Relevant bibliographies by topics / Gender and film

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Gender and film'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Gender and film"

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Zoonen, Liesbet. "Gender and Film." Journal of Communication 42, no. 4 (1992): 180–85. http://dx.doi.org/10.1111/j.1460-2466.1992.tb00818.x.

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Kurnia, Novi. "CONSUMING GENDER AND DISABILITY IN INDONESIAN FILM." Jurnal ASPIKOM 3, no. 3 (2017): 570. http://dx.doi.org/10.24329/aspikom.v3i3.175.

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This study aims to examine the film audience reception on gender and disabilities representation towards What We Don’t Talk About When We Talk About Love (Yang Tidak Dibicarakan Ketika Membicarakan Cinta, 2013). This film directed by a prominent Indonesian woman film director, Mouly Surya, and produced in 2013. Such audience study is very important in the scholarship of women and Indonesian films dominated by studies on women representation in the film and women filmmakers. Employing reception analysis based on Stuart Hall’s work, this study involves six Indonesian students as informant of a s
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Ojiambo-Hongo, Evelyn, John Mugubi, and Rosemary Nyaole. "The Gender Agenda in Kenyan Children’s Feature Films." Journal of African Theatre, Film and Media Discourse 1, no. 1 (2020): 44–56. http://dx.doi.org/10.33886/kujat.v1i1.125.

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The gender agenda has featured substantially in creative works from Africa and particularly Kenya. Although film is considered a new form of creative expression in Africa, compared to the west, it has not been excluded in exploring gender issues. While the gender discussion has prominently featured adults, the Kenyan film has gone a step further and explored gender on a different level. Gender has been explored from the point of view of the child and employed the child character as a suitable medium. Kenyan filmmakers by employing the child character on the subject of gender seem to suggest th
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Yoshina Siautta, Sarah, Anastasia Yuni Widyaningrum, and Agatha Winda Setyarinata. "Selubung Ketidakadilan Peran Gender dalam Motherhood pada Film Athirah." Tuturlogi 1, no. 3 (2020): 165–83. http://dx.doi.org/10.21776/ub.tuturlogi.2020.001.03.2.

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Often times Indonesian films raise issues around women, especially about mothers, which is linked to gender inequality between men and women. The films that depict women unfairly in a disadvantageous position is a product of patriarchal culture. Women, especially mothers, often have less dominant roles and positions in all fields; also women are rarely used as main characters. The same is the case with the characterization of the mother in the film Athirah. In this study, we discussed about how motherhood is shown in the film Athirah. This study employed semiotic method proposed by Charles San
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Radkiewicz, Małgorzata. "Sexuality, Feminism and Polish Cinema in Maria Kornatowska’s "Eros i film"." Panoptikum, no. 23 (August 24, 2020): 117–30. http://dx.doi.org/10.26881/pan.2020.23.09.

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The text addresses the issue of feminist film criticism in Poland in the 1980s, represented by the book by Maria Kornatowska Eros i film [Eros and Film, 1986]. In her analysis Kornatowska focused mostly on Polish cinema, examined through a feminist and psychoanalytic lens. As a film critic, she followed international cinematic offerings and the latest trends in film studies, which is why she decided to fill the gap in Polish writings on gender and sexuality in cinema, and share her knowledge and ideas on the relationship between Eros and Film. The purpose of the text on Kornatowska’s book was
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Agustina, Pradipta, and Maimunah Maimunah. "Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire." ATAVISME 16, no. 2 (2013): 141–52. http://dx.doi.org/10.24257/atavisme.v16i2.89.141-152.

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The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This one­hour­and­fifty­seven­minute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance
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Hirschfeld-Kroen, Leana. "Weavers of Film." Feminist Media Histories 7, no. 3 (2021): 104–34. http://dx.doi.org/10.1525/fmh.2021.7.3.104.

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This article uses AT&T’s 1910s–30s “Weavers of Speech” campaign to read on-screen telegraph and telephone operators as vernacular translators of cinematic syntax and hypervisible avatars for the invisible cutter girls who “knitted the pieces of film together” on studio lots. While operators largely played peripheral roles in classical films, two transitional periods saw them rise to the surface of story en masse, as if temporarily hired to sew over a rupture. A comparative analysis of telephone girls’ enlistment as temp techno-pedagogues during US film’s introduction of crosscutting and Eu
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Fahmi, Muhammad. "Hegemoni Kesetaraan Gender Pada Film Kartini Karya Hanung Bramantyo." Musãwa Jurnal Studi Gender dan Islam 19, no. 1 (2020): 85. http://dx.doi.org/10.14421/musawa.2020.191.85-97.

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Artikel ini mendeskripsikan penerimaan atau resepsi dunia Islam pada konsepsi kesetaraan gender. Kajian ini mengeksplorasi posisi audien dalam meresepsi pesan-pesan kesetaraan gender dalam Film Kartini karya Hanung Bramantyo. Data diambil dari wawancara audien Film. Mereka adalah perempuan yang aktif di Ormas Perempuan Islam. Penonton film relatif berkomentar tentang kesuksesan film sebagai media penyebaran gagasan dan nilai-nilai kesetaraan gender. Mereka menerima nilai-nilai equality secara terbuka dan bulat pada konsepsi kesetaraan gender secara dominan hegemonik. Hal ini mematahkan asumsi
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Shrage, Laurie. "Feminist Film Aesthetics: A Contextual Approach." Hypatia 5, no. 2 (1990): 137–48. http://dx.doi.org/10.1111/j.1527-2001.1990.tb00422.x.

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This paper considers some problems with text-centered psychoanalytic and semiotic approaches to film that have dominated feminist film criticism, and develops an alternative contextual approach. I claim that a contextual approach should explore the interaction of film texts with viewers' culturally formed sensibilities and should attempt to render visible the plurality of meaning in art. I argue that the latter approach will allow us to see the virtues of some classical Hollywood films that the former approach has overlooked, and I demonstrate this thesis with an analysis of the film Christoph
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Sutorini, Maulia Putri, Muhammad Alif, and Sarwani Sarwani. "Semiotika Gender dalam Film Brave." ProTVF 3, no. 1 (2019): 101. http://dx.doi.org/10.24198/ptvf.v3i1.21246.

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Dissertations / Theses on the topic "Gender and film"

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Thomas, Martin Darren. "Border crossings : (re)presenting gender in surrealist film." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9074.

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This thesis is in two parts: a theoretical section (60%), which provides an analysis of gender identity in Surrealist film through consideration of a range of Surrealist films; and a practical section (40%), consisting of a body of original creative work (collage, film and assemblage), which builds on and is in dialogue with the theoretical insights of the research. Transformation is seen as central to a mapping and remapping of the spaces, (supposed) limits and frontiers of Surrealist notions of gender identity. In particular this thesis examines how Surrealist film makers engage with represe
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Bremer, Rose Mary. "Screening gender and sexuality in contemporary Quebec film adaptation." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1085495358.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains vi, 186 p.; also includes graphics. Includes bibliographical references (p. 171-186). Available online via OhioLINK's ETD Center.
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Vollbrecht, Ralf, and Christine Dallmann. "Editorial - Transhumanismus, Migration, Gender – Aktuelle gesellschaftliche Aspekte im Film." Technische Universität Dresden, 2018. https://tud.qucosa.de/id/qucosa%3A31425.

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Mit Transhumanismus, Migration und Gender werden in dieser Ausgabe von Medienwelten drei aktuelle gesellschaftliche Aspekte thematisiert, die im Rahmen von Filmanalysen sowie einer empirischen Rezeptionsstudie zu den Lieblingsfilmen und Lieblingshelden von Kindern bearbeitet werden.
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Williams, Melanie Jane. "Divergent femininities in British film, 1945-59." Thesis, University of Hull, 2004. http://hydra.hull.ac.uk/resources/hull:11120.

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British cinema of the post-war period has often been characterised as anodyne in terms of gender relations, with the exciting 'wicked ladies' of the war years erased in favour of more conservative versions of femininity. Recent writing (Geraghty, 2000, Harper and Porter, 2003) has brought challenges to bear on this paradigm and opened up a critical space for a more nuanced analysis of gender. This thesis considers representations of divergent femininities in post-WWII British films, that is, female characters who function as liminal figures and who queer boundaries between normative and diverg
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Lacey, Joanne Elizabeth. "Seeing through happiness : class, gender and popular film; Liverpool women remember the fifties film musical." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300615.

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Hanson, Helen. "Painted women : framing portraits in film noir and the gothic woman's film of the 1940s." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364751.

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Yoshida, Keina. "The cinematic jurisprudence of gender crimes : the ICTY and film." Thesis, London School of Economics and Political Science (University of London), 2015. http://etheses.lse.ac.uk/3133/.

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In 2011, the International Criminal Tribunal for the former Yugoslavia (ICTY) produced and released a documentary film entitled “Sexual Violence and the Triumph of Justice.” The documentary available on the Tribunal website is the first film produced by the Tribunal in a series of documentaries arranged thematically and geographically. In declaring a triumph of justice and by highlighting the work of feminist lawyers and judges, the official narrative seeks to reassure the international community that progress is being made in holding individuals responsible for gender crimes. The availability
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Milana, Taylor. "Gender Inequality in Hollywood: The Magnitude, Determinants, and Influence of the Gender Wage Gap in the Film Industry." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1296.

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In the field of labor economics, abundant research has been conducted on the cause and magnitude of the gender wage gap in various industries in the United States. While the national gender wage gap has decreased over the last few decades, this trend has not been observed in every industry. The film industry, in particular, has experienced a notable lack of progress in both its social and economic treatment of women. Because Hollywood has significant influence in the United States, its misguided portrayal of women and failure to ensure equal pay for male and female actors sets a harmful standa
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McVey, David Charles. "Man Enough: Multiple Masculinities in the Films of Pavel Lungin." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384769814.

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Mädler, Kathrin. "Broken Men : sentimentale Melodramen der Männlichkeit - Krisen von Gender und Genre im zeitgenössischen Hollywood-Film /." Marburg : Schüren, 2008. http://www.schueren-verlag.de/?aid=1969.

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Books on the topic "Gender and film"

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Branston, Gill. Film & gender. Film Education, 1985.

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R, Smith Carol, ed. Gender, ethnicity and sexuality in contemporary American film. Fitzroy Dearborn Publishers, 1997.

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Screening gender, framing genre: Canadian literature into film. University of Toronto Press, 2007.

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Davies, Jude. Gender, ethnicity and sexuality in contemporary American film. Fitzroy Dearborn, 2000.

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Schleier, Merrill. Skyscraper cinema: Architecture and gender in American film. University of Minnesota Press, 2009.

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Skyscraper cinema: Architecture and gender in American film. University of Minnesota Press, 2009.

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Detecting women: Gender and the Hollywood detective film. SUNY Press, 2011.

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Lauretis, Teresa De. Technologies of gender: Essays on theory, film, and fiction. Indiana University Press, 1987.

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Lauretis, Teresa De. Technologies of gender: Essays on theory, film, and fiction. Indiana University Press, 1987.

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Willis, Sharon. High contrast: Race and gender in contemporary Hollywood film. Duke University Press, 1997.

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Book chapters on the topic "Gender and film"

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Rockler-Gladen, Naomi. "Film and Television." In Race/Gender/Class/Media. Routledge, 2019. http://dx.doi.org/10.4324/9781351630276-31.

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Crouch, Margaret A. "Food Worlds, Film, and Gender." In Encyclopedia of Food and Agricultural Ethics. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6167-4_497-1.

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Crouch, Margaret A. "Food Worlds, Film, and Gender." In Encyclopedia of Food and Agricultural Ethics. Springer Netherlands, 2019. http://dx.doi.org/10.1007/978-94-024-1179-9_497.

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Crouch, Margaret A. "Food Worlds, Film, and Gender." In Encyclopedia of Food and Agricultural Ethics. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0929-4_497.

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Fuery, Patrick. "Seduction: Gender, Genre and Power." In New Developments in Film Theory. Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-0-333-98569-4_9.

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Dimitrova, Diana. "Religion and Gender in Bollywood Film." In Religion in Literature and Film in South Asia. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230105522_4.

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Ruf, Michael. "Gender plus ‚Race’ im Hollywood-Film." In Eine Frage des Geschlechts. VS Verlag für Sozialwissenschaften, 2004. http://dx.doi.org/10.1007/978-3-322-80575-1_17.

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Flicker, Eva, and Lena Lisa Vogelmann. "Gender in the Austrian Film Industry." In Women in the International Film Industry. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39070-9_2.

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French, Lisa. "Aesthetics and the Influence of Gender." In The Female Gaze in Documentary Film. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68094-7_4.

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Hepworth, Rose. "Wanting More: Gender, Space and Desire in Darling and Four in the Morning." In London on Film. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64979-5_8.

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Conference papers on the topic "Gender and film"

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Schofield, Alexandra, and Leo Mehr. "Gender-Distinguishing Features in Film Dialogue." In Proceedings of the Fifth Workshop on Computational Linguistics for Literature. Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/w16-0204.

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Kostina, Tetiana. "FEATURES OF THE USE OF FILM ANALYSIS IN DEALING WITH GENDER ISSUES." In Relevant Issues of the Development of Science in Central and Eastern European Countries. Publishing House “Baltija Publishing”, 2019. http://dx.doi.org/10.30525/978-9934-588-11-2_31.

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Chakim, Sulkhan, Nawawi, Uus Uswatussolikah, and Moh Roqib. "Intersectionality of Gender and Religious Politics in the Humanitarian Discourse of Ayat-Ayat Cinta Film." In 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200529.211.

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Thomas, Theda, and Alesha Allen. "Gender Differences in Students’ Perceptions of Information Technology as a Career." In InSITE 2006: Informing Science + IT Education Conference. Informing Science Institute, 2006. http://dx.doi.org/10.28945/3035.

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This paper reports on an investigation into first year students’ perceptions of IT as a career. There are many stereotypes of the typical IT professional. These stereotypes are often depicted in the media and affect students’ perceptions of the career and whether they should study IT or not. An exploratory study into male and female first year students’ perceptions of the IT professional is presented. The participants included students studying the Bachelor of Business and Bachelor of Information Systems degrees at ACU National in Melbourne, Australia. The study investigated the differences an
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Kohl, Marie-Anne. "Die weinende Jury. »Geschlechtslose« Tränen bei globalen Musik-Castingshows?" In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.59.

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Tears are flowing. Whether Yvonne Catterfeld, Kazim as-Sahir, Unati Msenga-na, Liu Huan, Simon Cowell or Lira – they are all part of a jury of global music casting show formats such as The Voice, Idol or Got Talent and show their tears in front of the camera, seemingly ashamed and yet completely uninhibited. Their tears flow in reaction to ‘particularly soulful’ music titles or to the candidates’ tragic personal stories, paired with the ‘right’ song selection. The display of great emotions is an essential element of reality TV formats. With Sara Ahmed, they can be understood in the sense of an
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Yang, Kai-Chou, Timothy Niven, Tzu Hsuan Chou, and Hung-Yu Kao. "Fill the GAP: Exploiting BERT for Pronoun Resolution." In Proceedings of the First Workshop on Gender Bias in Natural Language Processing. Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-3815.

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Chau, Kien Tsong, Pau Yen Ooi, and Tan Rurng Jang Amos. "Perception of gender-stereotype in films." In ICMIP 2020: 2020 5th International Conference on Multimedia and Image Processing. ACM, 2020. http://dx.doi.org/10.1145/3381271.3381303.

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Mardiana, Mardiana. "Gender in Investment on Firm the Value of Firm." In International Conference on Engineering, Technology and Social Science (ICONETOS 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210421.102.

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Fischer, Stephan, Rainer Lienhart, and Wolfgang Effelsberg. "Automatic recognition of film genres." In the third ACM international conference. ACM Press, 1995. http://dx.doi.org/10.1145/217279.215283.

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Santos, Andre L., Joana D. Alexandre, and Fabiane Meireles. "A Survey about Gender Diversity in a More Gender-Balanced IT Firm." In 2021 4th International Conference of the Portuguese Society for Engineering Education (CISPEE). IEEE, 2021. http://dx.doi.org/10.1109/cispee47794.2021.9507227.

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Reports on the topic "Gender and film"

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Sicherman, Nachum. Gender Differences in Departure from a Large Firm. National Bureau of Economic Research, 1993. http://dx.doi.org/10.3386/w4279.

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Álvarez-Hernández, C., B. González de Garay-Domínguez, and FJ Frutos-Esteban. Gender representation in contemporary Spanish teen films (2009-2014). Revista Latina de Comunicación Social, 2015. http://dx.doi.org/10.4185/rlcs-2015-1079en.

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Saha, Amrita, Jodie Thorpe, Keir Macdonald, and Kelbesa Megersa. Linking Business Environment Reform with Gender and Inclusion: A Study of Business Licensing Reform in Indonesia. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.001.

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Business environment reform (BER) targets inadequate business regulations. It is intended to remove constraints to business investment, enabling growth and job creation, and create opportunities for international business to contribute to and benefit from this growth. However, there is a lack of detailed knowledge of the impact of BER on gender and inclusion (G&amp;I). While a review of existing literature suggests that in general, there is no direct link between BER and G&amp;I, indirect links are likely through the influence of BER on firm performance. Outcomes will be influenced by the diff
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Flabbi, Luca, Mario Macis, Andrea Moro, and Fabiano Schivardi. Do Female Executives Make a Difference? The Impact of Female Leadership on Gender Gaps and Firm Performance. National Bureau of Economic Research, 2016. http://dx.doi.org/10.3386/w22877.

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Salama, Hana, and Emma Bjertén-Günther. Women Managing Weapons: Perspectives for Increasing Women’s Participation in Weapons and Ammunition Management. United Nations Institute for Disarmament Research, 2021. http://dx.doi.org/10.37559/gen/2021/02.

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UNIDIR’s new study Women Managing Weapons: Perspectives for Increasing Women’s Participation in Weapons and Ammunition Management seeks to fill this gap by exploring women’s participation in the field of weapons and ammunition management, particularly their lived experiences in WAM technical roles, such as stockpile managers, armourers, ammunition and technical experts, explosive ordnance disposal specialist. The purpose is to unpack the challenges faced by these women and identify good practices for further inclusion of women in WAM. It also provides ideas for states, international organizati
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Tennant, David. Business Surveys on the Impact of COVID-19 on Jamaican Firms. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003251.

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The datasets come from two surveys of Jamaican businesses conducted between May and June 2020. Two sets of self-administered surveys were conducted using Survey Monkey. A very small sample of financial institutions was surveyed to gain perspective on the challenges facing financiers as a result of the pandemic, and their efforts to respond to such challenges. Nine financial institutions completed this survey, and the results were used to complement the information derived from the second and major survey. The second survey targeted non-financial businesses operating in Jamaica. The sample of f
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