raveneau, Megan Fay. "A Friend of Robyn." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/916.

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39

Mellberg, Rebecka. "In, jag vill in : Kvinnornas resa genom adaptionsprocessen av Den allvarsamma leken 2016." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32447.

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The aim of this thesis is to investigate how the female characters of the Swedish novel The Serious Game (Den allvarsamma leken) by Hjalmar Söderberg (1912) are represented in the film adaptation from 2016, a film adaptation by Pernilla August (director). The thesis also asks what the adapted screenplay by Lone Scherfig can reveal about how the novel’s characters are transformed through the adaptation process. The study has two main purposes: (1) to investigate the film adaptation as a process by considering the adapted screenplay as an interstitial and at the same time autonomous work bridgin

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40

Stoner, Zachary. "Hell is a Game Show: An Artistic Interpretation of the Afterlife." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524835391884507.

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Scott, Brent Steven. "The Lonely." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1667.

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Williams, Rachel. "Weeb-Con." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/honors_theses/68.

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One of the most important parts in the development stage of filmmaking is writing a screenplay. Weeb‐Con is a thirty‐two‐page action comedy screenplay. After an anime convention in Galveston, Texas, is forcefully taken over by armed robbers in creepy, badlymade fursuits, it is up to Dolores “Dolly” Lopez, a Lolita who must lead the convention attendees ‐ including her family and her fat pitbull Butterball ‐ and make them band together. Dolly is something of a perfectionist loner; but, with the help of her new friends Seymour, a cowardly nerd, and Boyd, a stoner who is smarter than he looks, sh

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43

Eggert, Silke. "Exegesis and screenplay for a film entitled : Spaces between us a thesis submitted to the AUT University in partial fulfilment of the degree of Masters of Communication studies (MCS), 2008 /." Click here to access this resource online, 2008. http://hdl.handle.net/10292/482.

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ARLANCH, FRANCESCO. "La struttura drammaturgica del film biografico nel cinema di Hollywood e nella televisione italiana." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/126.

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La tesi indaga le caratteristiche strutturali dei film di genere biografico prodotti nel contesto del cinema statunitense e della televisione italiana. Riconosciuto nel fatto che il personaggio protagonista è costruito ad imitazione della persona realmente esistita di cui porta il nome l'aspetto identificativo superficiale del film biografico, viene proposta la seguente, nuova interpretazione: quello biografico è un film la cui struttura drammaturgica esprime sulla forma di vita del proprio personaggio protagonista un giudizio di redenzione o di dannazione.<br>The dissertation explores the dis

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Bezerra, Silvia de Paula. "O Invasor: do roteiro ao romance." Universidade Presbiteriana Mackenzie, 2009. http://tede.mackenzie.br/jspui/handle/tede/2277.

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Made available in DSpace on 2016-03-15T19:46:48Z (GMT). No. of bitstreams: 1 Silvia de Paula Bezerra.pdf: 707701 bytes, checksum: 13e31c9b0820afc52ffce24cb9064e6e (MD5) Previous issue date: 2009-02-13<br>Fundo Mackenzie de Pesquisa<br>In this paper we study the crime fiction and film O Invasor, focusing the success partnership between the writer Marçal Aquino and the film director Beto Brant. The path made by novel, screenplay and film was different from the usual, because Aquino ended writing the novel in 2002, after the release of the film in 2001. As primary purpose of this paper, we inte

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NASCIMENTO, Igor Fernando de Jesus. "Nas coxias do texto: a confecção da dramaturgia de "As três fiandeiras"." Universidade Federal do Maranhão, 2017. http://tedebc.ufma.br:8080/jspui/handle/tede/1801.

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Submitted by Rosivalda Pereira (mrs.pereira@ufma.br) on 2017-08-10T14:42:55Z No. of bitstreams: 1 IgorNascimento.pdf: 6114466 bytes, checksum: 6d32a6f98d460521f80bd02e567afc17 (MD5)<br>Made available in DSpace on 2017-08-10T14:42:55Z (GMT). No. of bitstreams: 1 IgorNascimento.pdf: 6114466 bytes, checksum: 6d32a6f98d460521f80bd02e567afc17 (MD5) Previous issue date: 2017-01-16<br>Fundação de Amparo à Pesquisa e ao Desenvolvimento Científico e Tecnológico do Maranhão (FAPEMA)<br>Structuration of the creation process of the text of the play “The Three Thread Makers”. The theme is the artistic ma

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Melville, Andrew. "Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004." Full thesis. Abstract, 2004.

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Exegesis (MA--Communication Studies) -- Auckland University of Technology, 2004.<br>Title page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)

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Trotter, Joshua. "Escape Velocity: A Narrative Short." ScholarWorks@UNO, 2004. http://louisdl.louislibraries.org/u?/NOD,98.

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Thesis (M.F.A.)--University of New Orleans, 2004.<br>Title from electronic submission form. "A thesis ... in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Drama and Communications."--Thesis t.p. Vita. Includes bibliographical references.

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Lehman, Jeffrey. "The Cinematic Experience Through The Micro-Budget Paradigm." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5805.

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The Tailor's Apprentice is a feature-length, micro-budget, narrative digital motion picture, written, produced and directed by Jeffrey Lehman in partial fulfillment of the requirements of earning a Master of Fine Arts in Film from the University of Central Florida. The film is a result of applying specific monetary, logistical and creative limitations to the production process in order to contribute in defining the micro-budget aesthetic, resulting in a final shared cinematic audience experience. This thesis is a record of all stages from conception to completion of the executed, feature len

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Cooper, Madeline. "Exegesis and screenplay for a feature film entitled: PictureSque a dissertation submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Bachelor of Communication Studies (Honours) (BCS(Hons)), 2008 /." Click here to access this resource online, 2008.

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