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Journal articles on the topic 'Galsworthy, John, Galsworthy, John'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Felicity Durey, Jill. "John Galsworthy's Conscience and First World War Disablement." Victoriographies 8, no. 2 (2018): 151–69. http://dx.doi.org/10.3366/vic.2018.0303.

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The article traces, from a literary perspective, John Galsworthy's (1867–1933) conscience in his fictional depictions and non-fictional discussions of those damaged and disabled by World War One. It notes that, for the duration of the War, Galsworthy was tireless in his writing crusade on topics relating to the hostilities, but fell silent on these matters after the War, when he returned to his much broader range of topics. Through its references to both narratives and essays, the article demonstrates Galsworthy's strong advocacy for restoring disabled men to dignified work and self-respect, w

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2

Atamurodova, Feruza. "PROBLEM OF CHARACTER IN THE LITERARY WORKS OF JAMES JOYCE AND JOHN GALSWORTHY." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (2020): 14–20. http://dx.doi.org/10.26739/2181-9297-2020-6-2.

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The article reveals the features of works by well-known English writers James Joyce and John Galsworthy , the steps of their creative career and their contribution to the English literature. The article discusses the talent of describing human character of these writers in their works. Ethical position of John Galsworthy in literary system is different from James Joyce’s. His соnception of humanity and life is also variable, as Galsworthy approached in another position for character notion. Thus the similarity can be observed in the main heroes of novels of Joyce and Galsworthy.

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3

Parrinder, Patrick, Alec Fréchet, Denis Mahaffey, and Alec Frechet. "John Galsworthy: A Reassessment." Yearbook of English Studies 16 (1986): 344. http://dx.doi.org/10.2307/3507858.

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4

Durey, Jill Felicity. "Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’." Literature & History 30, no. 1 (2021): 45–61. http://dx.doi.org/10.1177/03061973211007349.

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This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.

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5

Durey, Jill Felicity. "John Galsworthy and Slum Clearance." Texas Studies in Literature and Language 62, no. 1 (2020): 45–72. http://dx.doi.org/10.7560/tsll62103.

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6

Halchuk, Oksana. "“Apple Blossoms” and “The Apple Tree”: Two Perspectives Typological and Ideological Similarities in Short Stories by Mykhailo Kotsiubynsky and John Galsworthy." Respectus Philologicus, no. 38(43) (October 19, 2020): 150–62. http://dx.doi.org/10.15388/respectus.2020.38.43.64.

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The article provides comparative analysis of Apple Blossoms by Mykhailo Kotsiubynsky and The Apple Tree by John Galsworthy. Both authors explore human morality in a crisis of confrontation between sensuality and death, the beauty of life and the beauty of art. At the structural level, the works share an element of paratext, novelistic nature, polysemic images-landscapes, and methods of psychologization. Galsworthy engages the antinomy of the city – province, resorts to irony, and combines elements of impressionist writing with the traditions of realistic socio-psychological prose. In contrast,

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7

Koroleva, Svetlana B., and Natalya B. Shibaeva. "Conscience as an Experiment: The Russian Subtext of John Galsworthy’s Short Story “Conscience”." Imagologiya i komparativistika, no. 14 (2020): 110–21. http://dx.doi.org/10.17223/24099554/14/5.

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John Galsworthy, as it is quite widely known, was strongly influenced by Russian literature. What is much less known, or even realized, is that this influence had at least two major lines: (1) a literary line, connected with a vivid perception of style, plot, other aesthetic and ideological discoveries of Russian novelists, and (2) a cultural line that carried Galsworthy to philosophizing on such problems as national character, national culture, and the historical development of the European civilization. In this second respect, Chekhov can be considered the central figure for the English writ

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8

Novokreshchennykh, Irina A. "IMAGES OF CONTEMPORARY ARTISTS IN THE NOVEL ‘THE WHITE MONKEY’ BY JOHN GALSWORTHY." Вестник Пермского университета. Российская и зарубежная филология 12, no. 3 (2020): 95–106. http://dx.doi.org/10.17072/2073-6681-2020-3-95-106.

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The article analyzes the image system in Galsworthy’s novel The White Monkey with a focus on aesthetic directions of modernism and decadence as presented in the text. The novel creates images depicting representatives of new trends in music and visual arts. The study takes into account the names of the artists mentioned by Galsworthy himself and their relationship with real artists. The coexistence of aesthetic concepts in the artistic world of the novel was a response to the struggles in English culture in the first third of the 20th century. Intergenerational conflict is exacerbated by the c

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9

Durey, Jill Felicity. "John Galsworthy (1867–1933) and Animal Welfare." Minnesota review 2019, no. 92 (2019): 95–110. http://dx.doi.org/10.1215/00265667-7329816.

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10

Hossain, Md Amir. "Social Realistic Projections of Galsworthy’s Strife." English Language and Literature Studies 5, no. 4 (2015): 53. http://dx.doi.org/10.5539/ells.v5n4p53.

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<p>In this article, I intend to focus on the dramatic theory of Galsworthy with a view to fostering the realistic and psychological conflicts and dilemma of early 20<sup>th</sup> century powerful and domineering people in England. Here, this paper can be applied through the critical judgments of two eminent literary critics of Galsworthy for depicting the controversial attitudes of John Antony, the Chairman of the Trenartha Tin Plate Works, and David Roberts, the Strike leader of the workers as reflected in the play-text, <em>Strife</em>. It aims also to look at s

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11

Davies, Jack. "John Galsworthy and Disabled Soldiers of the Great War." European Review of History: Revue européenne d'histoire 23, no. 1-2 (2015): 273–74. http://dx.doi.org/10.1080/13507486.2015.1099820.

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12

Afandiyeva, Ayten Arif. "The influence of Leo Tolstoy on the work of european writers from the standpoint of developing family themes." Laplage em Revista 7, no. 3A (2021): 682–95. http://dx.doi.org/10.24115/s2446-6220202173a1476p.682-695.

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The family theme permeates the work of the three titans of literature - Leo Tolstoy, Hervé Bazin and John Galsworthy. As is well known, these are great representatives of different generations and nationalities. The importance of the problem statement is self-evident; it is included in the register of the so-called "eternal plots". The institution of marriage and family, as well as issues of the extinction of love and the identification of the causes of the breakdown of relationships, will draw attention to themselves as long as humanity is alive. The family theme in the work of Leo Tolstoy is

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13

Artamonova, Tat'yana Gennad'evna. "STORYLINE AND COMPOSITIONAL ORIGINALITY OF “THE FORSYTE SAGA” BY JOHN GALSWORTHY." Philological Sciences. Issues of Theory and Practice, no. 4 (April 2019): 378–82. http://dx.doi.org/10.30853/filnauki.2019.4.78.

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14

Brijesh Kumar Sharma, Brijesh Kumar Sharma. "The Portrayal of Poverty in the Major Novels of John Galsworthy." International Journal of English and Literature 8, no. 6 (2018): 97–106. http://dx.doi.org/10.24247/ijeldec201812.

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15

Isaeva, D. "The Works by John Galsworthy as an Object of Ethical Research." Advanced Science Journal 2014, no. 2 (2014): 49–51. http://dx.doi.org/10.15550/asj.2014.02.049.

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16

Neale, K. "Jeffrey Reznick, John Galsworthy and Disabled Soldiers of the Great War." Social History of Medicine 24, no. 1 (2011): 214–15. http://dx.doi.org/10.1093/shm/hkr043.

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17

Saunders, Angharad. "The spatial event of writing: John Galsworthy and the creation of Fraternity." cultural geographies 20, no. 3 (2013): 285–98. http://dx.doi.org/10.1177/1474474013477774.

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18

Whissell, Cynthia M. "A Computer Program for the Objective Analysis of Style and Emotional Connotations of Prose: Hemingway, Galsworthy, and Faulkner Compared." Perceptual and Motor Skills 79, no. 2 (1994): 815–24. http://dx.doi.org/10.2466/pms.1994.79.2.815.

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An SPSSX computer program was used to score 48 100-word text passages from novels written by Ernest Hemingway, John Galsworthy, and William Faulkner. The program, called TEXT.NLZ, produced more than 50 objective measures of each passage, including several measures of punctuation, word frequency, and emotionality. Passages written by the three authors were easily discriminable in terms of objective measures, and differences among authors with respect to the objective measures accurately reflected the content of subjective critical comments describing the work of each author.

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19

Kulikova, M. N. "Translation Strategies for Speech Features of Characters in Fictional Texts (a Case Study of Speech of Upper Class Representatives)." Discourse 6, no. 1 (2020): 129–37. http://dx.doi.org/10.32603/2412-8562-2020-6-1-129-137.

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Introduction. The paper analyses different means used for conveying the phonetic features of the speech of upper class representatives in English fiction, in particular in the works of Charles Dickens and John Galsworthy. The author focuses on functions of phonographic stylisation of the aristocratic speech and discusses the techniques and strategies for rendering this phenomenon into the Russian language.Methodology and sources. When selecting examples for analysis, we used the method of corpus analysis, which made it possible to establish the frequency of using a particular phonographic mean

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20

Halchuk, O. V. "“Love – death – beauty” in the double coded by John Galsworthy (on the novella The Apple Tree)." Science and Education a New Dimension VIII(216), no. 64 (2020): 29–33. http://dx.doi.org/10.31174/send-ph2020-216viii64-07.

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21

Morse, Benjamin. "Introduction to a Dandy, Part I." biblical interpretation 22, no. 2 (2014): 132–45. http://dx.doi.org/10.1163/15685152-0022p02.

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The first half of this introduction to Qoheleth reads the book as a record of ideas mulled over by a dandy at a series of salons. While scholars have attempted to impose order on the book’s structure and classify it according to genres, I formulate an understanding of the speaker’s lively wisdom from the extraneous voices of John Galsworthy, Beau Brummell and Oscar Wilde. Thomas Carlyle’s Sartor Resartus (The Tailor Retailored) serves as a model of fictional philosophy that allows us to appreciate Qoheleth’s existential concerns as both ironic and serious. I keep references to biblical comment

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22

Vion-Dury, Juliette. "La répétition du passé dans The Forsyte Sagade John Galsworthy et Buddenbrooks; Verfall einer Familie de Thomas Mann." Revue de littérature comparée 309, no. 1 (2004): 55. http://dx.doi.org/10.3917/rlc.309.0055.

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23

Weiss, Rudolf. "Harley Granville Barker: the First English Chekhovian?" New Theatre Quarterly 14, no. 53 (1998): 53–62. http://dx.doi.org/10.1017/s0266464x00011738.

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Harley Granville Barker, the major innovator in the English theatre at the beginning of the present century, was long underestimated as a playwright, and misjudged as a mediocre imitator of Bernard Shaw. In more recent years major revivals of his plays, as well as new critical studies and editions, have witnessed a renewed interest in Barker as a dramatist, which, Rudolf Weiss here argues, testifies to the Chekhovian rather than the Shavian qualities of his plays. In the following article Weiss explores these qualities in the context of the early reception of Chekhov's plays in Britain, and on

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24

Reznick, Jeffrey S. "History at the intersection of disability and public health: The case of John Galsworthy and disabled soldiers of the First World War." Disability and Health Journal 4, no. 1 (2011): 24–27. http://dx.doi.org/10.1016/j.dhjo.2010.07.008.

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25

NELLIS, M. "JOHN GALSWORTHY'S JUSTICE." British Journal of Criminology 36, no. 1 (1996): 61–84. http://dx.doi.org/10.1093/oxfordjournals.bjc.a014078.

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26

Weiss, Rudolf. "John Galsworthy's Strife: Striving for Balance or the Audience as Jury." Theatre Research International 20, no. 1 (1995): 7–18. http://dx.doi.org/10.1017/s0307883300006982.

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27

M. Anwar Deeb, Gehan. "Quality Management and Literature: An Evaluative Reading of John Galsworthy's "Quality"." مجلة البحث العلمی فی الآداب 5, no. 9 (2019): 161–79. http://dx.doi.org/10.21608/jssa.2019.75623.

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28

Jurak, Mirko. "William Shakespeare and Slovene dramatists (III): (1930-2010)." Acta Neophilologica 44, no. 1-2 (2011): 3–34. http://dx.doi.org/10.4312/an.44.1-2.3-34.

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In the final part of my study I shall present Shakespeare's influence on Slovene dramatists from the 1930s to the present time. In this period an almost unbelievable growth in Slovene cultural activities took place. This is also reflected in a very large number of new Slovene playwrights who have written in this time, in their international orientation in dramatic art as well as in the constantly growing number of permanent (and ad hoc) theatre companies. Communication regarding new theatrical tendencies not only in Europe but also in the United States of America and % during the past decades

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29

Hargreaves, T. "Nostalgic Retrieval: Sexual Politics, Cultural Aesthetics and Literary Form in John Galsworthy's The Forsyte Saga." English 56, no. 215 (2007): 127–45. http://dx.doi.org/10.1093/english/56.215.127.

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30

Ayupova, Roza Allyametdinovna, and El'za Vil'danovna Garipova. "LEXICO-SEMANTIC GROUP “FAMILY” FUNCTIONING WHEN DESCRIBING FAMILY RELATIONS (BY THE MATERIAL OF JOHN GALSWORTHY’S NOVEL “IN CHANCERY”)." Philological Sciences. Issues of Theory and Practice, no. 4 (April 2019): 12–16. http://dx.doi.org/10.30853/filnauki.2019.4.2.

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31

Omar, Abdulfattah, and Musa Ahmed Musa Alhassan. "A Sociopragmatic Analysis of Women and Gender Roles in John Galsworthy’s Forsyte Saga and Naguib Mahfouz’s Cairo Trilogy." International Journal of English Linguistics 10, no. 2 (2020): 284. http://dx.doi.org/10.5539/ijel.v10n2p284.

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This study is concerned with investigating the treatment of women and gender roles in Glasworthy&rsquo;s Forsyte Saga and Naguib Mahfouz&rsquo;s Cairo Trilogy from a sociopragmatic perspective. The texts studied for this paper have not been evaluated to socio-pragmatic analysis that reflects the little application of this approach to literary works. As thus, the goal of this paper is to advance sociopragmatic analysis to these novels&mdash;there is salience from the style, narrative techniques, and language utilized by both writers in their books, which indeed points to pragmatic u

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32

Furst, Lilian R. "“The Ironic Little Dark Chasms of Life”: Narrative Strategies in John Galsworthy's Forsyte Saga and Thomas Mann's Buddenbrooks." Lit: Literature Interpretation Theory 17, no. 2 (2006): 157–77. http://dx.doi.org/10.1080/10436920600666699.

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33

Meniailo, Vera V., and Sergei V. Chumilkin. "Transformation of the Victorian Text in the 20th-Century English Literature (On the Material of John Galsworthy’s The Forsyte Saga and John Fowles’s The French Lieutenant’s Woman)…" Vestnik Tomskogo gosudarstvennogo universiteta, no. 439 (February 1, 2019): 26–32. http://dx.doi.org/10.17223/15617793/439/4.

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34

Breuer, Hans-Peter. "Kipling and Orientalism, and: The Death of the German Cousin: Variations on a Literary Stereotype, 1890-1920, and: John Galsworthy's Life and Art, and: The Paradox of Gissing (review)." MFS Modern Fiction Studies 33, no. 4 (1987): 714–18. http://dx.doi.org/10.1353/mfs.0.1223.

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35

Durey, Jill Felicity. "Vivisection through the eyes of Wilkie Collins, HG Wells and John Galsworthy." Medical Humanities, October 21, 2020, medhum—2020–011868. http://dx.doi.org/10.1136/medhum-2020-011868.

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The article argues that, unlike Collins’ adamantly negative view towards vivisection in the latter half of the nineteenth century and approaching the end of his writing career and life, Wells and Galsworthy’s changing opinions responded to medical advances, reflected the dynamics of public opinion, and their own knowledge and experience at their time of writing. With its primary focus on Galsworthy, the study also explores the reactions of contemporary critics, readers, scientists and medical practitioners to these depictions of vivisection. Above all, the article argues that popular writers,

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36

JIAO Jing. "A Comparative Study on the Two Chinese Versions of The Apple Tree by John Galsworthy." Journal of Literature and Art Studies 9, no. 5 (2019). http://dx.doi.org/10.17265/2159-5836/2019.05.005.

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37

Hughes, Clare. "Hats On, Hats Off." Cultural Studies Review 22, no. 1 (2016). http://dx.doi.org/10.5130/csr.v22i1.4910.

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Manners, morals and codes of conduct, Clive Aslet observes in his social satire, Anyone for England?, have been ‘privatized’ and modern man ‘has never been more on his own’. Hats are now no longer part of a generally accepted code: as we no longer wear them as a matter of course their former significance is difficult to appreciate. But the fact that they were once so central to daily life, and for men so bound up with status and class, makes these ‘significant trifles’, as novelist John Galsworthy said, a key to the ‘whole’, a way into the life of the past. In this article I draw on visual sou

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38

Rosenblum, Joseph. "Hercule Poirot in John Galsworthy’s The Forsyte Saga." Notes and Queries, December 3, 2020. http://dx.doi.org/10.1093/notesj/gjaa167.

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39

Leroy, Maxime. "Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907)." Cahiers victoriens et édouardiens, no. 81 Printemps (September 6, 2015). http://dx.doi.org/10.4000/cve.1994.

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