Relevant bibliographies by topics / Galsworthy, John, Galsworthy, John

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Galsworthy, John, Galsworthy, John'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Galsworthy, John, Galsworthy, John.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Galsworthy, John, Galsworthy, John"

1

Felicity Durey, Jill. "John Galsworthy's Conscience and First World War Disablement." Victoriographies 8, no. 2 (July 2018): 151–69. http://dx.doi.org/10.3366/vic.2018.0303.

Full text
Abstract:
The article traces, from a literary perspective, John Galsworthy's (1867–1933) conscience in his fictional depictions and non-fictional discussions of those damaged and disabled by World War One. It notes that, for the duration of the War, Galsworthy was tireless in his writing crusade on topics relating to the hostilities, but fell silent on these matters after the War, when he returned to his much broader range of topics. Through its references to both narratives and essays, the article demonstrates Galsworthy's strong advocacy for restoring disabled men to dignified work and self-respect, whereby they can continue to fulfil their vital masculine role in society, including their romantic life. As is shown in the article, Galsworthy believed that this restorative period could involve re-training for more challenging work than men had undertaken before the War. The article stresses Galsworthy's holistic approach to men's restoration in his constant reminder to the nation that, for this to take place, both the mind and the body need equally to be healed. While adequate resources were needed for rehabilitation requiring training establishments and technology for prosthetic limbs, often the most effective psychological restoration entailed no funds at all, especially when it encompassed therapy through women's beauty and through the human-animal bond. The article includes Galsworthy's wider focus, too, on civilian adults and children who were wounded and disabled by the War. It also compares Galsworthy's views on rehabilitation and healing with those of modern commentators, and illustrates how, for his time, some of his ideas were particularly advanced.
APA, Harvard, Vancouver, ISO, and other styles
2

Atamurodova, Feruza. "PROBLEM OF CHARACTER IN THE LITERARY WORKS OF JAMES JOYCE AND JOHN GALSWORTHY." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 14–20. http://dx.doi.org/10.26739/2181-9297-2020-6-2.

Full text
Abstract:
The article reveals the features of works by well-known English writers James Joyce and John Galsworthy , the steps of their creative career and their contribution to the English literature. The article discusses the talent of describing human character of these writers in their works. Ethical position of John Galsworthy in literary system is different from James Joyce’s. His соnception of humanity and life is also variable, as Galsworthy approached in another position for character notion. Thus the similarity can be observed in the main heroes of novels of Joyce and Galsworthy.
APA, Harvard, Vancouver, ISO, and other styles
3

Parrinder, Patrick, Alec Fréchet, Denis Mahaffey, and Alec Frechet. "John Galsworthy: A Reassessment." Yearbook of English Studies 16 (1986): 344. http://dx.doi.org/10.2307/3507858.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Durey, Jill Felicity. "Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’." Literature & History 30, no. 1 (May 2021): 45–61. http://dx.doi.org/10.1177/03061973211007349.

Full text
Abstract:
This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.
APA, Harvard, Vancouver, ISO, and other styles
5

Durey, Jill Felicity. "John Galsworthy and Slum Clearance." Texas Studies in Literature and Language 62, no. 1 (March 2020): 45–72. http://dx.doi.org/10.7560/tsll62103.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Halchuk, Oksana. "“Apple Blossoms” and “The Apple Tree”: Two Perspectives Typological and Ideological Similarities in Short Stories by Mykhailo Kotsiubynsky and John Galsworthy." Respectus Philologicus, no. 38(43) (October 19, 2020): 150–62. http://dx.doi.org/10.15388/respectus.2020.38.43.64.

Full text
Abstract:
The article provides comparative analysis of Apple Blossoms by Mykhailo Kotsiubynsky and The Apple Tree by John Galsworthy. Both authors explore human morality in a crisis of confrontation between sensuality and death, the beauty of life and the beauty of art. At the structural level, the works share an element of paratext, novelistic nature, polysemic images-landscapes, and methods of psychologization. Galsworthy engages the antinomy of the city – province, resorts to irony, and combines elements of impressionist writing with the traditions of realistic socio-psychological prose. In contrast, Kotsiubynsky systematically implements the impressionist fragmentary nature of the composition, symbolism of visual and auditory images, in-depth psychoanalysis, and the conventionality of the chronotope. The issues of short stories are diversified and aesthetic – as is distinct for modernist literature – implicitly in Kotsiubynsky’s work, and most explicitly through the connections with the Antiquity and English intertext in Galsworthy’s prose.
APA, Harvard, Vancouver, ISO, and other styles
7

Koroleva, Svetlana B., and Natalya B. Shibaeva. "Conscience as an Experiment: The Russian Subtext of John Galsworthy’s Short Story “Conscience”." Imagologiya i komparativistika, no. 14 (2020): 110–21. http://dx.doi.org/10.17223/24099554/14/5.

Full text
Abstract:
John Galsworthy, as it is quite widely known, was strongly influenced by Russian literature. What is much less known, or even realized, is that this influence had at least two major lines: (1) a literary line, connected with a vivid perception of style, plot, other aesthetic and ideological discoveries of Russian novelists, and (2) a cultural line that carried Galsworthy to philosophizing on such problems as national character, national culture, and the historical development of the European civilization. In this second respect, Chekhov can be considered the central figure for the English writer. This supposition is based on some Galsworthy’s essays in which Chekhov’s name is directly connected with the idea of “Russianness”, with such typical, according to the English writer’s point of view, Russian traits as “a passionate search for truth”, emotionality, self-knowledge, and self-declaration. Thus, these were, primarily, Chekhov’s works that served for Galsworthy as the basis for his very special—both aesthetic and ideological—experiment. Galsworthy conducted this experiment in his short story under a “Russian”, if not “Chekhovian”, title “Conscience” (cf., Chekhov’s short story “Bezzakonie” [Iniquity, Lawlessness]). Conscience is a very significant motif in Chekhov’s works, and it obviously plays an important role in works by many other Russian authors, including Dostoevsky, which is not something inexplicable. Unlike English culture, which, during the 17th–19th centuries, shifted from reliance on the inner moral voice in a human being to faith in outer moral rules, Russian culture, on the eve of the 20th century, still preserved the authentic Christian belief that conscience is the voice of truth in man. Since, in his essays, Galsworthy declared Chekhov the most authentic Russian writer of all he had known, it is natural to assume that whenever we speak about the English writer’s experiment dealing with the Russian concept, we should bear in mind Chekhov (as the key point to understand the experiment). The essence of the experiment can be described in terms of transplanting the Russian model of “life according to the voice of conscience” to the everyday English reality contemporary with the author within the aesthetic texture of his short story. As a result, the hero, who starts—rather unexpectedly both for himself and everybody around him— living according to his conscience, loses his social status, money, job, home, as well as trust of all those who know him. He excludes himself (and is excluded) from social life and from all possible connections with the human world: the only “world”, the only environment open for him is nature. The experiment Galsworthy made in his short story “Conscience” proves that the Russian model of “life according to the voice of conscience” is not viable in the circumstances of English reality (contemporary with the author).
APA, Harvard, Vancouver, ISO, and other styles
8

Novokreshchennykh, Irina A. "IMAGES OF CONTEMPORARY ARTISTS IN THE NOVEL ‘THE WHITE MONKEY’ BY JOHN GALSWORTHY." Вестник Пермского университета. Российская и зарубежная филология 12, no. 3 (2020): 95–106. http://dx.doi.org/10.17072/2073-6681-2020-3-95-106.

Full text
Abstract:
The article analyzes the image system in Galsworthy’s novel The White Monkey with a focus on aesthetic directions of modernism and decadence as presented in the text. The novel creates images depicting representatives of new trends in music and visual arts. The study takes into account the names of the artists mentioned by Galsworthy himself and their relationship with real artists. The coexistence of aesthetic concepts in the artistic world of the novel was a response to the struggles in English culture in the first third of the 20th century. Intergenerational conflict is exacerbated by the clash of aesthetic concepts. It is shown how the work of fictional Vertiginist artists (Frederic Wilmer, Claude Brains) reflects Vorticism. The Vorticists identified themselves as the artists of the future, like the Italian Futurists and Russian Cubo-Futurists. The Vertiginist painter Frederic Wilmer is compared to the realist painter Hubert Marsland, whose pictures resemble the works of the Dutch painter Matthijs Maris and the French painter Gustave Courbet. The role of Claude Brains and his works in the inner world of the novel is connected with the use of modernist techniques in style and narration – fragmentation, montage, speed and movement of time. Aubrey Green’s work reflects the perception of the traditions of the Renaissance, Impressionism, Cubism, Art Nouveau graphics, Art Deco. Galsworthy depicts Vertiginists satirically, showing his preference for the character of Aubrey Green with with his mix of different styles. The model Victorine Biсket resembles E. Manet’s model Victorine Meurent. In contrast to the modern art deco trend, Victorine may become a key artistic type of the era, as the female images of Aubrey Beardsley and Charles Dana once became such types. Galsworthy does not unequivocally reject contemporary art. Through the relationship between the past and the present, he expresses his attitude towards contemporary artists.
APA, Harvard, Vancouver, ISO, and other styles
9

Durey, Jill Felicity. "John Galsworthy (1867–1933) and Animal Welfare." Minnesota review 2019, no. 92 (2019): 95–110. http://dx.doi.org/10.1215/00265667-7329816.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Hossain, Md Amir. "Social Realistic Projections of Galsworthy’s Strife." English Language and Literature Studies 5, no. 4 (November 30, 2015): 53. http://dx.doi.org/10.5539/ells.v5n4p53.

Full text
Abstract:
<p>In this article, I intend to focus on the dramatic theory of Galsworthy with a view to fostering the realistic and psychological conflicts and dilemma of early 20<sup>th</sup> century powerful and domineering people in England. Here, this paper can be applied through the critical judgments of two eminent literary critics of Galsworthy for depicting the controversial attitudes of John Antony, the Chairman of the Trenartha Tin Plate Works, and David Roberts, the Strike leader of the workers as reflected in the play-text, <em>Strife</em>. It aims also to look at social realism through the psychological viewpoints of Galsworthy. In this way, the whole submission deals with the analytical projections of social reality, Galsworthy as a realistic dramatist, the impact of social realism in the play, <em>Strife</em>, and its significance as well.</p>
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Galsworthy, John, Galsworthy, John"

1

Harel, Joëlle. "L'argent dans l'oeuvre de John Galsworthy." Rouen, 1989. http://www.theses.fr/1990ROUEL114.

Full text
Abstract:
Les romans, les nouvelles et les pièces de théâtre de John Galsworthy sont traversés par un thème majeur : l’argent. En effet, l'auteur issu de la grande bourgeoisie, y témoigne de l'émergence de la 'gentility' face à l'aristocratie qu'elle cherche à dominer ou à imiter dans une société en pleine évolution, et à définir ses devoirs charitables envers l'humanité souffrante : les paysans, les artisans, les petits vendeurs, les clochards et même les prostituées. Sa passion pour les causes justes le pousse à défendre également les femmes surtout en cas de divorce, les artistes et principalement les habitants des taudis insalubres qui sont légion. Puis, il se tourne vers les grands problèmes économiques comme l'autosuffisance alimentaire de son pays et le chômage. La splendeur victorienne et l'évolution de la période edwardienne provoquent chez Galsworthy une réflexion sur son entourage immédiat pour s'élargir jusqu'à la sauvegarde de la puissance de la Grande-Bretagne dans le monde. La qualité littéraire de son œuvre qui valut à l'auteur le prix Nobel de littérature en 1933, explique le retentissement considérablement de ses écrits sur l'esprit de ses lecteurs
John Galsworthy novels, short stories and plays show one paramount theme : money. The author who belongs to the upper-middle class wrote about the coming of gentility and its struggle against aristocracy, and he stressed its duties towards those who uffer : peasants, downand-out people, beggars, even prostitutes. His love of fairness made him fight for many causes : divorced women, exploited artists and above all the clearning of slums. Then, he devoted himself to big economic issues such as the return to the land, the promotion of british agriculture, unemployment and the dangers of industrialization the power of Victorian Britain and the evolution of Edwardian England made him think first about the society he knew closely, then about the leadership of great britain in the world. He received the nobel prize of literature in 1933 due to his literary talent which is responsible also for his immense power over the minds of his readers
APA, Harvard, Vancouver, ISO, and other styles
2

Owen, Joan Meryl. "John Galsworthy : radical Edwardian or proto-modernist?" Thesis, Edge Hill University, 2016. http://repository.edgehill.ac.uk/8293/.

Full text
Abstract:
The aim of this thesis is to re-evaluate the literary work and reputation of the novelist and dramatist, John Galsworthy. It concentrates mainly on the social novels that were written between 1904 and 1915, and presents a critical analysis of these major works. In particular, it examines Galsworthy’s technique and his engagement with contemporary problematic social issues, drawing comparisons with the work of other major Modernist and Edwardian writers. It observes that Galsworthy’s reputation has never recovered from the partisan attacks and general disparagement of his work by writers of the early phase of literary Modernism such as D. H. Lawrence and Virginia Woolf. It argues that these negative evaluations of Galsworthy are not only motivated by the interests of the self-appointed literary elite, but also a poor and misleading account of his work on both aesthetic and ideological grounds. This thesis attempts an intervention into literary history that will by establish a fairer evaluation of Galsworthy’s work by analysing the self-serving Modernist construction of Edwardian culture as stylistically and politically retrograde, a phase of post-Victorian stagnation, and fundamentally a prelude to Modernist experimentation. The apparent need for Galsworthy to epitomise this situation has resulted in an enduring distortion of his narrative style, and especially his socially progressive ideals; the narrative of Galsworthy as retrograde Edwardian was perpetuated throughout the subsequent twentieth century by the influence of Leavis. In attempting to redress this legacy of misreading the thesis develops a working distinction between the terms ‘Modernism’, as both affiliation and critical idea, and ‘modernising’ as a more judicious evaluation of Galsworthy’s achievement.
APA, Harvard, Vancouver, ISO, and other styles
3

Weiss, Rudolf. "Der Januskopf der traditionellen Moderne : die Dramenästhetik St. John Hankins und John Galsworthys /." Trier : WVT, Wissenschaftlicher Verl. Trier, 2002. http://catalogue.bnf.fr/ark:/12148/cb38899634v.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Coudriou, Jacques. "L'évolution de la haute bourgeoisie dans l'oeuvre romanesque de John Galsworthy." Montpellier 3, 1989. http://www.theses.fr/1989MON30006.

Full text
Abstract:
L'oeuvre romanesque de john galsworthy, prix nobel de litterature en 1932, couvre la periode charniere qui s'etend de la fin de l'ere victorienne aux annees trente, de la belle epoque a un monde bouleverse par la premiere guerre mondiale. Sous l'influence des realistes francais et russes, le domaine privilegie de l'ecrivain est la peinture, souvent satirique quoique teintee d'indulgence, de la haute bourgeoisie dont il est issu et nombre de ses personnages representent le type acheve du pharisien, du philistin, ou du snob, dans des romans aux multiples aspects. Dramatisation symbolique du profond conflit de tendances latent dans l'ame anglaise, cette oeuvre constitue un remarquable document d'histoire et de psychologie sociales, en evolution constante sous la relative immuabilite de la nature humaine. Elle se fonde sur une vision du monde tout a la fois evolutionniste et deterministe, mais liberale et agnostique, par reaction contre la sacralisation de l'ordre etabli. Galsworthy se fait le defenseur des humbles et des faibles, et, contre les empietements de la societe et des conventions, l'avocat eloquent de l'individu, et, surtout, de la femme. Parallelement, l'ecrivain se livre a une redecouverte nostalgique du passe, tente une interpretation du present et s'interroge anxieusement sur l'avenir de sa propre classe, et, plus generalement, de son pays, qu'il croit tous deux menaces de declin, malgre une profonde confiance dans les qualites du peuple anglais
The novels of john galsworthy, nobel prize winner for 1932, spread over the transitional period extending from the late-victorian era to the 1930s, from the belle epoque to a world destabilized by the first world war. Under the influence of the french and russian realists, the writer's favourite field is the picture, often satirical if tinged with indulgence, of the upper middle class to which he belongs. Many of his characters typify the essential pharisee, philistine,, or snob, in his multi-faceted novels. Symbolical dramatizations of the deeply conflicting tendencies latent in the english soul, these works are remarkable documents on social history and psychology, in constant evolution despite the relative immutability of human nature. Galsworthy's work is grounded in an evolutionistic and deterministic vision of the world, although a liberal and agnosticist one, in reaction against the established order. The writer takes up arms in defence of the humble and the weak and feeble; against the encroachments of society and conventions he champions individuals and especially, women. At the same time, he nostalgically revisits the past, attempts to decipher the present and anxiously wonders about the future of his own class, and more broadly, his country, which he believes to be both threatened with decline, in spite of a deep-seated trust in the virtues of the british nation
APA, Harvard, Vancouver, ISO, and other styles
5

Whatmore, Petra. ""That mysterious thing..." : family concept in 'The Forsyte saga', 'To the lighthouse', 'Mrs. Dalloway' and 'Ulysses' /." Tübingen : Stauffenburg verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb392247128.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Åström, Josephine. ""A Queer Fish" : En Queerläsning av John Galsworthys The Forsyte Saga." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18146.

Full text
Abstract:
This paper aims to examine the heteronormativity that is present in John Galsworthy’s The Forsyte Saga. This is achieved by performing a queer reading of the text with the help of Swedish Queer theorists Fanny Ambjörnsson and Tiina Rosenberg. I study the norm and how it is enforced by law, society and family. To get a complete image of the heteronormativity I also need to analyze the gender presented in the saga. For that task I use Judith Butler’s definitions of gender identity and the heterosexual matrix. I conclude that there is only a slight gender variation in the saga, mostly concerning the woman. Meanwhile the norms are broken repeatedly by different people and for different reasons. Generally all the non-normative behavior that is out of the public eye gets included and silenced by the family who acts as the norm.
Den här uppsatsen behandlar genus och heteronormativitet i romansviten Forsytesagan, hur dessa tar sig uttryck och vilken inverkan de har på romanfigurerna. Detta görs genom en queerläsning fokuserad på vad som sägs och än mer inte sägs i sagan. Det som analyseras är relationerna mellan människor, kraven som ställs på dem och deras begär till makt över egendom och över varandra. Vidare diskuteras hur heteronormen förändras under romanens gång, hur romanfigurerna bär sig åt för att hålla sig inom normen och vad som händer med dem som bryter mot normen. Slutsatsen blir att sagan behandlar förvånansvärt många frågor som än idag är aktuella, vissa av dem inlindade för att kunna tas upp i en sekelskiftsroman. Dessutom visas hur både genus och heteronorm förändrats under romanens gång, både i samhället i stort och inom familjen. Inte minst ges exempel på hur familjen agerar som norm och inkluderar alla avvikelser så länge som dessa sköts privat.
APA, Harvard, Vancouver, ISO, and other styles
7

Eissa, Ashraf Abdel-Fattah. "The saga of modern literature : a comparative study of Naguib Mahfouz's The Cario Trilogy and John Galsworthy's Forsyte Saga." Thesis, SOAS, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299180.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Galsworthy, John, Galsworthy, John"

1

Sternlicht, Sanford V. John Galsworthy. Boston: Twayne Publishers, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Harel, Joëlle. L' argent dans l'oeuvre de John Galsworthy. Paris: Gutenberg XXIe s, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

The 'new drama' 1900-1914: Harley Granville Barker, John Galsworthy, St John Hankin, John Masefield. Basingstoke, Hampshire: Macmillan, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

The 'new drama', 1900-1914: Harley Granville Barker, John Galsworthy, St. John Hankin, John Masefield. Houndmill, Basingstoke, Hampshire: Macmillan, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

The ' new drama', 1900-1914: Harley Granville Barker, John Galsworthy, St John Hankin, John Masefield. New York: Grove Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lombrana, Magalie. A study of 'The man of property' by John Galsworthy: Mémoire de maîtrise. [Toulouse]: Université de Toulouse-Le Mirail, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

John, Galsworthy. The Great writers: Their lives, works and inspiration. Vol. 3. Part 34, John Galsworthy : the Forsyte saga. London: Marshall Cavendish, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lown, Sue. 'A fair and high locality': The chronicle of Coombe Ridge House and 'The Manor of Coombe' : childhood home of John Galsworthy, set in the historic Surrey estate. Kingston: PWP Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gindin, James. John Galsworthy’s Life and Art. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08530-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Weiss, Rudolf, and Rudolf Weiss. Der Januskopf der traditionellen Moderne: Die Dramenästhetik St. John Hankins und John Galsworthys. Trier: Wissenschaftlicher Verlag Trier, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Galsworthy, John, Galsworthy, John"

1

Humphrey, Richard. "John Galsworthy." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 36–40. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

McDonald, Jan. "John Galsworthy." In The ‘New Drama’ 1900–1914, 103–47. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-18132-2_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Humphrey, Richard. "Galsworthy, John." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8589-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gindin, James. "Galsworthy Semi-detached." In John Galsworthy’s Life and Art, 347–73. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08530-9_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

McEwan, Neil. "John Galsworthy 1867–1933." In The Twentieth Century (1900–present), 162–72. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Humphrey, Richard. "Galsworthy, John: Das dramatische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8590-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Humphrey, Richard. "Galsworthy, John: The Forsyte Saga." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8591-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gindin, James. "Galsworthys and Bartleets." In John Galsworthy’s Life and Art, 15–37. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08530-9_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gindin, James. "“And John Deserved to be God Too”." In John Galsworthy’s Life and Art, 526–63. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08530-9_21.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Gindin, James. "A Retrospective Introduction." In John Galsworthy’s Life and Art, 1–11. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08530-9_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Galsworthy, John, Galsworthy, John' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography