Academic literature on the topic 'French literature catalog'

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Journal articles on the topic "French literature catalog"

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Demakhina, Alla. "THE CEMETERY IN THE “PARADISE OF LOVE”: TRANSFORMATION OF THE COURTLY “EARTHLY PARADISE” IN FRENCH ALLEGORICAL LITERATURE OF THE LATE MIDDLE AGES." Lomonosov Journal of Philology 48, no. 3, 2025 (2025): 196–203. https://doi.org/10.55959/msu0130-0075-9-2025-48-03-17.

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The aim of this paper is to show how the representation of the court of Love (Amour), an ideal, “heavenly” space, is affected by the image of a cemetery. The court of Love is usually described as an ideal garden, a sort of “avatar” of the Earthly paradise. But this imagery changes in French allegorical texts of the 15th century. It becomes more complex in the texts of Achille Collier (Hospital of Love), Martin Le Franc (The Champion of Women) and Rene d’Anjou (The Book of The Love-Smitten Heart): the imagery contains not only a garden, but other locations, and specifically a cemetery. The desc
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Arias-Vikhil, Marina A., and Yakov D. Chechnev. "Flowers of Evil by Charles Baudelaire in the Translations and Edited by N.S. Gumilev (Unfulfilled Project by Publishing House “World Literature”)." Studia Litterarum 9, no. 3 (2024): 468–95. http://dx.doi.org/10.22455/2500-4247-2024-9-3-468-495.

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Based on hitherto unpublished archival documents from the Gorky Archive at IWL RAS and TsGALI, the article analyses the work of Gumilyov as a compiler, translator, and editor of the book Flowers of Evil by Charles Baudelaire, prepared for publication in “World Literature” in 1918–1921. For researchers, the most significant activity of Gumilev of this period was his work on preparing for publication outstanding French poets, widely represented in the Catalog of the publishing house “World Literature” (1919). The example of the poem “Death of Lovers” demonstrates the particular attitude of Gumil
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Motten, J. P. Vander, and Sien Uytterschout. "The Earliest Dutch-Language Translations of Poe’s Tales, 1845–1900." Edgar Allan Poe Review 23, no. 2 (2022): 171–208. http://dx.doi.org/10.5325/edgallpoerev.23.2.0171.

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Abstract Whereas Poe’s influence on many national literatures has been the subject of serious scholarly investigation, no attention has been paid to the nineteenth-century Dutch-language imitations, adaptations, and translations of his tales in the Netherlands and Flanders. Based on unexplored evidence in contemporary journals and newspapers, this contribution fills this gap by examining the earliest of such translations, published in the first seventeen years after the author’s death. The appendix provides the first-ever catalog of recoverable translations and adaptations of Poe’s tales until
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Erlikh, V. A. "Publishing educational and educational literature in Siberia and the Far East at the end of the 19th – 20th centuries." Proceedings of SPSTL SB RAS, no. 4 (November 21, 2024): 36–44. https://doi.org/10.20913/2618-7515-2024-4-36-44.

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The purpose of the article is to form an idea about the release of educational and methodical literature on disciplines taught in various educational institutions of the Far East in the pre–revolutionary period. In this regard, the author provides statistical information on the release of literature by year and city of the Amur Educational District, demonstrates the variety of topics of published works, the structure and content of a number of publications. The source base was data from volumes 1 and 2 of the "Consolidated Catalog of the Siberian and Far Eastern Books" (Novosibirsk, 2004). Whe
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Pastor Briones, Vicent. "Les edicions catalanes del Pierres de Provença: Estat de la qüestió." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 7, no. 7 (2016): 52. http://dx.doi.org/10.7203/scripta.7.8055.

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Resum: La novel·la anònima Pierres de Provença ens arriba des d’un original francès escrit a mitjan segle XV passant per algunes traduccions castellanes i catalanes que van fer-se des de principis del segle XVI. Malgrat la poca atenció que li ha dedicat la crítica literària en general, les aventures del cavaller Pierres i la gentil Magalona han comptat amb lectors de forma continuada fins al segle XIX. Aquest relat cavalleresc és un dels pocs títols que conformen el catàleg de la prosa impresa en català en l’època moderna, i és, per tant, força convenient fer una adequada catalogació de les ed
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Natchkebia, Irène, and Nikoloz Nakhutsrishvili. "ON THE AUTHORSHIP OF THE PERSIAN QASID DEDICATED TO NAPOLEON." Near East and Georgia 14 (December 15, 2022): 35–48. http://dx.doi.org/10.32859/neg/14/35-48.

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This article focuses on a Persian qasida consisting of 19 bayts (verses) praising Napoléon. Written in nasta’liq calligraphy, the manuscript is held in the catalog of Persian and Turkish manuscripts at the University Library of Languages and Civilizations in Paris. It is not signed or dated, and was established by Dr. Francis Richard in March 2014, for which we thank him. The qasida is organized into three rows: the first and second contain six bayts each, while the third contains seven. Although the title suggests that it primarily praises Napoleon, the content indicates that it equally conce
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E.E., Agratina. "PIERRE CROSAT (1665-1740). FINE ARTIST, PATRONS AND COLLECTOR." Человеческий капитал, no. 2(170) (March 27, 2023): 52–61. http://dx.doi.org/10.25629/hc.2023.02.06.

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The artistic environment of Paris at the end of the 17th-18th centuries included not only masters of various specializations, but also people who, not practicing art, were interested in them. We are talking about theorists, critics, patrons and collectors. One of the most significant figures was the financier Pierre Crozat, who patronized the artists, collected a large-scale collection of works of art, and organized regular meetings of connoisseurs in his house. The purpose of the article is to analyze all the diverse activities of Crozat and its significance for the Parisian cultural environm
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Simón, Paula. "Catalan editions in resistance: The publication of testimonial narrative about French concentration camps in Catalan during Franco’s dictatorship." International Journal of Iberian Studies 34, no. 2 (2021): 151–70. http://dx.doi.org/10.1386/ijis_00050_1.

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As part of its repressive programme, Franco’s regime significantly limited the publication of literature in Catalan, a language that was pejoratively reduced to the category of dialect. In that context, the decision of writing and editing books in Catalan during the military dictatorship (1939‐75) was itself an act of resistance. This article studies a series of testimonial narratives that were published in the late 1960s and early 1970s in Spain about French concentration camps, including Crist de 200.000 braços. Refugiats catalans als camps de concentració francesos (1968), by Agustí Bartra;
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Hinzelin, Marc-Olivier. "Die Stellung der Objektpronomina in frühen okzitanischen und katalanischen Texten im Vergleich." Zeitschrift für Katalanistik 17 (July 1, 2004): 111–29. http://dx.doi.org/10.46586/zfk.2004.111-129.

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The article stresses mainly the comparison of the position of the clitic object pronouns with respect to finite verbs in two languages from the (Eastern) Pyrenees, Catalan and Occitan. The position of the weak pronoun in relation to the finite verb in Old Occitan and Old Catalan shows interesting differences to the modern varieties of these languages and to Old French. Both languages allow, like contemporary European Portuguese, the positioning of the object pronoun directly after the finite verb in unmarked main sentences. Unlike in Old French this applies irrespective of verb-first-construct
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Coderch, Marion. ""Lo rossinhols s'esbaudeya" (70, 29): Bernart de Ventadorn, Courtly Ethics and the Catalan Tradition." Glossator: Practice and Theory of the Commentary 4 (June 5, 2011): 101–14. https://doi.org/10.5281/zenodo.10412753.

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The legacy of Bernart de Ventadorn (fl. 1147-1170) in Catalan and Valencian lyric of the 14th and 15th centuries, while as important as his impact on German and French traditions (for instance, Gaucelm Faidit, fl. 1172-1203), is much less known. This article fills an important gap by tracing intertextual echoes of one poem, "Lo rossinhols s’esbaudeya," in later texts by Pere Torroella (ca. 1420-95, author of poems in Catalan and Castilian, and the central figure at the court of Juan II of Aragon, including in Naples from 1450, and Carlos IV of Navarra), Gilabert de Próixita (fl. 1
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Dissertations / Theses on the topic "French literature catalog"

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Kim, Lauren J. "French royal acts printed before 1601." Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/463.

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This thesis is a study of royal acts printed in French before 1601. The kingdom of France is a natural place to begin a study of royal acts. It possessed one of the oldest judicial systems in Europe, which had been established during the reign of St Louis (1226-1270). By the sixteenth century, French kings were able to issue royal acts without any concern as to the distribution of their decrees. In addition, France was one of the leading printing centres in Europe. This research provides the first detailed analysis of this neglected category of texts, and examines the acts’ significance in Fre
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Gutt, Blake Ajax. "Rhizomes, parasites, folds and trees : systems of thought in medieval French and Catalan literary texts." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278413.

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This thesis investigates conceptual networks —systems of organising, understanding and explaining thought and knowledge— and the ways in which they underlie both text and its mise en page across a range of thirteenth- and fourteenth-century French and Catalan literary texts and their manuscript witnesses. Each of the three chapters explores a separate corpus of texts, using two of four interrelated network theories: Michel Serres’ notion of parasites and hosts as the basic interconnecting units that combine to constitute all relational networks; the ubiquitous organizational tree; Gilles Deleu
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Nadim, Roxana. "Regards croisés sur Barcelone, ville mythique dans les littératures d'expression française, castillane et catalane : du franquisme aux années 2000." Paris 3, 2008. http://www.theses.fr/2008PA030072.

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Ce travail de recherche interroge l’image de Barcelone dans trois langues et cultures différentes et vise à mettre en valeur les processus de constitution et d’écriture d’un mythe littéraire. En effet, Barcelone est une ville palimpseste, support d’une série de mythifications. A partir du XIXe siècle, à l’heure des grandes œuvres réalistes et naturalistes, Barcelone devient une ville incontournable de la littérature hispano-catalane. Cependant, les ouvrages de cette période ne font pas réellement connaître Barcelone au-delà des frontières espagnoles. Il faut attendre les lendemains de la Premi
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Books on the topic "French literature catalog"

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Léglu, Catherine. Multilingualism and mother tongue in medieval French, Occitan, and Catalan narratives. Pennsylvania State University Press, 2010.

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Valencia), Congrés Internacional de Literatura Comparada (2nd 2000 Universidad de. Les literatures catalana i francesa: Postguerra i engagement. Publicacions de l'Abadia de Montserrat, 2000.

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Canadian Institute for Historical Microreproductions., ed. Langue et littérature canadiennes-françaises: Catalogue = French Canadian language and literature : catalogue. Institut canadien de microreproductions historiques = Canadian Institute for Historical Microreproductions, 1996.

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Chadwyck-Healey, Charles. Literature of the liberation: The French experience in print 1944-1946. Cambridge University Library, 2014.

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Matoušková, Jiřina. Francouzské tisky v arcibiskupské zámecké knihovně v Kroměříži: Miscellanea. Univerzita Palackého v Olomouci, 2016.

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Picard, Audap, Solanet & Associés. Biblioth`eque. Lettres et manuscrits autographes: Dont la vente aux ench`eres publiques aura lieu `a Paris, H^otel Droust, salle no. 9, mardi, novembre 2000. Picard, Audap, Solanet & Associés, 2000.

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León, Carmen Suárez. Biblioteca francesa de José Lezama Lima: Bibliografía. Centro de Investigación y Desarrollo de la Cultura Cubana Juan Marinello, 2003.

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Nigel, Wilkins, and Corpus Christi College, Cambridge. Parker Library., eds. Les Manuscrits français de la Bibliothèque Parker (Parker Library, Corpus Christi College, Cambridge): Actes du colloque, 24-27 mars, 1993. Parker Library Publications, 1993.

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Cole, William. First and otherwise notable editions of medieval French texts printed from 1742 to 1874: A bibliographical catalogue of my collection. Cole & Contreras, 2005.

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SA, Sotheby's France. Collection littéraire Pierre Leroy, grands écrivains surréalistes et de l'après-guerre. Sotheby's, 2002.

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Book chapters on the topic "French literature catalog"

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Cabal Guarro, Miquel. "More Than a Century of Dostoevsky in Catalan." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.02.

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This essay explores the factors that shaped the introduction and dissemination of Dostoevsky’s works in the Catalan cultural sphere, focussing on several different stages of the author’s translations into Catalan. In the late 1800s, Russian literature was largely unknown in Catalonia; interest grew due to the public’s fascination with Russian political movements and the fin de siècle avant-garde, as well as the agitational political climate in Spain. The Catalan intelligentsia typically accessed new aesthetic forms through French publications, including Russian literature: the first translatio
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Gemicioglu, Sarah Feryal. "A comparison of the early grammaticalization of vado + INF in Catalan, Spanish and French." In IVITRA Research in Linguistics and Literature. John Benjamins Publishing Company, 2022. http://dx.doi.org/10.1075/ivitra.31.06gem.

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Racioppi, Pier Paolo. "Scuole Italiane or Scuola Italiana? Art Display, Historiography, Cultural Nationalism, and the Newly Founded Pinacoteca Vaticana (1817)." In Art and Its Geographies. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789463728140_ch20.

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The inaugural arrangement of the Pinacoteca Vaticana, instituted in 1817, after the restitution of the artworks confiscated by the French army in 1797, aimed to celebrate the ‘Italian school’. The notion of a singular scuola italiana was revealed through the choice and arrangement of specific paintings, as well as through the Pinacoteca’s catalogue and the literature of the time. This notion matured during and after the French rule of the Italian peninsula as a result of growing Italian cultural nationalism.
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"Conclusions." In Indexing the Early Modern Printed Image A Digital Catalogue on the Illustrated Book in Lyon (1480-1600). Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-879-8/006.

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The Lyon printing industry not only printed the first book in French, but introduced the illustrated book to France. The quantity of books published in Lyon during the Renaissance is lower only than that of books published in Paris, and differs from Parisian production by the importance given from the beginning to the role of the image. The production of illustrated books was characterised by the variety of literary genres, including religious works, scientific treatises, books of poetry, and works of classical literature.
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Conference papers on the topic "French literature catalog"

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Martín, Sergio. "Ensayistas: cartografías de la experimentación y las experiencias fílmicas." In II Congreso Internacional Estéticas Híbridas de la Imagen en Movimiento: Identidad y Patrimonio. Universitat Politàcnica de València, 2021. http://dx.doi.org/10.4995/eshid2021.2021.13236.

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El ensayo fílmico ha sido largamente subordinado como un destilado de otros géneros como el documental o la literatura. A pesar de que ello ha sentado las bases sobre las que comenzar a analizar estos formatos, otros han errado en olvidar el carácter audiovisual frente a la herencia literaria (Lopate, 2007). Por este motivo, cabe repensar la naturaleza de esta categoría, la cual excede las tipologías clásicas por su capacidad de experimentación en las formas, así como su maleabilidad plástica a la hora de trabajar con las imágenes en movimiento. Este hecho se refleja en cómo fluctua narratológ
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