Relevant bibliographies by topics / Flowers in art. ko

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Flowers in art. ko'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Flowers in art. ko"

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Anderson, Christopher. "Flowers, opera and art." Nature 351, no. 6323 (1991): 173. http://dx.doi.org/10.1038/351173b0.

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Warhol, Andy. "Art at Mayo Clinic Flowers." Mayo Clinic Proceedings 76, no. 4 (2001): 418. http://dx.doi.org/10.4065/76.4.418.

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Marnin-Distelfeld, Shahar, and Edna Gorney. "Why Draw Flowers?" Anthropology of the Middle East 14, no. 1 (2019): 45–69. http://dx.doi.org/10.3167/ame.2019.140104.

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Botanical art and illustration, presented alongside scientific descriptions, were at the heart of Jewish national projects during the British Mandate in Palestine-Israel and following the establishment of the state of Israel in 1948. Looking back, we recognised three prominent women artists who contributed widely to many such botanical projects: Ruth Koppel, Esther Huber and Bracha Avigad. This study aims to investigate the plant images these three artists have created. We will do so by using the approach of visual anthropology while focusing on two main aspects: the connection between botanic
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T.M., Cherevchenko, and Chuvikina N.V. "Svitlana Mykolaevna Pryhod'ko – remarkable scientist, who lived in love with flowers (on the 80-th anniversary of birth)." Plant Introduction 13 (March 1, 2002): 133–35. https://doi.org/10.5281/zenodo.3333819.

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Lee, Deborah. "Reality, Unreality, and Artistic Deception: The Ethical Dimensions of the Knowledge Organization of Art Documentation." KNOWLEDGE ORGANIZATION 47, no. 8 (2020): 631–45. http://dx.doi.org/10.5771/0943-7444-2020-8-631.

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The ethics of describing and indexing works which have an element of deception is an important topic within the arena of knowledge organization (KO). However, what happens if the unreal element is for artistic purposes and is part of the experience of the document? The focus of this article is on the KO of art documentation. It considers art documents where unreality and mistruth are part of a document’s creative and artistic purpose. Three examples of exhibition documentation for contemporary art are explored. These illuminate the KO implications of unreal elements in artworks, exhibitions an
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Dufresne, Kelsey Virginia. "Reframing Art with Nature: Flowers, People, and Art in Bloom." AM Journal of Art and Media Studies, no. 25 (September 15, 2021): 67–80. http://dx.doi.org/10.25038/am.v0i25.448.

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In extending Bernard Stiegler’s conceptualizations of life as the economy of death and Alexander Marshack’s historical tracings of early-human artifacts in relation to flowers, I strive to situate and read flowers as media that they carry an embedded history and infrastructure that reflects and challenges the anthropocentrism that has cultivated, commodified, and curated blooms throughout time. In looking to theorists such as Donna Haraway and Jane Bennett, I study a specific event in which flowers are presented to the public as art: the North Carolina Museum of Art’s Art in Bloom. Art in Bloo
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Sung, Gum-Ju, and Yong-Mi Jin. "A Study on Hair Art with the Motif of Winter Flowers." Journal of the Korean Society of Cosmetology 27, no. 6 (2021): 1307–12. http://dx.doi.org/10.52660/jksc.2021.27.6.1307.

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The purpose of this study is to increase the artistic value of hair art. And it is about providing basic data and expanding contributions to follow-up research. Hair art works reinterpret the inner beauty of winter flowers that bloom in full bloom in the cold winter. The research method collected prior studies and references based on winter flowers. Also, we selected four types of winter flowers and analyzed their shapes and colors. I created 4 pieces of hair art. As a result, the colorful color of work 1 increased the aesthetic effect due to its high chroma. Works 2 expresses the elegance of
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Choi, Ji-Hye, and Eun-Jun Park. "Production of Hair Art Based on Rare Species of Flowers." Journal of the Korean Society of Cosmetology 30, no. 1 (2024): 1–11. http://dx.doi.org/10.52660/jksc.2024.30.1.1.

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Flowers are the outcome of plants. They have been commonly used as a material for art because they can express beauty with various colors and make diverse expressions possible. With the growth and development of the beauty art industry, people’s interest in hair art has increased. At the same time, materials for hair art have become diversified. For example, waste hair has been used for painterly-style art. In addition, color is emphasized for a formative meaning. In hair art created with flower images, hair is used to express flowers' diverse colors and 3-dimensional effects. The study result
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Thom, Johan, Willem Boshoff, and Olu Oguibe. "Flowers, sex, labour and loss." Image & Text, no. 37 (November 1, 2023): 1–16. http://dx.doi.org/10.17159/2617-3255/2023/n37a26.

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Transcript of the keynote conversation between Willem Boshoff and Olu Oguibe at the Art, Access and Agency - Art Sites of Enabling Conference hosted by the University of Pretoria's School of the Arts and the University of Pretoria's Transformation Directorate from 7-9 October 2021. The conversation is introduced and moderated by Johan Thom. Transcribed by Natasha Kudita
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Kurbanova, Umida Mamazulun qizi. "BOSHLANG'ICH SINF O'QITUVCHILARI TOMONIDAN ART-PEDAGOGIKANI FANLARARO INTEGRATSIYADA QO'LLASHNING AHAMIYATI." Universal International Scientific Journal 2, no. 4 (2025): 101–6. https://doi.org/10.5281/zenodo.15229823.

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Ushbu maqolada boshlang'ich sinf o‘qituvchilarining art-pedagogikani fanlararo integratsiyada qo‘llashning ahamiyati o‘rganilgan. Maqolada art-pedagogikaning zamonaviy ta'lim tizimida qanday o‘rin tutishi, o‘qituvchilar uchun metodologik yondashuvlar va fanlararo integratsiyaning pedagogik faoliyatdagi roli ko‘rib chiqilgan. Tadqiqotda boshlang'ich sinf o‘qituvchilari tomonidan san'at va ta'limning integratsiyalashuvi orqali o‘quvchilarning kognitiv va emotsional rivojlanishiga qanday ta'sir ko‘rsatishi tahlil qilingan. Tadqiqotda o‘q
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Dissertations / Theses on the topic "Flowers in art. ko"

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Steiger, Isadora. "Skinny Girls Bleed Flowers, and Other Sick Lies." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1133.

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This short film visualizes the experiences of seven Scripps students who have or have had eating disorders, using interview audio and projected imagery to critique existing media portrayals of eating disorders, as well as humanizing those who actually suffer from them.
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Robertson, Laura. "A Closer Look at Flowers: Exploring Structure and Function in Science and Art." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/762.

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Ghani, Sulaiman Abdul. "The forms and colors of nature on silk /." Online version of thesis, 1987. http://hdl.handle.net/1850/10427.

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Mills, Lori. "Floralware /." Online version of thesis, 1989. http://hdl.handle.net/1850/10924.

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Spickard, Kristen R. "Patterns." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343703458.

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Bashir, Majedah. "Floral images in metal." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/724965.

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This creative project will culminate in a show of twenty-five pieces of metalwork, both wearable and sculptural, using as source material the rich tradition the floral imagery found in Islamic arts. Specifically the pieces will be based on the art of the Persian Gulf area. sources will be floral images as expressed in architectural elements, fabric, tiles, and other related arts or crafts.<br>Department of Art
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Günther, Sabine [Verfasser]. "Untersuchungen zur Art und Häufigkeit von Spontanveränderungen im Auge der ApoE-KO-Maus unter Berücksichtigung diätischer Einflüsse / Sabine Günther." Gießen : Universitätsbibliothek, 2011. http://d-nb.info/1063177545/34.

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Torres, Anita Jacinta. "The Flora and Fauna in Eighteenth-Century Colonial Mexican Casta Paintings." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5210/.

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The primary objective of this thesis is to identify patterns of appearance among the flora and fauna of selected eighteenth-century New Spanish casta paintings. The objectives of the thesis are to determine what types of flora and fauna are present within selected casta paintings, whether the flora and fauna's provenance is Spanish or Mexican and whether there are any potential associations of particular flora and fauna with the races being depicted in the same composition. I focus my flora and fauna research on three sets of casta paintings produced between 1750 and 1800: Miguel Cabrera's 17
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Ehne, Sandra. "Dubbeltydigheter i det kvinnliga könets gestaltning : Om Georgia O’Keeffes blomstermålningar och roll som konstnär." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5997.

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Eliasson, Matilda. "En bortglömd värld av blommor : Märta Rudbecks konstnärskap under tidigt 1900-tal." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-429555.

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This thesis rediscovers the Swedish painter Märta Rudbeck (1882–1933). During her lifetime she was an esteemed composer of flower still lifes and portraits. Her forgotten heritage follows those of other female artists, whose legacies are long forgotten. By retracing her life through archives and newspaper articles, a picture of her upbringing, education, career and network affiliations emerges. By using the French sociologist Pierre Bourdieus field theory, the aim of the thesis is to analyse the social, educational, cultural and economic aspects that affected Märta Rudbeck’s life, and how this
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Books on the topic "Flowers in art. ko"

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Ko, Hong-gon. Sesang, nŏ rŭl kkot ira purŭnda: Ko Hong-gon sajinjip. Chinu, 2011.

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Liverpool, Tate Gallery, ed. Art from Ko ln. Tate Gallery Liverpool, 1989.

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Hanʼguk Ko Misul Saryojŏn (1996 Kongpʻyŏng Atʻŭ Sentʻa). Hanʼguk ko misul saryojŏn. Hanʻguk Ko Misul Hyŏphoe, 1996.

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Rasmussen, Naja. Flowers in art. Edited by Arken museum for moderne kunst (Ishøj, Denmark) and Global Denmark A/S. ARKEN Museum of Modern Art, 2021.

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Gill, Stephen. Hackney flowers. Nobody in association with the Archive of Modern Conflict, 2007.

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Azuma, Makoto. Encyclopedia of flowers. Lars Müller, 2012.

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Peter, Mitchell. Flowers. Scala Books, 1992.

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Self, Jo. Flowers. Frances Lincoln, 2003.

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Ko, Kyŏng-ok. T'ajadŭl ŭi sam: K'yureit'ŏ Ko Kyŏng-ok ŭi sesang ilki. Kŭl Nurim, 2020.

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Export, Valie. Das Reale und sein Double: Der Ko rper. Benteli Verlag, 1992.

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Book chapters on the topic "Flowers in art. ko"

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Erfle, Stephen. "Centered-Point Flowers." In Electronic String Art. A K Peters/CRC Press, 2024. http://dx.doi.org/10.1201/9781003402633-18.

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Kennedy, Fen. "Bloodied Beaches, Copper Flowers." In Politics as Public Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003231141-10.

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Ajmera, Ishan, Dov Stekel, Leah Band, and Charlie Hodgman. "Roots or Flowers? Take a Guess." In The Art of Theoretical Biology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_33.

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Maguire, Eunice Dauterman. "Firm flowers in the artifice of transience." In The Eloquence of Art. Routledge, 2020. http://dx.doi.org/10.4324/9781351185592-10.

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Vaccari, Alessandra. "Wearing Flowers Art, Fashion and Masculinity in 1920s Italy." In Advances in Fashion and Design Research. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16773-7_9.

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Petry, Michael. "A Queer Balance: Power Relations in Homosexual Representations and in Choosing Flowers." In Pornographic Art and the Aesthetics of Pornography. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137367938_14.

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Metlić, Dijana. "Ko je Danica Nikić? Novosadska kulturna scena između dva rata i prisustvo likovnih umetnica na njoj." In Identitet umetnice u srpskoj modernoj umetnosti = The Identity of Female Artist in Serbian Modern Art. Akademija umetnosti, 2024. http://dx.doi.org/10.18485/uns_arsfid.2024.ch4.

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McWhinnie, Harold J. "Satanic Flowers." In The Pattern Book: Fractals, Art, and Nature. WORLD SCIENTIFIC, 1995. http://dx.doi.org/10.1142/9789812832061_0154.

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Robb, John. "Flowers in the Forest." In The art of darkness. Manchester University Press, 2023. http://dx.doi.org/10.7765/9781526173225.00030.

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"How to Arrange Flowers." In Floral Art Of Japan. Routledge, 2013. http://dx.doi.org/10.4324/9780203040591-14.

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Conference papers on the topic "Flowers in art. ko"

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Ratnayaka, Nadeeshani, and Sherry Haar. "The Unseen Art of Flowers: A Value-Added Application for Floral Waste." In Breaking Boundaries. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.13797.

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Del Sole, Francesco. "Hints for a Neo-Baroque Aesthetic in Contemporary Architecture." In 6th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2023, 14-16 June 2023. Alanya University, 2023. http://dx.doi.org/10.38027/iccaua2023en0061.

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The 17th century has always been called 'the century of flowers'. Apart from the invasion of exotic plants from the New World, the birth of the Flower Garden as a new type of exposition and the evolution of the art of gardening, the flower is a symbol of an era. Baroque architecture is defined precisely by the 'witty shapes' of the curved lines and the impressive 'decorative efflorescence'. This paper intends to highlight the neo-Baroque character intrinsically present in some of the greatest contemporary architects such as Paolo Portoghesi, Frank Gehry and Jean Nouvel who, in parallel with th
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Ye, Ting. "Discussion on the Influence of "A Dream of Red Mansions" on Zhang Ling's "The Affair of Flowers"." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.12.

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Yao, Xiujuan. "On Yiqiang Wu’s Individualism in His Performance Art." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-025.

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This study focuses on the contemporary Chinese artist Yiqiang Wu’s performance art in the 2000s. During the past several decades, Yiqiang Wu has used his physical body to express his views of “individualism”, which stresses the importance of individual freedom over the conformity of societal groups. Starting from the metaphorical ceremonies in “Drops of Light” (1999), “Bathing in the Field of Canola Flowers” (2000), and “A Funeral at the End of the 20th Century” (1999), Yiqiang Wu refuses to live the illusive life of “quiet desperation,” as Henry David Thoreau writes in his classic Walden. On
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STAMATI, Elena. "Valuation of non-traditional techniques of application in kindergarten." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v2.21-22-03-2024.p203-207.

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The article addresses the issue of application as a technique or process of decorative art. The application is the most accessible and the simplest method of creating works of art, it is based on cutting out various details and applying them to the background in a certain order. The parts are fixed to the base using different adhesives. Nowadays, a wide variety of elements can be used in applications: paper of various types, fabrics, threads, dried plants, leaves, seeds, flowers and other materials from nature. The work presents the materials and tools necessary for the application: scissors,
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Guo, Zhou, та David L. Rhode. "Assessment of Two- and Three-Scale k-ε Models for Rotating Cavity Flows". У ASME 1995 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1995. http://dx.doi.org/10.1115/95-gt-300.

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A three-scale k-ε turbulence model was recently developed for complex flows such as the rotor-rotor and rotor-stator cavities found in gas turbine engines. The three-scale model is a logical extension of the previous two-scale k-ε model of Ko and Rhode (1990). Both multi-scale turbulence models are presented and assessed via comparison with measurements for possible adoption in future cavity computations. A single computer code solving the 2-D axisymmetric Navier-Stokes equations with a “switch” for selecting among the various turbulence models being compared was used. It was found for both ca
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Cao, Thi Hao. "Research on Tay Ethnic Minority Literature in Vietnam Under Cultural View." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-3.

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The Tay people are an ethnic minority of Vietnam. Tay literature has many unique facets with relevance to cultural identity. It plays an important part in the diversity and richness of Vietnamese literature. In this study, Tay literature in Vietnam is analyzed through a cultural perspective, by placing Tay literature in its development from its birth to the present, together with the formation of the ethnic group, and historical and cultural conditions, focusing on the typical customs of the Tay people in Vietnam. The researcher examines Tay literature through poems of Nôm Tày, through the wor
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Meyle, Lucy, Emily O'Hara, and Monique Redmond. "The Colophon: Where moving parts come together." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.131.

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This proposal considers the colophon as a conceptual structure for thinking through lists and listing within our creative practice(s). Conventionally, the colophon is a short piece of text that details information about the making of a publication or its intended use. Most often, the colophon specifies the how, where, and when: the typeface and paper stock; the location, date, edition number, and method of printing. It can also foreground the relational aspects of publishing – the with who or the why here. Colophons appear at the opening or the closing of a publication, and the information wit
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Reports on the topic "Flowers in art. ko"

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Charusiri, Punya, Wasant Pongsapich, and Chakkaphan Sutthirat. Petrochemistry of probable gem-bearing basalts in Sop Prap-Ko Kha Area, Changwat Lampang : research report. Chulalongkorn University, 1996. https://doi.org/10.58837/chula.res.1996.17.

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The project area covers approximately 300 km[superscript 2] encompassing parts of Amphoe Sop Prap, Amphoe Ko Kha, and Amphoe Mae Tha of Changwat Lampang. The area is mainly occupied by sedimentary (and metamorphic) rocks of Permian, Triassic, Tertiary and Quaternary ages. The Triassic rocks include the Phra That, the Pha Kan, and the Hong Hoi Formations of the Lampang Group. Igneous rocks comprise Permo-Triassic volcanics, Triassic granodiorite, and Cenozoic basalts. Sapphires are frequently found in alluvial and residual deposits, particularly in the northern basaltic area. Sapphires in the s
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Варданян, Марина Володимирівна, Ірина Анатоліївна Дирда, and Маргарита Вікторівна Кірєєва. Cultural memory of Chornobyl in literature and fine arts (in case of a picturebook “The Flowers beside the Fourth Reactor” by K. Mikhalitsyna and paintings by M. Prymachenko). Atlantis, 2022. http://dx.doi.org/10.31812/123456789/7059.

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From the category “cultural memory”, the paper compares the works of different arts – a picturebook Kvity bilia chetvertoho (The Flowers beside the Fourth Reactor) by K. Mikhalitsyna and paintings of a representative of naive art, an artist M. Prymachenko. The paper explores the interaction of various arts based on Chornobyl’s issue within the comparative interpretation. The Flowers beside the Fourth Reactor by K. Mikhalitsyna narrates the life of M. Prymachenko and refers to her paintings devoted to Chornobyl. From the reception of fine arts, the writer’s picturebook raises verbilised and vis
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Tuller, Markus, Asher Bar-Tal, Hadar Heller, and Michal Amichai. Optimization of advanced greenhouse substrates based on physicochemical characterization, numerical simulations, and tomato growth experiments. United States Department of Agriculture, 2014. http://dx.doi.org/10.32747/2014.7600009.bard.

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Over the last decade there has been a dramatic shift in global agricultural practice. The increase in human population, especially in underdeveloped arid and semiarid regions of the world, poses unprecedented challenges to production of an adequate and economically feasible food supply to undernourished populations. Furthermore, the increased living standard in many industrial countries has created a strong demand for high-quality, out-of-season vegetables and fruits as well as for ornamentals such as cut and potted flowers and bedding plants. As a response to these imminent challenges and dem
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