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Relevant bibliographies by topics / Galsworthy, John, Galsworthy, John

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Journal articles

Academic literature on the topic 'Galsworthy, John, Galsworthy, John'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Galsworthy, John, Galsworthy, John"

1

Felicity Durey, Jill. "John Galsworthy's Conscience and First World War Disablement." Victoriographies 8, no. 2 (2018): 151–69. http://dx.doi.org/10.3366/vic.2018.0303.

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The article traces, from a literary perspective, John Galsworthy's (1867–1933) conscience in his fictional depictions and non-fictional discussions of those damaged and disabled by World War One. It notes that, for the duration of the War, Galsworthy was tireless in his writing crusade on topics relating to the hostilities, but fell silent on these matters after the War, when he returned to his much broader range of topics. Through its references to both narratives and essays, the article demonstrates Galsworthy's strong advocacy for restoring disabled men to dignified work and self-respect, w

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2

Atamurodova, Feruza. "PROBLEM OF CHARACTER IN THE LITERARY WORKS OF JAMES JOYCE AND JOHN GALSWORTHY." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (2020): 14–20. http://dx.doi.org/10.26739/2181-9297-2020-6-2.

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The article reveals the features of works by well-known English writers James Joyce and John Galsworthy , the steps of their creative career and their contribution to the English literature. The article discusses the talent of describing human character of these writers in their works. Ethical position of John Galsworthy in literary system is different from James Joyce’s. His соnception of humanity and life is also variable, as Galsworthy approached in another position for character notion. Thus the similarity can be observed in the main heroes of novels of Joyce and Galsworthy.

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3

Parrinder, Patrick, Alec Fréchet, Denis Mahaffey, and Alec Frechet. "John Galsworthy: A Reassessment." Yearbook of English Studies 16 (1986): 344. http://dx.doi.org/10.2307/3507858.

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4

Durey, Jill Felicity. "Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’." Literature & History 30, no. 1 (2021): 45–61. http://dx.doi.org/10.1177/03061973211007349.

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This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.

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5

Durey, Jill Felicity. "John Galsworthy and Slum Clearance." Texas Studies in Literature and Language 62, no. 1 (2020): 45–72. http://dx.doi.org/10.7560/tsll62103.

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6

Halchuk, Oksana. "“Apple Blossoms” and “The Apple Tree”: Two Perspectives Typological and Ideological Similarities in Short Stories by Mykhailo Kotsiubynsky and John Galsworthy." Respectus Philologicus, no. 38(43) (October 19, 2020): 150–62. http://dx.doi.org/10.15388/respectus.2020.38.43.64.

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The article provides comparative analysis of Apple Blossoms by Mykhailo Kotsiubynsky and The Apple Tree by John Galsworthy. Both authors explore human morality in a crisis of confrontation between sensuality and death, the beauty of life and the beauty of art. At the structural level, the works share an element of paratext, novelistic nature, polysemic images-landscapes, and methods of psychologization. Galsworthy engages the antinomy of the city – province, resorts to irony, and combines elements of impressionist writing with the traditions of realistic socio-psychological prose. In contrast,

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7

Koroleva, Svetlana B., and Natalya B. Shibaeva. "Conscience as an Experiment: The Russian Subtext of John Galsworthy’s Short Story “Conscience”." Imagologiya i komparativistika, no. 14 (2020): 110–21. http://dx.doi.org/10.17223/24099554/14/5.

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John Galsworthy, as it is quite widely known, was strongly influenced by Russian literature. What is much less known, or even realized, is that this influence had at least two major lines: (1) a literary line, connected with a vivid perception of style, plot, other aesthetic and ideological discoveries of Russian novelists, and (2) a cultural line that carried Galsworthy to philosophizing on such problems as national character, national culture, and the historical development of the European civilization. In this second respect, Chekhov can be considered the central figure for the English writ

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8

Novokreshchennykh, Irina A. "IMAGES OF CONTEMPORARY ARTISTS IN THE NOVEL ‘THE WHITE MONKEY’ BY JOHN GALSWORTHY." Вестник Пермского университета. Российская и зарубежная филология 12, no. 3 (2020): 95–106. http://dx.doi.org/10.17072/2073-6681-2020-3-95-106.

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The article analyzes the image system in Galsworthy’s novel The White Monkey with a focus on aesthetic directions of modernism and decadence as presented in the text. The novel creates images depicting representatives of new trends in music and visual arts. The study takes into account the names of the artists mentioned by Galsworthy himself and their relationship with real artists. The coexistence of aesthetic concepts in the artistic world of the novel was a response to the struggles in English culture in the first third of the 20th century. Intergenerational conflict is exacerbated by the c

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9

Durey, Jill Felicity. "John Galsworthy (1867–1933) and Animal Welfare." Minnesota review 2019, no. 92 (2019): 95–110. http://dx.doi.org/10.1215/00265667-7329816.

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10

Hossain, Md Amir. "Social Realistic Projections of Galsworthy’s Strife." English Language and Literature Studies 5, no. 4 (2015): 53. http://dx.doi.org/10.5539/ells.v5n4p53.

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<p>In this article, I intend to focus on the dramatic theory of Galsworthy with a view to fostering the realistic and psychological conflicts and dilemma of early 20<sup>th</sup> century powerful and domineering people in England. Here, this paper can be applied through the critical judgments of two eminent literary critics of Galsworthy for depicting the controversial attitudes of John Antony, the Chairman of the Trenartha Tin Plate Works, and David Roberts, the Strike leader of the workers as reflected in the play-text, <em>Strife</em>. It aims also to look at s

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