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1

Branston, Gill. Film & gender. Film Education, 1985.

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2

R, Smith Carol, ed. Gender, ethnicity and sexuality in contemporary American film. Fitzroy Dearborn Publishers, 1997.

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3

Screening gender, framing genre: Canadian literature into film. University of Toronto Press, 2007.

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4

Davies, Jude. Gender, ethnicity and sexuality in contemporary American film. Fitzroy Dearborn, 2000.

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5

Schleier, Merrill. Skyscraper cinema: Architecture and gender in American film. University of Minnesota Press, 2009.

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6

Skyscraper cinema: Architecture and gender in American film. University of Minnesota Press, 2009.

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7

Detecting women: Gender and the Hollywood detective film. SUNY Press, 2011.

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8

Lauretis, Teresa De. Technologies of gender: Essays on theory, film, and fiction. Indiana University Press, 1987.

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9

Lauretis, Teresa De. Technologies of gender: Essays on theory, film, and fiction. Indiana University Press, 1987.

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10

Willis, Sharon. High contrast: Race and gender in contemporary Hollywood film. Duke University Press, 1997.

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11

Strains of Utopia: Gender, nostalgia, and Hollywood film music. Princeton University Press, 1992.

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12

Gender Performances: Wissen und Geschlecht in Musik, Theater, Film. Böhlau Verlag, 2011.

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13

Adapting Henry James to the screen: Gender, fiction, and film. Scarecrow Press, 2007.

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14

Laing, Heather. The gendered score: Music and gender in 1940s melodrama and the woman's film. Ashgate, 2007.

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15

Laing, Heather. The gendered score: Music and gender in 1940s melodrama and the woman's film. Ashgate, 2007.

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16

Ryo, Hirabayashi Lane, ed. Reversing the lens: Ethnicity, race, gender, and sexuality through film. University Press of Colorado, 2003.

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17

Gurr, Barbara, ed. Race, Gender, and Sexuality in Post-Apocalyptic TV and Film. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1007/978-1-137-49331-6.

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18

Men, women and chainsaws: Gender in the modern horror film. British Film Institute, 1993.

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19

Crofts, Stephen. Identification, gender and genre in film: The case of Shame. Australian Film Institute, 1993.

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20

McCormick, Richard W. Gender and sexuality in Weimar modernity : film, literature, and "new objectivity". Palgrave, 2001.

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21

Nagelschmidt, Ilse. Geschlechtergedächtnisse: Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Frank & Timme, 2010.

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22

Men, women, and chain saws: Gender in the modern horror film. Princeton University Press, 1992.

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23

Gender and sexuality in Weimar modernity: Film, literature, and "new objectivity". Palgrave, 2001.

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24

Geschlechtergedächtnisse: Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Frank & Timme, 2010.

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25

Seeing through music: Gender and modernism in classic Hollywood film scores. Oxford University Press, 2011.

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26

Printing, London College of. BA Film and Video thesis 1988: Class and gender in Eastenders. LCP, 1988.

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27

Authorizing Shakespeare on film and television: Gender, class, and ethnicity in adaptation. Peter Lang, 2011.

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28

Stigsdotter, Ingrid. Making the invisible visible: Reclaiming women’s agency in Swedish film history and beyond. Kriterium, 2019.

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29

Sean, Griffin, ed. America on film: Representing race, class, gender, and sexuality at the movies. 2nd ed. Wiley-Blackwell, 2009.

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30

Gender, Film, Media. Rabid, 2001.

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31

Richardson, Niall, and Sue Thornham. Film and Gender. Taylor & Francis Group, 2013.

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32

King, Neal, Rayanne Streeter, Jessica Herling, and Talitha Rose. Gender in Film and Video. Taylor & Francis Group, 2018.

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33

King, Neal, Rayanne Streeter, Jessica Herling, and Talitha Rose. Gender in Film and Video. Taylor & Francis Group, 2018.

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34

King, Neal, Rayanne Streeter, Jessica Herling, and Talitha Rose. Gender in Film and Video. Taylor & Francis Group, 2018.

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35

Exploring Culture & Gender Through Film. 2016.

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36

King, Neal, Rayanne Streeter, Jessica Herling, and Talitha Rose. Gender in Film and Video. Routledge, 2018. http://dx.doi.org/10.4324/9781315465494.

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37

Gender in Film and Video. Routledge, 2018.

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38

Race And Gender In American Film. Pearson Learning Solutions, 2009.

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39

Gerrard, Steven, Samantha Holland, and Robert Shail. Gender and Contemporary Horror in Film. Emerald Publishing Limited, 2019.

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40

Holland, Samantha, Robert Shail, and Steven Gerrard, eds. Gender and Contemporary Horror in Film. Emerald Publishing Limited, 2019. http://dx.doi.org/10.1108/9781787698970.

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41

Gerrard, Steven, Samantha Holland, and Robert Shail. Gender and Contemporary Horror in Film. Emerald Publishing Limited, 2019.

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42

Banerjee, Sikata. Gender, Nation and Popular Film in India. Routledge, 2016. http://dx.doi.org/10.4324/9781315623474.

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43

Frackman, Kyle, and Faye Stewart, eds. Gender and Sexuality in East German Film. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787442504.

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44

Spectatorship: Shifting Theories of Gender, Sexuality, and Media. University of Texas Press, 2017.

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45

Whittington, William, and Roxanne Samer. Spectatorship: Shifting Theories of Gender, Sexuality, and Media. University of Texas Press, 2017.

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46

1963-, Marsh Steven, and Nair Parvati, eds. Gender and Spanish cinema. Berg, 2004.

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47

Gender and sexuality in African literature and film. Africa World Press, 2006.

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48

Smith, Carol R., and Jude Davies. Gender, Ethnicity and Sexuality in Contemporary American Film. Taylor & Francis Group, 2016.

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49

Gender, Ethnicity, and Sexuality in Contemporary American Film. Edinburgh University Press, 1998.

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50

(Editor), Ada Uzoamaka Azodo, and Maureen Ngozi Eke (Editor), eds. Gender and Sexuality in African Literature and Film. Africa World Press, Inc., 2007.

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