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Journal articles on the topic 'Garbe Collection'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Tsantsanoglou, Maria. "George Costakis and the Confines of His Collection." Experiment 30, no. 1 (2024): 36–47. http://dx.doi.org/10.30965/2211730x-12340061.

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Abstract As George Costakis pointed out: “One of the most important precepts for the collector is that he must precisely, even ruthlessly, define the limits of his collection, and he must resolutely remind himself that – on this particular matter – his reach should never exceed his grasp.” Known as the most famous collector of Russian avant-garde, Costakis, never lost his parallel interest in collecting lubki, religious icons, Russian folk toys and also in the art of the so-called “Non-conformists or the alternative art of the 1960s. He had a twin goal: on the one hand, to expand the confines

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2

Yudenkova, Tatyana Vitalievna. "MIKHAIL AND IVAN MOROZOV AS СOLLECTORS OF RUSSIAN ART". LOMONOSOV HISTORY JOURNAL 64, № 2023, №6 (2024): 171–90. http://dx.doi.org/10.55959/msu0130-0083-8-2023-64-6-171-190.

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In the art history literature dealing with collectors Mikhail (1870– 1903) and Ivan (1871–1921) Morozov, researchers are primarily interested in the artistic stratum connected with European, mainly French, art. The issues of collecting Russian painting, the choice of certain Russian artists, refl ecting the tastes of collectors, the change of artistic preferences in the late 19th and early 20th centuries, almost never attracted the attention of scholars. This article attempts at determining the approach developed by brothers M.A. and I.A. Morozov in collecting Russian art. In this context, it

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Katchen, Michael. "ARCHIVING THE AVANT-GARDE." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 1, no. 1 (2000): 38–41. http://dx.doi.org/10.5860/rbm.1.1.175.

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Every special collection has a distinct personality that is a combination of its contents and the people who work with it. Such is the case with the Franklin Furnace Archive. Everything in Franklin Furnace is a special collection. The institution is governed by a type of reverse Darwinism best described as “survival of everything.” Right now the archive is storing all the virtual material that it produces and presents on the Internet. Not long ago, any physical material that walked through the door was given an accession number and stuffed into a Hollinger record storage box. Eventually, all t

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Петрова, Д. А. "The Graphic Heritage of the Russian Avant-Garde as an Object of Acquisition in the Tretyakov Gallery in the 1920s–1930s." Nasledie Vekov, no. 3(27) (September 30, 2021): 43–53. http://dx.doi.org/10.36343/sb.2021.27.3.003.

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Статья посвящена выявлению особенностей комплектования фондов Третьяковской галереи произведениями графики русского авангарда в 20–30-е гг. ХХ в. в контексте изменения тенденций государственной культурной политики того времени. Исследование выполнено на основе данных Книг поступлений Третьяковской галереи и документов, хранящихся в Отделе рукописей музея. Проанализирована политика приобретения художественных произведений в музейные коллекции, изучена деятельность Музея живописной культуры, произведен анализ поступлений в Третьяковскую галерею. Прослежено изменение вектора культурной политики в

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Portela, Patrícia. "The private collection of Acácio Nobre. Homo universalis of the Portugese Avant-Garde." Forum+ 25, no. 3 (2018): 29–43. http://dx.doi.org/10.5117/forum2018.3.port.

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In 1999 ontdekte Patrícia Portela in de kelder van haar grootouders een doos vol teksten en ontwerpen van Acácio Nobre (1869-1968), een homo universalis van de Portugese avant-garde uit het begin van de twintigste eeuw. De man lijkt echter samen met zijn briljante ideeën weggegomd te zijn uit de geschiedenisboeken. Door de archiefstukken van Acácio Nobre samen te stellen, brengt Portela het collectieve geheugen van een natie weer tot leven.In 1999 Patrícia Portela was rummaging in her grandparents' cellar when she discovered a chest with texts and designs belonging to Acácio Nobre (1869-1968),

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Yanoshevsky, Galia. "Sérialité vs singularité dans les monographies illustrées « Qui êtes-vous? » et « Les Contemporains »." Nottingham French Studies 58, no. 3 (2019): 299–314. http://dx.doi.org/10.3366/nfs.2019.0259.

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Through the notion of seriality, this article aims to study the inherent tension that exists between the principle of serialization and the peculiarity of avant-garde writers who, on the contrary, do not obey a group spirit. From the modest sample studied here (‘Qui êtes-vous?’ and ‘Les Contemporains’), I show that the question was not so much in the differentiation of the series but in the tension between the singularity of the studied writer and the role he or she plays in the ‘series’. Thus, the question of stylistic and poetic choice plays a considerable role in the two series studied and

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Gendreau, Andrée. "Regards croisés : la collection du Musée de la civilisation." Ethnologies 24, no. 2 (2003): 107–24. http://dx.doi.org/10.7202/006641ar.

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Résumé Le visage de la collection du Musée de la civilisation a été dessiné par les collectionneurs, les gestionnaires et les conservateurs. Il nous fait part de regards croisés sur notre société. De regards qui varient selon les collectionneurs, le lieu d’où ils observent, comprennent et analysent la société québécoise. La collection garde les traces des époques, de l’état d’avancement des connaissances, des objectifs poursuivis, et des moyens consentis pour la constituer. Elle est vivante, elle croît et se modifie avec l’histoire du Québec ; ce bref exposé racontera une partie de cet histoir

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Izotov, Andrey Ivanovich. "Literary Manifestos in the Cultural Space of Slavic Modernism and Avant-Garde / ed. by Yu. A. Sozina. Moscow: Institute of Slavic Studies of the Russian Academy of Sciences, 2024. 128 p.: Book review." Philology. Theory & Practice 18, no. 3 (2025): 1136–38. https://doi.org/10.30853/phil20250163.

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The articles in this collection are based on reports presented at the international conference “Literary Manifestos in the Cultural Space of Slavic Modernism and Avant-Garde”, held at the Institute of Slavic Studies of the Russian Academy of Sciences on December 5, 2023. The articles highlight the peculiarities of the development of modernism (avant-garde, surrealism, futurism) in the history of Czech, Polish, Slovak, Croatian, Russian, Ukrainian, and Belarusian literatures. The collection is intended for philologists, historians, and cultural scientists.

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Yudenkova, Tatiana V. "I.A. Morozov’s art collection: the Russian context and the ways of Russian art." LOMONOSOV HISTORY JOURNAL 65, no. 4, 2024 (2025): 177–206. https://doi.org/10.55959/msu0130-0083-8-2024-65-4-177-206.

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In the context of Russian art culture, Ivan Morozov occupies a position of distinction as a prominent collector of contemporary French and Russian art. The influence of his collection on the subsequent development of Russian art, most notably on the generation of young avant-garde artists, is indisputable in the present day. However, it was not until relatively recently that the full significance of the collection and the role of I.A. Morozov in the history of Russian culture was fully recognized. The period of Morozov’s immersion in the European art market, spanning approximately ten years fr

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Nowicka, Daria. "Awangarda panoramicznie." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 305–17. http://dx.doi.org/10.14746/pss.2020.18.19.

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The Seeing Avant-garde [Widzenie awangardy] volume edited by Agata Stankowska, MarcinTelicki and Agata Lewandowska is a collection of the articles about the avant-garde update.Written by many researchers, the articles show a wide scale of research on the contemporaryavant-garde manifested in literature, art, music, theatre and cybernetics. As an extremely valuablepublication, the book in question concentrates on the new and original methods of comparativeresearch, marks new reading directions, and presents contemporary problems of aesthetics.

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Van den Berg, Hubert. "Martin Puchner, Poetry of the Revolution. Marx, Manifestos, and the Avant-Gardes 2006." Nordlit 11, no. 1 (2007): 300. http://dx.doi.org/10.7557/13.1789.

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The genre of the manifesto belongs to the key elements of avant-garde textuality. As such, the manifesto has received considerable attention in recent avant-garde research. Many articles, chapters in general studies on the avant-garde, several collections of essays, monographs and annotated anthologies have been devoted to the manifesto in the past decades. Martin Puchner's book on the avant-garde manifesto is a latecomer in this context, published some ten years after a wave of Manifestantismus struck in particular continental European avant-garde research. As in the case of any late arrival,

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Orlova, E. V. "Из истории Людвиг Музеум – от коллекции к музею". Iskusstvo Evrazii [The Art of Eurasia], № 1(20) (31 березня 2021): 164–75. http://dx.doi.org/10.46748/arteuras.2021.01.012.

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The article is devoted to the founding of the Museum Ludwig in Cologne and presents an analysis of the process of building this museum of contemporary art in dynamics — from the beginning of the collection within the walls of the Wallraf-Richartz Museum to gaining the status of an independent exhibition giant. The study provides an overview of the collection and its sources, identifies individual significant works of art, accompanied by art history descriptions, and sets out the reasons and the chronicle of the separation of the Museum Ludwig from the Wallraf-Richartz Museum. The museum, estab

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Haslach, Reed. "Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection." Design and Culture 1, no. 2 (2009): 253–55. http://dx.doi.org/10.2752/175470709x12450568848298.

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Borisova, Bilyana. "The Collection of Poems “Spring Wind” by Nikola Furnadzhiev – Avant-garde and “Native”." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 50, no. 6 (2023): 629–38. http://dx.doi.org/10.53656/for23.625stih.

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The article offers an insight into the entanglement between the avantgarde modernist principles of image and the Bulgarian aesthetic-ideological idea of the “native” from the 20s of the 20th century, realized by Nikola Furnadzhiev in the collection of poems “Spring Wind” from 1925. The reasoning is based on correspondences between the imagery in the paintings of the period and that in the poetic works from the poetry collection. The artistic suggestion achieved on their basis in “Spring Wind” illustrates an important aspect of Bulgarian avant-garde modernism as an aesthetic phenomenon, in whic

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Pushenkova, Sofia A., and Dmitriy E. Lavrov. "Avant-garde heritage of the regions: Use and development prospects in a museum context (on the example of the museums of Saratov and Smolensk)." Issues of Museology 13, no. 1 (2022): 110–20. http://dx.doi.org/10.21638/spbu27.2022.108.

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In the wake of the growing interest in the history of the Russian avant-garde, leading Russian museums become initiators, organizers and partners of large-scale exhibition projects dedicated to both individual personalities of the avant-garde era and iconic cultural institutions. In this regard, it is also important to understand how the museum community in Russia reacts to the given trend of turning to the heritage of the avant-garde era, and how regional museums are involved in this process. The artistic avant-garde was never limited to capitals, new trends penetrated all cities of the count

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Lubiak, Jarosław. "CANONIZATION OF THE AVANT-GARDE: ON THE PUBLICATION AVANT-GARDE MUSEUM." Muzealnictwo 62 (June 23, 2021): 128–31. http://dx.doi.org/10.5604/01.3001.0014.9723.

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The monumental publication Avant-garde Museum (ed. Agnieszka Pindera, Jarosław Suchan, Muzeum Sztuki w Łodzi, Łódź 2020) juxtaposes and analyses four museum projects: Museums of Artistic Culture in Soviet Russia, the activity of the Société Anonyme in the USA, Poland’s ‘a.r.’ Group, and the Kabinett der Abstrakten, the selection criterion being that each was conceived by Avantgarde artists; additionally, in the projects’ assumptions the artists were to run the implementation of the projects. The publication has been divided into three sections: research papers, source texts, and the catalogue

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Zaytsev, Ilya. "“They Began to Bring Me More and More Tatar Things…”: Alexander Berthier de la Garde Crimean Tatar Collection in His Letters to Nikolay Veselovsky (1907—1913)." ISTORIYA 12, no. 12-1 (110) (2021): 0. http://dx.doi.org/10.18254/s207987840018496-4.

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The article publishes 8 letters by the Crimean collector and historian Alexander Berthier de la Garde (1842—1920) addressed to the outstanding Russian Orientalist Nikolay Veselovsky (1848—1918). The letters from 1907 to 1913 are preserved now in the Archive of the Institute for the History of Material Culture of the Russian Academy of Sciences in St. Petersburg and in the Russian State Archive of Literature and Art in Moscow. These documents are an important source for the history of the Crimean Tatar part of the collection of A. L. Berthier De la Garde, which was sold in parts in 1919 shortly

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Katanaev, Nikita. "MYSTIFICATION AS AN AUTHORIAL STRATEGY IN THE BOOK OF A. KRUCHENYKH “OWN STORIES, POEMS AND SONGS OF CHILDREN” (1923)." Children's Readings: Studies in Children's Literature 22, no. 2 (2022): 273–85. http://dx.doi.org/10.31860/2304-5817-2022-2-22-273-285.

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The article reveals the authorial artistic strategy of Aleksey Kruchenykh’s collected works “Children’s Own Stories, Poems, and Songs” (1923). A comparison with the first edition of the collection “Children’s Own Stories and Drawings” (1914) is made. The composition of the book is analyzed. It is suggested that some poems included in the collection of 1923 were written by Aleksey Kruchenykh himself and were passed off by him as children’s texts. The aim of the hoax was to make friendly teasing references to Viktor Palmov, Sergey Tretyakov, Velemir Khlebnikov, and others. More often, these poem

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sun young kim. "Characteristics of Avant-garde in Anrealage Fashion Collections - Focusing on Collections from 2015S/S to 2016F/W." Journal of Korea Design Forum ll, no. 55 (2017): 49–62. http://dx.doi.org/10.21326/ksdt.2017..55.004.

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Tong, Darlene. "Artists’ archives: preserving the documentation and collections of an artist organization." Art Libraries Journal 27, no. 2 (2002): 22–27. http://dx.doi.org/10.1017/s0307472200012669.

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A wealth of primary documentation has been produced and collected by artists and artist-run organizations since the 1970s. Alternative art activities were often time-based and experimented with form and material, and documentation has become essential as a means to study and understand the intent, the actualization and the impact of artworks. What are the key issues for artists, archivists and researchers interested in the collection, preservation and provision of future access to the archives of the avant-garde?

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Derkusova, Iveta. "Gustav Klucis (1895–1938): a Complex Transformation from “Soviet Artist” to “Russian Avant-Gardist”." Experiment 30, no. 1 (2024): 255–75. http://dx.doi.org/10.30965/2211730x-12340073.

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Abstract The two main elements that render the case of Gustav Klucis unique among other Russian Avant-garde artists are: his nationality which was the cause of his tragic death during Stalin’s Great Purge but also what determined the fate of his creative legacy; and his political engagement in the development of mass (propaganda) art, which is behind the current controversial evaluation of his legacy today, and had influenced his own complicated career. Although both the circumstances of the artist’s life and the historical context are familiar to scholars, archival studies provide new materia

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Gardfors, Johan. "Redaktörens blick och samlarens hand." Tidskrift för litteraturvetenskap 48, no. 4 (2018): 6–20. http://dx.doi.org/10.54797/tfl.v48i4.7441.

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The Editor’s Gaze and the Collector’s Hand. The Editorial Practices of the Avant-Garde The avant-garde has frequently been understood in terms of negation. This article seeks to convey a different picture through highlighting the editorial practices of the avant-garde. It is important to acknowledge how the avant-garde establishes a great number of independent publishing ventures since these constitute the avant-garde as a multitude, that is, as a network of connected but individual nodes. Moreover, the editorial practices of the avant-garde are highly visible on the level of the work th

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SANKARAN, PRADEEP M., and JOHN T. D. CALEB. "On the taxonomic validity of Indian ground spiders: V. Genera Megamyrmaekion Reuss, 1834, Sosticus Chamberlin, 1922 and Gaviphosa gen. nov. (Araneae: Gnaphosidae)." Zootaxa 5040, no. 4 (2021): 539–64. http://dx.doi.org/10.11646/zootaxa.5040.4.5.

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Indian Megamyrmaekion and Sosticus species are revised, mostly based on the type material available in the National Zoological Collection, Zoological Survey of India, Kolkata. The following new synonymies are recognised: Megamyrmaekion ashae syn. nov. is synonymised with Megamyrmaekion caudatum Reuss, 1834, Megamyrmaekion kajalae syn. nov. with Drassodes luridus (O. Pickard-Cambridge, 1874), Sosticus jabalpurensis syn. nov. and Sosticus sundargarhensis syn. nov., both with the liocranid species Sphingius barkudensis Gravely, 1931 and Sosticus poonaensis syn. nov. with the liocranid species Sph

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Schriver, E. "Environmental Philosophy: A Collection of Readings. Edited by Robert Elliot and Arran Gare." Environmental History Review 10, no. 3 (1986): 218–19. http://dx.doi.org/10.2307/3984549.

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Lytvynenko, Nataliia, and Alina Zhylko. "Design of Woman's Clothes Collection Inspired by Salvador Dali's Creative Work." Demiurge: Ideas, Technologies, Perspectives of Design 1, no. 2 (2018): 82–94. https://doi.org/10.31866/2617-7951.2.2018.154679.

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The aim of the research. Development of modern collection of woman’s clothes with the usage of artistic stylistic elements by Sal’vador Dali in combination with trend ideas. Research methodology is based on the method of study of art supervisions and generalizations including research of the resource, recording general signs and properties; a structural and tipological method with the analysis of fashionable trends and literature source, and studying similarities to discover differences; a systematic method which includes dividing the system into subsystems to b

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Poláček, Vojtěch. "Komedie dell’arte a české avantgardy. Vliv komedie dell’arte na české avantgardní divadlo, s akcentem na výtvarnou složku inscenací." Časopis Národního muzea. Řada historická 189, no. 3-4 (2022): 15–44. http://dx.doi.org/10.37520/cnm.2020.07.

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Commedia dell’arte and Czech avant-garde. The influence of commedie dell’arte on Czech avant-garde theatre, with an emphasis on the artistic component of the production The article deals with the influence of commedia dell’arte on Czech avant-garde theatre and especially on scenography. This rediscovered historical form penetrated the Czech environment under the influence of French , Russian and German examples. This proces was done in three partially overlapping waves, essential for development of Czech art in general: the first, stemming from late Symbolism and Expressionism (mainly 1905–192

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Pulkkinen, Veijo. "The Hidden Sigh: The End of the Avant-Garde in Olavi Paavolainen and Aaro Hellaakoski." Journal of Finnish Studies 19, no. 1 (2016): 27–54. http://dx.doi.org/10.5406/28315081.19.1.04.

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Abstract This article presents a new perspective on research in Finnish modernist literature by examining the idea of the end of the avant-garde in Olavi Paavolainen's (1903–64) and Aaro Hellaakoski's (1893–1952) views on modernism in the late 1920s. Paavolainen was one of the most prominent figures in the contemporary debate on modernism; Hellaakoski's typographically experimental poetry collection Jääpeili (Ice mirror) is considered to be a pioneer in Finnish modern poetry. In this article, the end of the avant-garde refers to the impression that the most experimental trends had already pass

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Park, Jung Kyu, and Jaeho Kim. "SSD Bandwidth Distributing I/O Scheduler Considering Garbage Collection." ECTI Transactions on Computer and Information Technology (ECTI-CIT) 12, no. 1 (2018): 1–6. http://dx.doi.org/10.37936/ecti-cit.2018121.96187.

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There were scheduler studies for QoS(Quality of Service) or SLA(Service Level Agreement) of hard disks. The use of SSDs as storage has been increasing dramatically in recent systems due to their fast performance and low power usage. However, the studies to guarantee the SLA are based on the hard disk and do not consider SSD which is a ash storage device. In the SSD, GC(Garbae Collection) process copies data to an empty block and the corresponding block is removed by the GC. This causes SSD performance to degrade in a virtualized environment with many I/Os. We considered the Linux scheduler to

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Felman, Jyl. "Transgression in Jewish Literature." Judaica Librarianship 8, no. 1 (1994): 119–20. http://dx.doi.org/10.14263/2330-2976.1250.

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Jewish library collection policies as they relate to Jewish gay and lesbian issues are discussed. Questions considered are whether a book about gay Jews or a book written by a Jewish gay author should be included in Judaica collections. The issue is placed within a historical Jewish literary tradition which includes authors such as Grade, Ozick, Miller, Roth and Rukeyser-who write about such transgressive themes as sexuality, assimilation, self-loathing, agnostic rabbis, etc. Through personal examples drawn from her collection of Jewish short stories, Hot Chicken Wings, the author makes a case

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GOBERNA, VICTORIA. "The IVAM Library Collection: Avant-garde magazines from the first half of the 20th century." Serials: The Journal for the Serials Community 17, no. 1 (2004): 77–81. http://dx.doi.org/10.1629/1777.

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Caragol, Taína. "Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection - by Abelardo G. Mena Chicuri." Bulletin of Latin American Research 27, no. 4 (2008): 599–600. http://dx.doi.org/10.1111/j.1470-9856.2008.00286_16.x.

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Skinner, Damian. "Ornament as Art: Avant-garde Jewelry from the Helen Williams Drutt Collection Cindi Strauss (ed.)." Journal of Modern Craft 3, no. 2 (2010): 269–72. http://dx.doi.org/10.2752/174967810x12774789403924.

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Sipovskaya, N. V. "The Russian Avant-Garde and the System of Archetypes. Demonstration Experience." Art & Culture Studies, no. 4 (December 2023): 248–73. http://dx.doi.org/10.51678/2226-0072-2023-4-248-273.

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The article is devoted to a large-scale exhibition at the Primorsky State Art Gallery in Vladivostok, prepared by the State Tretyakov Gallery (curator Irina Kochergina), as well as the album-catalog of this exhibition. Consisting of more than fifty first-class works, mainly from the Tretyakov Gallery collection, it is interesting because for the first time in exhibition practice it correlates the figures of Russian avant-garde artists with the system of psychological archetypes developed by Carol Pearson. While some points are controversial, this experiment is very indicative. Firstly, it resp

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Izar, Julisah, Muhammad Muslim Nasution, and Mie Ratnasari. "Assertive Speech Acts in Mata Najwa Program of Episode Gare-Gare Corona." Lexeme : Journal of Linguistics and Applied Linguistics 2, no. 1 (2020): 53. http://dx.doi.org/10.32493/ljlal.v2i1.6996.

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The main objective of this study is to find out the types and functions of assertive speech acts that appear in Mata Najwa program in episode Gara-Gara Corona. The method used in this study is a qualitative descriptive method by analyzing and explaining the data obtained. The data in this study were speech segments in the Mata Najwa episode Gara-Gara Corona which indicate assertive speech acts. The data source in this study is the video of the program entitled "gara-gara Corona" taken from Youtube, which was published by Narration Newsroom on March 13, 2020. The steps taken in data collection

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Muromtseva, O. V. "История художественного собрания Н.Е. Добычиной в послереволюционные годы: состав и проблемы бытования". Iskusstvo Evrazii [The Art of Eurasia], № 2(21) (30 червня 2021): 92–103. http://dx.doi.org/10.46748/arteuras.2021.02.008.

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Nadezhda Evseevna Dobychina, whose name is strongly associated with the Art Bureau, which operated in St. Petersburg (Petrograd) from 1911 to 1919, possessed a significant collection of works of art by her contemporaries. The central part of the collection consisted of the works of the artists of the “World of Art” (“Mir Iskusstva”) circle, as well as the associations “Blue Rose” and “Union of Russian Artists”. From the lists of the collection preserved in the Dobychina’s archive, made at the initiative of representatives of the Soviet state in 1919, 1924 and 1930, one can trace how the collec

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Jaseliūnas, Egidijus. "Genesis of the term "savilaida": from collections of avant-garde poetry till Lithuanian neologism." Lietuvos istorijos studijos 18 (December 28, 2006): 100–110. http://dx.doi.org/10.15388/lis.2006.37066.

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The genesis of the Lithuanian neologism "savilaida" has not been studied by the science of history, though such studies would allow reasonable answering to the questions of expedience of the usage of the term and uniqueness of its object. The article aims at analyzing the history of the origin of the Lithuanian term "savilaida" and its genesis in the Soviet society. The spread of samizdat neologism in Soviet society was a complicated historical process, determined by a number of external and internal factors. In the 40s, the coinage of "samizdat" by Moscow poet N. Glazkov promptly spread among

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Tania Nur Laili Maharani and Inge Dhamanti. "Factors inhibiting readiness to implement Electronic Medical Records (RME) in management information systems in hospitals: Literature review." World Journal of Advanced Research and Reviews 21, no. 3 (2024): 1807–16. http://dx.doi.org/10.30574/wjarr.2024.21.3.0938.

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Advances in communication and information technology have occurred in the health sector, especially in health services such as hospitals, one of which is Electronic Medical Records (RME). RME is the application of information technology used in collecting, storing data, processing data and accessing data as patient track records. The Ministry of Health is also targeting all health facilities to have implemented RME no later than December 2023. The challenges for implementing RME are so complex, it is necessary to identify factors inhibiting RME implementation and evaluate them. Research Object

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Kertakova, Marija, Jordan Efremov, and Mirjana Kocaleva. "New ways of fashion presentation in the digital age period." Tekstilna industrija 71, no. 1 (2023): 44–50. http://dx.doi.org/10.5937/tekstind2301044k.

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The tendency of dressing in the new so-called "digital age" in the new not only fashionable but also global period is this - the individual needs to feel modern and unique, in that order it is necessary for him to be a part of the new world filled with avant-garde, co-formism, eclecticism, mega-popular goals, semiotic universals, to be outside the limits of the normal, generally accepted and conventional. Of course the same goals are in sync with the global world, its policies, social arrangements, rules and principles, not only in fashion but also in life in general. The fact that events in l

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Akilova, Kamola B. "Turkestan Avant-Garde: Phenomenon and Terminology." Hong Kong Review of Belt and Road Studies, no. 1 (June 30, 2024): 42–51. https://doi.org/10.63596/oborjournal.1.2024.42-51.

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The Turkestan avant-garde is one of the most remarkable artistic phenomena of the first half of the twentieth century, comprehensive not only in terms of styles, trends, concepts, and creative solutions but also in the geographical area it covered. The evolution and synthesis of the Turkestan avant-garde with traditional Central Asian art and culture, as well as its influence on the subsequent art process, provide compelling narratives for further exploration. Its different aspects have been studied to a certain degree by different authors, and yet some valuation points, its significance in th

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SERRY, HERVÉ. "The Work of Editing, its Context and Transformations: Denis Roche’s Fiction & Cie Collection (1974-2004)." Australian Journal of French Studies 58, no. 2 (2021): 123–36. http://dx.doi.org/10.3828/ajfs.2021.11.

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Drawing on source material from archives and press articles, this article presents the conditions in which the Fiction &amp; Cie collection, published by Éditions du Seuil, was founded by Denis Roche in 1974 and how it subsequently evolved. Imagined by an avant-garde writer, this collection offered a new editorial model that ultimately brought about a reconfiguration of the power dynamics within Le Seuil. It illustrates how, at the end of the 1970s, as Marxist or structuralist theoretical-political debates subsided, space opened up for other approaches to editing and aesthetics. Through th

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Bratina, Oksana A., and Alexandr V. Markov. "WOODEN CONSTRUCTIVISM. ON THE POETICS OF WALTER BENJAMIN’S “MOSCOW DIARY”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2020): 207–15. http://dx.doi.org/10.28995/2686-7249-2020-10-207-215.

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Walter Benjamin’s two strongest aesthetic impressions during his trip to Moscow, the theatrical avant-garde and folk toys, are connected not only by the immediacy of the testimony. His “Moscow Diary” is a complex construction, simultaneously a declaration of love for Moscow and a chronicle of an unfamiliar approach to known phenomena. A man of the constructivist era, Benjamin views the scenography of Meyerhold and Tairov avant-garde theater on a micro level, seeing small wooden structures. Those constructions produce a switch from a mode of protocol observation to a mode of disinterested play,

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MIDDLETON, PETER. "Folk Poetry and the American Avant-Garde: Placing Lorine Niedecker." Journal of American Studies 31, no. 2 (1997): 203–18. http://dx.doi.org/10.1017/s002187589700563x.

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What is the effect of placing speech in a poem? What is the effect of placing a poem in a collection of poems by other poets? These ordinary cultural acts of displacement are taken for granted by most writers and readers, but for the Objectivist poet Lorine Niedecker they represented highly conscious acts alien to her everyday world. Although her fellow Objectivists were marginalized by the literary world for much of their careers, they mostly lived and worked within the metropolitan cultures where their avant-garde poetry was read. She spent almost all her life in rural Wisconsin in relative

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Coase, Hal. "Delimit / De-limit: Barbara Guest at Kandinsky’s Window." Text Matters: A Journal of Literature, Theory and Culture, no. 13 (November 27, 2023): 127–42. http://dx.doi.org/10.18778/2083-2931.13.07.

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This essay reads Barbara Guest’s poem “The View from Kandinsky’s Window” from her 1989 collection Fair Realism alongside Wassily Kandinsky’s own theories of form and abstraction. It argues that Guest’s poetic reinvention of historic avant-garde aesthetics on the page can be taken as an exemplary case for new feminist theorizing of the avant-garde as a set of decentered, provisional, and heterogenous practices. Guest’s engagement with Kandinsky is initially situated in the context of Clement Greenberg’s criticisms of the painter throughout the 1940s. According to Greenberg’s formalism, Kandinsk

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Abdulghafur, Hazhar Ahmed, and Hadar Safari Naqab. "'Rebellion as an Avant-Garde Spirit in Handren's Poetry." Journal of University of Raparin 10, no. 3 (2023): 713–37. http://dx.doi.org/10.26750/vol(10).no(3).paper31.

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The leadership of authors and artists has long been a significant issue, concerning the existence and nature of art and literature. Also, it has always been discussed that literature and art are concerning issues, inventing new things, and having perspectives that ordinary people are not capable to feel, know or do them. Thus, there has always been a sort of differentiation or specialty among artists. In the modern era, this has been known as being avant-garde. The present study is entitled 'Rebellion as an Avant-Garde Spirit in Handren's Poetry'. It is an attempt to explain and explore the av

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Adjei-Appoh, Genevieve, Richard Acquaye, and Joseph Ampadu. "The Concept of Avant-Garde as a Creative Fashion Design Trajectory in Sekondi Takoradi - Ghana." Textile & Leather Review 5 (March 4, 2022): 120–31. http://dx.doi.org/10.31881/tlr.2021.35.

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This study seeks to project the concept of avant-garde as a viable and radical approach to instilling creativity in a fashion design practitioner through putting together different materials to represent shape and form in the ultimate sculpting of a silhouette. Even though the concept of avant-garde in fashion has existed for over a century in Europe, the Americas and parts of Asia, the concept has not caught up well in Ghana in terms of practice and application. Meanwhile, it has a great potential to engender creativity in the teaching and practice of fashion. This is because avant-garde enco

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Gorcheva, Maya. "Bulgarian and Ukrainian Poetical Avant-Garde: Comparative Readings." Izdatel XXII, no. 2 (2020): 41–47. https://doi.org/10.70300/syt4yj6hybsazgxsezh.

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The research is focused on two bilingual anthologies published in 2018: Anthology of Bugarian avant-gard Poetry (ed. М. Nedelchev, E. Traykova, M. Ivanova-Guirguinova) and Ukrainian Avant-Garde Poetry (ed. O. Kotcarev, О. Slivinski, J. Stahivska). The goal of the research is to outline the principles of selection and arrangement of texts in both anthologies. Both collections are based on already established schemes of literary history, however the list of main authors and texts is expanded and even refuted as for the Bulgarian anthology.

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Kacprzak, Dariusz. "FROM THE STUDIES ON ‘DEGENERATE ART’ TWENTY YEARS AFTER THE WASHINGTON CONFERENCE. SZCZECIN’S CASE (MUSEUM DER STADT STETTIN)." Muzealnictwo 60 (July 11, 2019): 126–42. http://dx.doi.org/10.5604/01.3001.0013.2857.

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On 5 August 1937, fulfilling the orders of the Chairman of the Reich Chamber of Fine Arts (Reichskammer der bildenden Künste), a confiscation committee showed up at the City Museum in Stettin, and demanded to be presented by the Director of the institution the Museum’s collection in view of ‘degenerate art’. While ‘hunting’ for the Avant-garde and ‘purging museums’, the Nazis confiscated works that represented, e.g. Expressionism, Cubism, Bauhaus Constructivism, pieces manifesting the aesthetics of the New Objectivity, as well as other socially and politically ‘suspicious’ art works from the l

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Karoubi, Brigitte. "Prise en charge de la petite enfance : de la garde à l’accueil collectifs." Après-demain N ° 49, NF, no. 1 (2019): 14. http://dx.doi.org/10.3917/apdem.049.0014.

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Hannesschläger, Vanessa. "Die Vernetzung Ernst Jandls." manuskripte, no. 208/2015 (May 1, 2015): 4–6. https://doi.org/10.5281/zenodo.1181746.

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A short paper on the social networks of the Austrian poet Ernst Jandl, published as a preface to a collection of letters by Ernst Jandl. Die Vernetzung Ernst Jandls [Vorwort zur edierten Auswahl von Briefen und Texten Ernst Jandls]. In: manuskripte 208/2015, 4-6; Jandl-Texte: 7-33.  

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Bogdanova, O. V. "Visual Poetry of Vasily Kamensky." Nauchnyi dialog 14, no. 5 (2025): 289–303. https://doi.org/10.24224/2227-1295-2025-14-5-289-303.

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This paper offers an interpretation of select poems by the early 20th-century avant-garde poet Vasily Kamensky. Through an examination of early works from Kamensky's collection of “reinforced concrete poems,” particularly “Tango with Cows” (1914), various examples of the poet's visual texts are explored. Possible interpretations of the complex, often elusive pictorial poems of the aviator-poet are proposed. The texts of the poems “Vasily Kamensky's Flight on an Airplane in Warsaw” and “Constantinople” are analyzed, focusing on the techniques and mechanisms that generate unusual visual impressi

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