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1

Garner, Marcia B. Four generations of cooks: Recipes from those we love : [a collection of the Bruggeman and Garbe families' favorite home-cooked foods]. Donald D. Simmons, 2004.

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2

Manalili, Fatima. The avant-garde collection. Edited by Orange County Museum of Art (Calif.). Orange County Museum of Art, 2014.

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3

1955-, Dance Robert, Garbo Greta 1905-1990, and Santa Barbara Museum of Art, eds. Garbo: Portraits from her private collection. Rizzoli, 2005.

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4

Museo del Palacio de Bellas Artes (Mexico), ed. From impressionism to the avant-garde in the Carmen Thyssen-Bornemisza Collection. Fundaciòn Colleciòn Thyssen-Bornemisza, 2000.

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5

Sotheby, Parke-Bernet, London. The Greta Garbo collection: Auction Thursday, November 15, 1990 ... . Sotheby's, 1990.

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6

Réattu, Musée. Oser la photographie: 50 ans d'une collection d'avant-garde à Arles. Silvana editoriale, 2015.

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7

Georgi, Costakis, ed. Russian Avant-Garde: Pictures from the Collection formed by George Costakis. Sotheby's, 1990.

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8

Flavio, Fergonzi, ed. The Mattioli Collection: Masterpieces of the Italian avant-garde : catalogue raisonné. Skira, 2003.

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9

Lutz, Becker, Hollis Richard, and National Touring Exhibitions, eds. Avant-garde graphics 1918-1934: From the Merrill C. Berman Collection. Hayward Gallery, 2004.

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10

Museum of Arts and Sciences (Daytona Beach, Fla.), ed. Great masters of Cuban art: Ramos Collection = Grandes maestros del arte Cubano : Colección Ramos. Museum of Arts and Sciences, 2009.

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11

Voorhout, Museum Paleis Lange, ed. Russische avant-garde 1900-1930: De verzameling Tsjoetnovsky uit St. Petersburg = Russian avant-garde 1900-1930 : the Chudnovsky collection from St. Petersburg. Museum Paleis Lange Voorhout, 1995.

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12

Shakirova, Lyubov. Unofficial Meeting: From the Brykina Collection, Switzerland. Edited by Yevgenia Petrova. Palace Editions, 2011.

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13

Museum, Singapore Art. Unmasking Vollard: His legacy of the Avant Garde : from the Leon Dierx Museum, Reunion Island). Printed by Capricorn Media, 2000.

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14

Augusteum, Salzburger Museum Carolino. Gambe, Cello, Kontrabass und Katalog der Zupf- und Streichinstrumente im Carolino Augusteum. Carolino Augusteum, 1996.

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15

Antikvariat, Peter Daugaard. The Peter Daugaard collection of Russian avant-garde books: A collection of the 100 most important items, 1910-1923. Peter Daugaard Antikvariat, 2002.

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16

Palazzo delle esposizioni (Rome, Italy), ed. Il Guggenheim: L'avanguardia americana, 1945-1980. Skira, 2012.

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17

Strauss, Monica J. Captured glance: The avant-garde and advertising in the twenties. Helen Serger/La Boetie, 1987.

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18

Georgi, Costakis, and Musée des beaux-arts de Montréal., eds. The Russian and Soviet avant-garde: Works from the collection of George Costakis. Montreal Museum of Fine Arts, 1989.

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19

Gobyn, Ronny. Variétés: Avant-garde, surréalisme et photographie, 1928-1930. Actes sud, 2019.

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20

Strauss, Cindi. Ornament as art: Avant-garde jewelry from the Helen Williams Drutt collection, the Museum of Fine Arts, Houston. Arnoldsche Art Publishers, 2007.

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21

Segieth, Clelia. Etta und Otto Stangl: Galeristen, Sammler, Museumsgründer. Wienand, 1999.

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22

1958-, Harding James Martin, and Rouse John, eds. Not the other avant-garde: The transnational foundations of avant-garde performance / c edited by James M. Harding and John Rouse. The University of Michigan Press, 2006.

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23

Gabe M. Wiener Music & Arts Library. Mark Tucker collection finding aid. Columbia University Libraries, 2004.

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24

Archive, Internet, ed. Collection of Cheltenham Elegies (including 261,412, 414) on mp3 on IA. 3rd ed. Internet Archive, 2012.

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25

Musée national du Luxembourg (France), ed. Le cercle de l'art moderne: Collectionneurs d'avant-garde au Havre. Réunion des musées nationaux Grand Palais, 2012.

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26

Bossan, Enrico. Guatemala: Memory and timeless avant-garde : contemporary artists from Guatemala. Antiga edizioni, 2016.

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27

Ramírez, Mari Carmen. Inverted utopias: The avant-garde in Latin America. Yale University Press, in association with the Museum of Fine Arts, Houston, 2004.

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28

Phillips, Tom. Tom Phillips: Sacred and profane, South London Gallery : drawing to a conclusion, Dulwich Picture Gallery. South London Gallery, 1997.

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29

Costakis, Georgi. Moĭ avangard: Vospominanii︠a︡ kollekt︠s︡ionera. Aleteĭi︠a︡, 2018.

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30

Tom, Phillips. Tom Phillips: Smaller works, 5-27 February 1988. Angela Flowers Gallery, 1988.

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31

Schalhorn, Andreas. "Where are you standing?: Die Schenkung Paul Maenz Gerd de Vries im Kupferstichkabinett. SMB-DuMont, 2004.

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32

Tom, Phillips. Tom Phillips: Selections from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, November 17, 1990 - January 13, 1991. North Carolina Museum of Art, 1990.

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33

Tom, Phillips. Tom Phillips: The portrait works. National Portrait Gallery Publications, 1989.

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34

Magdalena, Droste, Moortgat Elisabeth, Scrima Andrea 1960-, and Carpenter Richard, eds. Bauhaus Archive Berlin: Museum of design, the collection. Bauhaus Archive Berlin, 2004.

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35

Stehlíková, Blanka. The Czech avant-garde and Czech book design: The 1920s and 1930s : an exhibition drawn from the Emma Linen Dana Czech Avant-garde Book Collection. Edited by Emma Linen Dana Czech Avant-garde Book Collection. and Fairleigh Dickinson University (Florham-Madison Campus). Library. Florham-Madison Campus Library, 1994.

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36

Catherine, Cooke, Museum of Modern Art (New York, N.Y.), and Gosudarstvennyĭ nauchno-issledovatelʹskiĭ muzeĭ arkhitektury imeni A.V. Shchuseva., eds. Architectural drawings of the Russian avant-garde. Museum of Modern Art, 1990.

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37

1924-, Richardson John, Richardson Brenda, Dergan Rose, Monk Bob, and Gagosian Gallery, eds. Warhol from the Sonnabend collection. Gagosian Gallery, 2009.

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38

Lenka, Bydžovská, Greene Alison de Lima, Mergl Jan, and Museum of Fine Arts, Houston, eds. New formations: Czech avant-garde art and modern glass from the Roy and Mary Cullen collection. Museum of Fine Arts, Houston, 2011.

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39

Sotheby's (Firm). The Greta Garbo collection. 1990.

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40

Hollywood Arensberg: Avant-Garde Collecting in Midcentury L. A. Getty Publications, 2020.

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41

Sweeney, Laura G. Avant Garde E-Chapbook. Primedia eLaunch LLC, 2013.

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42

Dance, Robert, and Scott Reisfield. Garbo: Portraits from Her Private Collection. Rizzoli, 2005.

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43

Tochilovsky, Alexander. Avant Garde Compendium. Hat & Beard, LLC, 2021.

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44

Campos, Haroldo de. Novas: Selected Writings (Avant-Garde & Modernism Collection). Northwestern University Press, 2007.

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45

Campos, Haroldo de. Novas: Selected Writings (Avant-Garde & Modernism Collection). Northwestern University Press, 2007.

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46

Ross, Stephen J. The Invisible Avant-Garde. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798385.003.0001.

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This chapter examines John Ashbery’s early work in the context of the French neo-avant-garde of the late 1950s and early 1960s. It argues that Ashbery’s reading of the cubist poet Pierre Reverdy and close proximity to the “New Realism” movement in France (Ashbery’s home for nearly a decade from the mid-1950s to 1965) inform the collage technique of his notorious second collection, The Tennis Court Oath, and the suave lyricism of his third collection, Rivers and Mountains. Ashbery responds to the aestheticized concept of “nature”—the idea that art creates a “second nature”—that underpins neo-av
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47

L'avanguardia primitiva: La collezione di Alessandro Passaré = The primitive avant-garde : the Alessandro Passaré collection. Scalpendi, 2014.

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48

L'avanguardia primitiva: La collezione di Alessandro Passaré = The primitive avant-garde : the Alessandro Passaré collection. Fondazione Passaré, 2014.

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49

Fluxus Means Change: Jean Brown's Avant-Garde Archive. Getty Publications, 2020.

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50

Heym, Georg. Poems: A Bilingual Edition (Avant-Garde & Modernism Collection). Northwestern University Press, 2006.

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